Michel Camilo

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This pdf was last updated: Jan/07/2011. Michel Camilo A pianist of tremendous technique and agility, Camilo's mixture of his native Caribbean rhythms with traditional jazz harmony enthrals audiences all over the world. In association with Redondo Music (USA). Line-up Michel Camilo - piano Also available: Duo with Tomatito, Duo with Chucho Valdes, Michel Camilo Trio Germany and Austria only! On Stage: 1-3 Travel Party: 2-4 Website www.michelcamilo.com Biography He is a composer and pianist extraordinaire. He is a bandleader, lecturer, and visiting professor. He is a chart- topping producer, a Grammy, Latin Grammy and Emmy award winner. He is the recipient of his native country's highest civilian honors. Michel Camilo is all of these things and more, wrapped in a human being of boundless enthusiasm, musical passion, and love of life. Michel Camilo is a pianist and composer from Santo Domingo, Dominican Republic. He is known as a great jazz, Latin and classical pianist with superb technical ability, and has played and recorded with many world-famous musicians. Michel lists some of his main influences as Chick Corea, Keith Jarrett, Oscar Peterson, Bill Evans, and Art Tatum. The artistry and virtuosity of Michel Camilo bridges the genres of Jazz, Classical, Popular and World music. He is a pianist with a brilliant technique and a composer who flavors his tunes with the spice of Caribbean rhythms and jazz harmonies. To see him perform live is to witness the energy of a tropical storm being unleashed on 88 keys. Academy Award-winning filmmaker Fernando Trueba, who featured Camilo in his documentary film Calle 54, says: 'Michel Camilo is one of the top all-around musicians. Whether it's jazz, classical, Latin American music or film music, Michel is in his element. Every time I see him play, I feel like I'm witnessing a miracle.'. In association with Redondo Music (USA). Discography 1985 Why Not? - Evidence 1986 Suntan - Evidence 1986 In Trio - Electric Bird 1988 Michel Camilo - Portrait 1989 On Fire - Epic 1990 On the Other Hand - Epic 1993 Rendezvous - Columbia 1994 One More Once - Columbia 1996 Thru My Eyes - RMM 2000 Spain - Polygram 2002 Triangulo - Telarc 2003 Live at the Blue Note - Telarc 2005 Solo - Telarc 2006 Rhapsody in Blue - Telarc 2006 Spain Again - Emarcy 2007 Spirit of the Moment - Telarc Nova Concerts International - Booking Agency for Jazz, Worldmusic & Pop Tel: +33 553585256 - [email protected] - www.novaconcerts.com.

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PRESS RELEASE Jazz the Week up with Latin American Music From
PRESS RELEASE FOR IMMEDIATE RELEASE Date: 14 June 2019 Jazz the Week Up with Latin American Music from Michel Camilo and Ernest Martinez Izquierdo Swire Denim Series: Jazz with Michel Camilo (14 & 15 June) [14 June 2019, Hong Kong] The Hong Kong Philharmonic Orchestra (HK Phil) is excited to have Dominican jazz pianist and composer Michel Camilo and his Grammy-award winning partner, conductor Ernest Martinez Izquierdo, bringing a jazzy evening to the Hong Kong audience. In this Latin jazz concert, Michel Camilo’s Piano Concerto no.1 will be presented in Hong Kong for the first time together with Gershwin’s all-time favourite Rhapsody in Blue at the Hong Kong City Hall Concert Hall on 14 & 15 June. Underpinning the evening is the Hong Kong premiere of Michel Camilo’s Piano Concerto no.1. The three-part fantasia showcases Camilo’s superhuman keyboard virtuosity with a tropical tint. The work encompasses traditions from his own background while echoing early 20th composers such as Stravinsky and Copland. Argentinean composer Ginastera is acclaimed for infusing national elements with modernism. Inspired by the life on the ranches in Argentina, the Estancia Suite has colourful orchestration and bold harmonies. Combined with a large complement of percussion instruments, conductor Ernest Martinez Izquierdo invites you on a dancing journey to Argentina. “While Camilo plays 'the ink' of Gershwin's scores [Rhapsody in Blue], he embellishes the works with grooves and accents.” --- Billboard The night will be concluded by the pulsating Rhapsody in Blue, Gershwin’s most popular concert work. With the trademark glissando opening by the clarinet, be ready to swing with Camilo’s groovy playing.
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PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space.
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Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory.
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Michel Camilo Trio & Luxembourg Jazz Orchestra Michel Camilo Trio Michel Camilo Piano Ricky Rodríguez Bass Mark Walker Drum
2018 20:00 20.11.Grand Auditorium Mardi / Dienstag / Tuesday Jazz & beyond / iPhil 13–17 ans Michel Camilo Trio & Luxembourg Jazz Orchestra Michel Camilo Trio Michel Camilo piano Ricky Rodríguez bass Mark Walker drums Luxembourg Jazz Orchestra Ernie Hammes conductor, trumpet Steve Greisch, David Ascani, Jitz Jeitz, Laurent Pierre, Georges Sadeler saxophone Melvin Burger, Serge Bausch, Carlo Nardozza, Patrice Lerech trumpet Jan Kamp, Laurent Lemaire, Jacques Reuter, Alex Brisbois trombone Eric Durrer percussion ~90’ sans pause iPhil Action n° 2: Artist talk Discussion with Ernie Hammes 19:00 Salle de Répétition II D’Knipserten Le célèbre caricaturiste allemand Der renommierte deutsche Karika- Martin Fengel (connu notamment turist Martin Fengel (bekannt u. a. pour ses contributions dans le aus dem Zeit-Magazin) begleitet Zeit-Magazin) ponctue les pro- die Abendprogramme der Saison grammes du soir de la saison 2018/19 mit Momentaufnahmen 2018/19 d’instantanés sur le thème zum Thema geräuschvollen Stö- des nuisances sonores dans les rens im Konzertsaal. Lassen Sie salles de concert. Laissez-vous sich durch die vergnügliche Dar- inspirer par cette présentation stellung zu rücksichtsvollem Musik- ludique, pour savourer la musique genuss inspirieren. en toute tranquillité. « L’âge d’or du jazz » Guillaume Bregeras Sous ses mains, le clavier tremble, incandescent. Une à une, les touches dansent, chahutent comme des enfants intrépides. Dans leur savante chorégraphie, elles révèlent l’un des pianistes les plus doués de sa génération, et le plus complet jamais sorti de République dominicaine. La perle des Caraïbes qui partage sa terre avec Haïti a produit moins de musiciens de renom que ses cousines cubaine ou portoricaine, mais possède une histoire artistique tout aussi riche.
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Sammy Figueroa Full
Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a
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LBMO.Com - Latin Beat Magazine - Latin Music Magazine - Reviews
LBMO.com - Latin Beat Magazine - Latin Music Magazine - Reviews http://www.latinbeatmagazine.com/reviews.html Home |Features | Columns |Hit Parades | Rev iews | Calendar |News |LB Style |Contacts | Shopping | E-Back Issues OCTOBER 2011 ISSUE PICK OF THE MONTH MARACA AND HIS LATIN JAZZ ALL STARS Reencuentros (Descarga Sarl) Recorded live at El Gran Teatro de La Habana’s García Lorca Concert Hall (in Havana, Cuba) on January 12, 2010, the latest offering of bandleader/flutist/composer Orlando Valle, better known as “Maraca” takes us on a journey of the 20th Century’s music of Cuba and the Caribbean. Armed with his magical flute, Maraca is accompanied by an all-star cast drawn from the world of Latin jazz: Horacio “El Negro” Hernández (drums), Giovanni Hidalgo (congas, timbal, batá), David Sánchez (sax), Hugh Fraser (trombone), Harold López-Nussa (piano), Feliciano Arango (bass), Julio Padrón Cintron Band Live (trumpet), Yusef Díaz (keyboards), Enrique Lazaga (güiro), and Human Nature Sayaka (violin), plus the participation of Orquesta de Cámara de La Habana (Havana Chamber Windows Media Orchestra). Maraca revisits classics such as Camerata en Guaguancó (a Guido López-Gavilán Quicktime composition), Serenata Cubana (an Ignacio Cervantes piece), and the Latin jazz anthem Manteca hereby offering one of the best contemporary version of this Pozo/Gillispie classic, performed by a quartet comprised of congas, drums, bass, and flute. As a matter of fact, Vanelis Maraca shines on his flutes throughout most of this concert, as well as via his original scores, Como Lo Extraño including the standouts Afro, Danzón Siglo XXI, and Nueva Era, but it’s his vision of this unique Windows Media production that truly sets him apart from many of his peers.
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Introduction to Afro-Caribbean Performance
By Professor Tonatiuh Vázquez Vilchis – tonatiuhvazquez.com Introduction to Afro-Caribbean Performance Claves Africa Bembe/Abakúa 1 Caribbean Islands 2 Son Clave 3-2 (A) 3 Rumba Clave 3-2 (B) 4 2 Introduction to the Afro-Cuban Performance Brazil 5 Bossa Nova 6 North America 7 New Orleans 7.1 By Professor Tonatiuh Vázquez Vilchis – tonatiuhvazquez.com Percussion “Son” Conga 1 Fingers Fingers Fingers Palm Abajo (down) basic pattern normally played in soft and quiet sections, introductions, solo beginnings, etc. 2 2.1 4 Introduction to the Afro-Cuban Performance Arriba (up) variation of the basic pattern usually played at strong sections, climax, etc. 3 3.1 By Professor Tonatiuh Vázquez Vilchis – tonatiuhvazquez.com Timbal Abajo (down) 1 1.1 Arriba (up) 2 2.1 6 Introduction to the Afro-Cuban Performance Bongó Abajo (down) 1 1.1 Arriba (up) 2 2.1 By Professor Tonatiuh Vázquez Vilchis – tonatiuhvazquez.com Percussion to Drums Abajo (down) 1 1.1 Arriva (up) 2 2.1 8 Introduction to the Afro-Cuban Performance Bass 1 1.1 2 2.1 3 (Mambo) By Professor Tonatiuh Vázquez Vilchis – tonatiuhvazquez.com 3.1 (Mambo) 2 chords per measure 4 10 Introduction to the Afro-Cuban Performance Piano Piano voicings featuring 3rds and 7ths 1 Dm7 G7 CΔ è Dm7 G7 CΔ Piano Montuno Rebeca Mauleon 1 1.1 2 By Professor Tonatiuh Vázquez Vilchis – tonatiuhvazquez.com 2.1 Luis Marin 3 3.1 Piano, Tres Cubano and Guitar 4 4.1 12 Introduction to the Afro-Cuban Performance 2 chords per measure 5 Melody By Professor Tonatiuh Vázquez Vilchis – tonatiuhvazquez.com 14 Introduction to the Afro-Cuban Performance Some Latino-American Rhythms/Styles Brazil Argentina Peru Venezuela Samba Tango Lando Joropo Bossa Nova Chacarera Festejo Merengue Venezolano Baião Zamba Marinera Gaita Partido Alto Vals Chorinho Colombia Panama Puerto Rico Rep.
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Page 1 N E W R E L E a S E
NEW RELEASE O N I N T U I T I O N R E C O R D S R E C E I V E D 4 G R A M M Y N O M I N A T I O N S OREGON’s latest project, Oregon In Moscow, is a double CD with the Moscow Tchaikovsky Symphony Orchestra, and the group’s recorded debut of their orchestral repertoire—a prodigious body of work that has been developing over the life of the band, but never documented. In the thirty-year history of OREGON, there has always existed a strong kinship to orchestral music. The use of the double reeds alone has given the quartet an identity and expansive sound associated with the symphonic orchestra. This association isn’t confined only to their use of many orchestral instruments, but applies also to the composition and presentation of the music, including the careful attention to details such as articulation, dynamics, phrasing and tone production derived from their respective classical studies. Chief composer Ralph Towner explains, “OREGON came together as a group in New York City in 1970, and from the outset it was clear that our unusual instrumentation and collective musical experience invited a different approach to composition and improvisation. The jazz tradition of improvisation usually consists of the soloists taking turns improvising on the song’s harmonic structure, recycling the chord progressions and returning to the original melody only on the last repeat of the cycle. While still using and honoring this tradition, we began composing longer, more sectional forms that allowed each soloist to improvise on different material within the context of a single piece.
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UNLV Latin Jazz Ensemble Directed by Uli Geissendoerfer
Department of MUSIC presents UNLV Latin Jazz Ensemble Directed by Uli Geissendoerfer UNLV Jazz Guitar Ensemble Directed by Jarret Myers PROGRAM UNLV Jazz Guitar Ensemble Miles Davis Freddie Freeloader (1926-1991) arr. by Joe Lano Sherman Edwards For Heaven's Sake (1919-1981) arr. by Joe Lano Joe Lano My Man Shelley Man (b. 1944) Victor Young My Foolish Heart (1900-1956) arr. by Joe Lano Jimmy Van Heusen It Could Happen To You (1913-1990) arr. by Joe Lano Benny Golson Killer Joe (b. 1929) arr. by Joe Lano Irving Berlin The Song Is Ended (1888-1989) arr. by Joe Lano INTERMISSION UNLV Latin Jazz Ensemble Michel Camilo Caribe (b. 1954) arr. by Daniel Alameda Mango Santamaria Afro Blue (1922-1973) arr. by R.J. Reyes Juan Almeida Dejala Que Baila Sola (b. 1944) arr. by Isidro Infante and Uli Geissendoerfer Joe Henderson Caribbean Fire Dance (1937-2001) arr. by Julian Tanaka Jimmy Van Heusen Dime Que Los S;1bes (1913-1990) arr. by A. Bolanos Julian Tanaka Central Park Skylight (b. 1988) Uli Geissendoerfer The Extension (b. 1967) Wednesday, November 20, 2013 7:30 p.m . Black Box Theatre Performing Arts Center University of Nevada, Las Vegas Uli Geissendoerfer Pianist and composer Uli Geissendoerfer is a very creative and outstanding musician. Originally from Munich, Geissendoerfer's life long musical journey contains a central theme of exploring rhythms and melodies across many styles of music, with a special emphasis on World, Jazz and improvisation. Uli's deep understanding of various musical styles is demonstrated by the various musicians he has worked with: William Cepeda (awarded a Grammy nomination), Groove Collective, Giovanni Hidalgo, Tito Puente, Blood Sweat & Tears, Leslie Uggams, Cirque du Soleil, Kofa the Wonderman and Ute Lemper.
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Michel Camilo Tomatito Juan Luis Guerra
Michel camilo tomatito juan luis guerra Song written by Juan Luis Guerra. This cover from Michel Camilo and Tomatito's "Spain Again. Mix - Amor de conuco- Michel Camilo, Tomatito Y Juan luis GerraYouTube. Michel Camilo & Tomatito - El. Tomatito & Michel Camilo - Amor de conuco. Irving Kyon Amor De Conuco - Michel Camilo. Michel CamiloTomatito | Length: Writer: Juan Luis Guerra. Composer: Juan Luis Guerra. Lyrics. Dime si me va a querer soy hombre de poco hablar. Juan Luis Guerra - Amor De Conuco - Michel Camilo & Tomatito, Juan Luis Guerra, clip video. Tomatito - Amor De Conuco - Michel Camilo & Tomatito, Juan Luis Guerra, clip video. Michel Camilo e Tomatito - Amor de Conuco (Letras y canción para escuchar) - Dime si me va Composición: Juan Luis Guerra · ¿Ese no es el compositor? Find a Michel Camilo & Tomatito - Spain Again first pressing or reissue. Complete your Juan Luis Guerra appears courtesy of Universal Music Publishers. Chords for Amor De Conuco - Michel Camilo & Tomatito, Juan Luis Guerra. Play along with guitar, ukulele, or piano with interactive chords and diagrams. Juan Luis Guerra) by Michel Camilo y Tomatito. di me si me va' a querer soy hombre de poco habla consuelo no tengo na' que ofrecer un con. AMOR DE CONUCO - JUAN LUIS GUERRA, MICHEL CAMILO & TOMATITO. "Yo quisiera ofrecerte el mundo y no puedo"". Letras de canciones, Letra de Amor De Conuco (feat. Michel Camilo & Tomatito), Juan Luis Guerra | Chords for Amor De Conuco - Michel Camilo & Tomatito, Juan Luis Guerra G, C, D. Michel Camilo covered Bésame mucho, Spain, Blue Bossa and 9 others. Michel Camilo originally did Caribe. Michel Camilo (co-)wrote Caribe.
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12-5-15 Jazz Ensemble
Williams Jazz Ensemble Kris Allen, Director Ray Vega, trumpet Program Set One That’s Earl Brother John Birks “Dizzy” Gillespie, Gil Fuller, and Raymond Brown arr. Fuller Lennie’s Pennies Lennie Tristano, arr. Clare Fisher In the Land of Oo-Bla-Dee Mary Lou Williams Round Midnight Thelonious Monk, arr. Dizzy Gillespie Manteca John Birks “Dizzy” Gillespie, Gil Fuller, and Chano Pozo arr. Fuller Set Two Good Bait Tadd Dameron Fountainbleau Tadd Dameron What is this thing/ Hot House Cole Porter/Tadd Dameron arr. by Myles Collins/Kris Allen Cubano Be John Birks “Dizzy” Gillespie, George Russell, arr. Russell Red Cross Charlie Parker, arr. Jimmy Heath Personnel Henry Hobbs ’18, alto saxophone Richard Whitney ’16, trumpet Richard Jin ’18, alto and soprano saxophone Jimmy Miotto ’18, trumpet David Azzarra ’19 tenor saxophone and vocals Jack Ferguson ’18, tenor saxophone and flute Ian Shen ’19, trumpet Sammi Jo Stone ’17, baritone saxophone Daniel Fisher ’18, trumpet Hartley Greenwald ’16, trombone Nathaniel Vilas ’17, piano Jeff Sload ’17, trombone Rob Morse, bass Sammy Rosofsky ’19, trombone Gabe Morosky ’17, drumset Ziev Dalshiem-Kahane ’19, trombone Brian Levine ’16, drumset Henry Lane ’18, trombone special guests: Ray Vega, trumpet Mano Sundaresan ’19, piano Sam Grunebaum ’19, piano Sophia Smith ’18, vocals Friday, December 5, 2015 8:00 p.m. Chapin Hall Williamstown, Massachusetts Please turn off cell phones. No photography or recording is permitted. Ray Vega A native of the South Bronx, Ray Vega is a veteran of the bands of Tito Puente, Ray Barretto, Mongo Santamaria, Mario Bauza, Luis “Perico” Ortiz, Hector LaVoe, Johnny Pacheco, Larry Harlow, Pete “El Conde” Rodriguez and Louie Ramirez to name a few.
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Recommended Listening List
RECOMMENDED LISTENING LIST This list is obviously not a comprehensive listening list. It is intended to be a starting point for the student’s discovery, education and enjoyment. This list has been EXTREMELY condensed to account for page numbers… keep exploring!!! (Jazz Albums, except for big bands, are categorized by the instrument played by the leader.) JAZZ • Thrust * Kenny Werner: Chick Corea: • Beat Degeneration PIANO • Now He Sings Now He Bud Powell: Sobs* Steve Kuhn • Three Quartets* • The Amazing Bud • Steve Kuhn Trio- Powell, Volume 1* McCoy Tyner: Life’s Magic Thelonious Monk: • The Real McCoy* Ellis Marsalis • Misterioso * Dave Brubeck: • The Classic Ellis • Live at the Five Spot * Marsalis • Monk’s Music* • Time Out • Thelonious Monk Quartet With John Geri Allen: SAXOPHONE Coltrane: Live At Carnegie Hall* • In The Year of The Sonny Rollins: Dragon Oscar Peterson Trio: • The Nurturer • Live at the Village Vanguard * • Oscar Peterson Trio + 1 Keith Jarrett: • Saxophone Colossus* Red Garland: • Standards Volume 1 and • Way Out West* 2 * • Groovy • Changes * Joe Henderson: • Standards Live * Ahmad Jamal: • Tribute* • Inner Urge* • Belonging* • Power To The People* • Ahmad’s Blues* • The Cure * • The State Of The Tenor * Bill Evans Michel Camilo: Wayne Shorter: • Waltz for Debby * • Michel Camilo • Live at the Village • Live At The Blue Note • Speak No Evil * Vanguard * • Ju-Ju* Brad Mehldau: Herbie Hancock: Oliver Nelson: • Brad Mehldau Trio Live • Maiden Voyage * • Blues and The Abstract • Empyrean Isles* Truth* • Headhunters
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