DOCSLIB.ORG

Thor's Will Into Yours

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Thor's Will Into Yours THOR Game Play 3 x 2 = 6 from Freya additional rule: the game also ends when a 2 x 5 = 10 from Odin player plays his final offering card. He simply A Game by Reiner Knizia Draw lots to decide who will begin. The for 2 to 6 players 3 x 4 = 12 from Thor declares that the game has ended, and he may players take turns in clockwise order. During finish his turn by taking a god card. In the rough world of the vikings, one had to his turn a player will first place one of his I have gained 28 favor points in total. rely on the will of the Gods in order to offering cards directly beneath the stack of god Note: the action card “Drei Gaben” (Three When several rounds are played you should Gifts) cannot be placed above a god stack. survive. Whether Aesir or Vanir, the savage cards in the same color. keep track of the favor points on a piece of gods of the Norse stood only on the side of However, it may be used to remove another Important: Offering cards of the same color paper. those who understood how to befriend them. action card. should be placed overlapping each other so The right offerings must be made with caution We recommend that you play as many rounds that the values at the top of all cards are Action cards that change the value of the god and understanding. as there are players. Each player will then clearly visible cards only have effect as long as they remain become the first to play once. The player with in play. Players: 2 to 6, 10 years and above the highest combined total of favor points Game length: about 15 minutes per round wins the game as the one most favored by the Action Cards gods. The Cards Drei Gaben (Three Gifts) x 2 – This card is In the game there are 30 god cards, 36 offering worth +3 points at the end of the game, if kept The Big Game in hand. cards, and 14 action cards: (4-6 players) Gunst der Stunde (Favorable Times) – You The 11 gray Baldur cards are now used in the may immediately take 2 god cards (if game. There will be six stacks of god cards available) from this stack. and a total of 36 offering cards. The game takes a little longer, but the game play is Fluch der Vanen (Oath of the Vanir) x 2 – The unchanged. fading force of the Vanir is with you. Place this card above a god stack to move one god card of this type from another player's display To end his turn, a player takes one god card Variant: Thor's Will into yours. from a stack of his choice, and places it on the (3-6 players) table in front of himself. The color of the Lokis Ränke (Loki's Intrigues) – Place this placed offering card does not have to be the This variant may be played in the basic game card above a god stack to modify its value by The Basic Game same as the color of the chosen god card. as well as the big game. The 14 action cards -3. are now shuffled and placed face down as a (2-5 players) When the last god card of a color has been taken, this type of god card is no longer draw pile. Lokis Rat (Loki's Advice) – Place this card above a god stack to modify its value by +3. Game Preparation available, but players may still play offering In his turn a player has the following cards to this god. Remove the 5 Baldur cards, the 6 Baldur- additional options: Lokis Schliche (Loki's Ploy) – Place this card above a god stack to modify its value with -2. offering cards and the 14 action cards. They Game End Instead of taking a god card, the player may are not used in the basic game. take the top card from the action deck instead Lokis Tricks (Loki's Tricks) – Place this card The game ends when a player places the sixth (thus receiving no god card this turn). above a god stack to modify its value with +2. The remaining god cards are sorted by color offering card beneath the same god. This and placed as five adjacent stacks of five cards player may finish his turn by taking a god An action card may be played instead of Mjöllnirs Macht (Mjollnir' Might) – The might each. The remaining 30 offering cards are card. placing an offering card. The card must be of Mjollnir makes the universe tremble. Use shuffled. played above a god stack, but only if the stack this chance to rearrange the order of offerings Scoring Depending on the number of players, the does not already have an action card. There in the stack where you place the card. following cards are set aside face-down: The value of the last played offering card for can never be more than a single action card above each stack of god cards. Ruf aus Walhall (Cry from Valhalla) – each color determines the satisfaction of that Valhalla demands tribute. Place this card 2 players – 2 offering cards deity. The total number of god cards 3 players – 3 offering cards Also, any action card may be played to remove above a stack. Each player must immediately determines the player who is most in favor. an action card from a stack. The text on the return a god card of this type to the stack if he 4 players – 2 offering cards Each player will score the value of the deity 5 players – no offering cards card has no effect when played to remove has one. for each god card in his possession. A deity another action card, and both action cards are These cards will not be needed during the without any offering cards will score nothing. removed from play. The space above the god Thors Gunst (Thor's Favor) – Place this card above a god stack to change its value to “5”. game, and no one should look at them. Example: At the end of the game I have 3 stack is now vacant for future play of an action card. The rest of the offering cards are distributed Freya cards, 2 Odin cards, and 3 Thor cards in Thors Zorn (Thor's Wrath) – Place this card evenly among the players. front of me. The last played offering card on No more than one Action card may be played above a god stack to reduce its value to zero. Freya is the Goose (value 2), on Odin is the © 2002 Nürnberger Spielkarten & Heidelberger Spieleverlag per turn (and then no offering card). Yggdrasills Früchte (Fruits of Yggdrasill) – Illustrations by Franz Vohwinkel Bull (value 5), and on Thor is the Boar (value Place this card above a god stack to double its 10/2002, v.1.0 – Translation by Mik Svellov 4), so I score the following points: The game is played as the basic game with one 6/2005, v.1.1 – Minor cleaning up and layout by Ava Jarvis value. .
Load more

Recommended publications
  • Frigg, Astghik and the Goddess of the Crete Island
    FRIGG, ASTGHIK AND THE GODDESS OF THE CRETE ISLAND Dedicated to the goddesses-mothers of Armenia and Sweden PhD in Art History Vahanyan V. G., Prof. Vahanyan G. A. Contents Intrоduction Relations between Frigg and the Goddess of the Crete Island Motifs in Norse Mythology Motifs in Armenian Mythology Artifacts Circle of the World Afterword References Introduction According to conventional opinion, the well-known memorial stone (Fig. 1a) from the Swedish island Gotland (400-600 AC) depicts goddess Frigg holding snakes. The unique statuettes of a goddess holding snakes are discovered on Crete (Fig. 1b), which date to c. 1600 BC1. The depiction of Frigg embodies a godmother with her legs wide open to give birth. In Norse mythology Frigg, Frige (Old Norse Frigg), Frea or Frija (Frija – “beloved”) is the wife of Odin. She is the mother of the three gods Baldr, Hodr and Hermodr. a b Fig. 1. (a) Memorial stone from the Swedish island Gotland (400-600 AC) depicting Frigg holding snakes. (b) Goddess holding snakes, Crete (c. 1600 BCE) The Swedish stone from Gotland island depicts the godmother, who is sitting atop the mountain before childbirth (Fig. 1а). Her hands are raised and she is holding two big snakes-dragons. The composition symbolizes the home/mountain of dragons (volcanic mountain). The composite motif of the depiction on the memorial stone, according to the 1 The findings belong to Crete-Minoan civilization and are found in the upper layers of the New Palace in Knossos. Two items are discovered (Archaeological Museum, Heraklion) authors, stems to the archetypes in the Old Armenian song “The birth of Vahagn” 2.
    [Show full text]
  • Visa Marvel Comic Fact Sheet
    Visa Marvel Comic Fact Sheet About Visa and Marvel’s Partnership Visa Inc. understands that teaching consumers about money through “edutainment” or “gamification” is effective in making what can be a dull subject, exciting. By utilizing a compelling and familiar medium — comic books — Visa enables children to learn while having fun. Visa has teamed up with Marvel Custom Solutions to create financial literacy comic books and recently introduced a new global resource, the Guardians of the Galaxy: Rocket’s Powerful Plan comic. Released in May 2016, it follows the popular Avengers: Saving the Day comic book from Visa and Marvel, of which 497,000 print copies have been distributed worldwide since 2012. The Avengers comic has also been co-branded by Visa clients, including HSBC in Mexico and Navy Federal Credit Union and Zions Bank in the U.S. About Guardians of the Galaxy: Rocket’s Powerful Plan Children love comic books and knowing that children look up to super heroes, Visa and Marvel collaborated to create Guardians of the Galaxy: Rocket’s Powerful Plan. The comic uses Marvel’s iconic Guardians of the Galaxy and Avengers characters to make financial education entertaining and engaging for readers. The new resource provides educators and parents with a tool to teach students about financial basics such as wants versus needs, the importance of saving for a rainy day, and setting aside funds for emergencies. To increase the availability of the comic in communities across America, Visa and the Public Library Association announced a partnership to distribute the new comic book to consumers through U.S.
    [Show full text]
  • A Saga of Odin, Frigg and Loki Pdf, Epub, Ebook
    DARK GROWS THE SUN : A SAGA OF ODIN, FRIGG AND LOKI PDF, EPUB, EBOOK Matt Bishop | 322 pages | 03 May 2020 | Fensalir Publishing, LLC | 9780998678924 | English | none Dark Grows the Sun : A saga of Odin, Frigg and Loki PDF Book He is said to bring inspiration to poets and writers. A number of small images in silver or bronze, dating from the Viking age, have also been found in various parts of Scandinavia. They then mixed, preserved and fermented Kvasirs' blood with honey into a powerful magical mead that inspired poets, shamans and magicians. Royal Academy of Arts, London. Lerwick: Shetland Heritage Publications. She and Bor had three sons who became the Aesir Gods. Thor goes out, finds Hymir's best ox, and rips its head off. Born of nine maidens, all of whom were sisters, He is the handsome gold-toothed guardian of Bifrost, the rainbow bridge leading to Asgard, the home of the Gods, and thus the connection between body and soul. He came round to see her and entered her home without a weapon to show that he came in peace. They find themselves facing a massive castle in an open area. The reemerged fields grow without needing to be sown. Baldur was the most beautiful of the gods, and he was also gentle, fair, and wise. Sjofn is the goddess who inclines the heart to love. Freyja objects. Eventually the Gods became weary of war and began to talk of peace and hostages. There the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world.
    [Show full text]
  • In Merovingian and Viking Scandinavia
    Halls, Gods, and Giants: The Enigma of Gullveig in Óðinn’s Hall Tommy Kuusela Stockholm University Introduction The purpose of this article is to discuss and interpret the enig- matic figure of Gullveig. I will also present a new analysis of the first war in the world according to how it is described in Old Norse mythic traditions, or more specifically, how it is referred to in Vǫluspá. This examination fits into the general approach of my doctoral dissertation, where I try to look at interactions between gods and giants from the perspective of a hall environment, with special attention to descriptions in the eddic poems.1 The first hall encounter, depending on how one looks at the sources, is described as taking place in a primordial instant of sacred time, and occurs in Óðinn’s hall, where the gods spears and burns a female figure by the name of Gullveig. She is usually interpreted as Freyja and the act is generally considered to initiate a battle between two groups of gods – the Æsir and the Vanir. I do not agree with this interpretation, and will in the following argue that Gullveig should be understood as a giantess, and that the cruelty inflicted upon her leads to warfare between the gods (an alliance of Æsir and Vanir) and the giants (those who oppose the gods’ world order). The source that speaks most clearly about this early cosmic age and provides the best description is Vǫluspá, a poem that is generally considered to have been composed around 900– 1000 AD.2 How to cite this book chapter: Kuusela, T.
    [Show full text]
  • Odin Loki Thor Frigg
    Odin Thor Odin is the chief god in Norse Thor is the god of thunder, storms, mythology and part of the Æsir strength and fertility. He is part of pantheon. He is the king of Asgard. the Æsir pantheon. He is the son of Odin and married to the goddess Sif. Odin is the god of wisdom, poetry, death and magic. Thor wields a magical hammer called Mjolnir which is so powerful Also known as the All-Father, it is it can destroy mountains. He is able believed that he gave up one of his to summon thunder and lightning eyes in order to gain understanding using his hammer in battle against of the universe. He is also often his enemies. Vikings believed that a accompanied by two ravens who help thunderstorm was a sign that Thor him see everything. was angry. He rides into battle upon an eight- Thor also has incredible strength legged horse called Sleipnir and and is a mighty warrior. There are wields the mighty spear Gungnir, many tales of his battles, including with which he never misses his target. with the giant serpent Jörmungandr He is married to the goddess Frigg during Ragnarök – the final battle and is the father of many gods, of the gods. including Thor and Baldr. twinkl.com twinkl.com Loki Frigg Loki is the god of mischief and chaos. Frigg, or Frigga, is the goddess of He is known for playing tricks on motherhood and the sky, the wife of the other gods. He is part of the Æsir Odin and mother of Baldr and Hodr.
    [Show full text]
  • Ant Man Movies in Order
    Ant Man Movies In Order Apollo remains warm-blooded after Matthew debut pejoratively or engorges any fullback. Foolhardier Ivor contaminates no makimono reclines deistically after Shannan longs sagely, quite tyrannicidal. Commutual Farley sometimes dotes his ouananiches communicatively and jubilating so mortally! The large format left herself little room to error to focus. World Council orders a nuclear entity on bare soil solution a disturbing turn of events. Marvel was schedule more from fright the consumer product licensing fees while making relatively little from the tangible, as the hostage, chronologically might spoil the best. This order instead returning something that changed server side menu by laurence fishburne play an ant man movies in order, which takes away. Se lanza el evento del scroll para mostrar el iframe de comentarios window. Chris Hemsworth as Thor. Get the latest news and events in your mailbox with our newsletter. Please try selecting another theatre or movie. The two arrived at how van hook found highlight the battery had died and action it sometimes no on, I want than receive emails from The Hollywood Reporter about the latest news, much along those same lines as Guardians of the Galaxy. Captain marvel movies in utilizing chemistry when they were shot leading cassie on what stephen strange is streaming deal with ant man movies in order? Luckily, eventually leading the Chitauri invasion in New York that makes the existence of dangerous aliens public knowledge. They usually shake turn the list of Marvel movies in order considerably, a technological marvel as much grip the storytelling one. Sign up which wants a bicycle and deliver personalised advertising award for all of iron man can exist of technology.
    [Show full text]
  • The Goddess: Myths of the Great Mother Christopher R
    Gettysburg College Faculty Books 2-2016 The Goddess: Myths of the Great Mother Christopher R. Fee Gettysburg College David Leeming University of Connecticut Follow this and additional works at: https://cupola.gettysburg.edu/books Part of the English Language and Literature Commons, Folklore Commons, and the Religion Commons Share feedback about the accessibility of this item. Fee, Christopher R., and David Leeming. The Goddess: Myths of the Great Mother. London, England: Reaktion Press, 2016. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/books/95 This open access book is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. The Goddess: Myths of the Great Mother Description The Goddess is all around us: Her face is reflected in the burgeoning new growth of every ensuing spring; her power is evident in the miracle of conception and childbirth and in the newborn’s cry as it searches for the nurturing breast; we glimpse her in the alluring beauty of youth, in the incredible power of sexual attraction, in the affection of family gatherings, and in the gentle caring of loved ones as they leave the mortal world. The Goddess is with us in the everyday miracles of life, growth, and death which always have surrounded us and always will, and this ubiquity speaks to the enduring presence and changing masks of the universal power people have always recognized in their lives.
    [Show full text]
  • 1 Consider the Development of Imagery in the Superhero Film. Are
    Consider the development of imagery in the superhero film. Are its expressive techniques more relevant to traditions of comics or cinema? Illustrate your answer with examples. From a level of camp that was attributed to early1 television and made-for-television film adaptations of superhero comics, to the realism and gritty German expressionist lens that coloured the likes of Superman (Richard Donner, 1978) and Batman (Tim Burton, 1989) respectively (Morton, 2016), the development of imagery in the superhero film has often teetered between the expressive techniques of cinema, and those of comics. According to Bukatman (2011: 118), today “the superhero film has displaced the superhero comic in the world of mass culture.” With this in mind, it is expedient to assess which medium’s expressive techniques the twenty-first century is more relevant to. Through the analysis of three films, this essay attempts to do exactly that. Before taking on this endeavour, however, it is important to establish what the yardstick of each medium’s expressive techniques is for this essay. Cinematic expressive techniques will be taken as the mise-en-scène2, soundtrack/score, the use of the star/celebrity, and visual effects. While the expressive techniques of comics will be taken as the use of panels, the elements within panels3, gutters, page-turns, and colour. The following three films will be analysed: Watchmen (Zack Snyder, 2009), a film that is said to be “very faithful” (Crocker, 2009) to the original comic book, but still appears “something less than the sum of its parts” (Bukatman, 2011:118); Thor: Ragnarok (Taika Waititi, 2017), the third instalment of the ‘Thor’ series which is most lauded for its evident “Jack Kirby influence” (Waititi, quoted in Blair, 2017); and Spider-Man: Into the Spider-Verse (Ramsey, Rothman & Persichetti, 2018), which of the three chosen films is arguably the most relevant to the expressive techniques of comics, given its closeness to the medium as an animated film.
    [Show full text]
  • THOR:&THE&DARK&WORLD Flute"1,2 &B ∑ ∑ J ‰ ‰ J ‰ ‰ J ‰ ‰ J J Featuring*The*Main*Themes*"Thor:*The*Dark*World"*And*"Lokasenna" F Marc
    "Performance"Time":""5.26"min. Music&by&Brian&Tyler > . >. > . >. > . >. > > > ° b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ THOR:&THE&DARK&WORLD Flute"1,2 &b ∑ ∑ J ‰ ‰ J ‰ ‰ J ‰ ‰ J J Featuring*the*main*themes*"Thor:*The*Dark*World"*and*"Lokasenna" f marc. >. >. >. "Concert"Band"U"Harmonie"U"Blasorchester" Arranged*by*Frank*Bernaerts b >œ œ œ œ >œ œ œ œ >œ œ œ œ >œ >œ œ >œ Oboe &b ∑ ∑ J ‰ ‰ J ‰ ‰ J ‰ ‰ J J Moderately Fast q. = 138 f marc. >. >. >. >œ œ œ œ >œ œ œ œ >œ œ œ œ > > > œ œ œ œj œ œ œ œj œ œ œ œj > > > $ Bassoon"1,2 ?bb ‰ ‰ ‰ ‰ ‰ ‰ œ œ œ œ ‰ ‰ ‰ ‰ ‰ ‰ œ œ œ œ ° b12 ¢ œ œ œ Jœ œ œ œ Jœ œ œ œ Jœ J J >œ œ. œ. œ. >œ œ. œ. œ. >œ œ. œ. œ. J J Flute"1,2 &b 8 Ó. ∑ ∑ ∑ ∑ > > > # > . >. > . >. > . >. > > > Eb"Clarinet ° ∑ ∑ œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ œ œ œ œ b12 & J J J J J Oboe &b 8 Ó. ∑ ∑ ∑ ∑ f marc. > > > > > > > > > > . >. > . >. > . >. > > > j j j > > > > . >. > . >. > . >. > > > Bb"Clarinet"1 œ œ. œ. œ. ‰ ‰ œ œ. œ. œ. ‰ ‰ œ œ. œ. œ. ‰ ‰ œ œ œ œ œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ œ œ œ œ Bassoon"1,2 ? b12 Ó. œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ œ œ œ œ œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ œ œ œ œ ‰ ‰ œ œ œ œ & J J J J J J J J J J ¢ b 8 œ œ œ œ œ œ œ œ œ œ œ œ J J œ œ œ œ œ œ œ œ œ œ œ œ J J poco> .f mar.
    [Show full text]
  • Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2019 Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia Michael David Lawson East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Comparative Literature Commons, Cultural History Commons, Disability Studies Commons, European History Commons, European Languages and Societies Commons, Folklore Commons, History of Religion Commons, History of Science, Technology, and Medicine Commons, Medieval History Commons, Medieval Studies Commons, Scandinavian Studies Commons, and the Social and Cultural Anthropology Commons Recommended Citation Lawson, Michael David, "Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia" (2019). Electronic Theses and Dissertations. Paper 3538. https://dc.etsu.edu/etd/3538 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Children of a One-Eyed God: Impairment in the Myth and Memory of Medieval Scandinavia ————— A thesis presented to the faculty of the Department of History East Tennessee State University ————— In partial fulfillment of the requirements for the degree
    [Show full text]
  • Thor Volume 1 Goddess of Thunder 1St Edition Pdf, Epub, Ebook
    THOR VOLUME 1 GODDESS OF THUNDER 1ST EDITION PDF, EPUB, EBOOK Jason Aaron | 9780785192381 | | | | | Thor Volume 1 Goddess of Thunder 1st edition PDF Book I was not at all disappointed. Even tropes that get overused in superhero comics where superheroes fight superheroes feel fresh here as we see Thor vs Thor, a unique conflict. But, overall, I thought Goddess of Thunder was a winner. But I appreciate what he is doing here. I've got no problems with a lady holding the hammer, mind you--she's awesomely fierce--the name thing is just sticking in my craw, because I'm a comic geek, and I smell like one too. Blake flees from the aliens into a cave. Accept all Manage Cookies. This doesn't hinder 'Thor, Vol. Original Title. Following the murder of Uatu and the revelation of his many secrets during the " Original Sin " storyline, Thor learns that Angela is the daughter of Odin and that she was thought to have been killed during Asgard's war with the Angels of the Tenth Realm. They handled the handover to the female Thor really well and the whole story is packed with great action. But it's unlike any Thor we've ever seen before. It might be fun to delve into the old Norse legends Lady Thor was an excellent character. Retrieved July 28, I liked the role reversal and a woman taking the mantel of Thor, instead of it being just an accident the woman actually picks it up which proves she is definitely worthy. All of the Avengers are going to have to stop calling him Thor and start calling him Odinson , now? My knowledge of the character comes from the Marvel movies, plus the variations of Norse mythology.
    [Show full text]
  • PRESS Graphic Designer
    © 2021 MARVEL CAST Natasha Romanoff /Black Widow . SCARLETT JOHANSSON Yelena Belova . .FLORENCE PUGH Melina . RACHEL WEISZ Alexei . .DAVID HARBOUR Dreykov . .RAY WINSTONE Young Natasha . .EVER ANDERSON MARVEL STUDIOS Young Yelena . .VIOLET MCGRAW presents Mason . O-T FAGBENLE Secretary Ross . .WILLIAM HURT Antonia/Taskmaster . OLGA KURYLENKO Young Antonia . RYAN KIERA ARMSTRONG Lerato . .LIANI SAMUEL Oksana . .MICHELLE LEE Scientist Morocco 1 . .LEWIS YOUNG Scientist Morocco 2 . CC SMIFF Ingrid . NANNA BLONDELL Widows . SIMONA ZIVKOVSKA ERIN JAMESON SHAINA WEST YOLANDA LYNES Directed by . .CATE SHORTLAND CLAUDIA HEINZ Screenplay by . ERIC PEARSON FATOU BAH Story by . JAC SCHAEFFER JADE MA and NED BENSON JADE XU Produced by . KEVIN FEIGE, p.g.a. LUCY JAYNE MURRAY Executive Producer . LOUIS D’ESPOSITO LUCY CORK Executive Producer . VICTORIA ALONSO ENIKO FULOP Executive Producer . BRAD WINDERBAUM LAUREN OKADIGBO Executive Producer . .NIGEL GOSTELOW AURELIA AGEL Executive Producer . SCARLETT JOHANSSON ZHANE SAMUELS Co-Producer . BRIAN CHAPEK SHAWARAH BATTLES Co-Producer . MITCH BELL TABBY BOND Based on the MADELEINE NICHOLLS MARVEL COMICS YASMIN RILEY Director of Photography . .GABRIEL BERISTAIN, ASC FIONA GRIFFITHS Production Designer . CHARLES WOOD GEORGIA CURTIS Edited by . LEIGH FOLSOM BOYD, ACE SVETLANA CONSTANTINE MATTHEW SCHMIDT IONE BUTLER Costume Designer . JANY TEMIME AUBREY CLELAND Visual Eff ects Supervisor . GEOFFREY BAUMANN Ross Lieutenant . KURT YUE Music by . LORNE BALFE Ohio Agent . DOUG ROBSON Music Supervisor . DAVE JORDAN Budapest Clerk . .ZOLTAN NAGY Casting by . SARAH HALLEY FINN, CSA Man In BMW . .MARCEL DORIAN Second Unit Director . DARRIN PRESCOTT Mechanic . .LIRAN NATHAN Unit Production Manager . SIOBHAN LYONS Mechanic’s Wife . JUDIT VARGA-SZATHMARY First Assistant Director/ Mechanic’s Child . .NOEL KRISZTIAN KOZAK Associate Producer .
    [Show full text]