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IA l^\qunterpoint \gþfrai c from^ N orth rexas Spring 2002 A.dministration Piano Wind Studies a Jalnes C. Scott, Dean Joseph Banowetz Eugene Migliaro Corporon Theory NEI'YS FROM THE DEAN Thomas S. Clark, Associate Dean Bradley Beckman Dennis Fisher Gene Cho Academic Affairs James Giles Fred Vélez Thomas Clark Meet the Dean Jon Christopher Nelson, Steven Harlos Paul Dworak As this issue goes to press, I am pleased to An Interview withJames Scott Associate Dean, Operations Berthe Odnoposoff Opera Frank Heidlberger have the last-minute oppoftunity to share John C. Scott, Associate Dean Pamela Mia Paul David Cloutier Joán Croom-Thomfon Extemal Affairs Cregory Ritchey Stephen Dubberly Tinrothy Jackson news of the largest single endowment fund Dan Haerle Reti4es Joán Groonr-Thornton, Director Jack Roberts Paula Homer R. Fred Kern at the University of North Texas. The for- Undergraduate Studies Vladirnir Viardo Rosemary Killam mal announcement was part of our Dean's Graharn Phipps, Director Adam Wodnicki Orchestra Michael McVay Faculty News Graduate Studies Anshel Brusilow Craharn Phipps Camerata Appreciation Dinner, just before a Piano Pedagogy & Group Piano Clay Couturiaux Stephen Slottow stunning performance of Mahler's second Strings R. Fred Kern Lyle Nordstrom Thomas Sovík Celebrating Harold Heiberg Igor Borodin symphony by our Symphony Orchestra and Julia Bushkova Organ Choral Ethnomusicology Grand Chorus. Bill and Margot Winspear, our long-time patrons and Jeffrey Bradetich Jesse Eschbach Henry Cibbons Gene Cho supporters, have established an endowment of $1.7 million in sup- Crossing Borders Willianr Clay Joel Martinson Rosemary Heffley Steven Friedson port Susan Dubois Lenora McCroskey Jery McCoy Thomas Sovík of scholarships and faculty enhancement. The keystone of the Thornas Johnson Dale Peters endowment will be the Margot Winspear Excellence Award for a C.E.M.I. (cover story) PauI LeBlanc Voice Music Education continuing student in voice, which will be the most prestigious Philip Lewis Chamber Music Stephen Austin Alton Corley New Scholarship Funds Eugene Osadchy Mark Ford Rose Marie Chisholm Hildegard Froehlich award in the College. Expansion and perpetuation of the Shrader , Paul Sharpe Dan Haerle Linda Di Fiore Rosemary Heffley scholarships and the Winspear Scholars a\l/ards aceount for the Announced Ellen Ritscher Philip Lewis Lynn Eustis Wanen Henry greater part of the estimated $85,000 per year income from the Eric Nestler Cody Garner Margaret Hudnall Woodwinds Kathleen Reynolds Harold Heiberg Kanell Johnson endowment. The faculty enhancement portion will represent the first Alumni News Daryl Coad Williarn Scharnberg Jolyne Jeffers Darhyl Ramsey endowed funds dedicated to the purposes ofboth bringing in guests Mary Karen Clardy Julie McCoy Debbie Rohwer for residencies and master classes and providing professional devel- Deborah Fabian Early Music Laurel Miller Roger Wamer Alumni Spotlight James Cillespie Joyce Alper Juanita Peters opment oppodunities for regular faculty. The Winspears previously Eric Nestler Leonard Candelaria Jeffrey Snider \contributed $1.5 million toward the completion of the Murchison Kathleen Reynolds Lynn Eustis David Sundquist ( -/ From the Archives Performing Arts Center, making possible the Lyric Theater, which is James Riggs Sara Funkhouser John Scott Kevin Hall Music History now home to our opera program. They have thus added substantially Terri Sundberg Lee Lattimore Lester Brothers to all three areas ofongoing need: facilities, student support, and Charles Veazey Lenora McCroskey Deanna Bush instructional excellence. Lyle Nordstrom Michael Collins Brass Patricia Nordstrom J. Michael Cooper Tony Baker Cynthia Roberts Elizabeth Hinkle-Tumer Although we will tell you more about our new faculty in the fall Brían Bowman William Schamberg Bernardo lllari Counterpoint is published bi-annually by issue, I also want to take this opportunity to let our alumni and Leonard Candelaria Mark McKnight the Universiry of North Texas College J. Keith Johnson Jazz Lyle Nordstrom friends know what an extraordin ary year we had searches. in faculty of Music. Jan Kagarice Tony Baker Margaret Notley Altogether we searched for seven tenure-track positions, two of them Vern Kagarice Rosana Calderon Dale Peters Donald Little Nathan Cook representing actual expansion of the faculty. We have just now com- Editor Terence Reynolds Dan Haerle pleted bringing all seven searches to successful conclusions. In Rachel Clarke William Scharnberg Frederick Hamilton Music Theory, Stephen Slottow and David Schwarz will become Noel Johnston flNlvnnsrrv-. ContributingVriters Percussion Joseph Lee regular faculty, both having served previously in visiting capacities. Nonrsïi*m Amy Evans, Karen Lim, Edward Perez Gideon Foli Alorwoyie John Murphy Music Education will be enhanced by Donna Emmanuel and Alan José Aponte James Riggs McClung. Eileen Hayes will join us in Ethnomusicology and Harrell Bosarge Paris Rutherford Editorial Assistarrts Christopher Deane Jay Saunders Gustavo Romero in piano. Stefan Karlsson, one of our very success- James Gillespie, Edward Perez, Linda Mark Ford Lynn Seaton Strube, Elida Tämez Cenler lor Conlemporory Studies in Music Educolion ful alumni, will return to assume Dan Haerle's duties as Dan begins Henry Okstel Neil Slater Julie Scott, direclor retirement. All of these people impressed us immensely by both their Paul Rennick Edward Soph Design & Layout previous accomplishments and their visits to campus. We have every Dan Robins Michael Steinel Emily Bryant Robert Schietroma Cenler for Experimenlol Muslc ond lntermed¡o Joseph Rovon, reason to believe in the future of the College of Music when we are Edward Smith Composition director able to engage faculty preserve and Edward Soph Thomas Clark such outstanding to our legacy CEMI Photography z Poovalur Sriji Edilberto Cuellar Cenler for Schenkerion Sludies advance the College still further. Jonathan Reynolds i Joseph Klein Timothy Jockson, direclor Cindy McTee (., UNT College of Music Texos Cenler for Music ond Med¡clne Jon Christopher Nelson L-, Attft Counterþoint Joseph Rovan Kris Chesky, reseorch ond educotion direclor PO Box 3n367 Phil Winsor Denton, 'lX 76zq-ry67 rln4a [email protected] Cover photo: C.E.M.l. director Butch Rovan in the lab with student Peter McCulloch, SPRING 2OO2 In August of zoor, the College of the Dean Music came under /^\ the leadership of a Gre at Counterpoint: How are you Scott: When I'm working toward a performance, the reper- new dean, Dr. lazz and your family settling into toire for the next conceft usually becomes my favorite. r C. Scott. Denton and the DFW 'Whether as a pianist or flutist, I've always been drawn James Metroplex? toward music including voice, but that preference, too, is quickly forgotten in preparing a charnber rnusic conceft Reffires We took a few Scott: We feel that a communi- with strings. by Edward Perez moments of his ty is ultimately much more its people than its buildings and Counterpoint: Now that you have been Dean of the time to ask him roads, and we continue to enjoy College for nearly t'wo semesters, what would you say are building new friendships in the its strongest points, and where is there room for improve- some questions so larger community as well as ment? friends within the University. We also you, our enjoy the easy access to the Scott: The size of the school, which implies its compre- and alumni, may entire metroplex and surround- hensiveness and its diversity, is simultaneously one of its ing area. greatest strengths and greatest challenges. The large com- get to him as munity of excellent faculty and students provides a wonder- \now Counterpoint: Was there one par- ful setting for intellectual and artistic ferment, but our goal we have. ticular "selling point" that clinched of serving each student appropriately in such a vast enter- your decision to come to UNT as prise is daunting. We believe in giving a chance to students hen I first became acquainted and life, Dan Haerle will retire. the Dean of the College of Music? of widely varying backgrounds, but we are also proud of with Dan Haerle, I was a l5 No musician, especially one as the standards we set and the high-quality opportunities we year-old struggling jazz trom- versatile as Haerle, ever really retires, they Scott: It was more a constellation of factors-the quality plovide to many world-class talents. bonist. Equipped with adolescent stubborn- just move on to the next gig. "lt's time," and comprehensiveness of the College of Music, the quality ness and Vol. 2 of the Jamey Aebersold says Haerle, who looks forward to being of leadership at the campus level, and the proximity to a Counterpoint: In what ways would you like to see the lmprovisation play-a-longs, I embarked on able to devote time to family and various major But, none factors Music grow the next f,rve years? urban cultural center. ofthese College of over a journey to learn how to improvise. Of projects. "It's just been fun, a real pleasure would have mattered had it not been for the powerful course, I did not really rneet Haerle, per se, and a privilege to work with the kind of impression made by the dedication and excellence of a wel- Scott: Before speaking ofnew initiatives, I need to reaÊ but I did try to jam with his piano comp- students and faculty we have here at coming faculty. firm my commitment to the protection of the many ing. After all, he was the guy laying down UNT,'' strengths that have been developed over the years. Although the piano tracks on that play-a-long. While his impact on the jazz stud- just Counterpoint: For many years before you came to UNT, we are beginning a strategic planning process, I will Sixteen years later, I walked into his office ies program will undoubtedly continue, you were a music professor at other universities. Do you want us to consider advancements in the mentoring of grad- at the University of North Texas to inter- Haerle says his departure could be good miss being in the classroom/studio? uating teaching fellows in the integlation of our various view him. for the jazz department in terms of having instructional pursuits, in our attention to international pro- At f'rrst glance, you'd never guess "new blood." "l have been here long years grams, provide Scott: Yes. I have over 35 ofteaching behind me and and in the services and offerings we our stu- Haerle to be a jazz giant. But take a look at enough, and I am ready to enter a new many students whose continuing friendships remind me of dents in career development. the plethora ofphotos adorning his office phase in my career as a musician," said the incomparable satisfaction of teaching. However, rny walls and you will see the scope of his Haerle. role as dean calls for me to rnentor junior faculty and guide Counterpoint:What is your impression of the COM's evolution. Listen to him speak and you Born in Qulncy, Illinois in 1937 to arlistic decisions-activities which involve the essence of newest facility, the Murchison Performing Arts Center? will hear all the wisdom and experience of musician parents-mom was a singer/violin- teaching. a well-traveled blues singer. And his unas- ist and dad was a trombonist-Haerle was Scott The Murchison provides not only an exceptionally fine suming demeanor gives off an aura of immersed in sound. And even though his Counterpoint: At what age did you begin studying music, space in ten¡s of acoustics and ambiance, it also stands in our relaxed confìdence, perhaps even content- father would sneak him into clubs to listen and what instruments do you play? region as a completely professional perfonnance venue, provid- ment. to the music and watch the musicians, both ing the public with an appropriate image for music at UNT and, Decidedly humble, he would parents initially tried to dissuade him from Scott: I starled piano at the age of 7 and flute at the age of our student ensembles with a sense of the import of their work. A never admit to his broad influence on pursuing a career in music. 8. A series of four broken arms (deriving from such child- space such as Winspear Hall inspires the best possible peform- musicians like rnyself, who indirectly stud- "They knew what a musician's hood pleasures as bicycles and horses) before I reached ances and the highest levels of audience receptivity. It is impor- ied with him; nor would he take credit for life was like and thèy did not want that for high school curtailed piano work, but not the flute. tant though, to maintain a sense of the dignity, prestige, centrality, helping the various musicians who have me, but they finally gave in and let me Although I have done professional work on both, it is prob- and performance quality of all of our perforrnance spaces. Much. come into his studio or attended his class- take lessons," recalls Haerle, who began ably those early years that determined the leading edge for of our finest music making will continue to take place in the L- (_, es. And after 40 years (the last 25 at UNT) learning piano at the age of 12, after the flute, which still continues. Music Building. ofteaching countless students the philo- attempts on the clarinet and trombone. sophical ins and outs of jazz, musicianship, In high school, Haerle also played Counterpoint: What is your favorite piece to perform in an c)nl on pg I ensemble?

COUNTERPOINT SPRING 2OO2 Gideon Alorwoyie and the UNT African Ensemble presented a clinic Lynn Eustis, soprano, and Jeff Snider, bari- Don Little retiled frorn the Fort Worth Symphony Orchestra after video tracking system and dancers. Rovan shares the award with cho- at the Percussive Arls Society International Convention. Paul Rennick tone, were soloists in Carnina Bttrana at -lbeing principal tuba for 21 seasons, since 1980. He plans to spend reographer Robert Wechsler and programmer Frieder Weiss. and the UNT Cyrnbal Line also presented a clinic. Christopher Deane Bass Perlormance Hall with the Forl Wofh \ nore time at the university and with his family and will continue play- performed with Mark Ford on Theresa Diamond's clinic. Dallas Ballet on October 5-7,2001. Eustis ^ ing tuba and cimbasso with the Dallas Opera. Hal Leonard Music Publishing has released also performed the solo canTata Diane el Paris Rutherford's new group ofvocal jazz Brian Bowman appeared as a guest soloist with the Western Acteon with the Dallas Bach Society as part Jerry McCoy recently conductecl high school honor choirs in arrangements this month. Paris was also the Kentucky University Band and also presented a clinic on brass playing of the Valentine's Day program, and sang the Lubbock and Carrollton, Texas, and Las Vegas, Nevada, in addition to vocal jazz clinician for the Cedarville Southern on October 9,2001. role of Gabriel in Haydn's The Crealion serving as guest clinician for Vy'estern Washington University's Ohio Jazz Festival. (February 23-24,2002) with the Susquehanna Chamber Choir Festival. He was guest conductor of the Oklahoma John Michael Cooper's book Felix Valley Chorale and Orchestra in Sunbury, All-State Choir, January 17-19,2002, in Tulsa, Oklahorna and also Lynn Seaton participated in the National Mendelssohn Bartholdy: A Guide to Research, Pennsylvania. conducted the TMEA Region 8 All-Region High School Choir in Association for Jazz Education International with an Inlroduclion lo Research Concerning Killeen. Conference in Long Beach, California, January Fanny Hensel has been published by AUR Records released Mark Ford's new solo rnarimba CD, Motion 9-12,2002. He performed for the New Vocal Routledge in New York (2001), Cooper pre- Beyond, in Novernber, which features the UNT Percussion Ensemble Lenora McCroskey, artistic director of Fort Worth Early Music, led Jazz reading session and also performed an sented a paper entitled "Recent Recoveries and the UNT Wind Syrnphony. Ford also perforrned a showcase con- that ensemble in three concefts over September 1-7; two concerls were original work by Dr. Wiltis Kirk, Rejoíce, Rejoice, a jazz oratorio with and Discoveries in Mendelssohn Research" at cerl at the Percussive Arts Society International Convention in part of the l5e Feslival Mnsique en I'lle, in I'Eglise Saint Louis en choir and jazz orchestra for the African American Caucus. In a lecture at the Juilliard School at Lincoln November in Nashville. l'lle, Paris, and the other, part of Sinfonia de Périgord, in I'Abbaye de February, Seaton was a guest at the University of Nofth Dakota where Center during the week ofJanuary 25,2002. Brantôme, near Perigueux. he gave a bass workshop, adjudicated a big band festival and per- Cooper and business partner Stephen Somary Hildegard Froehlich returned from her Norwegian lecture trip as formed with the UND big band. Sigma Alpha Iota honored Seaton by are involved in a comprehensive multi-year newly elected president-elect ofthe international music education Composition professor Cindy McTee received an award in rnusic by naming him a National Arts Associate. project to record the complete works of organization RAIME (Research Alliance of Institutions of Music the American Academy of Arts and Letters. McTee is one of four win- Mendelssohn, including more than 250 which have remained unpub- Education). ners, including Claude Baker, Daniel Becker, and David Liptak; she Stephen Slottow's paper "Fifths and Semitones: A Ruggles lished and unknown since the composer's death in 1847. On Friday, will receive $7500 toward the recording of one work. Compositional Model and its Unfoldings," which won the Music February 1, the Amor Artis Chorus and Orchestra gave a concert in Harold Heiberg gave a two-hour master class in German Lied for fhe Theory Society of New York's 2000 Emerging Scholar Award, was New York devoted to works by Mendelssohn which were rediscovered fall workshop of the DFVy' Chapter of N.A,T.S. at Southern Methodist John Murphy gave a talk on connections published inTheory and Practice (vol.25). between jazz and and edited by Michael Cooper. The program featured two world pre- University on October 7 , 2001. artists in the exhibition, mieres. An afticle was featured in The New York Times in February Visionary Connoisseurship: The Mari and detailing Cooper's efforts. Frank Heidlberger went to Germany in October for l0 days for a lec- James A. Michener Collection of 20th Century ture tour: at Wuerzburg (Episcopal College) he gave a masterclass on American Art, and sat in with a local jazz The Fall 2001 edition Arvo Paert and the sense of mystery in postmodern sacred music and, --. group at the Amarillo Museum of Art on 'February of BackstagePASS contributed a lecture to the opening ceremony of an Arnold ( 14,2002. Murphy also gave a talk magazine featured a Schoenberg exhibition; at Detmold (Musikhochschule) he was active - '/on Bessie Smith at the Dallas Theater Center cover story on flute in leading the annual meeting of the International Carl Maria von on March 3,2002 in conjunction with the pro- professor Mary Karen Weber Society, duction of Blues in the Night. Clardy. Titled "Grace & Balance," the article Elizabeth Hinkle-Turner, adjunct faculty in Music History, received Jon Christopher Nelson is the recipient of an discussed Clardy's an ASCAP Composer Grant for 2001. Institut International de Musique Electroacoustique de Bourges multi-faceted career as (IMEB) Commission. This commission includes a one-month residen- performer, teacher, cli- Bernardo Illari read the paper "Baroque Music and Ethnic Silence: cy in Bourges, France to work in the IMEB electronic music studios. nician, and writer, Jesuits, Guarani and Chiquitos in South America" at the symposium Nelson's cornposition Scatter has been selected for inclusion in the Music and Dance in the Missions, at Our Lady of the Lake University American Cornposers Forum Sonic Circuits IX compact disc recording Christopher Deane in SanAntonio, on October 27,2001. On Septernber 20,2001,the project. In addition to the recording, the work will be programnred at Ttre zoozNorth American performed Hannonìc Instituto de Musica of the Pontificia Universidad Católica of Chile nulnerous conceft venues throughout the upcoming year as a result of Rhyrhm, a timpani con- issued the rules for the Musicology Prize Samuel Claro Valdes 2002, this project. Saxophone Alliance Riennial cerlo by Russell Peck, given every two years to the best short paper on Latin Ameriean music Conference held at LD\rf, with the Western submitted by a young scholar, Illari has been designated jury rnernber Butch Rovan's recent composition sefue Piedmont Symphony and was the first scholar ever to be awarded the prize, for his 2000 hohle Fonn, for interactive computer lvlarch6-9. Orchestra in Hickory, paper "Ïzuola, criollismo, nacionalisrno y Musicotogia." music, video tracking system and dance, North Carolina on Bocksl(tgePass i,s o registerecl trademark of the was awarded a mention in the 2001 Coordinated by Eric Yttmalta Corporation of America Bourges International Electroacousti c January 26,2002. J. Keith Johnson's book.Brass Performance and Pedagogy has been Nestler, the NASA confer- I I Music Competition; the piece was published by Prentice Hall. same ence brought over 500 saxo- Linda Di Fiore perfolmed the alto solos in a Messiah workshop at also selected for the prestigious School of phonists from the United Preston Hollow Presbyterian Church. In addition, she performed the Vern and Jan Kagarice were recitalists and clinicians for the 8th Vlsual Arts Ninth Annual New York Digital States, Canada, Costa Rica, role of Cyrus in Handel's Belshazzar with the Orchestra of New Spain annualBrazilian Trombone Festival in Salvador. They also spent time Salon, where it will be featured in New United Kingdom, ltaly, and participate in the Meadows Museum of Art in Dallas and in Temple, Texas. researching the life and music of the late Gilberto Gagliardi, distin- York for a month before traveling on an France to in three days of nraster classes and guished brass teacher and composer. international tour. His piece for solo piano rnusic-making. Stephen Dubberly has been appointed to the board ofdirectors ofthe Miro Sketches: Mostly Yellow was just National Opera Association. He is already serving as governor for the Joseph Klein was the featured guest composer at this year's American Music released on Wergo by pianist Guy Livingston. Rovan won first place in the South Central region and chair ofthe chamber opera composition Week at the American Univenity in Bulgaria (November I 6- I 9, 2001 .¡. Durini competition. his residency, he oversaw the perlonnance oftwo new works, conducted the \; ,/ 1 5th anntal Transmediale International premiere performance of a song cycle by composerAndreaAgostini, Media Art Festival, held in Berlin, for his lølian and Back row: Eric Nestle¡ Fred Hemke Jesse presented papers inte¡active work seine hohle Fonn. The Eschbach two at the 4lstAnnual Conference on Organ presented a lecture on notational systems in recent American music. Front row: COM students Nathan Mandel, Thryn Leonard, work is for interactive computer music, Music at the University of Michigan, Ann Arbor on October 9-10, 2001. Tim Brown and Jimrny Lee

SPRING 2OO2 COUNTERPOINT Elizabeth Jackson (soprano) and Harold Heiberg (piano) perform Wagner's "Traüme" (Wesendonck Lieder) to a Larry Austin retired from his 38-year acadernic career in 1996. He resides with his wife Edna at their mesmerized audience. home in Denton, Texas. Working in and out of his Denton studio, Austin continues his active composing career with commissions, tours, performances, writing, recordings, and lecturing. He anticipates future extended composer residencies in North America, Japan, and Europe. Side bv Side

classical bass and it was this skill that wonderful person." Jazz bass professor earned him a scholarship to Coe College Lynn Seaton refers to Haerle as a living had a bass jazz legend a pioneer jazz by"Heiberg in lowa. "l scholarship; and of education. -Tlrc piano was just a hobby," said Haerle, "Dan Haerle is an icon in jazz education. College af Musie; who also played vibes for about l0 His teaching at jazz camps and universi- years. After graduating from Coe ties has enabled so many students to cele brate s with þl arrsld College in 1961, Haerle taught elemen- gain a greater understanding ofthe tary, junior, and high school music at music and he has inspired and propelled Heiberg an the eve of Tri-County Community Schools in'What musicians all over the globe to become Cheer, Iowa. Two years later, he decided better at their art and to become better his BAth biftt,d"y Formersrudents to go back to school and pursue a mas- human beings," says Seaton. "I shall Jeann¡ne Crader, þlü ter's degree in composition. miss working beside him so very much." "8:J;J'(#i"??:iñi \ç Like most composers, especial- John Murphy, a student of t, ly those of a more classical nature, Haerle's in the 1980s and now a col- on February 5, Winspear Performance Jåilåi:ifiiåi:ll ," , \'l Haerle says he dreamed of having his league at UNT, said Haerle's inventive d;""H:"'i|3:1l- works performed by orchestras such as improvisation and sensitive accompani- Hall was abuzz.old friends and new concert festivities. the New York Philharmonic. This tradi- ment teaches as much example as it by (]tienas alike gathered for the opportunity tional approach led to his first university does by explanation. "When it comes to o gig in 1966 at Kansas State University explaining improvisation, he does it in a to wish Harold Heiberg a happy birthday where he taught freshman and sopho- way that enables novice improvisers to more music theory. In 1968, however, start frguring things out, and advanced in the most appropriate way, through song. Haerle would begin his career as a ones to keep working on new chal- (L-R) ln beautiful iazz harmony, Barry educator. Teaching everything from jazz lenges," said Murphy. "His teaching has Craft (tenor) and history and improvisation to jazzpiano enabled countless numbers of UNT stu- Jeffrey Snider and former students across (bar¡tone), w¡th jazz Current from and arranging to directing ensem- dents to figure out not only the art of John Tarver bles, Haerle took positions at Monterey jazzbut the art of living." the and members of the COM fac- accompanyrng, country perform Peninsula College in California, the Haerle's educational efforts and the Bizet duet "Au fond du University of Miami at Coral Gables, energetic enthusiasm permeate all of his ulty, showered the audience with arias and temple saint " Florida, and at Arizona State University personal and professional endeavors. in Tempe. Having collaborated with jazz legends duets, often with Heiberg at the piano In 1977 Haerle came back to such as Stan Kenton, Clark Terry, Dave , accompanying. A few poignant speeches North Texas. "Like any normal student Liebman, Mel Torme, Kai Winding, and you just want to finish the degree, leave Freddie Hubbard, among others, Haerle crowned the night, bringing to the stage and conquer the world, and when I grad- remains confidently unassuming. uated in '66, this is the last place I Considering his authorship of several the sentiments felt by all those with the with thought I'd wind up I I years later," said method books on various jazztopics and accompaniment Haerle. remembered the high standard his stalwart presence on the aforemen- opportunity and the luck to have worked from Mark "l Metcalf, former of musicianship and the excellent play- tioned Aebersold play-a-longs, Haerle's with Harold Heiberg. Heiberg student ers and I thought I might not have any- down-to-earth persona emits an unpre- Kay George (soprano) sings thing to teach." Twenty-flrve years later, tentious inspiration. "Mi tradi quell'al- Haerle's impact and influence is felt "I consider myself a very lucky ma ingrata" from Mozart's Don throughout the College of Music. guy," admits Haerle, referring to all Giovanni. "Dan is one of the most caring aspects ofhis career. "And I am not lt ( individuals I've ever had the pleasure of burned out on teaching, I amjust ready meeting and working wifh," says jazz for a new phase." assistant Darla Mayes. "He is a truly

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\ - or more than a decade, University of North Texas Academy to refuse, and when Sovík leturned to Denton, music professor Dr. Thomas Sovík has coordinat- he approached Steve Farish (the interim music dean at the dents can hear what we're doing," Clark said. my age still hold traditions and helitage in high ed a cultulal exchange between the UNT College time) about establishing a sister-universities relationship "Apart from these performances, UNT regald." of Music and the Janáðek Academy of Music and with JAMU. Farish accompanied Sovík on a subsequent students are also given the opportunity to mingle Brno native Vilém Spilka, one of three the Pefforming Arts (JAMU) in the Czech Republic. trip, during which Farish performed in several concerts in with the Czech students and compare diverse JAMU students who has come to study at UNT, Sovík first became involved in 1990 as Dallas Brno. That trip marked the College of Music's first offi- levels of playing," Sovík said. "Not only do our believes the cultural exchange is valuable. was searching for a sister city in the Czech Republic. With cial visit to the City of Brno and kicked off the Sovík students get the chance to talk with the Czech "From my point of view. it is very important to Plague already "sister-ed" to Chicago, Dallas looked to the Adv enture Tours. How ever', the sister-universities relation- students, they also have the opportunity as the develop the oppoltunities to compare lifestyles second-largest city in the Czech Republic, Brno: a city of ship between UNT and JAMU was not finalized until college's teaching assistants to spend the day and mentalities of both nations," explains 300,000 people and the home of the Janáðek Academy of UNT vice president Blaine Blownell visited Brno and teaching these students," Sovík said. This Spilka. "It is in most cases enriching for both Music and the Perfolming Arts. As vice-president of the signed the official document, establishing the foreign opportunity to work with students at the Janáðek parties." Dallas Commission for Sistel Cities, and with his strong exchange, Sovík said. Academy has allowed abundant interaction When asked what motivates Sovík to connection to the Czech Historical Society in Dallas, The establishment of this relationship has resulted between the American and Czech students, he take on these responsibilities of overseeing these Sovík was an ideal choice to lead the filst Brno-Dallas in nineteen Adventure Tours during the past l2 years, and said. tours, he replied: "These Sovík Adventure Tours entourage of 95 people overseas to initiate the sister-cities it has given UNT faculty members Prof.'s Jolyne Jeffers, not play. "One- are geared to providing American students the relationship. Eric Nestler, Dale Peters, Jack Roberts and others the It's all work and no third of the time is devoted to attending cultural opportunity to venture abroad and experience When Sovík filst walked into Brno's Janáðek opportunity to present lectures, performances and master' events and touring castles and underground cav- what it's like to be a foreign student in another Academy of Music and the Performing Arts, perchance, he classes to students at the Janáðek Academy. elns in southern Moravia," Sovft said. country where not everyone speaks English and quickly realized the potential of yet another possible lela- For associate dean Dr. Thomas Clark, last year''s UNT student Amanda Gauger, who has things don't work the way they work in the tionship, a sister-universities relationship between the visit to Brno represented his fifth visit. "The main reasoh visited Brno twice, said she initially went on the United States. It becomes an eye-opening expe- UNT College of Music and JAMU. for my visit was to conduct the performance of two of my tlips because she loves to travel, but after going, rience that changes the students'perspectives on "I walked into the Janáõek Academy and asked compositions in a concert...for a professional concert she fell in love with the lich culture. "At a wine life-that's why I do it.",, them if they would be interested to have an exchange with series that was held at the facilities of the Czech Radio," cellar party we heard some traditional Czech the College of Music, because the University of North Clark said. While in Brno, Clalk also taught English class- music being played, and Czech students were Texas was the second largest school in the United States es at the academy and presented lectures about Amelican singing along and dancing," recounts Gauger. and the Janáðek Academy was a very famous school in the music, in particulal about what composers here at UNT "That was awesome and really cool that tradi- Czech Republic," Sovík said. are doing right now at the turn of the millennium. tional music and dance is passed down through It was too tempting an offer for the Janáðek "On these tours, the College of Music has its fac- generation. people ulty and students giving recitals, so that the JAMU stu- each It was impressive that r0 COUNTERPOINT SPRING 2OO2 ll Other f'ounding studios include The Breguran Electlonic Grand Disklavier. Visually, the MEIT boasts three plojec- Music Studio at Dartmouth College, Center'1'or tion screens (each two floors high), a VHS and DVD plo- Contemporary Music at Mills College, Experiurental Music jector, and a lighting system. The overall flexibility of'the Studios and Cornputer Music Project at the Univelsity of accoutrernerlts allows f'or a wide variety olconfigLrrations ^llinois, iEAR: Integrated Electronic Alts at the Rensselaer' f'or theatrical, multirledia, acoustic, and electronic pro- Polytechnic Institute, and the Winham Laboratory at grams. Princeton University. Dr. Joseph Butch Rovan, assistant plofessor of Faculty and students involved with CEMt have cornposition and current director of CEMI, says CEMI's experiment in the cornbining of computer graphics, dance, strength lies in its incorporation with the composition sculptLrre, creative writing, and web-based technologies, department. advancing the possibilities of rnusical expression. Concefts "We're quite different hele," explains Rovan. are a key component to the lealning experience and several "CEMt is really integrated with the compositiorì division concert/lecture series are ploduced through CEML The and this shows that electronic music is rnore of a normal "Centerpieces" and "Composer Forum" conceft series thing, it's not an elitist endeavor, it's just another way of C.E.M. I. showcase the latest computer rnusic and intermedia making r.nusic using different tools and you actually lrave to reseal'ch being done at CEMI. The "MLrsic Now" lecture use the sarne set of rnusical ears that yoLt would fol an series presents technical seminars, perfonnance ofnew acoustic composition." If a tree fàlls in the woods with no one works, and theoretical analysis of conternporary works with Rovan says it is good for composers to learn about alound to hear it, does it make a sound? Skitts presentations given by UNT faculty and visiting guest electronic music even if they don't necessarily compose it. We have all heard this rhetolical ques- artists. Since 1988, UNT doctoral composition students have had tion and while physics (and common sense) Sophornore composition major Jessica Leza, the option of earning a specialization in computer music. tells us the answer is yes, a case can be made and became interested in electronic music by attending CEMI The program allows students to take l5 credit hout's of computers the contrary. is hear it, for Ifno one around to concerts. electronic-related courses and this gives students the neces- then the "sound" was never received and/or "['rn presently an acoustic composer'," says Leza. sary time to devote to compositional projects. Time has processed at least not by human ears. - "But I think electronic music is fascinating, some of the also played an important part in increasing the awareness This quandary raises other questions, composi pieces are like musical representations of drearns. I'rn defi- and acceptance of electronic music. tion such as: 'What is sound? What is noise? What is nitely interested in composing electronic rnusic." "People nowadays readily accept electronic music? Jeff Morris, one of five CEMl-tech graduate assis- sounds as nonnal," says Rovan. "The audience and the At the University of North Texas tants, says computer skills are increasingly becoming a nec- technology have evolved to a point where they are rnore in College of Music, composition students exam- thre 21s \lssary componelìt of a cornposer's cralt. phase." Rovan also says the ongoing process has been i ine the perplexities of sound both '/ t acoustic - "[ cotnpose tnore for acoustic instruments than rnoving toward more real-time tools with the computer act- and electric at the Center for Experimental ,) electronics," admits Morris. "But I also often use comput- ing as a virtual performer. Music and Intermedia (CEMI). ers to assist in analyzing source structures and translating "Now that the cornputer can be used in a conceft, "CEMI is the computer music side of century them into musical in real-time, in the moment, what goes on here in the College of Music," expressions, which it rnakes the cornputer an 0101 says Dr. Jon Nelson, fbrmer director of CEMI might be called instrument and it creates a by Edward Perez and present associate dean ofoperations. 'acoustic' computer real dialogue between com- Established in 1963 as the E,lectronic 0000 music." puter and performe¡" says Music Center (EMC) by the late Merlill Ellis, According to Rovan. 1010 the Center began as a tape music studio in an Morris, CEMI's wide History teaches Lrs old Denton home on Mulberry Street with a range ofprofessional that each genelation builds IIl I tnission to foster the creation, production, and tools, its wing of upon previous accomplish- dissemination of experirnental cornputer rnusic offìces, studios and ments. With regard to 0000 and intermedia. Renarned in 1983 for expanded dedicated perfonn- rurusic, history's tirneline resources, facilities, and activities, CEMI ance hall make it a reveals a primordial yearu- 0 01 as r enjoys intelnational recognition one ofthe l world-class facility. ing to cornprehend that wolld's most renowned centels fol cornputer I "Our' which we hear, as well as a 1010 mlrsic education, composition, research, and { stlengths in interac- penchant for devising conceft ploduction. CEMI's intelnational con- tive rnusic are diffi- clever ways to categorize 0000 nections include active collaborations with sim- cult to find else- Craduate students Chaprran Welch ancl Jeif Monis at wolk in thc C E.M.l. studio and quantify sound. Mellill ilar music centel's around the world, including where," says Morris. Ellis's vision of an elec- 010'r the Instilut de recherche et coordination acolts- ln addition to having three, eight-channel studios, tronic music center has influenced countless musrclans tique/musique (IRCAM) in Paris, Ihe Institttl students and faculty are able to use the state-of-the-art affiliated with the Univelsity of North Texas College of 11Ll International de Musique Electroacouslic¡ue de Merrill E,llis lntermedia Theater' (MEIT). Music. Next year, the College of Music will celebrate the Bourges (IMEB), the computer music center at O Named after founding composer, the MEIT is Center's 40th anniversary. Anyone who wishes to share I O"L McCill University, and the University of rainted black with black velvet curtains covering the Front rnernories and recollections about Merlill Ellis and the Birrningham. \z /surface, 0 allowing f'or different acoustic sirnulations. The Center please contact Dr. Rovan at [email protected],edu. I0 f CEMI is also one of the founding audio set-up ir.rcludes an eight-channel sound diffision sys- organizations in the Consortium for the tern with eight JBL speakers, Power Bass I Arnps, Distribution of Computer Music (CDCM). QSC Mackie 3218 mixer, Alesis ADAT, and a Yamaha Baby

12 COUNTERPOINT SPRING 2OO2 l3 The UniversiÍy establishes.four new endowed scholarships to honor.four Dear Friends, faculty mentbers, currenÍ and retired, whose arlisÍic influence, mentorship 'JØhat good is the magic of Neil Slater, the drive of Eugene Corporon, the and years o.f dedication have helped.forge the College of Music into the drama of Paula Flomer, the energy of Jerry McCoy ancl the genius of Anshel Brusilow without the world's most gifted stuclents? The College of SUCCCSS iI iS IO*AY NEW SCFIOLARSFIIP Music is facing a monumental challenge and we need your help. Not only has our scholarship endowment been hurt by the market down- Recession turn, but the Charn Fund, a million dollar gift given to the college in ry96 which was providing over gzoo,ooo a year in scholarships, has been spent. hurts As a result, in zoo3, these funds will only be able to provide half the schol- arships of previous years, potentially affecting over 20o students. This dra- ':t scholarsbip matically impacts the recruitment and retention of the finest music stu- Frank McKinley first joined UNT as a vocal teachel and dilector of funds dents in the nation, and the effects can be longJasting. Chapel Choil in 1940. After nrilitary service dLrrirrg WWII, McKinley rejoined UNT in 1941 . He retiled in 1980, and in that sarne year', the It is more vital than ever for you, our friends and alumni, to demonstrate Texas Choral Dilectors Association named him Distinguished Texas your support. Please consider a gift to the music general scholarship fund Choirmaster. Undel McKinley's leadelship the UNT A Cappella Choir to see us through this crisis. If each of us gets involved, the College of Music will have the financial resources to continue its mission to provide plesented couoerts thloughoLrt the United States and Europe. an environment that helps every student achieve his or her musical poten- tial. Please call me if you would like more information on how you can help.

'We truly appreciate your continued commitment and we thank you for your support. Maulice McAdow was dilector of bancls, conductor, and teachel at UNT flom l945 until his retirer¡enr.in l915.ln 199 l, McAdow Elida Tämez was inducted into the Texas Bandlnasters Hall of Fanre. Texas Development Officer q Bandmasters is the Alpha Chaptel of Phi Beta Mu International 94o-565-2243

Sclrool Bandrnaster Fraternity. McAdow died August 20,2001 aI" e [email protected] Denton Good Samaritan Village at the age of 96.

Clturler Metnhers New/Renetvittg Annuol Membcrs Diane and Larry McCain Fo u n tl¡tti ¡t ns u tt tl Co rp o rali o tt s Sept. l,2001 Lenora McCroskey Bcn ll. Kcith Foundation Wilton Aebersold from Nesha Joy and Ceorge Moley Collins-Binklcy Foundatiou Dorothy Bridenthal Bean Nancy Mannirrg Atkinson Bob Rogers began his four'-decade caleer at Texas 1948. I-lelen and Bob Morgan 8,. Nakanrichi Foundation Nolth in He Cecelia Box Libby and l lugh Aycr MarLha Len and L.A. Nclson Elizabeth L. and Russell F. retired in 1984 as coordinatol ofpiano and assistant to the dean. For the Joyce Ann Bradley Susan and Don Boozcr Shirley and Bob Ottnran I lal lberg lrounclation Euline and l lorace Brock Marilyn and Anshel BrLrsilor¡, past five yeals, Rogers ar.rd his wife Daisy, have volunteeled at UNT's Panlcla Mia Paul Craphire Corpolation Margaret and Bill Collins Nancy and DoLrg Chadwick Bcth R. Purinton I libelnia National Bank Music Library. An active perfonner', Rogels has also olganized yearly Glenn Comcz Elsbcth J. Chadwick Bctsy and Cullis Reese IBM lntelnatiorral IroLrndation Mary lleth and Ralph Mcnrremeyer' R L Bufkins concerts undel the title "Bob Rogers and Friends." These concerts have Daisy and Bob Rogels Music Services Kay and lld Moorchcad Beth and Tonl Clark Helen and Phil Schenk Paccar lloundation raised nearly $100,000 fol' various chalities. Mary Masscy Morgan E,nrily and Ray Crocker E,lizabeth and Jarnes Scott Paine Webber Patsy and Prcd Pattelson Sandra and Ncil Davidson Judy and Dave Shrader Richardson Symphony T. Cary Rogers Peggy and Lee Duggan Tonr Spence Spec's Charitable Foundation Bctty and Joe Roy Car I Eastnran Marjorie and Mack Vaughan Spectrunr o1' Richrrond, [nc. Rosc-Mary and Jack RLrnrbley O. Lee Gibson Evelyn and Richald Wagner lll State Farr¡ Corrpanics Lindy and John Rydrnan Joán Gloorr-Thornton Katina and Chris Xeros Foundation Estatc of' E.D. Schir.nmel Elizabeth E. GLrnter N Patr icia Yalborough, EDD Texas Instrumcnts Foundation Robclt C Shenr¿ur Malilyn and John Ilaynic Phillip W. Young Texas ML¡sic Educator's Halold Heiberg joined the UNT College of Music faculty in l91l Charn Uswachoke Robert E. Houston Association Paul Vocrtman Cecile and Keith Joltnson as vocal coach and teachel ofaccompanying. A pelfornrel and Zildj ian Avcdis Corrpany Margot arrd Bill Winspear' Mar ion and Bill Johnson conìposer, Heiberg has performed throughout the world as a soloist Dota Lcc Langclon Tlust Calol S. Kircholl' and accornpanist. On February 5,2002, the College of Music cele- Pcrry Trust Mauline LeBeau Waügh Estate E,laine Mathes brated Heiberg's 80th bir-thday as well as his three-decade tenure as one of the College's most beloved faculty membels.

SPRING 2OO2 l5 14 COUNTERPOINT C o,t I ri h il t i otts I o 8999- S epte ilt ber Jan K Dluyvesteyn Larry Craig Lau,lcss Dianrr L'Roy I, 2001 to Morch I, 2002 Marian M, Duke-Mitze Jon I)uane Lec Lawrencc C. Russell Jackie Dunn Noah A. Lcc, Jr. Yoshiko Saheki lished in Downbeat and Jazz Improv Magazine. He leads his own trio and Williarn Aaron Martha Ednrundsolt Willianr F. Lee lll Karen Sue Sala l{ i}(¡{}:, Kermit G Adams Wanda T. Eikenbary John Cary Leu,is Janct M Scarcella has performed with Ernie Watts and Donald Byrd. Alis Dickiuson Adkins .loanne ll Erwin Steplrcn Scott Lewis Rol¡e¡ t Schade C. Elisabeth Adkins Ann R. ln 1997, after 35 years of service, Dollie G. Estes Vernon E. Lewis,.lr. Victor D Schaper Steven Paxton (BM '73, MM'77) completed a new opera, Bellinib Lltar, Er ica Lyn ;f.dkins Donald Earl Evans, Jr. John Cordon Locke J Barton Schncidcr Person (MM '62) retired from teaching in the which was premiered in October'2001 by Texas Tech University Music Robert Patrick Allen Jolrn A. Farris Chlystene H. Locksley Stephcn A Schneider Dallas Independent School District. An educa- Louise M Alton Linda M. Fields David Alan Loiland Russ A Schultz Theatre. Paxton, who was a composition student of William Lathar¡, is tor, she served as general music teacher, reading David Andctson Paula Renee Finley Apolonio Lopez, .lr. Carol N, Schwanger associate professor of music and chair of the Division of Theory and Linda Ann Arbolino Ralph T. Fisher Dai,id L. Loving lll Isabel Scionti special¡st and computer specialist, She is a Conrposition at Texas Tech. r Daniel C. Arrnstr ong Harold Jar¡es Foostel Sarah Ann Macina Stephen Lew¡s Scott member of The North Texas Trailblazers, a Cail E,. Ashburn Aileen Alicia Ford Doris E. MacPhearson Robelt Seiber t groLrp of black NTSU (UNT) alurnni who Barbara S Austin Joe E. Foster Phillip Brad Madson Craig Lee Sengstock Dwayne Pedigo (BM '70, MME '77) retired fronr Plano East Senior attended in thel950s. She is married with one Phillip C. Baczewski Cody AIan Canter Morris A. Maillnan Palricia D Sherman High in May of 2000. He currently serves as orchestra director at Ralph Joseph Baez Jennifer R. Garrison Jean and Frank l) Mainous lr nra Silvernail son and three grandchildren. Hillcrest Church (Dallas) and paft{ime band director at Prestonwood Frank R. Balrus Robert Gauldin Henry L. Malench Beverly S Sinrrns Janres Rayrnond Barclay Particia Lee Gerlach Kent D. Marcum Emory CIatk Srnith Christian Academy. He also teaches part-time at Collin County Itr 1r)'lrii, Kenneth P. Barket Bobbie Sue Gervais Cora Ann Mal til Danie I R Srnith Comrnunity College and freelances as an arranger, editor and mLlsic Gary Wayne Barrow David L Gibson Rebecca Janc Martin James Eli Snrith engraver. Evelyn Maria Barthold Donald F. Gihnore Bl uce B Mason La Verne M Srnith Kathy (Stall) Bruns (BM '74) has been named staff accompanist Douglas Bartholonrew Jerry Lec Glenn Anthony Mauldin Mark Joseph Spicer in the James A. Basile Rosie M. Closson Jerry F. McCarley Rosernary Stapleton vocal division of the School of Fine Arts at Boston University. There are Joseph Pinson, lecturer in music therapy at Texas Woman's University, Charles ll Baxter Wihna Kathy Gold Kirn Elizabeth McCor mick Jennifer Stark over 150 vocalists in the department. is presiclent of the southwestern region of the American Music Therapy Alan Michael Baylock Jerry L. Gordon Molly Jane McCoy Carroll M. Starnes Association. His activity as a composer earned him the Standard Award Willie Mae lleckendorf Bonnie Sue Graenr Thonras Howa¡d McCullough Will¡arì J Steinohrt from ASCAP in 2000 and 2001. Don Michael Bedf'ord John E. Green Williarn R McCulcheon Mary Elizabcth Stephens Don Evans (MM '79, MS'84, DMA'87) serves as a lecturer in the com- Joseph C Beneshan, Sr Malgaret S. Guilbeau Steven Arlan McDonald Yvonne N Stewart puter science and engineering department at Southern Methodist Rene Edrnund Bernard Judy Ann Haddox Joseph A. Mehan, Jr. Richard E. Stilzel, Jr University. Margaret (Peggy) Volk Wood (MME '75) has retired from public Helen E. Blair Jerry Don Flale Paul Metzgcr Edgar N. Stone school music after many years as a secondary choral director. She now Mary Stuart Bland Toni Sue Hale Walter J. Michels Mary Stroelrer Robert L Blocker Marjorie Lynn Hall Clyde E. Millcr Leta Su,iercinsky Former One O'Clock Lab Band enjoys teaching American and English literature and AP literature at the Ann Mar ic Boelzner Robert N. Hallquist Tarnala Miller John Jacob Tabak member, Gerard Carelli (BM '76) Alexander School in Dallas, where she is head of the Engtish depart- Wayne D. Boone .lames D Hargravc John Silas Millican Elena L Talley toured the world playing trombone ment. To stay active in music, she plays organ for St. Michael & All Frederick N Booth Belva Er lene Hal low John M Minniear Elida Tamez f'or Ray Charles to Angels and St. George's Episcopal churches. Bar bara Bor en R. Tonr IJarpool, Jr. Daniel Richard Mitchell Sue C Tankersley before moving l\4ark Teroller Bovee Paul B. Harrison Pat Morey John Grady Tarver New York City. There he began Jerry Don Branch Em¡ly High Hartnett Jerrnifer B. Morgan Carmella D. Thompson Latin gigs with Manny .ludy Brandman ¡,( )aying Roserrary Heffley Clovis C Morrison Linda Beth Thornpson (r' ' Con Junto Libre fealur- James R. Brannon Cregory R Hehu Kathleen M Morrison Barney C. Tiller, Jr. -óquendo's Melanie Mosely Braun tlarold Heiberg Robert Peter Mullen Dorothy Ann Timrnons ing Dave Valentine and with Hector Del Eugene Brickley George Hicks Matthew J. Nagel Donald Merle Travis Lavoe and Ray Baretto. Carelli Frances Gtnzer Robert John Brooks Gwen C. Highsmith Karen Lee Nauer Susan Treacy played for many Broadway shows [{onald P. Brouglr Cynthia A Hightower Paul G. Newton E. Wallace Tucket including Cats, Starlight Express, Allison E Browu Alex Hill Janres lan Nic T. Jervis Underwood Although Frances Ginzer (MM '79) Anita Jean Brown Jonetta llinkle Cynthia Nosow Jarnes Van Zandt Jerome Robbins' Broadway, 42nd now makes her home in Cermany , Newel Brown Barbara Hodges Robert David Novak J. Don Vann Street and for singers Rosemary this former student of Ed Baild and Leon Fold Brou,n Bunny Hodges W. Alan OldfÌe ld Linda llunt Vollen Nathan Brusilou, Sally Hoffecker Christopher Newrnan Olson Robert D Wakefield Clooney, Vic Damone, Johnny renowned Canadian soprano, received Doris Bry-Nildsen Nonna J l-lofirann Byron R. Orand Rebecca L. Wascoe Mathis and Mel Torme. His [atest rave reviews for her portrayal of L. Suc Buratto Jarnes R. Holden Riclrard S Orton .lames T. \ryâtson, Jr. CD, Luclgt lo Be Me, features pianist/arranger John Oddo, bassist Jay Brunnhilde in Dallas Opera's produc- Thor¡as William Burclrill Lola A Holt John R. Osbolne 'Walter RobeÌ t Watson Leonhart and trumpeter Randy Sandke with liner notes by noted histori- tion of Richard Wagner's Mark Steven Burr G Elizabeth Hood Olive D Padgett Hany C. Wayne jazzlcabaret Marjorie Celaya William P. Horne Alex Pancheri Elizabeth Weeks an Dr. Herb Wong. Gerard continues to perform his own act Götlerdcimmerltng,, the [ast in the Chiou-Ling Chang Nancy Houck Mario R. Parga Virginia S. Weidnran at Firebird Café, Eighty Eight's, Judy's and Danny's in Manhattan and famous fotrr opera cycle Ring of the Carnren Chapa Ann S. Houghton Robert Allen Patrick Douglas Weihe The Manor in West Orange, New Jersey. The Gerard Carelli Orchestra Nibelung,in January 2002. The role of Beverly Clrinn Jack W Hudgins, Jr Margaret Morey Payne Cecelia and Charles Weinkauf, Jn has becorne one of New York's most sought after swing dance bands. The Brunnhilde in Götterdti mm erru n g Eula Clilton Margaret Hudnall Robert Miles Payne Jack Wengrosky, Jr. Joseph A. Coccia Aldine Hulsey Marilyn C. Peck Victor Wetlz orchestra has numerous clients and is also a favorite of the NY Swing (The Twilight of the Gods) is one of Bobby L. Cole Ceorge Hurnrnel Dwayne Lee Pedigo Margaret Anne Wheat Dance Society and will play a second year for Lincoln Center's very pop- opera's lnost challenging roles. The Barbara Compher Len Alexander Hunnicutt Diarre Penney Russell Clark White ular "Midsummer Night's Swing." Look for Carelli on NTSU's One Forl Worlh Star-Telegram ranked the Louis Fred Connell Janet E. Hunt Tedrow Lewis Perkins Eugene Worth Whittle Jean Conner O'Clock Lab Band recordings Lab '75, Lab '76, Best of The One production as one of Dallas's top 5, Leslie Jones lrish Dollie G. Person Lorene Wicker sharn ^nd Georgc A Cooke Karen C. Janes Char les T. Petelson Deloise H. Wilkie O'Clock, Charlie Persip's Original Superband, and according to arts critic Wayne Ola Lee Coons Eldon A Janzen Keith Lynn Peterson Donald L. Wilkins Jean Loup Longnon's NY Big Band and Paul Lee Gay, Ginzer's "Brunnhilde L,C. Mar ie Cooper Cheryl Marie Johns Jim Pettit Catherine Alison Wilkinson Nash's Impression featuring Frank Wess, soared." .laya Coulson J. W. Jolrnson Billy A. Powers Bonnic Blu Williams-Dugger Kenncth Cox Anna Marie Kaeberle Roy E. Price, Jr G Thornas Wilson Johnny Coles and Tom Harrell. For a calendar Ronald A Cox Arleta J. Keith Richard P Rabideau Lois Mae Wollan of events or to order Gerard's CDs, visit Nancy Cr awford Howard V Kennedy Willia:n Char les Rann Clarence J Wood, Jn www. l800GCSlNGS.com or call: Tirnothy R Crowley David B. Kestcrson Mary Sue Ray Claudia Ann Wood r -800 GCSTNGS (427 -464'7). Richard M, Crunrnel .lung Yun Kinr Andrea Redcay Aaron Todd Workman Peggy Marie Davis Janres Bruce Kintball John Dudley Reinke, Jr. John R Buddy Wright Bradley Jon Dawson Margaret P Kinberlirrg Gordon Lee Ring Helen Slator Young )on Glanden (BM '75) is chair of graduate Dorothy S Dernent i rl( Iìebecca G, King David E. Robbins \-/ \þzz stuclies and the piano deparlment at the Marcus Dicknlan, Jr. Michael Kingan Robert W Rober the has Wilma T. Dorsey Katlrerine Knighten George Robinson University of Arts in Philadelphia. He Bobbie J Douglass Victoria Kopistinansky Maxine B Roe two albums out as a leader, Sudden Liþ and Karen Kathlcen Dtaves .[oan S. Lathan] Robert J. Rogcls, Jn Only Believe. He has had several articles pub- ló COUNTERPOIN'I SPRING 2OO2 Alu in't{¡rsf¿ Õ, (.1 r (BM r Michael Reid '81, MM '85) recently worked with the Opera Orchestìa .tf l9f{(}s of New York on Les Huguenots and Maria Sluarda; a recording of les Huguenots will be issued to raise funds for relief related to the 9/1 I disaster. UNT Collcge of Music (llunm¡ rcp- Harold Wright and Loren Kitt during this York debut in 1999 in a duo recital with He has also worked with the New York Grand Opera, which just completed Jason Adamik (BA'84) developed an interest in Russia in the late 1990s. He time. Russell Braun at Lincoln Center. an eight-year traversal ofthe entire 28 operas ofVerdi in order ofcomposi- rcsenl some 0.1'the nnsÍ lalcnted has traveled to Russia six times since1998 and maried his wife, Nadezhda tion: a cycle which he participated in cornpletely with the exception of David is a founding member of the In 1998, she received the prestigious (Nadya) Polyakova, in Volgograd in November 2000. Also a painter, Adamik mu,\iciüt't,t in Íhe \t0rld. La Forza del Destino. He has recorded with BMG, Sony Classics, Newport Caseli Ensemble, a chamber music group Richard Tucker Foundation award, and in is beginning to find gallery representation in northern New Mexico, where he by Amy Evans Classics, and others. In addition to singing and a full-time position in a composed ofSan Francisco Symphony 2000, she received the Maria Callas soon hopes to move. He has worked at Texas Instruments (Dallas) as a nonprofit company, he has served on three non-profit boards, including cur- process engineering technician since 1997 and is cunently doing electron musicians. He has also been a Debut Artist of the Year rent service on the national board of governors of American Guild of Musical David Breeden, San Francisco rnicroscopy/failure analysis. guest soloist and lecturer at Award from the Dallas Artists, the union for opera, dance and concert perfonners and staging staff Symphony's principal clarinetist, and international conven- (serving alongside fellow UNT alums Mary Kay McGarvey and Emily clarinet Opera. In April 2000 she Rebecca Burkhardt (MME completed Patricia Racette, a regular at San Diego's '83) a Ph.D. in music theory at Pulley). tions, and was formerly a mem- created the role ofLove University of Texas, Austin, in 1993 and was appointed music the and San Francisco's opera houses, have director of ber ofthe San Francisco Opera Simpson in the world Northern Iowa Symphony Orchestra in 1988. She teaches theory, conducting forged successful musical careers since Bill Robinson (BM '84) is now Orchestra. He is a former facul- premiere Cold Sassy and orchestral literature and conducts the the of orchestra and opera at studying physics aT. North their Mean Green days. University of Northern Iowa. ty member of the music depart- Tree, a work co-commis- Carolina State University, Breeden joined the Bay Area's sym- ment at Stanford University and sioned by Houston Grand Raleigh. He should receive his Alex E. Hill (BM '88) recently conducted performances by the Pennsylvania phony in 1972 as a second and e-flat clar- a BS in 2003 and plans to pursue a is currently faculty member at Opera, San Diego Opera, Chamber Chorale and the Central Pennsylvania Youth Orchestra, which just inetist. Seven years later he moved to the graduate degree afterwards. the San Francisco Conservatory Austin Lyric Opera, completed its lOth season. He has published several liturgical compositions Arthritis forced him to quit vio- assistant principal position and was pro- of Music. Baltimore Opera with CantiaNOVA publications. Alex serves as managing director of Ballet lin in 1981, but he now plays moted to his current position in 1980. Theatre of Central Pennsylvania and is the music director and founder of David has performed Company, and Opera again by mounting an electric Dr. James profes- Central Pennsylvania Youth Orchestra. Alex and his wife, Andrea, have five Gillespie, regent's chamber music on numerous Carolina. violin onto a carrera monopod, children and reside in State College, Pennsylvania, sor of music at the University of North occasions at the Mostly Mozari and She is a soprano allowing him to position the vio- versatile who Texas says, "to hold a position like that, lin like a cello. He hopes to be able to perform again in a year or two. Beethoven festivals and the New and enlivens roles such as Violetta and Mimi, you have to be a first-rate player." Unusual Music series. He and his wife, plus lesser-known ones such as Ellen conl on pg. 20 Perhaps being fìrst-rate was in his blood. Barbara, a former assistant principal Orford and Jenufa. However, she's not -^His talent and his ties to UNT and the flutist for the San Francisco Symphony, afraid to try new operas, particularly ( olMusic run deep. His father. UN w¡,nsnY,/ NoRTH Tpxns ' )ollege live in Belmont, California, and have American operas, including works by leon Breeden who was also a noted clar- three children Anne, Mark, and Chris. Carlisle Floyd and Tobias Picker. She cre- inetist, directed the One ated the title character in Picker's O'Clock Lab Band frorn While some musicians play Emmeline for Santa Fe Opera's world pre- 1959 1981. until Under i¡ instruments such as the clar- miere, which was telecast nationwide on .1 .¡ Leon Breeden's direc- inet, others are born with their PBS's Great Perþrmances and subse- tion, the One O'Clock instrument. Patricia Racette quently performed at the New York City shared billing with the planned to singlazz, but after Opera. likes of Duke Ellington taking some voice classes at Dr. Jeff Snider, a former classmate of -7-tl and Stan Getz and the university, she discovered Racette's and now the Chair for the Vocal received almost 50 that her true calling was opera. Division at UNT, says Racette is general- !72 I national awards for After graduating from UNI ly regarded as one ofopera's leading group and individual she was invited to participate young sopranos. "Pat has been universally performance. in San Francisco Opera's praised not only for her beautiful singing, FINE. ARTS With a background Merola Program and eventual- but for her sincerity of dramatic presenta- like that, David ly became an Adler Fellow tion," lauds Snider. SERIES Breeden's success was inevitable. At with the company. According to assistant voice professor Dr. UNI David studied with Lee Gibson, and In 1989, she made her debut with the Lynn E,ustis, everyone who knows Racette in the summers of 1966 through 1968, he company as Nanetta in Falstalf. Since acknowledges her determination and per- l{ow in its 99th Seøson attended the Berkshire Music Festival at then, she has appeared in many of the severance. "Apparently she was always Tanglewood. leading opera houses in the United States very focused on becoming the best singer After completing his undergraduate and abroad, such as the Metropolitan she could be," remarks Eustis. "And if degree, he moved to Washington, D.C. Opera, the San Diego Opera, and the that meant hearing- jegative comments and joined the United States Navy Band. Lyric Opera of Chicago. from a teacher, so be it." UIYT Student Tickets During his time with the band, he made Racette has performed in Europe at Coupled with natural talent and abili- 'hree ,1, national tours and played on the the Royal Opera House, Covent Garden, ty, determination and perseverance, \-rVhite House lawn for the arrival of digni- Vienna State Opera, Geneva's Grand Breeden and Racette soar. FREE with vøIid f.I). taries. He also earned a master's degree Theatre, Welsh National Opera and lrom the Catholic University in Netherlands Opera. A frequent conceft Washington, D.C. and studied with soloist and recitalist, she made her New r8 COUNTERPOINT SPRING 2OO2 r9 Christina Ay-Chen Long (DMA '96) Luther Didrickson, who served as visiting professor of trumpet at is curlently assistant plofessor z'-1 an UNT during February 2001, passed away in Evanston, lllinois on College of Music Staff Westfield College State August l, 2001 of Non-Hodgkins Lymphoma. He served for 30 Massachtrsetts. As a soloist, she per- Ronald Atienza (BM '96) is currently employed as a woodwind ir.lstlumen- years as assistant professor of trumpet at Noúhwestern University College of Music Office f'orned this yeal with Chicago's North talist with tlre Navy Band Mid-South in Memphis, Tennessee. and was a colleague and close personal friend ofa number ofthe Frazee Alledge Course Catalog Coordinator Shore Chamber Orchestra in August College of Music faculty. The brass faculty performed a memorial Cindy Cooper Scholarships arrd Auditions and at Houston's Taiwanese Music Nancy (Coulson) Bartkc (MM '92) serves as the mLrsic coordinator for the Linda Carlett Assistant to Associate Dean Festival in June. Christina (right) also concert in his honor in April 2002. lncalnation Catholic Church in Glendale, Califbrnia. for Academic Affairs tours with her sister, Beatrice Long Edwald Perez PR Assistant/Web Editor (left), as the Long Duo. Together they Thomas I). Gause, 50, of Ellensburg, Washington died in his home Michael Bedford (DMA'98) presented his Ma,ss of St. John the Ewngelist Linda Stnrbe FLont Offi cb Assistant/Dean's Secretary appeared in a concert series at the on Septembel'30, 2001 from a battle with melanoma. He received for chorus, soloists, and chamber orchestra ou Novernber 25,2001, at St. Phillips Callery in Washington, DC, and performed and taught nraster class- his MM in rnusic education in December 1978, studying with John John's Episcopal Church in Tulsa, Oklahoura, where he has served as ol'gan- Dean's Office es at Shen Yang and 'Wu Han Conselvatories of Music in China and at the Haynie at UNT. He studied with Keith Johnson at the University of ist and choiluraster since 1990. Cornposed and offeled in honor of the Rachel ClaLke Assistant to the Dean for Stegel Music lnstitute at Southeastern Oklahorna State University. This past Northern Iowa for his bachelor of music degree. For the last ten chnrch's 50th anniversaly, the rnass was sur'ìg by the Clrancel Choir and College Advanceurent January, they appeared as part of the Plano Synrphony Olchestla concelt years, he was on the trumpet faculty of Central Washington soloists, accorrpanied by rrrembers of the Tulsa Philhalrronic aud conducted Elida Tamez Development Off,rcer sefl es, by the composer. University. Mignon Wendovel AdministrativeAssistant

Kevin Salfen (BM '97, MM '99), current doctoral candidate in musicology Steve Cooper (DMA'90) received a $10,000 commission to write a new Franz Ellis Merrell graduated with a major in trumpet perform- Ädministrative Assistants to Divisions at UNT, wrote the lead alticle for the fall 2001 issue of the American Brahms piece for the State of Arkansas for the "Continental Harmony" initiative, a ance and a minor in conducting in March 2002. He \ryas a concerto JanieBergman lustrumentalStudies Newsletler, "Sbaping Tirne in fhe Vier ErnsÍe Gesange." joint project olthe American Composers Fortrm and the N EA. One such glant competition winner aud performed the Telemann Concerto in D Nancy DeHonores Conducting, Keyboard & Voice was awarded in each of the fifty states, Major with the University Orchestra in Spring 2001. A North Lisa Fletcher 'Wind Studies AnnMarie Sandy (BM '99), cuLrently seeking her master's in rnusic (voice) Carolina native, Merrell lost his life to cancer on March 14,2002, Cari Geer Craduate Office at UNT, is a semifinalist in the Orpheus National Competition, with finals in Luellyn K. (North) Dollard (BM'91) and Joe Dollard ('87), had a baby six months shy of his 25th birthday. An Eagle Scout and member of CLaig MaLshall Jazz Studies boy, Johnny Danger Dollald, orr Novernber Tennessee this March. 2,2001. several honor societies, Merrell was an active performer and Darla Mayes Jazz Studies teacher, On perforrning at church, he is quoted as saying, "You've Paula Rives Con-rposition & Music Education Arnold Friedman (DMA '99), assistant professol of composition at the Vern Sielert (BM'91, MM'93) was recently appointed to the position of got to give back to God what's been given to you." Franz is sur- Lisa Sweidan Theory. History & Ethnomusicology Berklee College of Music in Boston, premiered two wolks during the fall of assistant professor ofjazz studies at the Univelsity ofWashington. He con- dtrcls tlre Studio Jazz Ensemble ancl teaches classes in lbe jazz division. vived by his parents Frank and Dawn Merrell, brother Judson 2001: A Still Sntull Voice, for piano and five boor-nboxes was perfolured by Advisors Sielert is a DMA candidate in trunrpet per'l'ornrance florn the University o1' Merrell, paternal grandlnother Mildred Menell, lratemal grand- Johrr McDonald aud Extentiorr'ùy'orks; and Blue Horizon for aìto saxophone, Judy Fislrer Degree Prograrn Advisor lllinois, and he has hacl sevelal jazz tlurÌpet soìo tlanscliptions recently pub- rnother Ethel Frick, and fiancée Cynthia Thompson (MM '01). violin, and piano, was perfolured by the Cleveland Duo and James Umble at BeckyKirrg lnternationalStudentAdvisor lished in the Journul o/ lhe Ittlernulionul Trunpel Cuiltl. Juniata College, Friedman was also a guest lectul'er at the Univelsity of Carol Pollard Degree Prograrn Advisor Hawaii, Manoa in January 2002. \ Arthur Schoep, retired professor ofvoice and director ofopera, William Stowmân (DMA'98) is dilector of bands at Pennsylvania's Messi, passed away on December 4,2001 at the age of 80. Schoep attained Scheduling College. His bands have produced two CDs and will record a thild this year'. Martin Owen Cemoets (MM'96) a BFA fror¡ University of South Dakota, an MM and performer's Lynn Job Colcert Scheduling Beginning in fàll of 2001, Stowrnan will serve as chair of the Music was recently adnritted to choil.nraster' ceftificate from the Eastman School of Music, aftist's diploma from Sandie Stone Classroom Scheduling & Department. standing by advar-rced exarrination the New England Conservatory of Music, and his DMA from the Concert Progratns through the American Guild of University of Colorado. He toured nationally and internationally as Last fäll, Pavel Wlosok (BM '98, MM '00) finished composing a string quar- Organists' Professional Certification a performer and conductor, both as a charter member of Boris Music Library tet, due to be recolcled by Prague's Apollon for Czech National Radio Proglam. He holds the Associateship Quartet Goldovsky's Opera Theater and as a guest performer for numerous Mark McKniglrt Assistant Music Librarian and eventually leleased on CD. Wlosok currently serves as director of jazz Certificate, which he earned while opera cornpanies and symphonies. He was the host of Musicfrcm Morris Martin Music Liblalian studies at Tluuran State University. still a student at UNT, Genroets chairs Norlh TÞxas, a lnonthly radio show that broadcasted first frorn the Faculty of Liturgical Music at KERA and then from WRR for ten years. In addition to teaching at Murchison Performing Arts Centcr Saint Michael's PaLish in Bedford and UNT, Schoep reviewed the Dallas and Fort Worth operas for Opera JeflCochran Technical Director plays for sevelal othel rnajor local Canada, served as president ofthe National Opera Association, and TinrotlryKing OperationsCoordinator chulches as well. An active organ Rebecca Events Coordinator Joren Cain (MM '00) won a position in "The President's Own" U.S. Marine was a member of the National Association of Teachers of Singing Litzer recitalist, he made his Boston concerl debut to critical acclaim in October Band irr Washington, D.C. in JanuaLy 2002. and the American Guilcl of Musical Artists. 200t. Technical Services Cyriel Aelts Piano Technician Jessic Hinkle (BM '00) carr be seen in a lesson with Patlicia Misslin in the Joseph Truncale, founding director of the Beaumont Civic-Lamar April 2002 edition of Opcro Neu,s. Richard DuPree Manager of Music Media Services Keith Javors (BM '93, MM '96) was appoint- Tech Opera Theatre, passed away on August 21,2001 in Beaumont, jazz Ann MacMillan lnstrument Technician & Rentals ed assistant plofèssor ol studies at the Texas. Truncale earned his bachelor's degree from NTSU in 1947 Univelsity of Nolth Florida, whele he dileots Calvin Hof'er (DMA '00) was recently promoted to associate profèssol at and his rnaster's from the University of Houston before attending Operations the acclaimed UNF Jazz Ensemble I. He is cur- Mesa State College in Cland Junction, CO. He has been appointed chair of Juilliard. He met and married his wife, Ruth Henderson (BM '46, Kathy Krejci Building Opelations Manager rently workirlg on his tlrird CD as a leader', enti- the music depaltnrent and is the directol of wind studies. The MSC Wind MM '47), while attending NTSU. Best retnernbered for his abilities Scott Krejci Computer Support Specialist tled In Essence. Symphony has pelformed to standing ovations at lecent lestivals and confer- a perfonned as a tenor soloist with the Houston ences. Holer serves as chair of the College/University Music Courrcil lor the as singer, Truncale Btrrton Lee Conrputer Systcnrs Manager Grand Opera, the New Orleans Symphony Orchestra, the Houston Doug Lockard (MM'91) received his DMA in Colorado Music Education Association and state advisol for CMENC. He is trunlpet per'l'omance fÌonr the University of also plincipal truurpet olthe Crand Junction Symphony Orchestra as well as Symphony, the Lake Charles Syrnphony, and the Beaumont Budget Office as professor aud opera at Randy Kelly Budget and Pulchasing Officer Texas at Austin in August 2001 . l-{e has accep! ttre MSC Faculty Brass Quintet. Symphony Orchestra. He served ofvoice Lucy Warren Budget Travel Officer ed the position of assistant profèssor of trumpet Lamar University for 43 years, director of choirs at Trinity United aird I at East Texas Baptist Univelsity in MaLshall Joseph Spaniola (DMA '00) has won the 2001 Twenty-Fifth Annual Methodist Church fol l5 years, and in retirement served as the where he teaches studio tnrnlpet, music history NBA/W|llianr D. Revelli Memoliaì Band Conrposition Contest lor a recen' interir¡ choral director at St. Mark's Episcopal Church. courses, aud directs ilte jazz band. He plevior"rsly taught at Ouachita Baptist work entitled ESCA PA Dþ:. U niversity in Arkadelphia, Alkansas. J. M. Wood passed away on November 5,2001. Wood graduated in 1959 with a master's of music degree. For 22 years, he served as minister of music at Broadmore Baptist Church in Jackson, Mississippi. He later worked as rninister of music at First Baptist Church in Brandon, Mississippi until his retirement in 1999. 20 COUNTERPOINT SPRING 2OO2 21 k¡tt ot'c intlxtrluttt tt.¡ u,v! Yt¡u urc dil1ot1g lhosa vyho hnvc tnctde Not'th Texcts synonymous wilh exc:el- lcnce in ntLts'ic tt¡ thou:;un¿ll; uround lhc vvorld. We n,ould like to lenow ¿tbr¡ul .vr¡u, crs woultl .your clcts,s- L9 4 5 ntctlcs uncl olher li'iend,s o/ thc Collegc of Music. We ore provicling lhi.s fõrm to ntctke il eas-v fbr -you to F.ebTuaTy lell of t,our pcr.sonul and public rec'ognilions, lriuntph,,; ctncl mile.slones. I/ nec'e.s.s'.tt'y, inclucle an ctllacltecl slteel o/'ptrper and inclucle o non-relurnctble photo o./ ¡,our.self when pc¡s',s'ible. Please mail to: Urriversity of'Nor1h Tcxas, Collcge of'Music, Attn: Newsletter; the UNT Aces do their part for the P.O. Box 3 I 1361, Dcuton, TX 1 6203-1361 war effort... or email: a lumninews(f nrusic.unt.edLr Alrrrrrrri inf'orrnatiou deaclline f'or the Fall 2002 issue of' Counterpo¡n! is September 1,2002

Narne Flont Row: Violin, Vari¡la Powell; Saxes, John Bell, Max Address McElroy, Ray Katzmark, Murphy Martin CiTylStatelZip Please put me on your mailing list fbr: Back Row: Trumpets: J.B. Floyd, Bill Thomson, Charlsie Telephone _Upcoming reunions Rutherford; Trombone, Odell Herod Placc of'Employrnent _The College of Music Calendar of Events progralns at Crested Butte, Colorado Title/Position _Summer

Degree & Year Craduated/Attended Fronted by Floyd Graham, the Notth Texas State "Aces of Collegeland" perþrmed./or wounded war News about you: (photos are welcome!) personnel held at ct soulh Texas governntent hospital.

Thanks to Wlliam Thomson þr these picÍures and memories.

Four F.ri enCs

tn L9 48 ,írn o rr/r1 l¡Áe 1o rto t ¿ I t,(ótrte,/ Nolhing reflecls lhe characler and clrive o/ a people more than its \-J reediness to strpport.fLrture general ions.

Your cr,¡nlribulion todoy creales o¡tporlunities .fòr students lomorrow.

Please accept my tax-deductible gift ot I would like inlonnation on:

$100 $200 $500 $1000 $ tìxisting cndowecl scholarshi ps _ Check enclosed Endowing a new scholarslrip fìrnd Credit card # Planned giving

(L-R) Bob Dorough, Aaton Rosenberg, Lloyd Please contact me about a donation ofsecurities. Other Hibberd, and George Morey pose in the /ront o/ (be snra to include your phone nunher above) old Orche,slra Hall. PS40474--sf)2tì

[ìor lLrrthcr infbnnaLion, pleasc contacL Elida Tamez, College of'Music Devclopnrcnt Ol-ficcq at 940-565-2243

COUNTERPOINT SPRING 2OO2 23 Generated from the software pnogram Audioscoper this sonogram depicts the phrase "Mes longs cheveaux descendent jusqu'au seuil de lo tour" as performed in the famous hair scene of Debussy's opera Pelléqs et Mélisonde.

University of North Texas NON PROFIT College of Music ORGANIZATION P.O. Box 311367 U.S. POSTAGE PAID Denton,TX 76203-1367 DENTON,TX 76201 PERMIT #455