School Catalog, 1968-1970

Total Page:16

File Type:pdf, Size:1020Kb

School Catalog, 1968-1970 PHILADELPHIA MUSICAL ACADEMY COLLEGE CATALOG 1968-1970 O' O' O' d* <?• d* d* &' d* j j j j j j j j j i. j. j. j. j. j. j. j. j ' r r r r r r r j j j j j j j j j j j j Iffff j j j j r f f f f r f f f f It is accredi by the Middle States Association of Colleges and Secondary Schools, and its curriculum in IVIusic Education is approved by the Department of Public Instru of the Commonwealth of Pennsy PHILADELPHIA MUSICAL ACADEMY 1617 SPRUCE STREET and 313 SOUTH BROAD STREET PHILADELPHIA PA 19103 Digitized by the Internet Archive in 2010 with funding from LYRASIS members and Sloan Foundation http://www.archive.org/details/schoolcatalog196870phil A properly focused study of music reveals the subject both as a profession and a discipline. It develops skill, while fostering understanding; it provides information and preserves meaning; it supplies facts and seeks knowledge. Such a study insures respect for the legacy of tradition and yet fosters the desire for the adventure of discovery. Two ingredients are essential to an institution dedicated to these aims: A professionally active faculty capable of serving as mentor and exemplar and a program of study to which the faculty is totally committed. I am proud to say that these are abundantly represented at the Philadelphia Musical Academy. JOSEPH CASTALDO President of the Academy CONTENTS 4 ACADEMIC YEAR 1968-69, SUMMER SESSION 1969 5 ACADEMIC YEAR 1969-70, SUMMER SESSION 1970 S BOARD OF DIRECTORS i ADMINISTRATION AND STAFF 9 11 DEPARTMENT CHAIRMEN Wi 13 MUSIC FACULTY B 15 GENERAL STUDIES FACULTY E 23 HISTORY OF THE ACADEMY 24 OBJECTIVES OF THE ACADEMY 25 STUDENT LIFE IN PHILADELPHIA 26 THE ACADEMY FACILITIES 2S STUDENT SERVICES & : ELECTRONIC MUSIC CENTER £ :. PREPARATORY DIVISION 33 ADMISSIONS 33 GENERAL INFORMATION TRANSFER STUDENTS 35 FOREIGN STUDENTS 36 TUITION AND FEES 37 FINANCIAL AID PROGRAMS DEGREE PROGRAMS MAJOR FIELDS OF STUDY THE GENERAL STUDIES PROGRAM 41 THE T&L (THEORY AND LITERATURE) PROGRAM 41 THE HONORS PROGRAM 42 ENSEMBLE ACTIVITIES AND ORGANIZATIONS CORE CURRICULUM 46 COMPOSITION CONTENTS 50 CONDUCTING (Continued) 52 HARP H 54 HARPSICHORD 56 ORGAN 58 PIANO 60 STRINGS 62 THEORY 64 VOICE 66 WOODWIND, BRASS, PERCUSSION 68 COURSES OF INSTRUCTION SS APPLIED MUSIC 69 MUSIC AND MUSIC EDUCATION 69 CHURCH MUSIC 69 MUSIC EDUCATION AND PEDAGOGY 71 CONDUCTING AND TECHNIQUES 72 GENERAL EDUCATION 73 COMPOSITION 73 MUSIC HISTORY AND LITERATURE 74 OPERA 75 THEORY AND EAR TRAINING 76 ENSEMBLES 78 GENERAL STUDIES 78 HUMANITIES FOREIGN LANGUAGES 81 ART HISTORY 82 SOCIAL SCIENCES 83 NATURAL AND PHYSICAL SCIENCES ADDRESS INSIDE BACK COVER CALENDAR REGISTRATION FINAL GRADES DUE (From Faculty) January 21 Academic Year 4th and 5th YEAR STUDENTS September 4 MID-YEAR RECESS 1968-69 REGISTRATION JUNIORS January 18 through 27 September 5 REGISTRATION REGISTRATION SOPHOMORES 4th and 5th YEAR STUDENTS September 6 January 28 PLACEMENT EXAMINATIONS REGISTRATION JUNIORS FRESHMEN AND TRANSFERS January 29 (Theory, Ear Training) REGISTRATION SOPHOMORES September 4 and 5 January 30 REGISTRATION FRESHMEN AND REGISTRATION FRESHMEN AND TRANSFERS TRANSFERS September 9 January 31 FRESHMAN ORIENTATION CLASSES BEGIN September 10 February 3 CLASSES BEGIN LATE REGISTRATION September 11 ($10.00 LATE FEE) LATE REGISTRATION February 4-7 ($10.00 LATE FEE) LAST DAY FOR ROSTER CHANGES September 12-17 February 14 LAST DAY FOR ROSTER CHANGES MID-SEMESTER GRADES DUE September 24 (From Faculty) March 31 MID-SEMESTER GRADES DUE SPRING VACATION (From Faculty) November 6 April 2 through 8 THANKSGIVING RECESS CLASSES RESUME November 27 through December 1 April 9 CLASSES RESUME EXAMINATION WEEK December 2 May 26-30 WINTER VACATION SENIOR GRADES DUE December 21 through January 5 (From Faculty) May 29 CLASSES RESUME FINAL GRADES DUE January 6 (From Faculty) June 4 EXAMINATION WEEK COMMENCEMENT January 13-17 June 6 Summer Session REGISTRATION FINAL EXAMINATIONS 1969 June 18 through 20 August 1 CLASSES BEGIN FINAL GRADES DUE June 23 (From Faculty) August 5 INDEPENDENCE DAY July 4 No classes this day REGISTRATION REGISTRATION CALENDAR 2nd, 3rd, 4th and 5th Year Students 2nd, 3rd, 4th and 5th Year Students Academic Year September 2 January 15 1969-70 PLACEMENT EXAMINATIONS REGISTRATION FRESHMEN AND FRESHMEN AND TRANSFERS TRANSFERS (Theory, Ear Training) January 16 September 2 CLASSES BEGIN REGISTRATION FRESHMEN January 19 AND TRANSFERS LATE REGISTRATION September 3 ($10.00 Late Fee) FRESHMAN ORIENTATION January 20 to 23 September 3, 7:00 P.M. LAST DAY FOR ROSTER CHANGES CLASSES BEGIN February 2 September 4 MID-SEMESTER GRADES DUE (From Faculty) March 17 LATE REGISTRATION ($10.00 Late Fee) SPRING VACATION September 5 to 10 March 25 to 31 LAST DAY FOR ROSTER CHANGES CLASSES RESUME September 18 April 1 YOM KIPPUR EXAMINATION WEEK September 22 May 18 to 22 No classes this day SENIOR GRADES DUE (From MID-SEMESTER GRADES DUE Faculty) May 21 (From Faculty) October 27 FINAL GRADES DUE (From Faculty) May 27 THANKSGIVING RECESS November 27 to 30 COMMENCEMENT May 29 CLASSES RESUME December 1 EXAMINATION WEEK December 16 to 19 FINAL GRADES DUE (From Faculty) December 22 WINTER VACATION AND RECESS December 20 to January 14 REGISTRATION FINAL EXAMINATIONS Summer Session June 17 to 19 July 31 1970 CLASSES BEGIN FINAL GRADES DUE June 22 (From Faculty) INDEPENDENCE DAY HOLIDAY August 4 July 3 No classes this day BOARD EUGENE ORMANDY Honorary Chairman DIRECTORS DONALD S COHAN — Chairman MORTON AMSTERDAM RONALD BALDWIN OLIVER BIDDLE ISO BRISELLI JOSEPH CASTALDO JOHN P DOLMAN WILLEM EZERMAN WILLIAM FISHMAN RICHARD G GETTELL RAYMOND GREEN MRS F OTTO HAAS EDWIN HEILAKKA PHILIP KLEIN WILLIAM KOHLER JOHN W MERRIAM MRS HERBERT C MORRIS WILLIAM H NELSON III RALPH NEWMAN AUSTIN NORRIS MRS JACOB PLON WILLIAM T READ JR MRS JOHN ROLLINS SAMUEL RUDOFKER ;", M ••••••" ''- ':- i- Xgt«> • Adrian Siegel JOSEPH CASTALDO BM MM RITA Dl RENZO ADMINISTRATION President Registrar AND STAFF PAXSON, KALISH, KOHN, JOHN D JETER BM MME DME DILWORTH, AND LEVY, ATTORNEYS Dean of Faculty Counsel MARIA EZERMAN DRAKE DM MARY KTOMKINS Assistant Dean Secretary to the President RICHARD CASTIGLIONE BME MM MME ANNE MARIE JUHAS Director of Student Affairs Secretary to the Dean EDWARD G GLASSER BA LOUISE KLEIN Business Manager Secretary/ Receptionist LEAH FARBER MARY WRIGHT Assistant Treasurer Secretary to the Registrar MAE HOLSTEIN JOHN MOYER BM Secretary to the Librarian Assistant Treasurer KATHLEEN MORETTO BA MLS STANLEY N COHEN MD Assistant Librarian Consulting Physician JAN I SZANTO DM ABE PEPINSKY BA MA PhD EMERITI President Emeritus Dean Emeritus ": - PIANO DEPARTMENT CLEMENT C PETRILLO CHAIRMEN VOICE DEPARTMENT HAROLD PARKER ORGAN DEPARTMENT EARL NESS STRING DEPARTMENT JANI SZANTO WOODWIND DEPARTMENT GUIDO MECOLI BRASS DEPARTMENT ANTHONY MARCH IONE PERCUSSION DEPARTMENT MICHAEL BOOKSPAN THEORY/COMPOSITION DEPARTMENT DONALD CHITTUM CONDUCTING DEPARTMENT MAURICE KAPLOW MUSIC EDUCATION DEPARTMENT CHARLES B GREY DIRECTOR OF COOPERATIVE GENERAL STUDIES PROGRAM PHILADELPHIA COLLEGE OF ART BERNARD HANSON 11 i ' * fDAVID ARBEN (1961) Chopin Academy of Music, Salzburg Mozarteum, MUSIC Geneva Conservatory, Diploma, Curtis Institute of Music. Teacher of Violin. FACULTY EDWARD ARIAN (1960) Diploma, Curtis Institute of Music; BM 1957, Combs College of Music. Teacher of Double Bass. LOUIS K. BARON (1966) BA 1941, Franklin and Marshall College; MA 1950, Temple University; Ph D 1957, New York University. Resident Psychologist, Teacher of Psychology. -MICHAEL BOOKSPAN (1957) BS 1953, Juilliard School of Music. Chairman, Percussion Department; Director, Percussion Ensemble; Teacher of Percussion. JOSEPH CASTALDO (1956) BM 1956, MM 1959, Philadelphia Conservatory of Music. President of the Academy. RICHARD CASTIGLIONE (1966) BMEd 1949, State University of New York; MM and MMEd 1955, Columbia University. Director of Student Affairs; Director of Symphonic Wind Ensemble. CHARLES CASTLEMAN (1967) BA, 1963, Harvard University; BM 1963, Curtis Institute of Music. MA, 1966, University of Pennsylvania. Teacher of Violin. DONALD CHITTUM (1956) BM 1956, MM 1957, DM 1963, Philadelphia Conservatory of Music. Chairman, Theory and Composition Department; Professor of Theory and Composition. -FRANK COSTANZO (1950) BM 1951, University of Pennsylvania. Teacher of Violin. SHIRLEY CURTISS (1963) BMEd 1955, Murray State College; MM 1957, University of Miami. Teacher of Bassoon. NICHOLAS D'AMICO (1964) Diploma 1953, Curtis Institute of Music. Teacher of Percussion. JOSEPH DE ANGELIS (1967) Diploma 1955, Juilliard School of Music. Teacher of French Horn. ROGER DE LILLO (1965) Cincinnati Conservatory of Music; Berklee School of Music; Philadelphia Musical Academy. Teacher of Trombone. FERDINAND DEL NEGRO (1964) Juilliard School of Music; Study with Ugo Savolini. Teacher of Bassoon. CAROLYN DILLER DENGLER (1935) BM, Teacher's Diploma, 1936, Philadelphia Conservatory of Music. Assistant Professor of Voice. ROBERT Dl NARDO (1968) Study with Joseph Sgrow and Dennis Sandole. Teacher of Guitar. GLENN DODSON (1968) Curtis Institute of Music, Study with Charles Gusikoff. Teacher of Trombone. MEMBER OF THE PHILADELPHIA ORCHESTRA. tMEMBER OF THE ACADEMIE STRING QUARTET. 13 MUSIC ALLISON R. DRAKE (1928) Teacher's Diploma, 1927; Soloist's Diploma, 1936, Philadelphia Conservatory of Music. Associate Professor of Piano. FACULTY LILBURN DUNLAP (1947) BM 1950, MM 1952, Philadelphia Conservatory of (Continued) Music. Assistant Professor of Piano. ROBERT ELMORE (1938) Licentiate 1933, Royal Academy of Music, London; BM 1937, University
Recommended publications
  • Chapter Three the Philadelphia Orchestra Stokowski Inherited 15
    <The "(PhiCacCeCpfiia Sound": The Formative Years (1912-1920) Candis nUreC^eCcf The "Philadelphia Sound": The Formative Years (1912-1920) HONORS THESIS Presented in Partial Fulfillment Of the Requirements For the UNIVERSITY OF NORTH TEXAS HONORS PROGRAM By Candis Threlkeld Denton, Texas April 1999 CamJm (J- <rSuJLJa) Student APfljROVED: acuity Advisor a-/ C Cjjy, Honors Director The "Philadelphia Sound": The Formative Years (1912-1920) HONORS THESIS Presented in Partial Fulfillment Of the Requirements For the UNIVERSITY OF NORTH TEXAS HONORS PROGRAM By Candis Threlkeld Denton, Texas April 1999 Student APPROVED: Faculty Advisor • n juts • Honors Director Acknowledgements This paper would not have been possible without the help of the following people, who aided me immensely while I was researching in Philadelphia: JoAnne Barry - archivist with the Philadelphia Orchestra Marjorie Hassen - curator of the Stokowski Collection, Otto E. Albrecht Music Library, University of Pennsylvania John Pollock and the Student Staff of the Ross Reading Room - Van Pelt Library, University of Pennsylvania Paul Sadedov - Music Librarian at the Free Library of Philadelphia Members of the Philadelphia Orchestra - who were a daily inspiration to me (I would particularly like to thank those members who took the time out to talk with me: Luis Biava, Booker Rowe, Richard Woodhams, David Bilger, Elizabeth Starr, and Pete Smith.) Phil - the security guard at the Academy who always helped me find JoAnne Barry, and who always greeted "Texas" with such a wonderful smile in the mornings Stephanie Wilson - one of my dearest friends who let me stay at her house during the second week of my trip - and who gave me great reed advice before my senior recital Janet Miller, Laura Lucas, and Darryl - Stephanie's housemates, who always made me always feel welcome I would also like to thank the following people at the University of North Texas for all of their assistance: Maestro Anshel Brusilow - director of orchestras and my faculty advisor Dr.
    [Show full text]
  • Symphony Orchestra
    School of Music ROMANTIC SMORGASBORD Symphony Orchestra Huw Edwards, conductor Maria Sampen, violin soloist, faculty FRIDAY, OCT. 11, 2013 SCHNEEBECK CONCERT HALL 7:30 P.M. First Essay for Orchestra, Opus 12 ............................ Samuel Barber (1910–1983) Violin Concerto in D Major, Opus 77 .........................Johannes Brahms Allegro non troppo--cadenza--tranquillo (1833–1897) Maria Sampen, violin INTERMISSION A Shropshire Lad, Rhapsody for Orchestra ..................George Butterworth (1885–1916) Symphony No. 2 in D Major, Opus 43 ............................Jean Sibelius Allegro moderato--Moderato assai--Molto largamente (1865–1957) SYMPHONY ORCHESTRA Huw Edwards, conductor VIOLIN I CELLO FRENCH HORN Zachary Hamilton ‘15, Faithlina Chan ’16, Matt Wasson ‘14 concertmaster principal Billy Murphy ‘16 Marissa Kwong ‘15 Bronwyn Hagerty ‘15 Chloe Thornton ‘14 Jonathan Mei ‘16 Will Spengler ‘17 Andy Rodgers ‘16- Emily Brothers ‘14 Kira Weiss ‘17 Larissa Freier ‘17 Anna Schierbeek ‘16 TRUMPET Sophia El-Wakil ‘16 Aiden Meacham ‘14 Gavin Tranter ‘16 Matt Lam ‘16 Alana Roth ‘14 Lucy Banta ‘17 Linnaea Arnett ‘17 Georgia Martin ‘15 Andy Van Heuit ‘17 Abby Scurfield ‘16 Carolynn Hammen ‘16 TROMBONE VIOLIN II BASS Daniel Thorson ‘15 Clara Fuhrman ‘16, Kelton Mock ‘15 Stephen Abeshima ‘16 principal principal Wesley Stedman ‘16 Rachel Lee ‘15 Stephen Schermer, faculty Sophie Diepenheim ‘14 TUBA Brandi Main ‘16 FLUTE and PICCOLO Scott Clabaugh ‘16 Nicolette Andres ‘15 Whitney Reveyrand ‘15 Lauren Griffin ‘17 Morgan Hellyer ‘14 TIMPANI and
    [Show full text]
  • Connterpoint
    AF+ütvÚ Connterpoint tr lrD Dtr l, l, otr l, l, trtr tr1, lrü lrtr l, l, tr1, tr1, Dtr Dtr lrO Ttr tr1, l, l, tr I' IA l^\qunterpoint \gþfrai c from^ N orth rexas Spring 2002 A.dministration Piano Wind Studies a Jalnes C. Scott, Dean Joseph Banowetz Eugene Migliaro Corporon Theory NEI'YS FROM THE DEAN Thomas S. Clark, Associate Dean Bradley Beckman Dennis Fisher Gene Cho Academic Affairs James Giles Fred Vélez Thomas Clark Meet the Dean Jon Christopher Nelson, Steven Harlos Paul Dworak As this issue goes to press, I am pleased to An Interview withJames Scott Associate Dean, Operations Berthe Odnoposoff Opera Frank Heidlberger have the last-minute oppoftunity to share John C. Scott, Associate Dean Pamela Mia Paul David Cloutier Joán Croom-Thomfon Extemal Affairs Cregory Ritchey Stephen Dubberly Tinrothy Jackson news of the largest single endowment fund Dan Haerle Reti4es Joán Groonr-Thornton, Director Jack Roberts Paula Homer R. Fred Kern at the University of North Texas. The for- Undergraduate Studies Vladirnir Viardo Rosemary Killam mal announcement was part of our Dean's Graharn Phipps, Director Adam Wodnicki Orchestra Michael McVay Faculty News Graduate Studies Anshel Brusilow Craharn Phipps Camerata Appreciation Dinner, just before a Piano Pedagogy & Group Piano Clay Couturiaux Stephen Slottow stunning performance of Mahler's second Strings R. Fred Kern Lyle Nordstrom Thomas Sovík Celebrating Harold Heiberg Igor Borodin symphony by our Symphony Orchestra and Julia Bushkova Organ Choral Ethnomusicology Grand Chorus. Bill and Margot Winspear, our long-time patrons and Jeffrey Bradetich Jesse Eschbach Henry Cibbons Gene Cho supporters, have established an endowment of $1.7 million in sup- Crossing Borders Willianr Clay Joel Martinson Rosemary Heffley Steven Friedson port Susan Dubois Lenora McCroskey Jery McCoy Thomas Sovík of scholarships and faculty enhancement.
    [Show full text]
  • Eugene Ormandy Commercial Sound Recordings Ms
    Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985
    [Show full text]
  • Openhousetermed ^Gratifying' I Federal Budget Tops S300 Billion
    t United Press International Five days of violence broke up early this morning. through” higher costs in the Federal energy chief William associated with the truckers’ Simon lo Attend Hearing ICC procedures, the truckers violence by truck drivers. “It E. Simon, after a late night ses­ Meetings Continue form of rate increases. Simon said he would appear windshields were broken, but ‘ strike brought Simon and about The meetings continue today, I said they wanted a price freeze appears that truckers want a sion with representatives of in­ As for price rollbacks, Simon at a House Ways and Means there were no injuries. ’The 40, other federal and state of­ and Simon said the participants on all o ir produnts, a public confrontation, and they’re dependent truck drivers, in­ said: “I am against rolling back Committee hearing today, but number of Pennsylvania ficials to a closed-door meeting “will sit down with the nitty audit of oil companies, a joint going to get it,” he said. dicated today that government prices. Personally, I am op­ that another high-level FED of­ National Guardsmen’^on active in Washington Sunday where gritty.” He said Sunday’s congressional committee Study — Max Krugma_^n, a red tape could prevent an im­ posed to that because it’s ficial would meet with the duty was doubled to more than more than two dozen truckers meetings concerned mostly of their problems, removal of Carpentersville, 111.* truck mediate solution to their counterproductive to our in­ truckers. 2,000 to deal with the strike. aired their gripes. Simon said “technical matters” such as allocaion quotas from truck driver was shot in the shoulder problems.
    [Show full text]
  • A Comprehensive Tempo Analysis of Phrases from Commercial Recordings of the Hummel Trumpet Concerto Using Tempo Maps in Pro Tools
    Finding Interpretations: A Comprehensive Tempo Analysis of Phrases from Commercial Recordings of the Hummel Trumpet Concerto using Tempo Maps in Pro Tools by Marc Lynn Sutton, B.M., M.M. A Doctoral Performance Project In Music Performance Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved Dr. Andrew Stetson Chair of Committee Dr. Kevin Wass Dr. Lisa Garner Dr. Mark Sheridan Dean of the Graduate School August 2018 Copyright 2018, Marc Lynn Sutton Texas Tech University, Marc Lynn Sutton, August 2018 ACKNOWLEDGEMENTS This project would not have been possible if not for the help of a number of people. First and foremost, I would like to thank my parents. Without them, I would never have made it this far. They are the only ones that have been with me through every high and low that I’ve experienced throughout my life. My parents were my first teachers and coaches. Everything that I have done or learned in life is simply a variation on their lessons. Their encouragement to reach for the stars has taking me to places that I never thought possible. They mean the world to me and I am thankful for them every single day. Next, I would like to thank my mentor and professor, Dr. Stetson. The decision to return to school and begin work on a doctorate was not easy, but now in hindsight, it was exactly what I needed. From our first conversation, Dr. Stetson had me convinced that working together we would be able to accomplish a lot, and that proved to be true.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 71, 1951-1952
    SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, CO mmonwealth 6-1492 SEVENTY-FIRST SEASON, 1951-1952 CONCERT BULLETIN of the Sm Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1951, BY BOSTON SYMPHONY ORCHESTRA, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Charles D. Jackson Theodore P. Ferris Lewis Perry Alvan T. Fuller Edward A. Taft N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager T. D. Perry, Jr. N. S. Shirk, Assistant Managers [ 437 3 © © © © Only © you can © © © decide © © © © © © Whether your property is large or small, it rep- © resents the security for your family's future. Its ulti- © © mate disposition is a matter of vital concern to those © you love. © © To assist you in considering that future, the Shaw- © mut Bank has a booklet: "Should I Make a Will?" © © It outlines facts that everyone with property should © know, and explains the many services provided by © this Bank as Executor and Trustee. © © Call at any of our 2Q convenient offices, write or telephone © for our booklet: "Should I Make a Will?" © © © © © © The Rational © © Shawmut Bank © 40 Water Street, Boston © Member Federal Deposit Insurance Corporation © © Capital and Surplus $30,000,000 © "Outstanding Strength" for 115 Tears © © ©©©@©©©@©©@©©©©©ioH<S ©©©©©©©©©©©©©© [438] SYMPHONIANA THE ORCHESTRA TO PLAY AT THE TROUSSEAU HOUSE OF BOSTON PARIS EXPOSITION The Boston Symphony Orchestra has accepted an invitation from the Con- gress for Cultural Freedom to make its first appearance in Europe next spring, it is announced today by Nicolas Nabo- kov, Secretary-General of the Congress and George E.
    [Show full text]
  • Recording Master List.Xls
    UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre
    [Show full text]
  • 1St Time Charm! Master’S Student Jeremy Wilson Wins a Position in the Vienna Philharmonic Fortepiano
    Fall 2008 1st Time Charm! Master’s Student Jeremy Wilson Wins a Position in the Vienna Philharmonic Fortepiano Exciting Acquisition— a First for the College of Music rriving in spring 2007 from the McNulty workshop in the Czech Republic, this gorgeous fortepiano, an 1805 Walter und Sohn copy, Ahas already become an important educational and performance tool within the College of Music. Many, many thanks are due to Professor Emeritus Michael Collins, philanthropist Paul Voertman and the National Endowment for the Arts for their generosity that enabled us to purchase this instrument. One of its most interesting uses has been the recording project planned in conjunction with an upcoming book by UNT musicology alumnus James “Chip” Parsons, Professor of Music at Missouri State University and a former student of Professor Collins. A-R Editions will publish Dr. Parsons’ book on early alternate settings of Schiller’s poem “An die Freude” (heard in the famous last movement of Beethoven’s 9th Symphony). The accompanying CD, coordinated by UNT faculty Elvia Puccinelli, will include selections based on the facsimile scores included in the book. (For more about the fortepiano and its impact, go to page 17.) Contents Dean’s Message ......................................................4 William W. “Bill” Winspear Transitions ................................................................6 1933-2007 Welcome to New Faculty ..........................................8 International Relationships .......................................11 illiam W. “Bill”
    [Show full text]
  • Playbill March 2018 | the Philadelphia Orchestra
    March 2018 4 From the Executive Office Dear Friends: From its earliest days, The Philadelphia Orchestra has traveled beyond its hometown borders, introducing those from far and wide to its magnificent music-making. Just four days after its very first concert, in November 1900, the ensemble dipped its toes into the touring pool by performing in nearby Reading. Over the next 27 years the boundaries gradually expanded to include such metropolises as New York, Boston, Washington, D.C., St. Louis, and Detroit, as well as smaller cities such as Lima (OH), Meriden (CT), North Adams (MA), and Ypsilanti (MI). Ryan Fleur Then, from April to May 1936, under Leopold Stokowski’s baton, the Orchestra undertook a mammoth transcontinental train tour, traveling 11,000 miles and performing 33 concerts in 30 days. Since then the Fabulous Philadelphians have become one of the most widely traveled orchestras in the world, performing across America, Canada, the Caribbean, Mexico, Europe, Asia, and South America. This spring the Orchestra returns to Europe, 69 years after its first time (and 70 years after the implementation of the Marshall Plan), a voyage by boat to Great Britain consisting of 28 concerts in 27 days. The 2018 Tour brings the Philadelphia Sound to devoted fans in Brussels, Luxembourg, Paris (a debut performance at the Jean Nouvel-designed Philharmonie Matthew Loden de Paris), Düsseldorf, Hamburg (a debut performance at the Herzog & de Meuron-designed Elbphilharmonie), and Vienna. Following the two concerts in Vienna, the Orchestra continues to Israel, with performances in Haifa, Tel Aviv, and Jerusalem, all in celebration of Israel’s 70th anniversary.
    [Show full text]
  • Eugene Ormandy Papers Ms
    Eugene Ormandy papers Ms. Coll. 91 Finding aid prepared by Leslie J. Delauter and Isabel Boston. Last updated on June 08, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 1999 Eugene Ormandy papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 7 Administrative Information......................................................................................................................... 15 Controlled Access Headings........................................................................................................................16 Collection Inventory.................................................................................................................................... 17 Correspondence......................................................................................................................................17 Programming........................................................................................................................................199 Notes.....................................................................................................................................................205
    [Show full text]
  • National Endowment for the Arts Annual Report 1987
    NATIONAL ENDOWMENT FOR THE ARTS ~~>~=~~ -. " " i . " I~~ JJ~ , .. ..... MUSIC ON COVER AND TI~E PAGE TA~N ~OM SgMPH~ NO. 1 BY ELLEN TAA~ ZWIL­ ICH, WHICH SHE COM~SED WHILE ~CEIV~G A COM~SERS’ ~LLOWSHIP IN 1981 ~OM THE MUSIC PR~RAM. IN 1983, ~IS COM~S[~ON WAS AW~~D ~E PUL~ER PR~E FOR MUSIC. COPYRIGHT 1983 M~G~ MUSIC, INC. ~P~~ED BY PE~ISSION OF THE PUBLISHER. 1987 ANNUAL REPORT National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Repon of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1987. Respectfully, Frank Hodsoll Chairman The President The White House Washington, D.C. March 1988 CONTENTS CHAIRMAN’S STATEMENT v THE AGENCY AND ITS FUNCTIONS vii THE NATIONAL COUNCIL ON THE ARTS ix PROGRAMS 1 Dance 3 Design Arts 17 Expansion Arts 29 Folk Arts 51 Inter-Arts 59 Literature 71 Media Arts: Film/Radio/Television 83 Museum 95 Music 117 Opera-Musical Theater 151 Theater 161 Visual Arts 173 OFFICE FOR PUBLIC PARTNERSHIP 187 Artists in Education 189 Locals Test Program 195 State Programs 199 OFFICE FOR PRIVATE PARTNERSHIP 203 Challenge 205 Advancement 209 OFFICE OF POLICY, PLANNING, AND RESEARCH 211 Fellowship Program for Arts Managers 213 Intemational 215 Research 217 Special Constituencies 219 APPENDIX 221 Statement of Mission 222 Overview and Challenge Advisory Panels 223 Financial Summary 228 History of Authoñzations and Appropriations 229 iii CHAIRMAN’S STATEMENT The tremendous diversity of the arts of the basics of education from federal support for the arts over the in America is clearly shown by the kindergarten through twelfth grade, long term.
    [Show full text]