Media Release
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Imperiale Konzert- Und Opernreisen
IMPERIALE KONZERT- UND OPERNREISEN September bis Dezember 2017 SEPTEMBER - HÖHEPUNKTE In der Staatsoper kann neben Aufführungen wie „Die Hochzeit des Figaro“, „Der Barbier von Sevilla“, „La Bohème“ u. a., sicherlich „Der Troubadour“ mit Anna Netrebko als Höhepunkt im September gesehen werden. Zusätzlich wird noch Mussorgski‘s „Chowanschtschina“ mit Ferruccio Furlanetto in der Titelrolle gegeben: „Eine zeitlose Parabel auf den ewigen Kreislauf von Machterwerb,- u. Verlust Einzelner auf Kosten des einfachen Volkes.“ Die Wiener Symphoniker treten sowohl im Musikverein, als auch im Konzerthaus auf mit Werken von Strauss und Dvorak. Die Wiener Philharmoniker geben ein Konzert im Musikverein mit Stardirigent Zubin Mehta. REISE 1: 4. bis 7. September 2017 EZ € 2.085,- | DZ € 1.580,- p. P. Montag, den 4.9. In der Staatsoper: Der Troubadour v. G. Verdi Mit George Petean, Anna Netrebko, Luciana D‘Intino, Marcelo Alvarez, Jongmin Park Dienstag, den 5.9. In der Staatsoper: Die Hochzeit des Figaro Mit Adam Plachetka, Dorothea Röschmann, Andrea Caroll, Carlos Alvarez, Margarita Gritskova Mittwoch, den 6.9. In der Staatsoper: Der Barbier von Sevilla v. G. Rossini Mit Ioan Hotea, Paolo Rumetz, Rachel Frankel, Marco Caria, Sorin Coliban REISE 2: 7. bis 10. September 2017 EZ € 2.065,- | DZ € 1.560,- p. P. Donnerstag, den 7.9. In der Staatsoper: Der Troubadour v. G. Verdi Mit George Petean, Anna Netrebko, Luciana D‘Intino, Marcelo Alvarez, Jongmin Park Freitag, den 8.9. In der Staatsoper: Chowanschtschina v. M. Mussorgski Mit Ferruccio Furlanetto, Christopher Ventris, Herbert Lippert, Andrzej Dobber, Ain Anger, Elena Maximova Samstag, den 9.9. In der Staatsoper: Die Hochzeit des Figaro Mit Adam Plachetka, Dorothea Röschmann, Andrea Caroll, Carlos Alvarez, Margarita Gritskova REISE 3: 8. -
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Laurel Semerdjian Mezzo-Soprano
Laurel Semerdjian Mezzo-Soprano Laurel Semerdjian, an American mezzo-soprano of Armenian descent, has recently been hailed as "a dramatic and musical tour de force" (Pittsburgh Tribune) for her portrayal of Asakir in Pittsburgh Opera's production of Mohammed Fairouz's Sumeida's Song. Her voice has been praised for its "guttural low notes" (Pittsburgh Post Gazette) and "appealing weight, intensity and flexibility". During the 2017–2018 season, Ms. Semerdjian looks ahead to returning to both Sarasota Opera, as Flora in La traviata, and Syracuse Opera, as Suzuki in Madama Butterfly. She makes company debuts with St. Petersburg Opera (Florida) as Dritte Dame in Die Zauberflöte, with Pittsburgh's Resonance Works as Ježibaba in Rusalka, and with Washington Concert Opera debut as guest soloist in their Opera's Greatest Heroines gala concert. She will also perform both Beethoven's Symphony No. 9 and Haydn's Mass in Time of War with Washington DC's Cathedral Choral Society at the Washington National Cathedral. In the 2018–2019 season, Ms. Semerdjian looks forward to rejoining Pittsburgh Opera as Suzuki in Madama Butterfly, rejoining Tacoma Opera for her debut in the title role of The Rape of Lucretia, and performing with Syracuse's Symphoria as mezzo soloist in Haydn's Mass in Time of War and Beethoven's Symphony No. 9. Ms. Semerdjian made several significant role debuts throughout the 2016–2017 season. In her return to Bellevue City Opera she performed her first Dorabella in Così fan tutte, and in October 2016 she made her Syracuse Opera debut as Tisbe in La Cenerentola. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
LTI OCT Newsletter Final Draft
OCTOBER 2015 Lyric Theatre@Illinois A Conversation between Director and Designer LTI’s Beatrice & Benedict Our second season kicks off with Hector Berlioz’s adaptation of Shakespeare’s Much Ado About Nothing in a delightful French opera, Beatrice & Benedict. To give you a look at how our shows are developed and how Lyric Theatre collaborates with the Krannert Center’s Level 21 program, stage director Michael Foster (’13 DMA Voice Performance) sat down with Regina García, professor of “All the world’s a stage…” theatre and scenic designer, to talk about bringing this enchanting opera to life. LTI’s Shakespeare Season Michael: How did you come to design our production? And what went through by Michael Tilley your mind when you first heard of the New Orleans concept for While most people would readily name Shakespeare the greatest Beatrice & Benedict? playwright in history, perhaps fewer realize that he has also inspired more music than any dramatist or author. Besides the operatic Regina: I was very excited to jump in as settings of his plays by Verdi, Britten, Berlioz, and numerous others, part of the team of Beatrice & Benedict. we have incidental music by Mendelssohn and Sibelius, William Professor Michael Griggs and I realized Walton’s scores for the Olivier films, Tchaikovsky’s overture- that there were several productions that fantasias on Hamlet, The Tempest, and Romeo and Juliet, whose star- needed designers. These shows were crossed lovers inspired six ballets, including Prokofiev’s. large and needed to be designed before (continued on p. 7) the summer. (continued on p. 2) Upcoming Performances Beatrice & Benedict Opera Scenes Concert LTI Studio Showcase Nov. -
Avec Une Histoire Personnelle Très Unique Qui Commence À Fairbanks
Biographie, Saison 2016 – 2017 [1.019 mots] Avec une histoire personnelle très unique qui commence à Fairbanks, en Alaska, et une carrière internationale qui couvre plus de deux décennies, la mezzo-soprano Vivica Genaux charmes public et la critique avec son charisme, son engagement et sa technique vocale étonnante. Après avoir noté qu'elle «a une présence sur scène à la pelle», écrit Clive Paget dans Limelight Magazine de l'Australie en Avril 2016, que Vivica «a démontré la maîtrise complète avec son phrasé exemplaire et dextérité vocale sans effort. Ajoutez à cela une voix d'une grande richesse, facile au sommet, mais avec une capacité de plonger à volonté dans un registre plus basse robuste, et vous avez ce qui ne peut être décrit comme la real deal». Milwaukee, Wisconsin, a été le cadre de ses débuts professionnels en 1994, quand elle a interprété Isabella dans une production par Florentine Opera de L'italiana in Algeri de Gioachino Rossini, une rôle qu'elle ranimait avec grand succès en 2015 pour Opera Fairbanks. Ses débuts à la Metropolitan Opera de New York en 1997 était dans son rôle le plus joué, Rosina dans Il barbiere di Siviglia, et elle est revenue à la MET pour plus Rosinas en 2002. Dans la foulée de ces étapes, les rôles de Rossini ont pris Vivica aux théâtres d'opéra et salles de concert dans le monde entier. Son Angelina dans La Cenerentola a été entendue dans son pays natal dans des villes comme Charlotte (Caroline du Nord), West Palm Beach (Floride), et Washington, DC, et, à l'étranger, dans ses arènes prestigieux comme le Grand Théâtre de Genève, le Théâtre des Champs-Élysées et la Wiener Staatsoper et dans ses endroits comme Brême (Allemagne), Rieti (Italie), et Santiago (Chili). -
Cast Amendment for Il Trittico
1 FEBRUARY 2016 CAST AMENDMENT IL TRITTICO (Giacomo Puccini) 25, 29 Februry; 3, 5, 8 and 15 March at 6.30pm To her great disappointment, Austrian soprano Martina Serafin has been forced to withdraw from her role debut as Giorgetta in Il tabarro due to an injury suffered before Christmas. She has made good progress since the accident, but unfortunately she is still not adequately mobile to undertake this role for The Royal Opera. The role of Giorgetta will now be sung by American soprano Patricia Racette . Patricia Racette made her Royal Opera debut in 1996 as Mimì ( La bohème ). She has previously sung the role of Giorgetta for Theater an der Wien, and will perform the role in Rome in April 2016. Her other recent engagements include Nedda ( Pagliacci ) for the Metropolitan Opera, New York, Katerina Ismailova ( Lady Macbeth of Mtsensk ) for English National Opera and Elle ( La Voix humaine ) for Chicago Opera Theater. The rest of the cast remains unchanged, with Italian baritone Lucio Gallo as Michele, American tenor Carl Tanner as Luigi, Italian tenor Carlo Bosi as Tinca, British bass Jeremy White as Talpa, Korean tenor and Jette Parker Young Artist David Junghoon Kim as Ballad Seller, Russian mezzo-soprano Irina Mishura as Frugola, Australian soprano and Jette Parker Young Artist Lauren Fagan and Portguese tenor Luis Gomes as the Lovers and Italian conductor Nicola Luisotti . PRESS OFFICE CONTACTS Ann Richards/David Brownlie-Marshall/Celia Moran/Emily Meredith [email protected] / [email protected] / [email protected] /[email protected] For all Royal Opera House press releases visit www.roh.org.uk/press . -
Stony Brook Opera 2015-2016 Season
LONG ISLAND OPERA GUILD NEWSLETTER MARCH 2016 Stony Brook Opera 2015-2016 Season A letter from the Artistic Director of Stony Brook Opera Our current season will end with a semi-staged concert performance of Giacomo Puccini’s beloved masterpiece La Department and friends from New York City who attended Bohème, sung in the original Italian language with projected those performances all told me that from a theatrical point of titles in English. The Stony Brook Symphony will be on stage, view nothing was lacking, and that they enjoyed immensely with the opera chorus behind it on risers. The Stony Brook being able to see how the singers, chorus, and orchestra Opera cast will perform from memory on the stage space in interact in the overall musical and dramatic experience. That is front of the orchestra. Timothy Long will conduct the cast, not possible when the orchestra is out of sight, as it always is chorus and orchestra. Brenda Harris, Performing Artist in in a full production. From a theatrical point of view, La Residence and a leading soprano in American regional opera Bohème presents a far greater challenge than Lucia did, in part will direct the singers, who will be fully blocked, and will use because it calls for so many “things” on stage throughout the props and furniture and minimal costuming as appropriate. opera—not only essential furniture pieces, but also numerous Tomas Del Valle of the Theatre Arts Department makes his small hand props, all of which are vital to the narrative, and Stony Brook Opera debut as the lighting designer, and he is carry great emotional weight in the plot, such as the candle planning exciting theatrical lighting for the space where the and the key, and Mimì’s bonnet, to name a few. -
Transcript Released 4/22/2021 CHRIS LARGENT: Hey There, Let Me Take You Off This Busy Main Road of Van Ness Avenue, Follow Me Through This Parklet
North Stage Door - Episode 1 Transcript Released 4/22/2021 CHRIS LARGENT: Hey there, let me take you off this busy main road of Van Ness Avenue, follow me through this parklet. I’m going to bring you into the secret world - not accessible to the general public...The North Stage Door! Welcome to San Francisco Opera's new podcast! I'm your host, Chris Largent and I'm delighted to sweep you into this massive hive of creativity, stagecraft and performance at one of opera’s most exciting companies. Along the way, we’ll meet singers, directors, designers -- and some surprise guests; like Pixar’s Chief Creative Officer and Academy Award Winning Director Pete Docter, and internationally acclaimed opera star Patricia Racette. In normal times, walking around backstage, there would be a flurry of activity. But, it's not really happening like that this year...our stage has been dark. Our season? Canceled. This moment of social distancing has given us time to reflect -- how can this venerable artform that is entirely dependent on precision planning, hundreds and hundreds of people from different disciplines collaborating behind the scenes, and thousands in the audience --- how might this artform of opera adapt to a different reality, yet still adhere to restrictions necessary to keep everyone safe? How can we satisfy the craving we’re all feeling... to experience opera live and come together as a community again? Luckily, San Francisco Opera is in the process of answering this question with a production of Barber of Seville that is unlike any other --and is taking shape as I speak. -
Star Singers on Stage
STAR SINGERS ON STAGE CONCERT TOUR 2017/18 CREATING AND MANAGING PRODUCTIONS WORLDWIDE GuliAnd Management is dedicated to all aspects of music performances from concerts to fully staged opera and operetta productions, special events, tours, broadcasts. The founders and partners of GuliAnd have been working together for many years. We have extensive international business network for the sake of successful productions. Our company is one of the most well-known producers of opera events with the new opera star generation in the industry. GuliAnd sets up and promotes individual concerts in theatres, arenas, stadiums and open air venues. In addition, we produce television programs as well as documentaries. It has been our great pleasure to present many colourful events with numerous internationally acknowledged artists in the past years. The PÉCS – PLÁCIDO DOMINGO CLASSICS festival was founded by the city of Pécs and GuliAnd Management in 2017. GuliAnd is registered in the United Kingdom and has an affiliated company in the United States as well as in Hungary. PÉCS2010 EUROPEAN CAPITAL OF CULTURE GuliAnd Management introduced a new tradition with the “Voices” in 2009. Photo© Kaori Suzuki PLÁCIDO DOMINGO’S OPERALIA THE WORLD OPERA COMPETITION hosted by the Astana Opera within the framework of the EXPO-2017 Future Energy programme and under the auspices of the Ministry of Culture and Sports of the Republic of kazakhstan, the 25th edition of the World Opera Competition, including its final, was one of the highlights of Astana’s cultural calendar this summer, held from 24-29 July. ARYSTANBEK MUKHAMEDIULY Minister of Culture and Sports of Kazakhstan BIG STANDING OVATIONS GuliAnd presents this regular events with Plácido Domingo’s Operalia, The World Opera Competition award winning singers at the United Kingdom, Austria, Hungary and Germany. -
Elisa Citterio Discography 2009 Handel Between Heaven and Earth
Elisa Citterio Discography 2009 Handel Between Heaven And Earth CD Stefano Montanari, conductor Accademia Bizantina Soloists Sandrine Piau,Topi Lehtipuu 2008 Handel The Musick For The Royal Fireworks, Concerti A Due Cori CD Alfredo Bernardini Zefiro Fiorenza Concerti & Sonate CD Stefano Demicheli Dolce & Tempesta 2003 Various Storia Del Sonar A Quattro - Volume III CD Joseph Joachim Quartet 2001 Schuster 6 Quartetti Padovani CD Joseph Joachim Quartet 2000 Vivaldi La Tempesta di Mare CD Fabio Biondi Europa Galante 1998 Monteverdi Settimo Libro Dei Madrigali CD Claudio Cavina La Venexiana Recordings with L’orchestra del Teatro alla Scala di Milano 2015 Mozart Don Giovanni DVD Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Peter Mattei, Bryn Terfel, Anna Netrebko, Barbara Frittoli, Giuseppe Filianoti, Anna Prohaska 2014 Jarre Notre-Dame De Paris DVD Paul Connelly, conductor Ballet Company & Orchestra of Teatro alla Scala Natalia Osipova, Roberto Bolle, Mick Zeni, Eris Nezha Wagner Goetterdammerung DVD Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Maria Gortsevskaya, Lance Ryan, Iréne Theorin, Mikhail Petrenko Wagner Siegfried DVD Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Lance Ryan, Peter Bronder, Terje Stensvold, Johannes Martin Kränzle, Alexander Tsymbalyuk, Anna Larsson, Nina Stemme, Rinnat Moriah Beethoven Fidelio VC Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Peter Mattei, Falk Struckmann, Klaus Florian Vogt, Jonas Kaufmann, Anja Kampe, Kwangchul -
Floyd's Susannah
Baltimore Concert Opera presents: Floyd’s Susannah Who is Carlisle Floyd? The Gist of the Story: Setting: New Hope Valley, Tennessee in the mid 20th century; loosely inspired by the Apocryphal tale of Susannah and the Elders WHO? Set in the 1950s in the backwoods of Tennessee Composer and Librettist: hill country, the opera centers on 18-year-old Susannah, who faces hostility from women in Carlisle Floyd her church community for her beauty and the (born June 11, 1926) attention it attracts from their husbands. As she innocently bathes in a nearby creek one day, the WHAT? church elders spy on Susannah, and their own lustful impulses drive them to accuse her of sin Floyd called this operatic and seduction. Among these hypocrites is the creation a ‘musical drama,’ newly-arrived Reverend Olin Blitch, whose focusing on both music and own inner darkness leads to heart-wrenching Born in South Carolina to a piano teacher and a text to tell the story. tragedy for Susannah. Dealing with the Methodist minister, Carlisle Floyd developed an dramatic themes of jealousy, gossip, and interest in music early on. Studying creative ‘group-think’ -- and filled with soaring folk- writing, piano and then coming to composition, WHEN? inspired melodies -- this opera has been a he found himself teaching at Florida State Premiered on favorite of opera-goers for many years. University in the mid 1950s. Always one to February 24, 1955 The Characters write both the music and texts for his operas, he (62 years prior to our believes that this process gives him greater REV.