Star Singers on Stage
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Parsifal and Canada: a Documentary Study
Parsifal and Canada: A Documentary Study The Canadian Opera Company is preparing to stage Parsifal in Toronto for the first time in 115 years; seven performances are planned for the Four Seasons Centre for the Performing Arts from September 25 to October 18, 2020. Restrictions on public gatherings imposed as a result of the Covid-19 pandemic have placed the production in jeopardy. Wagnerians have so far suffered the cancellation of the COC’s Flying Dutchman, Chicago Lyric Opera’s Ring cycle and the entire Bayreuth Festival for 2020. It will be a hard blow if the COC Parsifal follows in the footsteps of a projected performance of Parsifal in Montreal over 100 years ago. Quinlan Opera Company from England, which mounted a series of 20 operas in Montreal in the spring of 1914 (including a complete Ring cycle), announced plans to return in the fall of 1914 for another feast of opera, including Parsifal. But World War One intervened, the Parsifal production was cancelled, and the Quinlan company went out of business. Let us hope that history does not repeat itself.1 While we await news of whether the COC production will be mounted, it is an opportune time to reflect on Parsifal and its various resonances in Canadian music history. This article will consider three aspects of Parsifal and Canada: 1) a performance history, including both excerpts and complete presentations; 2) remarks on some Canadian singers who have sung Parsifal roles; and 3) Canadian scholarship on Parsifal. NB: The indication [DS] refers the reader to sources that are reproduced in the documentation portfolio that accompanies this article. -
Lectures and Community Engagement 2017–18 About the Metropolitan Opera Guild
Lectures and Community Engagement 2017 –18 About the Metropolitan Opera Guild The Metropolitan Opera Guild is the world’s premier arts educa- tion organization dedicated to enriching people’s lives through the magic and artistry of opera. Thanks to the support of individuals, government agencies, foundations, and corporate sponsors, the Guild brings opera to life both on and off the stage through its educational programs. For students, the Guild fosters personal expression, collaboration, literacy skills, and self-confidence with customized education programs integrated into the curricula of their schools. For adults, the Guild enhances the opera-going experience through intensive workshops, pre-performance talks, and community outreach programs. In addition to educational activities, the Guild publishes Opera News, the world’s leading opera magazine. With Opera News, the Guild reaches a global audience with the most insightful and up-to-date writing on opera available anywhere, helping to maintain opera as a thriving, contemporary art form. For more information about the Metropolitan Opera Guild and its programs, visit metguild.org. Additional information and archives of Opera News can be found online at operanews.com. How to Use This Booklet This brochure presents the 2017–18 season of Lectures and Community Programs grouped into thematic sections—programs that emphasize specific Met performances and productions; courses on opera and its history and culture; and editorial insights and interviews presented by our colleagues at Opera News. Courses of study are arranged chronologically, and learners of all levels are welcome. To place an order, please call the Guild’s ticketing line at 212.769.7028 (Mon–Fri 10AM–4PM). -
UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
Plácido Domingo – a Short Biography
Plácido Domingo – a short biography Plácido Domingo was born in the Barrio de Salamanca district of Madrid on January 21, 1941. He is the son of Plácido Domingo Ferrer and Pepita Embil Echaníz, two Spanish Zarzuela performers, who nurtured his early musical abilities. Domingo's father, a violinist performing for opera and zarzuela orchestra, was half Catalan and half Aragonese, while his mother, an established singer, was a Basque. After moving to Mexico at the age of 8, Plácido Domingo went to Mexico City’s Conservatory of Music to study piano and conducting, but eventually was sidetracked into vocal training after his voice was discovered. The highly gifted singer had his first professional engagement as accompanist to his mother in a concert at Mérida, Yucatan, in 1957. He soon achieved great acclaim at international level. Challenged by cosmopolitan groups and new roles In 1961, Domingo made his operatic debut in a leading role as Alfredo in La Traviata at Monterrey. The performance of La Traviata included a baritone singing in Hungarian, a soprano in German, a tenor in Italian, and the chorus in Hebrew. Domingo credits this cosmopolitan group for improving his abilities in several languages. At the end of 1962, he signed a six month contract with the Israel National Opera in Tel Aviv but later extended the contract and stayed for two and a half years, singing in 280 performances and incorporating 12 different roles. Domingo has sung and continues to sing in every important Opera House in the world including the Metropolitan Opera in New York, Milan’s La Scala, the Vienna State Opera, London's Covent Garden, Paris' Bastille Opera, the San Francisco Opera, Chicago's Lyric Opera, the Washington National Opera, the Los Angeles Opera, the Teatro del Liceu in Barcelona, Teatro Colon in Buenos Aires, the Real in Madrid, and at the Bayreuth and Salzburg Festivals. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
About the Exhibition Tenorissimo! Plácido Domingo in Vienna
Tenorissimo! Plácido Domingo in Vienna May 17th, 2017 - January 8th, 2018 Lobkowitzplatz 2, 1010 Wien [email protected] T +43 1 525 24 5315 About the exhibition An unmistakable dark timbre, highly dramatic expressiveness, an impressive, vast repertoire – all this enraptures the fans of the Spanish crowd-pleaser with waves of enthusiasm. The Theatermuseum celebrates Plácido Domingo on the anniversary of his stage debut: He has been singing at the Vienna State Opera for 50 years. When the Tenor, then still considered as insider tip, made his debut at the State Opera in the title role of Verdi‘s Don Carlo, not only he took stage and cast in storm, but also the hearts of the Viennese audience – a true love relationship, unbroken till today. This performance contributed to an unparalleled career, taking him to the world‘s leading opera houses. Vienna has always been a very special “home port“ for the opera star. Here he performed 30 different roles in 300 shows and was awarded the title Austrian Kammersänger. The exhibition at the Theatermuseum documents the most important appearances of the “Tenorissimo“ in Vienna with original costumes and props, photographs and memorabilia, video and audio samples. The presentation portrays him also as baritone, the role fach on which he concentrated almost exclusively in the past 10 years, and refers to his activities as conductor, taking him regularly to the orchestra pit of the Vienna State Opera since the end of the 1970s. Without hesitation Plácido Domingo can be described as one of the most versatile, curious and longest serving representative of his musical genre. -
Kathryn Lewek Soprano
Kathryn Lewek Soprano Soprano Kathryn Lewek’s current and future engagements include KONSTANZE Die Entführung aus dem Serail and KÖNIGIN DER NACHT Die Zauberflöte Bayerische Staatsoper, KÖNIGIN DER NACHT Metropolitan Opera and Washington National Opera, EURYDICE Orphée aux enfers Salzburg Festival, OPHELIA Dean’s Hamlet Concertgebouw Amsterdam, LUCIA Lucia di Lammermoor Opéra de Nice, and a tour of Orlando (ANGELICA) with Il Pomo d’Oro to Madrid, Paris, Amsterdam and Verona. Most recently, she performed GINEVRA Ariodante Opéra de Monte-Carlo and Salzburg Festival, KONSTANZE Die Entführung aus dem Serail Deutsche Oper Berlin, TERESA Benvenuto Cellini Gran Teatre del Liceu, Barcelona, Maria Stuarda (title role) Edmonton Opera, KÖNIGIN DER NACHT Die Zauberflöte Lyric Opera of Chicago, Teatro Real Madrid, BBC Proms, Festival d’Aix-en-Provence, Teatro Real Madrid, Metropolitan Opera, Wiener Staatsoper, Welsh National Opera, Houston Grand Opera, Royal Danish Opera, Washington National Opera, English National Opera, Bregenz Festival and Opéra de Toulon, as well as JESSICA Tchaikovsky’s The Merchant of Venice, COLOMBE L’Hirondelle and NIGHTINGALE Le rossignol Bregenz Festival, CUNEGONDE Candide Glimmerglass Opera, ANGELICA Orlando Hobart Baroque (Tasmania), FAIRY GODMOTHER Cendrillon New Orleans Opera and LUCIA Lucia di Lammermoor Opera Carolina. In concert, she most recently performed Messiah Musica Sacra, Orff’s Carmina Burana Dallas Symphony and Bach’s Christmas Oratorio Orchestra Symphonique de Montreal. Ms. Lewek earned her Bachelors and Masters Degrees in Vocal Performance from the Eastman School of Music, where she was also awarded the Performance Certificate in Voice for her many successes upon the Eastman Theater stage. She was a double prize winner at the 2013 Operalia World Opera Competition Athole Still Artists Foresters Hall T 020 8771 5271 Company No. -
Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and -
Elisa Citterio Discography 2009 Handel Between Heaven and Earth
Elisa Citterio Discography 2009 Handel Between Heaven And Earth CD Stefano Montanari, conductor Accademia Bizantina Soloists Sandrine Piau,Topi Lehtipuu 2008 Handel The Musick For The Royal Fireworks, Concerti A Due Cori CD Alfredo Bernardini Zefiro Fiorenza Concerti & Sonate CD Stefano Demicheli Dolce & Tempesta 2003 Various Storia Del Sonar A Quattro - Volume III CD Joseph Joachim Quartet 2001 Schuster 6 Quartetti Padovani CD Joseph Joachim Quartet 2000 Vivaldi La Tempesta di Mare CD Fabio Biondi Europa Galante 1998 Monteverdi Settimo Libro Dei Madrigali CD Claudio Cavina La Venexiana Recordings with L’orchestra del Teatro alla Scala di Milano 2015 Mozart Don Giovanni DVD Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Peter Mattei, Bryn Terfel, Anna Netrebko, Barbara Frittoli, Giuseppe Filianoti, Anna Prohaska 2014 Jarre Notre-Dame De Paris DVD Paul Connelly, conductor Ballet Company & Orchestra of Teatro alla Scala Natalia Osipova, Roberto Bolle, Mick Zeni, Eris Nezha Wagner Goetterdammerung DVD Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Maria Gortsevskaya, Lance Ryan, Iréne Theorin, Mikhail Petrenko Wagner Siegfried DVD Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Lance Ryan, Peter Bronder, Terje Stensvold, Johannes Martin Kränzle, Alexander Tsymbalyuk, Anna Larsson, Nina Stemme, Rinnat Moriah Beethoven Fidelio VC Daniel Barenboim, conductor Orchestra & Chorus of Teatro alla Scala Peter Mattei, Falk Struckmann, Klaus Florian Vogt, Jonas Kaufmann, Anja Kampe, Kwangchul -
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Please contact [email protected] for more information. PROGRAM #: OS 21-01 RELEASE: June 12, 2021 OPERA: Handel Double-Bill: Acis and Galatea & Apollo e Dafne COMPOSER: George Frideric Handel LIBRETTO: John Gay (Acis and Galatea) G.F. Handel (Apollo e Dafne) PRESENTING COMPANY: Haymarket Opera Company CAST: Acis and Galatea Acis Michael St. Peter Galatea Kimberly Jones Polyphemus David Govertsen Damon Kaitlin Foley Chorus Kaitlin Foley, Mallory Harding, Ryan Townsend Strand, Jianghai Ho, Dorian McCall CAST: Apollo e Dafne Apollo Ryan de Ryke Dafne Erica Schuller ENSEMBLE: Haymarket Ensemble CONDUCTOR: Craig Trompeter CREATIVE DIRECTOR: Chase Hopkins FILM DIRECTOR: Garry Grasinski LIGHTING DESIGNER: Lindsey Lyddan AUDIO ENGINEER: Mary Mazurek COVID COMPLIANCE OFFICER: Kait Samuels ORIGINAL ART: Zuleyka V. Benitez Approx. Length: 2 hours, 48 minutes PROGRAM #: OS 21-02 RELEASE: June 19, 2021 OPERA: Tosca (in Italian) COMPOSER: Giacomo Puccini LIBRETTO: Luigi Illica & Giuseppe Giacosa VENUE: Royal Opera House PRESENTING COMPANY: Royal Opera CAST: Tosca Angela Gheorghiu Cavaradossi Jonas Kaufmann Scarpia Sir Bryn Terfel Spoletta Hubert Francis Angelotti Lukas Jakobski Sacristan Jeremy White Sciarrone Zheng Zhou Shepherd Boy William Payne ENSEMBLE: Orchestra of the Royal Opera House, -
ROYAL OPERA HOUSE LIVE CINEMA SEASON 2013/14 In
ROYAL OPERA HOUSE LIVE CINEMA SEASON 2013/14 In association with Bank of America Merrill Lynch Season synopsis The ROH Live Cinema Season 2013/2014 opens on Tuesday 17 September with Puccini’s Turandot starring American soprano Lise Lindstrom, one of the leading Turandots of her time, Marco Berti, Eri Nakamura and Raymond Aceto in Andrei Serban’s spectacular classic production. The new production by Principal Guest Artist and Cuban ballet star Carlos Acosta of the classic ballet Don Quixote (Wednesday 16 October) is hotly anticipated and has a new orchestration by conductor Martin Yates. Verdi’s first five-act opera written for the Paris Opéra, Les Vêpres siciliennes (Monday 4 November) is directed by the hugely acclaimed Stefan Herheim who makes his debut at Covent Garden with this monumental work. The star cast includes Olivier Award-winning American tenor Bryan Hymel, Russian soprano Marina Poplavskaya, Uruguayan bass Erwin Schrott and German baritone Michael Volle. It is conducted by Antonio Pappano, Music Director of The Royal Opera. Next up is the ever-popular family Christmas favourite, Tchaikovsky’s The Nutcracker (Thursday 12 December). The beautiful Peter Wright production is classical ballet at its most approachable and visually entrancing with something for everyone to enjoy. Wagner’s Parsifal (Wednesday 18 December) returns to The Royal Opera after a six-year absence in a brand new production by Stephen Langridge. The star-studded cast features Simon O’Neill, René Pape, Gerald Finley, Willard White and Angela Denoke and is conducted by Antonio Pappano. The ballet Giselle, the most famous of the romantic nineteenth century ballets and a signature work in the Company’s repertory follows on Monday 27 January. -
Media Release
Media Release FOR IMMEDIATE RELEASE: July 27, 2021 Contact: Edward Wilensky (619) 232-7636 [email protected] San Diego Opera’s 2021-2022 Season Opens with Three Intimate Concerts Stephanie Blythe in Concert Saturday, October 23, 2021 The Balboa Theatre Michelle Bradley in Concert Saturday, November 20, 2021 Sunday, November 21, 2021 (matinee) Baker-Baum Recital Hall at The Conrad Arturo Chacón-Cruz in Concert Friday, December 3, 2021 California Center for the Performing Arts The Conrad Prebys Foundation – 2021 Season Sponsor San Diego, CA – San Diego Opera’s safe return to indoor performances begins with three intimate concerts showcasing some of today’s most exciting singers with a varied and diverse repertoire of opera, show tunes, spirituals, and zarzuela, as well as a number of surprises. 1 The Fall 2021 Season will begin an intimate recital with mezzo-soprano and operatic superstar Stephanie Blythe on Saturday, October 23, 2021 at 7:30 PM at The Balboa Theatre. Stephanie has created a concert entitled Johnny Mercer: America’s Lyricist. “This concert is a musical and historical look at the words and songs of Johnny Mercer and those who influenced and partnered with him, from the early years of Jazz, to Tin Pan Alley, and eventually, Hollywood,” shares Stephanie. “Mercer’s extraordinary abilities as a wordsmith and performer cannot be underestimated, as the songs and stories will tell you. Mercer was a born communicator, who had an innate understanding of how to connect with his audience- a perfect subject for a recital/cabaret, my absolute favorite kind of performance, one that establishes an easy, person to person connection with the audience through shared emotional experiences.” Stephanie Blythe made her Company debut in 2014’s A Masked Ball as Ulrica, sang in the Company’s Verdi Requiem that same year, and returned in recital later that fall for We’ll Meet Again: The Songs of Kate Smith.