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Sal Capone – Intro for Schools
Introduction to Sal Capone: The Lamentable Tragedy Of for teachers and students From the playwright, Omari Newton: I hope this story makes you all think, laugh and feel inspired to create your own art. Sal Capone is a story about people your age chasing their dreams and fighting to survive some of the pressure associated with growing up. It's also a love letter to Hip Hop culture. I hope you enjoy our show. From the director, Diane Roberts: Theatre is a tactile medium. You feel things as much as you hear and see them. Sal Capone’s characters are ordinary people caught up in extraordinary circumstances. I hope you will be moved by how all of the elements of drama, music, video and movement come together to make you feel the triumphs and tragedies of these potent characters. What is the play about? Sal Capone: The Lamentable Tragedy Of (let’s call it Sal from here-on for short) is about many things and we hope, in watching the play, you will find meanings and themes that we haven’t yet realized are there. In particular, we hope that you will find something about you in the play. The story follows the journeys of a group of friends and Hip Hop crew who are dealing with the fatal police shooting of their friend; a talented but troubled young DJ (inspired by true events that have occurred in Montreal, Toronto, New York, San Francisco and London, UK in recent years and many others that don’t reach mass media – see links in “Resources” section). -
BROWNOUT Fear of a Brown Planet COOP AVAILABLE SHIPPING with PROMO POSTER
BROWNOUT Fear Of A Brown Planet COOP AVAILABLE SHIPPING WITH PROMO POSTER KEY SELLING POINTS • Billboard premier: Brownout Delivers Funky Cover of Public Enemy’s ‘Fight the Power’ • Fear Of A Brown Planet follows The Elmatic Instrumentals and Enter The 37th Chamber in Fat Beats Records heralded stream of instrumental takes of hip hop classics • Brownout has released past albums with Ubiquity Records (Brown Sabbath) and enjoyed a stint backing the late legend Prince • Tour dates planned for the summer of 2018 DESCRIPTION ARTIST: Brownout Twenty-eight years ago, pissed-off 12-year-olds around the universe discovered TITLE: Fear Of A Brown Planet a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even CATALOG: L-FB5185 / CD-FB5185 in the border town of Laredo, Texas, home of the future founders of the Latin- Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album LABEL: Fat Beats Records Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s GENRE: Psych-Funk/Hip-Hop music and revolutionary spirit. BARCODE: 659123518512 / 659123518529 Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the FORMAT: LP / CD seeds for countless Public Enemy sleeper cells, one that would emerge nearly HOME MARKET: Austin, Texas three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” RELEASE: 5/25/2018 is built on James Brown samples, while a teenaged Beto Martinez (guitar) $17.98 / CH / $9.98 / AH alternated between metal and hip-hop in his walk-man, and Adrian Quesada LIST PRICE: (guitar/keys) remembers falling in love with Public Enemy’s sound at an early CASE QTY: LP 30 / CD 200/1 age. -
NTOZAKE SHANGE, JAMILA WOODS, and NITTY SCOTT by Rachel O
THEORIZING BLACK WOMANHOOD IN ART: NTOZAKE SHANGE, JAMILA WOODS, AND NITTY SCOTT by Rachel O. Smith A Thesis Submitted to the Faculty of Purdue University In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of English West Lafayette, Indiana May 2020 THE PURDUE UNIVERSITY GRADUATE SCHOOL STATEMENT OF COMMITTEE APPROVAL Dr. Marlo David, Chair Department of English Dr. Aparajita Sagar Department of English Dr. Paul Ryan Schneider Department of English Approved by: Dr. Dorsey Armstrong 2 This thesis is dedicated to my mother, Carol Jirik, who may not always understand why I do this work, but who supports me and loves me unconditionally anyway. 3 ACKNOWLEDGMENTS I would like to first thank Dr. Marlo David for her guidance and validation throughout this process. Her feedback has pushed me to investigate these ideas with more clarity and direction than I initially thought possible, and her mentorship throughout this first step in my graduate career has been invaluable. I would also like to thank the other members of my committee, Dr. Aparajita Sagar and Dr. Ryan Schneider, for helping me polish this piece of writing and for supporting me throughout this two-year program as I prepared to write this by participating in their seminars and working with them to prepare conference materials. Without these three individuals I would not have the confidence that I now have to continue on in my academic career. Additionally, I would like to thank my friends in the English Department at Purdue University and my friends back home in Minnesota who listened to my jumbled thoughts about popular culture and Black womanhood and asked me challenging questions that helped me to shape the argument that appears in this document. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
Everything Subject to Change. SXSW Showcasing Artists Current As of March 8, 2017
424 (San José COSTA RICA) Lydia Ainsworth (Toronto ON) ANoyd (Bloomfield CT) !!! (Chk Chk Chk) (Brooklyn NY) Airways (Peterborough UK-ENGLAND) AOE (Los Angeles CA) [istandard] Producer Experience (Brooklyn NY) Aj Dávila (San Juan PR) Apache (VEN) (Cara VENEZUELA) #HOODFAME GO YAYO (Fort Worth TX) Jeff Akoh (Abuja NIGERIA) Apache (San Francisco CA) 070 Shake (North Bergen NJ) Federico Albanese (Berlin GERMANY) Ape Drums (Houston TX) 14KT (Ypsilanti MI) Latasha Alcindor (Brooklyn NY) Ben Aqua (Austin TX) 24HRS (Atlanta GA) AlcolirykoZ (Medellín COLOMBIA) Aquilo (London UK-ENGLAND) 2 Chainz (Atlanta GA) Alexandre (Austin TX) Sudan Archives (Los Angeles CA) 3rdCoastMOB (San Antonio TX) Alex Napping (Austin TX) Arco (Granada SPAIN) The 4onthefloor (Minneapolis MN) ALI AKA MIND (Bogotá COLOMBIA) Ariana and the Rose (New York NY) 4x4 (Bogotá COLOMBIA) Alikiba (Dar Es Salaam TANZANIA) Arise Roots (Los Angeles CA) 5FINGERPOSSE (Philadelphia PA) All in the Golden Afternoon (Austin TX) Arkansas Dave (Austin TX) 5ive (Earth TX) Allison Crutchfield and the Fizz (Philadelphia Brad Armstrong (Rhinebeck NY) PA) 808INK (London UK-ENGLAND) Ash Koosha (Iran / London UK-ENGLAND) All Our Exes Live In Texas (Newtown NSW) 9th Wonder (Winston-Salem NC) Ask Carol (Oslo NORWAY) Al Lover (San Francisco CA) A-Town GetDown (Austin TX) Astro 8000 (Philadelphia PA) Annabel Allum (Guildford UK-ENGLAND) A$AP FERG (Harlem NY) A Thousand Horses (Nashville TN) August Alsina (New Orleans LA) A$AP Twelvyy (New York NY) Nicole Atkins (Nashville TN) Altre di B (Bologna ITALY) -
ROC MARCIANO Rosebudd’S Revenge 2: the Bitter Dose LP COMING SOON
ROC MARCIANO Rosebudd’s Revenge 2: The Bitter Dose LP COMING SOON KEY SELLING POINTS • Pitchfork review (8.0) • Music Video: The Sauce & Corniche feat. Action Bronson • Features from Action Bronson & Knowledge The Pirate • Production from Animoss, Don Cee, E.L.E.M.N.T., and Roc Marciano himself DESCRIPTION ARTIST: Roc Marciano We are presently in the post-Marcberg era of rap. After Roc Marciano TITLE: Rosebudd’s Revenge 2: The Bitter Dose released his solo opus in spring 2010, a new continuum began which CATALOG: CD-FB5187 gathered tremendous momentum in 2012 following the release of his Metal Clergy compatriot Ka’s Grief Pedigree and Roc’s amazingly LABEL: Marci Enterprises concise sophomore effort Reloaded. Subsequently, a divergent path GENRE: Hip-Hop/Rap opened in modern rap heavily influenced by the sonics, tone, and BARCODE: 659123518727 aesthetic of those three projects. Since then, Roc Marciano has released FORMAT: CD a critically acclaimed producer album Marci Beaucoup, bookended by the release of his project The Pimpire Strikes Back in multiple formats. HOME MARKET: Long Island, New York In the years since this string of releases, a new crop of emcees and RELEASE: 4/13/2018 producers emerged heavily inspired and influenced by Roc’s oeuvre LIST PRICE: $11.98 / AK while many others’ careers have been left doing the running man in their wave. CASE QTY: 50/1 With multiple modern rap classics already under his Ferragamo belt, TRACKLISTING (Click Tracks In Blue To Preview Audio) last year Roc Marciano liberated the first half of his two part project titled Rosebudd’s Revenge. -
Parking Shouldn't Be a Pain
THE COLLEGE VOICE MONDAY, DECEMBER 5. 2011 NEW LONDON, CONNECTICUT VOLUME XCV • ISSUE 9 School Policy Unaffected by Change in State Law Regarding Marijuana Posession ANDREA AMULIC demeanor to civil violation. nalization is cost-effective, is not associated from legalization,” and noted that the change is STAFF WRITER The fines for this offense have also been dras- with increased cannabis use at the state level administrative, rather than moral. tically reduced: first-time offenders will be cited (indeed, they found larger increases of canna- But what does the decriminalization of mari- Although the use or possession of non-medi- and fined $150, and fines for subsequent offens- bis use in states that imposed criminal penal- juana in Connecticut mean for the student body cal marijuana is still illegal in the state of Con- es may increase to amounts from $200 to $500. ties) and is not correlated with rates of alcohol of Connecticut College? necticut, recent legislation has decriminalized Support for this legislative change comes or other drug use. As it turns out, not that the possession of small amounts of cannabis. from numerous findings, including those of The change seeks to re-appropriate the state’s much. Dean Cardwell said, In accordance with SB 1014, which took effect the Connecticut Law Revision Commission of legal resources, thus allowing for greater atten- “The college’s policy on mari- beginning in July 2011, the criminal penalties 1997. After comparing data from states that had tion to be paid to more serious criminal offens- juana use has not changed in for the possession of less than half an ounce of decriminalized cannabis with states that still es. -
Jamila Woods
CHICAGO’SFREEWEEKLYSINCE | MAY | MAY CHICAGO’SFREEWEEKLYSINCE Jamila Woods builds on legacies that shook the world By TW 22 Seven thumbs up A historic event: our theater critics like everythin! 13 State of the unions Deanna Isaacs 9 2 CHICAOREADER - MAY ll CHICAGOREADER | MAY | VOLUME NUMBER THIS WEEK IN THIS ISSUE T R - fi ghtstoexposethetruthwhile 34 GossipWolfTheCoProsperity @ Rahmtriestohideit Spheredevotesaconcertand 09 Isaacs|CultureChicago exhibittosChicagonowave SymphonyOrchestramusiciansand andtheCHIRPRecordFairreturns P ColumbiaCollegeparttimefaculty TB IEC unionssolidarityforever OPINION SKKH 35 SavageLoveDanSavageoff ers D EKS adviceonscratchingthatopen C LSK D P JR ofcitylifeandI’mGonnaPray relationshipitch CEAL ForYouSoHardshowstheapple M EP M doesn’tfallfarfromthetree A EJL CLASSIFIEDS SWDI CITYLIFE 37 Jobs BJ MS 04 StreetViewAcheerleading FILM 37 Apartments&Spaces SWMD L G coachonhowtodressforthewin 16 ReviewCanthetwocrazykidsin 37 Marketplace G D D C S MEBW 05 PublicService LongShotfi ndhappiness? M L C AnnouncementBam!Boom! 17 MoviesofnoteAskDrRuthis S C -J Pow!FreeComicBookDayreturns anaff ectionatetributetothesex FL CPF TA ECS therapistBlackMotherpresents CN B FOOD&DRINK highlysensuousfi lmmakingand D C LCI 10 RestaurantReviewArigato TheWhiteCrowsimulatesthe G A G KT HR H JH Marketslingstacoswithasideof connectivetissueofmemory JH IH DJM beefinWestTown K S K MM B MJRN LP MUSIC&NIGHTLIFE KR BSD ARTS &CULTURE 22 FeatureOnLegacy!Legacy! S A W 12 LitInHowtoHideanEmpire singerandpoetJamilaWoods -
Week of of MARCH 8
WEEK OF MARCH 8, 2021 MONDAY MARCH 8, 2021 00:00:00 Your Award Winning Station Legal ID 00:00:12 LIVE News Break LIVE NEWS BREAK 00:03:42 UMU - Tailored Experience Mount Union 00:04:12 FM 91.1 Jingle 00:04:15 Create ASPLAY Report 00:04:15 Hold Back the River James Bay 00:04:16 Classic Man Jidenna/Tove Lo 00:07:59 Caught Up Usher 00:12:34 LIVE Weather Break LIVE WEATHER BREAK 00:13:04 Boy Meets Girl Evan Taubenfeld 00:16:20 80s, 90s, and Today (Blake) Mix Liner 00:16:21 Big Yellow Taxi Amy Grant 00:19:22 Hard to Handle The Black Crowes 00:22:30 Missing You Now Michael Bolton 00:26:55 LIVE D.J. Talk Over LIVE D.J. TALK OVER 00:27:25 YOU'RE LISTENING TO (MALE) Quick Liner 00:27:30 LIVE News Minute LIVE NEWS MINUTE 00:28:30 Facts Matter Vote Smart 00:29:30 I Got All I need Mix Liner 00:29:36 LIVE D.J. Talk Over LIVE D.J. TALK OVER 00:30:06 I like It Enrique Iglesias 00:33:56 Stutter [Double Take Remix] Joe Feat. Mystikal 00:37:20 Liquid Dreams O-Town 00:40:47 LIVE D.J. Talk Over LIVE D.J. TALK OVER 00:41:17 BE MY ESCAPE Relient K 00:44:22 THIS IS RAIDER RADIO 91.1 (MALE) Quick Liner 00:44:27 Let's Hear It For The Boy Jana Kramer 00:44:28 We fit Your Life Perfectly Mix Liner 00:44:48 Ammunition All Good Children 00:48:48 When You Love Someone Bryan Adams 00:52:20 THIS IS WRMU 91.1 FEMALE Quick Liner 00:52:24 Foolish Beat Debbie Gibson 00:56:46 Harden My Heart Quarterflash 00:60:35 Desert Moon Dennis DeYoung 01:00:00 The Best Music (Wil) Legal ID 01:00:01 LIVE News Break LIVE NEWS BREAK 01:03:31 Stow Your Phone Texting and Driving Prevention 01:04:01 COMBINED Jingle 01:04:11 I'll Make Love To You Boyz II Men 01:07:59 I'd Lie For You (And That's...) Meat Loaf 01:12:47 So Close HALL & OATES 01:16:56 LIVE Weather Break LIVE WEATHER BREAK 01:17:26 Sen. -
The Source and BAM Present Music and Film Events As Part of the SOURCE360, Sep 19 & 20
The Source and BAM present music and film events as part of The SOURCE360, Sep 19 & 20 Celebrating the 25th anniversary of the pioneering hip-hop magazine Free BAMcafé Live performances include Pass the Mic: Ladies First—A Night of Women Emcees, featuring Nitty Scott, Rajé Shwari, Roxanne Shanté, and Sweet Tee (Sep 19) & International Hip-Hop Night hosted by Toni Blackman and featuring Amkoullel, Gokh Bi System, Rebel Diaz, Shokanti, AYoinmotion, and Bocafloja (Sep 20) BAMcinématek screenings include Notorious, Time is Illmatic, The Man with the Iron Fists, Rhyme & Reason, and Dave Chappelle’s Block Party, with special appearances by RZA and One9 Brooklyn, NY/Aug 28, 2014—The Source has kept its finger on the pulse of urban music, lifestyle, and culture for the past 25 years. In September, America’s oldest and most venerable hip-hop publication celebrates its anniversary with The SOURCE360, a weekend of events at venues throughout Downtown Brooklyn—featuring a conference, marketplace, concerts, and festivals—that reflect on the rich history of a now-global, four-decade-old art form. The Source and BAMcafé bring together some of today’s most influential and diverse emcees, with two nights of free performances: Pass the Mic: Ladies First—A Night of Women Emcees (Sep 19) and International Hip-Hop Night (Sep 20). BAMcinématek and The Source present a film series that highlights a wide range of influences and milestones within hip-hop culture, including big-screen appearances by some of the music’s most iconic performers. “We are thrilled to be partnering with BAM for this celebration of culture, music, and art,” said L. -
Soul Salvation, Social Liberation: Race And
SOUL SALVATION, SOCIAL LIBERATION: RACE AND EVANGELICAL CHRISTIANITY IN THE BLACK POWER ERA, 1968-1979 A dissertation submitted to the Graduate Division of Religion Drew University in partial fulfillment of the requirements for the degree, Doctor of Philosophy Tejai Beulah Drew University Madison, New Jersey December 2018 ABSTRACT Soul Salvation, Social Liberation: Race and Evangelical Christianity in the Black Power Era, 1968-1979 Ph.D. Dissertation by Tejai Beulah Graduate Division of Religion Drew Theological School December 2018 Soul Salvation, Social Liberation provides a critical intervention in the current historiography on evangelical Christianity by recovering the voices of Christians who defined themselves as “pro-black” and “pro-evangelical” during the black power era. The current scholarship overemphasizes the contributions of white evangelicals who organized themselves into a major support base for the Republican Party in the seventies. Further, the current scholarship misrepresents black evangelical Christians. Using D.W. Bebbington’s definition of “evangelical religion,” I identify seven black men who actually defined their Christian faith as “evangelical.” Further, I examine the unique offerings that these men gave to evangelical Christian ministries between 1968 and 1979. I argue that they were the principal actors who challenged the movement to become anti-racist. As a whole, black evangelicals created evangelical associations, wrote theological books, co-pastored interracial churches, and started businesses with two intentions. One, they intended to communicate the relevancy of evangelical Christianity to the social and political concerns of black people throughout the U.S. Two, they sought to build relationships with white Christians that were models of authentic racial reconciliation. -
I Gotta Testify: Kanye West, Hip Hop, and the Church
Wright et al.: I Gotta Testify: Kanye West, Hip Hop, and the Church Published by VCU Scholars Compass, 2019 1 Journal of Hip Hop Studies, Vol. 6, Iss. 1 [2019], Art. 1 Editor in Chief: Daniel White Hodge, North Park University Senior Editorial Advisory Board: Anthony B. Pinn, Rice University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica R. Miller, Lehigh University Travis Harris, Doctoral Candidate, College of William and Mary Copy Editor: Travis Harris, Doctoral Candidate, College of William and Mary, Dr. Sabine Kim, Obama Institute of Transnational American Studies, Mainz University, Germany Editorial Board: Dr. Shanté Paradigm Smalls, St. John’s University (NYC) Dr. Jim Dekker, Cornerstone University Dr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Dr. Jon Gill, Claremont University Dr. Andre Johnson, Memphis Theological Seminary Dr. David Leonard, Washington State University Dr. Anthony J. Nocella II, Hamline University Dr. Darron Smith, University of Tennessee Health Science Center Media Manager: Darryl Armstrong Editors of this Special Issue: Dr. Joshua K. Wright, Trinity Washington University Dr. VaNatta S. Ford, Williams College Dr. Adria Y. Goldman, University of Mary Washington VOLUME 6 ISSUE 1 2 https://scholarscompass.vcu.edu/jhhs/vol6/iss1/1 2 Wright et al.: I Gotta Testify: Kanye West, Hip Hop, and the Church Sponsored By: North Park Universities Communication Arts Department (https://www.northpark.edu/academics/undergraduate-programs/majors/communication- arts/communication-studies/) Save The Kids Foundation (http://savethekidsgroup.org/) VOLUME 6 ISSUE 1 3 Published by VCU Scholars Compass, 2019 3 Journal of Hip Hop Studies, Vol.