The Single Market of the Mind
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The City and County of Cardiff, County Borough Councils of Bridgend, Caerphilly, Merthyr Tydfil, Rhondda Cynon Taf and the Vale of Glamorgan
THE CITY AND COUNTY OF CARDIFF, COUNTY BOROUGH COUNCILS OF BRIDGEND, CAERPHILLY, MERTHYR TYDFIL, RHONDDA CYNON TAF AND THE VALE OF GLAMORGAN AGENDA ITEM NO THE GLAMORGAN ARCHIVES JOINT COMMITTEE 18 March 2016 REPORT FOR THE PERIOD 1 December – 29 February REPORT OF: THE GLAMORGAN ARCHIVIST 1. PURPOSE OF REPORT This report describes the work of Glamorgan Archives (GA) for the period 1 December – 29 February. 2. BACKGROUND As part of the agreed reporting process the Glamorgan Archivist updates the Joint Committee quarterly on the work and achievements of the service. Members are asked to note the content of this report. 3. ISSUES A. MANAGEMENT OF RESOURCES 1. Staff Maintain establishment This is the first full quarter with the reduced Access Team. Matthew Coleman’s hours have been extended to help fill the gap while establishment staff are also stepping in until a more stable solution is finalised. With a smaller Management Team and a professional team temporarily reduced by maternity leave it has made sense to combine meetings into a Management Circle. Continue skill sharing programme During the quarter 46 volunteers and work experience placements contributed 1283 hours to the work of the Office. Of these, 28 came from Cardiff, 9 from the Vale of Glamorgan, 6 from Bridgend, 2 from Rhondda Cynon Taf, and 1 from Caerphilly. Tours were provided 7 prospective volunteers and references for work supplied for 2 former volunteers. Students on work experience placements have given positive feedback. Work continues on a range of volunteer projects as outlined in the previous quarter. Volunteers have also started looking at Women’s Institute scrapbooks in more detail. -
Reports and Financial Statements 2013-14 Layout 1
2013/14 Reports and Financial Statements for the year ended 31 March 2014 Charity number 1034245 General Activites Account Contents Annual Report: • Trustees’ Annual Report 03 o Annual Governance Statement 06 • Environmental report 43 • Remuneration report 47 • Statement of Council’s and the Accounting Officer’s responsibilities 49 The Certificate and Report of the Auditor General for Wales to the Arts Council of Wales 50 Financial statements: • Statement of financial activities 52 • Balance sheet 53 • Cash flow statement 54 • Notes forming part of the financial statements 55 Annex to the Annual Report (not forming part of the financial statements): • Grants 80 Arts Council of Wales is committed to making information available in large print, Braille, audio and British Sign Language and will endeavour to provide information in languages other than Welsh or English on request. Arts Council of Wales operates an equal opportunities policy. Front Cover: Theresa Nguyen, Gold Medal for Craft and Design at Y Lle Celf, National Eisteddfod of Wales 2013 (image: Dewi Glyn Jones) BIANCO, NoFit State (image: Richard Davenport) Annual Report for the year ended 31 March 2014 Trustees’ Annual Report Reference and administrative details Trustees Council Members who served since 1 April 2013 were: Attendance at meetings during 2013/14 Audit Capital Remuneration Council Committee Committee Committee1 Number of meetings held: 6550 Professor Dai Smith, (c) 6 Committee Chair Chairman n/a Dr Kate Woodward, (d) 3 Vice-chairman Emma Evans (a) 5 Committee Chair -
Draft: for Testing Purposes January – February 2019
Draft: for testing purposes January – February 2019 Draft: for testing purposes January – February 2019 Draft: for testing purposes January – February 2019 This journey checker sets out where steps contribute to the other well-being goals, using the icons set out below: Link to goals / ways of working Prosperous Resilient Healthier Equal Community Cohesion Culture and Welsh language Global Involvement Supporting the Welsh language Contributing to the Welsh Government’s ambition of 1m Welsh speakers in Wales by 2050 through developing opportunities to utilise the language, cultivating skills and nurturing greater awareness and appreciation of the benefits of being part of a multilingual nation Defining the issue: According to the census statistics, the number of Welsh speakers overall has fallen from 582,000 in 2001 to 562,000 in 2011, despite an increase in the size of the population, indicating that just 19% of the population are Welsh speakers. This is far short of the Welsh Government’s target of 1m Welsh speakers by 2050. Recent Canadian research demonstrates the value of bilingualism to not only the economy but to individuals through cognitive and social benefits. We need to find ways to improve the perception of the language, make it an inherent part of who we are in Wales and give people every opportunity (where they want it) to learn, maintain and develop their personal language skills. The Public Services, as the largest employer in Wales, has a huge contribution to make to this agenda and to making it possible for the Welsh Government to meet its ambitious target that will ultimately strengthen Wales’s identity and uniqueness. -
A&B Cymru Arts Members
A&B CYMRU ARTS MEMBERS Abergavenny Museum & Castle Gladstone’s Library Research Institute for Arts & Humanities, Act Now Creative Training Glenn Edwards Swansea University Amgueddfa Genedlaethol Cymru/National Gwanwyn Festival Revue Studios Museum Wales Gwasanaeth Ysgolion William Mathias Rhondda Cynon Taff Cultural Services Archif Genedlaethol Sgrin a Sain Gwent Theatre Richard Newton Consulting Cymru/National Screen & Sound Archive Wales Gwledd Conwy Feast The Riverfront Arcomis Gwynedd County Council Rock Academy Wales Artes Mundi The Gwyn Hall Royal Cambrian Academy Artis Community Hay Festival of Literature & the Arts Royal Welsh College of Music & Drama Arts Active Trust Hijinx Theatre Rubicon Dance Arts Care Gofal Celf Institute of Fundraising Cymru Ruth McLees Arts Connection Cyswllt Celf InterAct Wales Ruthin Craft Centre Arts Council of Wales It’s My Shout Productions Scala Cinema & Arts Centre Artsview Consulting Jan Gardner Sherman Cymru Ballet Cymru John Hedley Sinfonia Cymru Bangor New Music Festival Jonathan Holcroft Snowdonia Arts Festival Bangor University Jukebox Collective South Wales Intercultural Community Arts Ben Borthwick Karen Dell’Armi Contemporary Jewellery St Donats Arts Centre Beyond the Border Literature Wales Llenyddiaeth Cymru Stiwt Theatre Blinc Cic Sŵn Festival BOCS Little Wander Taikabox Bombastic Dance Live Music Now! Wales Taking Flight Theatre Company Breaking Barriers Community Arts Llangollen International Musical Eisteddfod Taliesin Arts Centre Butetown History & Arts Centre Llantarnam Grange Arts -
Grants Summary
Cardiff Council Budget Consultation Document Draft Cabinet Proposed 2013/14 Budget Reductions re: Grants 2012/13 Proposed Reduction Grant Description No Service Area Grant Grant Report £ % £ Cruse Cardiff currently provide care and support to people who have experienced bereavement. 1 Adult Services Cruse Cardiff and Vale 12,000 100 12,000 Funding is for rent, rates heating, insurance and room hire. Provides manual and powered wheelchairs to improve the mobility and independence of people with 2 Adult Services Cardiff Shopmobility 9,346 100 9,346 disabilities visiting Cardiff City Centre. Funding is for routine expenditure, principally staff costs. Pen yr Enfys is a Brief Interventions and Advice Service for people with alcohol /substance misuse 3 Adult Services Pen yr Enfys 21,390 50 10,695 issues. Funding is for 10% of salary costs Promotes social inclusion, meets the needs of vulnerable adults and provides an affordable hot 4 Adult Services Adamsdown Day Centre Partnership 27,540 10 2,754 meal every day Advocacy service - aims to provide a specialist Independent Advocacy Service for Older People living in Care Homes, operating at the Advocacy Quality Performance Mark Level. Core & Operational Management - provides proper stewardship and governance of the charity. Compliments the functions of Adult Services and is consistent with the aspirations of the Older Peoples Commissioning Strategy and "What Matters". Good Neighbour Scheme - Forms part of 5 Adult Services Age Concern 310,536 0 0 a preventative programme of services and activities that keeps people socially included and supported through changes in later life. Supports people with low to medium health and social care needs and can be responsive as their needs change supporting them to remain independent. -
Regulatory Appraisal
REGULATORY APPRAISAL SOCIAL CARE, WALES CHILDREN AND YOUNG PERSONS, WALES THE CHILDREN (PERFORMANCES) (AMENDMENT) (WALES) REGULATIONS 2007 Background 1. The Children (Performances) Regulations 1968, which were made under section 37 of the Children and Young Persons Act 1963, aim to safeguard the health, welfare and education of children who take part in performances. 2. The 1968 Regulations impose limits on the number of performances in which a child can take part in a year and specify age bands and clear limits on the hours within which children can work, or be available for performances. 3. The 1963 Act provisions and the 1968 Regulations were last amended in 1998 to reflect the requirements of the EC Directive on Protection of Young People at Work. Thus, children employed in advertising (including modelling) and in sport were covered for the first time. Purpose and intended effect of the measure 4. These Regulations, which amend The Children (Performances) Regulations 1968, to make the rules governing performances by children less restrictive and also introduce a number of changes to address child protection issues identified in the Clywch Report. Their main purpose remains as safeguarding the health, welfare and education of children taking part in performances. 5. The proposed changes introduced by the Regulations for children 9 + are to: • increase the maximum length of time to four hours in which a child may take part in continuous performance or rehearsal without a break; and • extend the permitted working hours in the working day and the total number of hours in which these children may be present at the place of performance or rehearsal. -
A&B Cymru Arts Members
A&B CYMRU ARTS MEMBERS 3VTV Focus Wales Pzazzwales Abergavenny Museum & Castle G39 Research Institute for Arts & Humanities, Act Now Creative Training Galeri Caernarfon Swansea University Amgueddfa Genedlaethol Cymru/National Glenn Edwards Rhondda Cynon Taff Cultural Services Museum Wales Glyndwr University Richard Newton Consulting The Riverfront Archif Genedlaethol Sgrin a Sain Gwasanaeth Ysgolion William Mathias Cymru/National Screen & Sound Archive Rona Campbell Gwent Theatre Wales Royal Welsh College of Music & Drama Gŵyl Gobaith Festival of Hope Arcomis Rubicon Dance Gwynedd County Council Artes Mundi Ruth McLees The Gwyn Hall Artis Community Ruthin Craft Centre Hay Festival of Literature & the Arts Arts Active Trust Scala Cinema & Arts Centre Hijinx Theatre Arts Care Gofal Celf Shelby Art Institute of Fundraising Cymru Arts Connection Cyswllt Celf Sherman Cymru It’s My Shout Productions Arts Council of Wales Sinfonia Cymru Karen Dell’Armi Contemporary Jewellery Ballet Cymru Sing & Inspire Literature Wales Llenyddiaeth Cymru Ballet Nimba South Wales Intercultural Community Arts Little Wander Bangor University Snowdonia Arts Festival Live Music Now! Wales Beyond the Border St Donats Arts Centre Llangollen International Music Eisteddfod BOCS Stiwt Theatre Llangollen Pavillion Bombastic Dance Sŵn Festival Llantarnam Grange Arts Centre Breaking Barriers Community Arts Taikabox Makers Guild in Wales Butetown History & Arts Centre Taliesin Arts Centre Cambrian Consort Mari Thomas Jewellery Taking Flight Theatre Company Canolfan Gerdd -
A&B Cymru Arts Members
A&B CYMRU ARTS MEMBERS 3VTV Galeri Caernarfon Richard Newton Consulting Abergavenny Museum & Castle Glenn Edwards The Riverfront Act Now Creative Training Glyndwr University Rona Campbell Amgueddfa Genedlaethol Cymru/National Gwasanaeth Ysgolion William Mathias Royal Welsh College of Music & Drama Museum Wales Gwent Theatre Rubicon Dance Archif Genedlaethol Sgrin a Sain Gŵyl Gobaith Festival of Hope Ruth McLees Cymru/National Screen & Sound Archive Ruthin Craft Centre Wales Gwynedd County Council Scala Cinema & Arts Centre Arcomis The Gwyn Hall Shelby Art Artes Mundi Hay Festival of Literature & the Arts Sherman Cymru Artis Community Hijinx Theatre Sinfonia Cymru Arts Active Trust Institute of Fundraising Cymru Sing & Inspire Arts Care Gofal Celf It’s My Shout Productions South Wales Intercultural Community Arts Arts Connection Cyswllt Celf Karen Dell’Armi Contemporary Jewellery Snowdonia Arts Festival Arts Council of Wales Literature Wales Llenyddiaeth Cymru St Donats Arts Centre Ballet Cymru Little Wander Stiwt Theatre Ballet Nimba Live Music Now! Wales Sŵn Festival Bangor University Llangollen International Music Eisteddfod Taikabox Beyond the Border Llangollen Pavillion Taliesin Arts Centre BOCS Llantarnam Grange Arts Centre Taking Flight Theatre Company Bombastic Dance Makers Guild in Wales Mari Thomas Jewellery TAPE Community Music & Film Breaking Barriers Community Arts Teifi Emerald Media Education Wales Butetown History & Arts Centre Theatr Bara Caws Cambrian Consort Memorial Hall Theatre Theatr Ffynnon Canolfan Gerdd William -
Swanseabaycityofculture2017b
Swansea Bay City of Culture • 2017 OUR CREATIVE REVOLUTION X Contents Part A: Bid summary . 1 Part B: Vision, programme and impacts . 2 1 . The bid area . 2 2 . Overall vision . 4 3 . Cultural and artistic strengths . 6 4 . Social impacts . 14 5 . Economic impacts . 16 6 . Tourism impacts . 18 Part C: Delivery and capacity . 20 1 . Organisation, development, management and governance . 20 2 . Track record . 21 3 . Funding and budget . 21 4 . Partnerships . 22 5 . Risk assessment . 23 6 . Legacy . 24 Appendix A – Outline programme . 26 Appendix B – Summary of cultural and creative sectors in the city region . 34 Appendix C – Current state of our visitor economy . 36 Appendix D – Contributors to the bid . 38 Appendix E – Major events track record . 40 Appendix F – Outline budget . 42 Part A: Bid summary We are starting a creative revolution from the place that Our programme builds on our strengths – delivering events once led the world in the industrial revolution. Now, as then, and activities that have meaning to our existing culture, we have the raw materials – we want to take our creative which will appeal to wider audiences as well. We have taken resourceful people; our pioneering universities; our proud care to create a programme that has a legacy and that heritage; our contemporary arts; our incredible setting; our is sustainable – where there are one-off events they are vibrant and diverse communities; and forge them in our designed to leave a socio-cultural legacy of inspiration for a ‘crucible of talent’ as a creative city region. new generation and to raise our confidence as a city. -
Student Guide to Drama Education 2016–17
STUDENT GUIDE TO DRAMA EDUCATION 2016–17 622315 ISBN 9781910622315 781910 9> SGDE1617-OL_001_Covers B01.indd 1 03/08/2016 16:33:12 SGDE2016 ONLINE.indd 2 04/08/2016 10:45:31 Student Guide to Drama Education 2016–17 Welcome to the Student Guide real-life graduates’ experiences on four very different to Drama Education. This guide courses. is designed to answer many of the questions you might have Don’t forget while going through the scary in approaching the daunting application process, though, that it’s important to task of applying to study or continue enjoying theatre as well, both practically train in drama. and as an audience member: we offer advice on both in this guide. Finally, with some extracts and We look at the logistical issues some essentials lists, we advise on how to stack your of choosing between university, drama school or shelves with really useful books to help you through alternative forms of training, and how to pay for your your applications, training, and the early stages of courses once you embark on them. The majority your career. of students wish to apply to acting courses, and therefore we have a three-page feature on the all- Break a leg! important task of choosing audition monologues and delivering them well. However, there are many other Sarah Lambie varied courses for those interested in pursuing drama Editor careers, which is why we begin with a roundup of Performance Contents Learn by watching 45 Learn by doing it yourself: Setting up a theatre company 48 Education & Administration Performance listing -
A Year in the Arts 2012/13
A Year in the Arts 2012/13 Contents Chair’s Foreword 03 Chief Executive’s Foreword 07 Who we are and what we do 13 A Year in the Arts 17 Arts Council of Wales is committed to Front Cover: Torchbearers making information available in large Mzansi Cymru project, Valleys Kids print, braille, audio and British Sign Part of Power of the Flame and funded by Legacy Trust UK Image: Glenn Edwards Language and will endeavour to provide information in languages other than Shelters Joanne Tatham and Tom O'Sullivan Welsh or English on request. Arts Across the City 2012, Swansea, LOCWS International Image: © LOCWS International Arts Council of Wales operates an equal opportunities policy. 01 02 It has been a listening year for me and the Arts Council of Wales. Chair’s Foreword I have listened, observed and participated since the summer of 2012 as independent Chair of the Arts in Education Review Panel which was commissioned by the Welsh Government to enquire into the current state and status of the expressive arts in the schools of Wales. All over Wales we have held Focus Group meetings of teachers, artists and arts organisations, of school students and parents and the general public; we made study visits to Scotland and England, and to schools in Wales; we researched and discussed the role of the education as practised from Singapore to Sydney, from Chicago to Calgary, from Finland to Fochriw. This autumn my Report will be published and the Ministers for Education and of Culture and Sport will pronounce on its recommendations. -
Atodiadau Nad Ydynt Yn Rhan O’R Datganiadau Ariannol
Atodiadau nad ydynt yn rhan o’r datganiadau ariannol 179 Gweithgareddau Cyffredinol – Grantiau 2019/20 Cyllid craidd i sefydliadau Portffolio Celfyddydol Cymru Canolfan y Celfyddydau Aberystwyth £536,645 Arad Goch £346,887 Gwobr Artes Mundi £147,962 Artis Community/Cymuned £199,960 Arts Care Gofal Celf £132,915 Arts Connection £65,204 Ballet Cymru £252,376 Cerddorfa Genedlaethol Gymreig y BBC £805,133 Sefydliad y Glowyr Coed Duon £129,375 Canolfan Gerdd William Mathias £80,251 Chapter £657,391 Cerdd Gymunedol Cymru £105,329 Cwmni’r Frân Wen £233,013 Dawns i Bawb £85,266 Celfyddydau Anabledd Cymru £165,417 Ffotogallery £199,472 g39 £70,220 Galeri £316,237 Oriel Gelf Glynn Vivian £125,391 Hafren £107,014 Celf ar y Blaen £150,470 Theatr Hijinx £155,687 Impelo £112,602 Jukebox Collective £167,670 Llenyddiaeth Cymru £742,264 Live Music Now Wales £45,140 Canolfan y Celfyddydau Llantarnam Grange £85,266 Opera Canolbarth Cymru £104,326 Oriel Mission £95,298 Mostyn £389,215 Theatr Cerdd Cymru £218,934 Cwmni Dawns Cenedlaethol Cymru £834,186 National Theatre Wales £1,606,405 NEW Dance £75,523 NoFit State Circus £194,608 Oriel Davies £223,798 Oriel Myrddin £47,147 Peak £77,625 Canolfan y Celfyddydau Pontardawe £63,197 Pontio £280,118 Theatrau Rhondda Cynon Taf £150,821 180 Glan yr Afon £125,391 Rubicon Dance £194,608 Canolfan Grefft Rhuthun £389,215 Theatr Sherman £1,125,997 Sinfonia Cymru £217,825 Canolfan y Celfyddydau Taliesin £219,906 Theatr Bara Caws £279,803 Theatr Brycheiniog £194,608 Theatr Clwyd £1,802,969 Theatr Felinfach £60,188 Theatr