Critical Identity Classrooms As Turbulent Spaces: Exploring Student and Instructor Experiences with Identities, Privilege, and Power
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Preface Introduction
Notes Preface 1. Luisa Pretolani's video, Things I Take, which deals with Indian women im migrants, speaks to the experience of emigration in ways that transcend the specific experience of a single ethnic group. The issues the women who appear in this video address relate to the significance of and repercussions on one's sense of self of the separation from one's homeland. 2. See Gilbert and Gubar's feminist classic The Madwoman in the Attic (1979), in which they ofTer adefinition of anxiety of authorship, which they jux tapose to the more masculine "anxiety of influence" (50), the title subject of Harold Bloom's study. 3. I began to study Italian American literature and minority literatures not in graduate school, but in the years following my graduation, in the early 1990s. 4. My first actual encounter with Italian American literature actually oc curred in 1983, at a conference on Italian American Studies of the AISNA (ItalianAssociation ofNorthAmerican Studies).The conference was orga nized by my then professor of American Literature at the University of Catania, Maria Vittoria D'Amico. I was one of a handful of undergraduate students involved in the organization of the conference. There, I met sev eral American professors, includingJohn Paul Russo, who would later ofTer me a teaching assistantship at the University of Miami. 5. Giunta, "The Quest forTrue Love: Nancy Savoca's Domestic Film Comedy." 6. In 1987, DeSalvo had also published-in England-Casting Off, an outra geous novel about Italian American women and adultery. 7. Oddly enough, much like other women and minority writers who, once they started looking, found literary sisters and ancestors, I, too, would later discover two other writers in my family, Giuseppe Minasola and Laura Emanuelita Minasola. -
Mixed Race’ and Resistance in Contemporary Australian Literature
View metadata, citation and similar papers at core.ac.ukbrought to you by CORE provided by Sydney eScholarship COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Intervening in the racial imaginary: ‘mixed race’ and resistance in contemporary Australian Literature Lyn Dickens A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences University of Sydney 2014 This thesis is my own work and does not incorporate, without acknowledgement, any material previously submitted for a degree or diploma in any university. -
Identity on the Threshold: the Myth of Persephone in Italian American
1 Identity on the Threshold: The Myth of Persephone in Italian American Women’s Memoirs Valentina Seffer A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Italian Studies, School of Languages and Cultures, Faculty of Arts and Social Sciences 2015 2 Contents Acknowledgments ......................................................................................................... 6 Abstract ....................................................................................................................... 10 Introduction ................................................................................................................. 12 The myth of Persephone .......................................................................................... 25 Re-visioning Persephone in Italian American women’s works ............................... 33 Structure of the thesis .............................................................................................. 44 Chapter 1 ..................................................................................................................... 49 ‘No more masks! No more mythologies!’ ................................................................... 49 Persephone and Italian American Women Writers’ Memoirs .................................... 49 1. Memoir and nonfiction ........................................................................................ 52 2. Autobiography and memoir: a tug-of-war .......................................................... -
Intersection of Gender and Italian/Americaness
THE INTERSECTION OF GENDER AND ITALIAN/AMERICANESS: HEGEMONY IN THE SOPRANOS by Niki Caputo Wilson A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL December 2010 ACKNOWLEDGEMENTS I could not have completed this dissertation without the guidance of my committee members, the help from my friends and colleagues, and the support of my family. I extend my deepest gratitude to my committee chair Dr. Jane Caputi for her patience, guidance, and encouragement. You are truly an inspiration. I would like to thank my committee members as well. Dr. Christine Scodari has been tireless in her willingness to read and comment on my writing, each time providing me with insightful recommendations. I am indebted to Dr Art Evans, whose vast knowledge of both The Sopranos and ethnicity provided an invaluable resource. Friends, family members, and UCEW staff have provided much needed motivation, as well as critiques of my work; in particular, I thank Marc Fedderman, Rebecca Kuhn, my Aunt Nancy Mitchell, and my mom, Janie Caputo. I want to thank my dad, Randy Caputo, and brother, Sean Caputo, who are always there to offer their help and support. My tennis friends Kathy Fernandes, Lise Orr, Rachel Kuncman, and Nicola Snoep were instrumental in giving me an escape from my writing. Mike Orr of Minuteman Press and Stefanie Gapinski of WriteRight helped me immensely—thank you! Above all, I thank my husband, Mike Wilson, and my children, Madi and Cole Wilson, who have provided me with unconditional love and support throughout this process. -
The Status of Interpretation in Italian American Studies
Forum Italicum Filibrary Series No. 30 The Status of Interpretation in Italian American Studies Proceedings of the first Forum in Italian American Criticism [FIAC] Edited by Jerome Krase ✦ Forum Italicum Publishing ✦ Stony Brook, NY Library of Congress Cataloging-in-Publication Data forthcoming ISBN 1–893127–32–X Sponsored by the Alfonse M. D’Amato Chair in Italian and Italian American Studies at Stony Brook University Forum Italicum Center for Italian Studies State University of New York at Stony Brook Stony Brook, NY 11794–3358 USA www.italianstudies.org Copyright © 2011 by Forum Italicum Publishing All Rights Reserved Cover design: Stony Brook University, Office of Communications All rights reserved. TABLE OF CONTENTS Conference Rationale Peter Carravetta ..................................................................................... vii Introduction Jerome Krase .......................................................................................... xi The Ice Margin Robert Viscusi ......................................................................................... 19 Commedia della Morte: Theories of Life and Death in Italian American Culture Fred Gardaphè ........................................................................................ 31 Reflections on Italian Americans and “Otherness” Anthony Julian Tamburri ........................................................................ 45 Renewing the Conceptual Dimensions of Italian-American Writing and Scholarship William Boelhower ................................................................................ -
Dottorato in Cotutela
Università degli Studi Roma Tre Dipartimento di Comunicazione e Spettacolo Scuola Dottorale “Culture e trasformazioni della città e del territorio” Sezione “Il cinema nelle sue interrelazioni con il teatro e le altre arti” XXIV ciclo – a.a. 2011 - 2012 Titolo della tesi: Identità culturali in crisi: sguardo sui processi di inclusione-esclusione nel cinema francese e francofono contemporaneo di finzione (1990-2010). Dottoranda: Tutor: Valentina Domenici Prof. G. De Vincenti Prof.ssa L. Schifano 1 Sommario: Introduzione Parte Prima Capitolo 1. Identità fluttuanti in un’era “post-nazionale”. La crisi politico-sociale delle moderne democrazie occidentali e della forma Stato-Nazione. Ruolo delle grandi ondate di immigrazione: la rottura dell’isomorfismo tra popolo e territorio. L’identità nazionale e culturale come il risultato di molteplici costrutti culturali, sociali e storici. 1.1 Il malessere del cittadino contemporaneo, la vita nuda e i diritti negati. La figura attuale del rifugiato come punto di partenza per una riflessione sul concetto di “vita nuda” e sulle dinamiche di funzionamento della biopolitica. 1.2 Mondializzazione e differenza. Il fenomeno “glocal”: g lobalizzazione vs differenziazione culturale. 1.3 Cultura e culture dell’altro, una breve ricognizione. Un territorio artistico (teatrale e cinematografico) sotto il segno della “differenza”. Capitolo 2. La società francese di oggi e il suo cinema: traumi e ombre del passato coloniale. Il postcolonialismo come applicazione di schemi culturali coloniali a certe categorie della popolazione. 2.1 La questione della frattura coloniale e il suo impatto sull’immaginario attuale: un nuovo razzismo differenzialista. La costruzione dello sguardo e l’immaginario collettivo: immagini mediali e disuguaglianze sociali. -
Curriculum Vitae JOHN PAUL RUSSO Dept. of English
Curriculum Vitae JOHN PAUL RUSSO Dept. of English, Dept. of Classics University of Miami, Coral Gables, FL 33124 305-284-3989 (office), 786-200-0803 (cell) [email protected] SCHOLARLY INTERESTS Poetics and Critical Theory; Italian and Italian American Cultural Studies; Contemporary American Cultural Studies EDUCATION Harvard University, A.B. l965, M.A. 1966, Ph.D. l969 ACADEMIC POSITIONS 2013- Chair, Department of Classics 1982- Professor of English; 2008-, Professor of Classics, University of Miami; Acting Chair, Dept. of Classics, 2004-7; Chair, Dept. of English, l982-1986, Acting Chair, 2011- 12; Dir., Graduate Studies in English, 2002-5; Interim Dir., Masters in Liberal Studies, 2002, Program in Classical Antiquity, 2003-2004 1977-1982 Associate Professor of English, Rutgers University at Camden; 1980-82, Professor of English 1973-1977 Assistant Professor of English, University of Chicago 1969-1973 Assistant Professor of English, Harvard University Visiting Positions 2006 Visiting Professor, Dept. of Linguistics and Foreign Literatures, University of Salerno 1990 Visiting Professor, Dept. of English, University of Genoa 1987-88 Visiting Professor, Dept. of American Studies, University of Rome “La Sapienza” 1980-81 Visiting Professor, Dept. of English, University of Palermo 1974 Supervisor in English, Magdalene College, Cambridge University HONORS AND AWARDS Outstanding Teaching Award, University of Miami, 2012 Cooper Fellowship, University of Miami, 2007-2010 Thomas N. Bonner Award, The Future without a Past: The Humanities in a Technological -
No Cinema / Colonial Imaginaries: Propaganda
Comunicação e Sociedade, vol. 29, 2016, pp. 197 –217 doi: http://dx.doi.org/10.17231/comsoc.29(2016).2416 áfrica em Lisboa- Os Indígenas da Guiné na Grande Exposição Industrial e Guiné Aldeia Indígena em Lisboa -1932: a construção do corpo feminino Francesca de Rosa Resumo Neste ensaio proponho-me questionar a construção iconográfica subjacente ao projeto colonial português, no âmbito do qual o Estado Novo usou a imagem em movimento para consolidar categorias sociais definidas pela sua propaganda usando um discurso propagandista sobre realidade e autenticidade e através do recurso a estruturas estereotipadas como raça e gé- nero. Enquadrada por uma problematização do conceito de arquivo (e mais especificamente do arquivo digital), a análise baseia-se na (re)leitura desconstrutiva da narração de dois documen- tários realizados por ocasião da Exposição Industrial Portuguesa de 1932, África em Lisboa- Os Indígenas da Guiné na Grande Exposição Industrial e Guiné Aldeia Indígena em Lisboa – 1932, em que a representação da relação de dominação sobre o corpo feminino negro é o eixo argumen- tativo principal. Palavras-chave Estudos visuais; representação colonial; Estado Novo; cinema; arquivo; corpo negro feminino Figura 1: Algumas das princesas da Exposição Colonial Portuguesa 1932 ©Arquivo Nacional- Torre do Tombo1 1 Retirado de http://digitarq.arquivos.pt/viewer?id=1214797, Álbum nº 024, letra G - 3ª e última parte, Cota: PT/TT/EPJS/ SF/001-001/0024/1093G, Empresa Pública Jornal O Século 1880/1979, Serviço de Fotografia, 1932. Comunicação e Sociedade, vol. 29, 2016 áfrica em Lisboa- Os Indígenas da Guiné na Grande Exposição Industrial e Guiné Aldeia Indígena em Lisboa -1932: a construção do corpo feminino . -
Immaginare Gli Italo-Americani: Dalla Scuola Di Chicago in Poi
DIPARTIMENTO CULTURE E SOCIETÀ Samuele Grassi – Cirus Rinaldi IMMAGINARE GLI ITALO-AMERICANI: DALLA SCUOLA DI CHICAGO IN POI. INTRODUZIONE ALLA SEZIONE «CLASSICS» http://dx.doi.org/XXXXXXXXXXXX Abstract This piece introduces Chiara Mazzucchelli, Anthony Julian Tamburri, and Sabrina Velluc- ci’s essays on Italian-Americanness, and extracts from Irving L. Child and Harvey Warren Zorbaugh’s sociological studies on marginality and «vice» areas in the US of the early XX century. It frames these distinctive and insightful pieces within the context of identitarian, linguistic, and cultural struggles that make up the archives of Italian migrant communities in the US.In conversation with the five pieces, this introduction aims to inquire into the practices of stigmatisation and reproduction of violence by dominant epistemological and ontological frameworks travelling beyond borders. Socioscapes. International Journal of Societies, Politics and Cultures 301 IainSamuele Chambers Grassi, Cirus Rinaldi The Italians in America apply the termcaffone (literary, “simpleton”) to a man of their nationality who has the least possible association with any group, has no regard for opinion, wears, for example, the same clothes during his whole stay in America, avoids all conversation, ignores his surroundings, and accumulates the sum of money he has in mind as rapidly as possible. We use the term here to designate the pure opportunist, who is unwilling to participate either in the American life or in that of his national group: “Thecaffoni , who were in Sicily mostly villani [serfs], are looked down upon by their own people and especially by that class of Italians who want to stay here and who feel injured whenever the Italian name is hurt. -
JOHN PAUL RUSSO Professor of English and Classics Chair, Dept. Of
JOHN PAUL RUSSO Professor of English and Classics Chair, Dept. of Classics University of Miami, Coral Gables, FL 33124 305-284-3989 (office), 786-200-0803 (cell) [email protected] SCHOLARLY INTERESTS Poetics and Critical Theory; History of the Classical Tradition; Italian and Italian American Cultural Studies EDUCATION Harvard University, A.B. l965, M.A. 1966, Ph.D. l969 ACADEMIC POSITIONS 2013- Professor and Chair, Department of Classics, University of Miami; Interim Chair, 2004-7 1982- Professor of English; Professor of Classics, 2008- ; Chair, Department of English, l982-1986, Acting Chair, 2011-12; Dir., Graduate Studies in English, 2002-5; Acting Dir., Masters in Liberal Studies, 2002; Interim Dir., Program in Classical Antiquity, 2003-4 1980-1982 Professor of English, Rutgers University at Camden 1977-1980 Associate Professor of English, Rutgers University at Camden 1973-1977 Assistant Professor of English, University of Chicago 1969-1973 Assistant Professor of English, Harvard University Visiting Positions 2010, 2011 Visiting Professor, Dept. of Languages, University of Messina 1990 Visiting Professor, Dept. of English, University of Genoa 1987 Visiting Professor, Dept. of American Studies, University of Rome “La Sapienza” 1974 Supervisor in English, Magdalene College, Cambridge University HONORS AND AWARDS Enrollment Management Faculty Appreciation Award, University of Miami, 2015 Outstanding Teaching Award, University of Miami, 2012 Cooper Fellowship, University of Miami, 2007-2010 Thomas N. Bonner Award, The Future without a Past: The Humanities in a Technological Society, 2006 Fulbright Fellowships: 2006, University of Salerno; 1988, University of Rome “La Sapienza”; 1980-81, University of Palermo Distinguished Faculty Scholar Award, University of Miami, 1992 Gold Medal, Italian American Cultural Exchange, Gela, Italy, 1986 Rockefeller Foundation Fellowship, 1977-78 Mellon Fellowship, Aspen Institute for Humanistic Studies, Summer 1974 Bowdoin Prize (Graduate), Harvard University, 1969 PBK, Harvard University (1965); Univ. -
JOHN PAUL RUSSO Professor of English and Classics Chair, Dept
JOHN PAUL RUSSO Professor of English and Classics Chair, Dept. of Classics University of Miami, Coral Gables, FL 33124 305-284-3989 (office), 786-200-0803 (cell) [email protected] SCHOLARLY INTERESTS Poetics and Critical Theory; History of the Classical Tradition; Italian and Italian American Cultural Studies EDUCATION Harvard University, A.B. l965, M.A. 1966, Ph.D. l969 ACADEMIC POSITIONS 2013- Professor and Chair, Department of Classics, University of Miami; Interim Chair, 2004-7 1982- Professor of English; Professor of Classics, 2008- ; Chair, Department of English, l982-1986, Acting Chair, 2011-12; Dir., Graduate Studies in English, 2002-5; Acting Dir., Masters in Liberal Studies, 2002; Interim Dir., Program in Classical Antiquity, 2003-4 1980-1982 Professor of English, Rutgers University at Camden 1977-1980 Associate Professor of English, Rutgers University at Camden 1973-1977 Assistant Professor of English, University of Chicago 1969-1973 Assistant Professor of English, Harvard University Visiting Positions 2010, 2011 Visiting Professor, Dept. of Languages, University of Messina 1990 Visiting Professor, Dept. of English, University of Genoa 1987 Visiting Professor, Dept. of American Studies, University of Rome “La Sapienza” 1974 Supervisor in English, Magdalene College, Cambridge University HONORS AND AWARDS Enrollment Management Faculty Appreciation Award, University of Miami, 2015 Outstanding Teaching Award, University of Miami, 2012 Cooper Fellowship, University of Miami, 2007-2010 Thomas N. Bonner Award, The Future without a Past: The Humanities in a Technological Society, 2006 Fulbright Fellowships: 2006, University of Salerno; 1988, University of Rome “La Sapienza”; 1980-81, University of Palermo Distinguished Faculty Scholar Award, University of Miami, 1992 Gold Medal, Italian American Cultural Exchange, Gela, Italy, 1986 Rockefeller Foundation Fellowship, 1977-78 Mellon Fellowship, Aspen Institute for Humanistic Studies, Summer 1974 Bowdoin Prize (Graduate), Harvard University, 1969 PBK, Harvard University (1965); Univ. -
Metaphors of Identity Crisis in the Era of Celebrity in Canadian Poetry
Metaphors of Identity Crisis in the Era of Celebrity in Canadian Poetry Joel Deshaye Department of English McGill University, Montreal February, 2010 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Joel Deshaye, 2010 Table of Contents Acknowledgements i A Note on the Text ii Abstract iii Résumé iv Introduction . 1 I. The Metaphor of Celebrity . 11 II. The Era of Celebrity in Canadian Poetry . 55 III. Becoming “Too Public” in the Poetry of Irving Layton . 87 IV. “I like that line because it’s got my name in it”: Celebrity and Masochism in Poems and Songs by Leonard Cohen . 147 V. The “Razor” and the “Jungle Sleep”: Celebrity and Legend in Michael Ondaatje’s Poetry and Coming Through Slaughter . 219 VI. The Passing as / of Celebrity in Gwendolyn MacEwen’s The T.E. Lawrence Poems and Other Works . 305 Conclusion . 379 Works Cited 395 i Acknowledgments I wish to thank my supervisor, Professor Brian Trehearne, whose scrupulous attention to the writing and argument of this dissertation was indispensable. His guidance during my five years at McGill University often heartened me. I am also indebted to Professor Robert Lecker for his instruction, inspiration, and mentorship. My coursework, too, with Professors Ned Schantz, Thomas Heise, and Monique Morgan provoked and informed some of the claims in the following chapters. The success of this dissertation would not have been possible without these excellent teachers. I would also like to thank the members of my examining committee for their work on my behalf.