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Boston Symphony Orchestra Concert Programs, Season 71, 1951-1952

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Boston Symphony Orchestra Concert Programs, Season 71, 1951-1952 • BOSTON SYMPHONY ORCHE STRA FOUNDED IN 1881 BY d. HENRY LEE HIGGINSON ^ Xhi m 24 ,© m X JiilllllHWIIll i>r f) $— \W SEVENTY-FIRST SEASON BAYARD TUCKERMAN, J*. ARTHUR J. ANDERSON ROBERT J. DUNKLE. J«. ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, Jw. HERBERT SEARS TUCKFRMA* OBRION, RUSSELL & CO. Insurance of Every Description "A Good Reputation Does Not Just Happen — It Must Be Earned." 108 Water Street Los Angeles, California Boston, Mass. 3275 Wilshire Blvd. Telephone Lafayette 3-5700 Dunkirk 8-3316 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 6-1492 SEVENTY-FIRST SEASON, 1951-1952 t CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1952, BY BOSTON SYMPHONY ORCHESTRA, IflC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Philip R. Allen M. A. De Wolfe Howi John Nicholas Brown Charles D. Jackson Theodore P. Ferris Lewis Perry Alvan T. Fuller Edward A. Taft N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager T. D. Perry, Jr. N. S. Shirk, Assistant Managers [ 1129]- *9* © © © © © © © © Only © © © © © you can © @ © © © decide © © © © © © © Whether your property is large or small, it rep- © resents the security for your family's future. Its ulti- © © © mate disposition is a matter of vital concern to those .© © you love. © © To assist you in considering that future, the Shaw- © mut Bank has a booklet: "Should I Make a Will?" © © © © It outlines facts that everyone with property should © © know, and explains the many services provided by © this Bank as Executor and Trustee. © © © © Call at any of our 29 convenient offices, write or telephone © for our booklet: "Should I Make a Will?" © © © @ © © © © The Optional © © Shawmut Bank © © 40 Water Street, Boston © Member Federal Deposit Insurance Corporation © © © Capital and Surplus $30,000,000 © "Outstanding Strength" for 116 Years © © © [1130] SYMPHONIANA SYMPHONIANA (Season 1951-1952) Page THE TROUSSEAU HOUSE OF BOSTON Orchestral Roll of Honor 3 Friday and Saturday Concerts on WGBH (FM) 3 Aaron Copland's Messages 55 Orchestra on Television 152 Open Rehearsals 247 Berkshire Music Center, 1952 . 343 The Orchestra to Play at Paris Exposition 434 Paris in the Spring for the Boston Symphony (Rudolph Elie) .... 635 Our Guest Conductors 683 Horblit Award to Lukas Foss .... 683 The First European Tour by the Boston Symphony Orchestra . 684 Berkshire Music Center 779 "A Date and a Man" (M. A. De Wolfe Howe) 779 Privileges of FM (Ira A. Hirsch- mann) 827 The European Itinerary 875 Prospects for the Orchestra (Henry B. Cabot) 923 Words of Welcome (Lucien Price) 971 Tanglewood Programs (Theatre- Concert Hall) 1019 The European Programs • • EXHIBITIONS OF THE SEASON (Season 1951-1952) Page Oct. 5-Nov. 4. Portraits of Musi- cians from the Willson Collec- tion lent by the Childs Gallery. 3 Nov. 9-Dec. 2. The Boston Print- makers annual exhibition 247 the golden touch Dec. 14-Jan. 12. Third annual Sym- Crisp cotton phony Subscribers' Exhibition 391, 535 gold imprinted Jan. 22-Feb. 2. Lithographs by and accented with tiny red and John Copley, lent by the Wiggin green flowers. Collection of the Boston Public Completely Library 583 washable. Feb. &-March 8. Boston Society of Independent Artists travelling ex- Sizes 10 to 20. hibition 731 19.95 March 18-30. New Hampshire Art Association annual exhibition . 875 416 Boylston St., Boston April 4—26. Paintings by members 54 Central St., of New England Chapter, Artists' Wellesley Equity 1067 . [ "3i ] TANGLEWOOD PROGRAMS (Theatre-Concert Hall) I. Saturday Evening, July 5 Bach (C. P. E.): Symphony No. 5, in B minor Bach: Cantata No. 140, "Wachet auf, ruft uns die Stimme" Bach: Concerto for Two Violins — (Richard Burgin, Ruth Posselt) Bach: Suite No. 3, in D major II. Sunday Afternoon, July 6 Rameau: Suite from "Dardanus" Couperin: Concert dans le gout theatral Purcell: Fantasia in A, for Strings Vivaldi: Concerto Grosso in D minor, Op. 3, No. 11 Lalande: "De Profundis," for Chorus and Orchestra III. Saturday Evening, July 12 Handel: Concerto Grosso in A minor for Strings, Op. 6, No. 4 Dittersdorf : Symphony in C major Strauss: Metamorphoses, Study for 23 Solo String Instruments Milhaud: "La Creation du Monde" NATURAL IV. Sunday Afternoon, July 13 WILD MINK Mozart: Symphony in E-flat, No. 39 STOLE Mozart: Symphony in G minor, No. 40 Mozart: Symphony in C major ("Jupi- ter") No. 41 . its Lamson Hubbard label is your assurance of superb qual- V. Saturday Evening, July 19 ity . expert workmanship styling Or- . and the elegance of Mozart: Litaniae, for Chorus and recognized by four generations chestra (R. 125) of discriminating New England- Mozart: Piano Concerto in E-flat ers, (K. 271) (Soloist, Lukas Foss) $1495 Schubert: Mass in G major Plus tax VI. Sunday Afternoon, July 20 FUR SALON—3rd Floor Haydn: Symphony No. 99, in E-flat in D ^^<BOYLSTON AT ARUNGTOHb^^.' Haydn: Symphony No. 86, Schubert: Mass in G major [i»3*1 Adele Simpson interprets the new costume look for spring based on the elegant dress of noble cut, with sharp, dramatic change of shape in its jacket. These two: the deftly designed English-influenced Spencer . the back belt waistline cutaway over a pleated skirt Nothing is permanent except change — Heraclitus Beth Israel's splendid buildings on Brookline Avenue today. Newest additions are a maternity wing, enlarged private facilities, and the Yamins Research Laboratory. A leader in the battle against disease When Beth Israel moved to this Rox- bury building in 1915, it had only forty- five beds. Its first home was in a recon- and human suffering verted store in 1902. Beth Israel Hospital was ony's services as Executor and founded in 1902 to give medical Trustee. A copy of "Wills and care to the underprivileged sick. Trusts" will be mailed to you Today Beth Israel is a great upon request. general hospital, and a center of medical research. Boston and Beth Israel have changed greatly in 49 years. So, too, have the problems an indi- WORTHY OF YOUR TRUST vidual faces in providing for his family. An up-to-date will is one Old Colony of the essentials for meeting these problems. If you have no Trust Company ONE FEDERAL STREET, BOSTON will or have not reviewed it re- T. Jefferson Coolidge cently, you should see your Chairman, Trust Committee lawyer at once. Robert Cutler You and your lawyer are in- President vited to consult Old Colony Arthur L. Coburn, Jr. Trust Company about Old Col- Chairman, Trust Investment Committee Allied with The First National Bank of Boston r »»34i . SEVENTY-FIRST SEASON NINETEEN HUNDRED FIFTY-ONE AND FIFTY-TWO Twenty-fourth Program FRIDAY AFTERNOON, April 25, at 2:15 o'clock SATURDAY EVENING, April 26, at 8:30 o'clock Barber Overture, "The School for Scandal" Honegger Symphony No. 2, for String Orchestra I. Molto moderato II. Adagio mesto III. Vivace, non troppo INTERMISSION Piston Toccata (First performance at these concerts) Debussy "La Mer," Three Orchestral Sketches I. De l'aube a midi sur la mer II. Jeux de vagues III. Dialogue du vent et de la mer Ravel Suite No. 2, "Daphnis et Chloe," (with chorus) Lever du jour — Pantomime — Danse Generate New England Conservatory Chorus Lorna Cooke de Varon, Conductor This program will end about 4:20 o'clock on Friday Afternoon, 10:20 on Saturday Evening. The Friday and Saturday concerts will be broadcast each week on Station WGBH (FM) Scores and information about music on this program may be seen in the Music Room of the Boston Public Library. BALDWIN PIANO RCA VICTOR RECORDS [ 1135] AND THE <3 niteOMAMCt, *£ <Z 4Auh£ By their names you know them . those talented designers who set the pace of American Fashion. Because Stearns respects the innate quality of their creations, we endorse such bright stars as: Carolyn Schnurer tarry Aldrich Martini Dercfliy Cox Anne Fogarty Claim McCardell Herbert Sondhefm Maurice Rentner Monte Sans Ritter Seymour Fox Brigance R. H. STEARNS CO. BOSTON• CHESTNUT HILL ["&} OVERTURE, "THE SCHOOL FOR SCANDAL," Op. 5 By Samuel Barber Born at West Chester, Pa., March 9, 1910 Mr. Barber composed his Overture in 1932. It was performed at the summer series of concerts of the Philadelphia Orchestra in Robin Hood Dell, August 30, 1933. The Overture was performed by the Boston Symphony Orchestra, November 15, 1940, repeated October 16, 1942, and February 10, 1950. The orchestration is as follows: two flutes and piccolo, two oboes and English horn, two clarinets and bass clarinet, two bassoons, four horns, three trumpets, three trombones and tuba, timpani, bass drum and cymbals, bells, triangle, harp, celesta and strings. THE piece is a concert overture intended, not as an introduction to a dramatic performance, but as an approximation in music of the spirit of Sheridan's comedy. The pattern is classical. The music begins allegro molto vivace with a flourish and a bright leaping theme for the full orchestra over a swift figure in the violins. The strings take the theme in 9-8 over pulsating chords in the winds. The energy spreads itself in a ff climax and the second theme, properly lyrical, is sung by the oboe and then the violins. There is develop- ment of the earlier material in the original brilliant vein and a return of the second theme, now brought in by the English horn and taken up by the strings. The overture closes in a sparkling tempo primo. H 1 C i»37l , Music figured early in Samuel Barber's life. It is told that he had piano lessons at the age of six and at seven made his first attempt at composition.
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