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Huntsville, The Huntsville Museum of Art, 256-535-4350 Los Angeles, Chinese American Museum, 213-485-8567 North American Reciprocal Mobile, Alabama Contemporary Art Center Los Angeles, Craft Contemporary, 323-937-4230 Museum (NARM) Mobile, Mobile Museum of Art, 251-208-5200 Los Angeles, GRAMMY Museum, 213-765-6800 Association® Members Montgomery, Montgomery Museum of Fine Arts, 334-240-4333 Los Angeles, Holocaust Museum LA, 323-651-3704 Spring 2021 Northport, Kentuck Museum, 205-758-1257 Los Angeles, Japanese American National Museum*, 213-625-0414 Talladega, Jemison Carnegie Heritage Hall Museum and Arts Center, 256-761-1364 Los Angeles, LA Plaza de Cultura y Artes, 888-488-8083 Alaska Los Angeles, Los Angeles Contemporary Exhibitions, 323-957-1777 This list is updated quarterly in mid-December, mid-March, mid-June and Haines, Sheldon Museum and Cultural Center, 907-766-2366 Los Angeles, Museum of Contemporary Art (MOCA), Los Angeles, 213-621-1794 mid-September even though updates to the roster of NARM member Kodiak, The Kodiak History Museum, 907-486-5920 Los Angeles, Skirball Cultural Center*, 310-440-4500 organizations occur more frequently. For the most current information Palmer, Palmer Museum of History and Art, 907-746-7668 Los Gatos, New Museum Los Gatos (NUMU), 408-354-2646 search the NARM map on our website at narmassociation.org Valdez, Valdez Museum & Historical Archive, 907-835-2764 McClellan, Aerospace Museum of California, 916-564-3437 Arizona Modesto, Great Valley Museum, 209-575-6196 Members from one of the North American -
SARAH Mceneaney
SARAH McENEANEY Born in Munich, Germany, 1955 Lives and works in Philadelphia, PA Education 1979 Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1973–75 University of the Arts, Philadelphia, PA Selected Solo and Two-Person Exhibitions 2018 #Wehavenopresident, Leroy Johnson and Sarah McEneaney, Marginal Utility, Philadelphia, PA 2017 Home Work, Sarah McEneaney/Ann Toebbe, Zevitas Marcus, Los Angeles, CA Tibor de Nagy Gallery, New York, NY 2016 When You Wish, Locks Gallery, Philadelphia, PA Out West Back East, Adams/Ollman, Portland, OR 2014 Tibor de Nagy Gallery, New York, NY 2013 Trestletown, Locks Gallery, Philadelphia, PA 2012 Tibor de Nagy Gallery, New York, NY 2009 Locker Plant, Chinati Foundation, Marfa, TX Tibor de Nagy Gallery, New York, NY 2008 Locks Gallery, Philadelphia, PA Mills College Art Museum, Oakland CA Tibor de Nagy Gallery, New York, NY 2004 Gallery Schlesinger, New York, NY Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Reynolds Gallery, Richmond, VA 2002 Gallery Schlesinger, New York, NY 2001 More Gallery Inc., Philadelphia, PA 2000 List Gallery, Swarthmore College, Swarthmore, PA 1997 More Gallery Inc., Philadelphia, PA 1990 Morris Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1987 More Gallery Inc., Philadelphia, PA 1984 Noel Butcher Gallery, Philadelphia, PA 1982 Third Street Gallery, Philadelphia, PA Rosemont College, Rosemont, PA 1979 Third Street Gallery, Philadelphia, PA Selected Group Exhibitions 2019 LandEscape: New Visions of the Landscape from the -
ICR Newsletter 1 – 2009
NEWS << 1 >> < 1 > 1 < 2009 NEWSNEWS Newsletter of the International Committee for Regional Museums Circulaire du Comité International des Musées Régionaux Circular del Comité Internacional de los Museos Regionales Chairperson’s Letter LOOKING BACK TO PITTSBURGH, US >> Carta de la Presidenta-Rememorando Pittsburgh, US photographic archive: Heimo Kaindl The ICR group in front of their transport in Pittsburgh, a school bus Dear ICR colleagues, Dealing with new challenges and trying to ICR organized the conference with support invent novel and efficient modes of professi- provided by the PHMC, the Western PA Mu- Content onal conduct have always been inspiring for seum Council and the PA Federation of Muse- Chairpersons letter: ______________ 1 museum people, especially those working in ums and Historical Organizations and all the Looking back smaller regional museums. I have to admit coordination was done by our Secretary Susan to Pittsburgh _________________ 4 that ICR‘s latest conference in the USA proved Hanna. Good preparation secured excellent to be an excellent choice for exploring our keynote speakers who introduced the theme ICR ICTOP Joint Annual Conference next mid-term project Regional Museums in a and gave us an opportunity for discussion 2009 in Mantua / Italy _________ 12 post Industrial Age and the conference, that and exchange of opinions. Barbara Franco, Programme _________________ 16 took place in Pittsburgh and Johnstown with the Executive Director of PHMC spoke about Registration forms ___________ 19 some marvellous destinations in the vicinity of regional museums and economic sustainability the both, offered the possibility to interact, to while Robert R. Archibald, President of the Exhibition Geir Helgen ____________ 21 exchange and to get new ideas how to come Missouri Historical Society, explored new roles My ICR story: Margriet Lestraden ___ 22 up with the solutions that could offer a better of regional museums in the 21st century. -
CONNECTING to COLLECTIONS PENNSYLVANIA a Five-Year Preservation Plan for Pennsylvania PROJECT OVERVIEW
CONNECTING TO COLLECTIONS PENNSYLVANIA a five-year preservation plan for Pennsylvania PROJECT OVERVIEW Imagining Our Future: Preserving Pennsylvania’s Collections, published in August 2009, includes an in-depth analysis of conditions and needs at Pennsylvania’s collecting institutions, a detailed preservation plan to improve collections care throughout the state, and a five-year implementation timetable (2010-2015). The analysis concludes that many of Pennsylvania’s most important historic holdings must be considered at risk. Millions of items comprise these collections, and the financial resources available to care for them are limited and shrinking. Pennsylvania is a state vibrant with world-class art museums, libraries, historic sites. Arts and culture play a substantial role in creating business, jobs, and bringing revenue into the state and stewardship of its artifacts is too important —to the state, to the people, to the history of country—to be ignored. This call to action is a rallying cry for all future generations of Pennsylvanians. With generous support from the Institute of Museum and Library Services, and in close partnership with three leading preservation organizations, the Pennsylvania Historical and Museum Commission (PHMC), the Pennsylvania Federation of Museums and Historical Organizations (PFMHO), and LYRASIS, the Conservation Center for Arts & Historic Artifacts organized and led the assessment and planning process. The project was capably guided by a Task Force with representatives from the Office of (PA) Commonwealth Libraries, the Western Pennsylvania Museum Council, the Pennsylvania Caucus of the Mid- Atlantic Regional Archives Conference, Pennsylvania State University, the Philadelphia Area Consortium of Special Collections Libraries, the University of Pittsburgh, and Carnegie Mellon University. -
Millions of Individuals and Families Are Served by the Essential Work
July 15, 2014 Open letter to the House of Representatives: Millions of individuals and families are served by the essential work of America’s public charities, which is made possible in part by incentives for charitable giving in our tax code. The House may soon have an opportunity to address tax legislation that would renew and make permanent three key incentives for donations to America’s public charities. We strongly urge you to approve legislation that would renew the IRA charitable rollover and the enhanced incentives for donations of food inventory and land conservation easements, each of which expired as of January 1, 2014. Originally enacted in the Pension Protection Act of 2006 as a way to encourage increased charitable giving, these three provisions have demonstrated a significant impact on the nonprofit community. The IRA charitable rollover increases the ability of older Americans to make gifts to charities by allowing individuals age 70½ or older to donate up to $100,000 to a qualifying public charity directly from their IRAs without incurring tax on the withdrawal. The provision has prompted more than $140 million in gifts to the work of nonprofits since enactment, assisting social service providers, religious organizations, cultural institutions and schools, and other nonprofits. The enhanced deduction for donations of food allows individuals and organizations to reduce their taxable income by providing qualifying food inventory to certain charitable organizations. According to Feeding America, 3.6 billion pounds of food is distributed by food bank members each year. This legislation would significantly increase food bank access to the 70 billion pounds of nutritious food wasted each year, particularly the 6 billion pounds of produce that does not make it to market. -
Reciprocal Museum List
RECIPROCAL MUSEUM LIST DIA members at the Affiliate level and above receive reciprocal member benefits at more than 1,000 museums and cultural institutions in the U.S. and throughout North America, including free admission and member discounts. This list includes organizations affiliated with NARM (North American Reciprocal Museum) and ROAM (Reciprocal Organization of American Museums). Please note, some museums may restrict benefits. Please contact the institution for more information prior to your visit to avoid any confusion. UPDATED: 10/28/2020 DIA Reciprocal Museums updated 10/28/2020 State City Museum AK Anchorage Anchorage Museum at Rasmuson Center AK Haines Sheldon Museum and Cultural Center AK Homer Pratt Museum AK Kodiak Kodiak Historical Society & Baranov Museum AK Palmer Palmer Museum of History and Art AK Valdez Valdez Museum & Historical Archive AL Auburn Jule Collins Smith Museum of Fine Art AL Birmingham Abroms-Engel Institute for the Visual Arts (AEIVA), UAB AL Birmingham Birmingham Civil Rights Institute AL Birmingham Birmingham Museum of Art AL Birmingham Vulcan Park and Museum AL Decatur Carnegie Visual Arts Center AL Huntsville The Huntsville Museum of Art AL Mobile Alabama Contemporary Art Center AL Mobile Mobile Museum of Art AL Montgomery Montgomery Museum of Fine Arts AL Northport Kentuck Museum AL Talladega Jemison Carnegie Heritage Hall Museum and Arts Center AR Bentonville Crystal Bridges Museum of American Art AR El Dorado South Arkansas Arts Center AR Fort Smith Fort Smith Regional Art Museum AR Little Rock -
Copyrighted Material
INDEX See also Accommodations and Restaurant indexes, below. GENERAL INDEX AIA Bookstore and Design traveling to, 233 Center, 172, 173 visitor information, 234 AIDSinfo, 258 Amish Experience (Inter- cademic trips and language A Airport Wireless, 51–52 course), 234 classes, 49 Air travel, 37–38 Amish Farm and House Academy of Music, 191 A.K.A. Music, 182 (Lancaster), 237 Academy of Natural Sciences, AllCell, 52 Anabaptists, 230 139 All Join Hands (mural), 131 Animal-rights issues, 49 Academy of Vocal Arts, 189 Amada, 205 Annenberg Center at the Uni- Access America, 257 America-Italia Society of Phila- versity of Pennsylvania, Accommodations, 1, 64–83. delphia, 49 192, 193 See also Accommodations American Express, 254 Antiquarian’s Delight, Index American Helicopter Museum 169–170 B&B agencies, 64–65 (West Chester), 223 Antiques, 169–171 best, 7–9 American Music Theatre Pennsylvania Dutch Brandywine Valley, 226–227 (Lancaster), 253 Country, 242 Center City American Revolution (Revolu- Antiques Show, 34 east of Broad, 84–94 tionary War), 18–19 Aquarium, Adventure, 146 west of Broad, 94–103 American Swedish Historical Architectural highlights, City Line and Northeast, 82 Museum, 140–141 129–132 hostels, 82–83 America the Beautiful Access Architecture, 21–23, 25, 162 near the airport, 80–82 Pass, 45 historic buildings and mon- New Hope area, 219–220 America the Beautiful Senior uments, 135–138 Old City and Convention Pass, 46 Arch Street Meeting House, Center area, 65–72 The Amish, 229, 232–237, 240, 133, 166 Pennsylvania Dutch 243–245, 247–249, -
SJMA Members at the $75 Level and Above Can Enjoy Benefits at the Following Museums: Western Museum Group (WMG)
Reciprocal Membership Privileges: Museum members at the Dual/Family ($75) level and above receive reciprocal privileges at museums affiliated with the Western Museum Group (WMG). Those at the Advocate ($150) level and above also receive reciprocal privileges at museums in both the Museum Alliance Reciprocal Program (MARP), Reciprocal Organization of Associated Museums (ROAM) and also the North American Reciprocal Membership (NARM) programs. Please check with institution for their reciprocity policy. SJMA Members at the $75 level and above can enjoy benefits at the following museums: Western Museum Group (WMG) California Museum of Craft and Folk Art, SF Santa Barbara Museum of Art Other Western States Carnegie Art Museum, Oxnard Museum of Photographic Arts, San Diego Seymour Marine Discovery Center Bellevue Art Museum, WA Fresno Art Museum National Steinbeck Center The Museum of Art & History, Santa Cruz Missoula Art Museum, Montana Fresno Metropolitan Museum Orange County Museum of Art UCR California Museum of Photography Phoenix Art Museum, AZ Long Beach Museum of Art Pacific Asia Museum, Pasadena University Art Museum, Santa Barbara Tucson Museum of Art and Historic Block, AZ Museum of Contemporary Art, San Diego & LaJolla San Jose Museum of Quilts and Textiles The Contemporary Museum, Honolulu SJMA Members at the $150 level and above can also enjoy benefits at the following museums: Museum Alliance Reciprocal Program (MARP) North American Reciprocal Membership (NARM) Reciprocal Organization of Associated Museums (ROAM) Alaska San Diego -
P H O T O N E W S L E T T
The PHOTO REVIEW NEWSLETTER July / August 2017 Michael Nichols Charger, Bandhavgarh National Park, India, 1996, inkjet print mounted on Dibond (© Michael Nichols/National Geographic) From “Wild” at the Philadelphia Museum of Art Exhibitions PHILADELPHIA AREA T. R. Ericsson The Print Center, 1614 Latimer St., Philadel- phia, PA 19103, 215/735-6090, www.printcenter.org, T–Sat 11–6, Annual Alumni Exhibition The Galleries at Moore, Moore through August 6. College of Art and Design, 20th St. & the Parkway, Philadelphia, PA 19103, 215/965-4027, www.moore.edu, M–Sat 11–5, through Judy Gelles “Fourth Grade Project in Yakima, Washington,” August 19. The Center for Emerging Visual Artists, Bebe Benoliel Gallery at the Barclay, 237 S. 18th St., Suite 3A, Philadelphia, PA 19103, Another Way of Telling: Women Photographers from the Col- 215/546-7775, www.cfeva.org, M–F 11–4, through July 28. lection The Philadelphia Museum of Art, Perelman Building, Julien Levy Gallery, 2525 Pennsylvania Ave., Philadelphia, PA Christopher Kennedy “Re-Imagined,” The Studio Gallery, 19130, 215/684-7695, www.philamuseum.org, T–Sun 10–5, W & 19 W. Mechanic St., New Hope, PA 18930, 215/738-1005, thestu- F 10–8:45, through July 16. dionewhope.com, W–Sun 11–6, through July 30. A Romantic Youth: Advanced Teen Photo Philadelphia Photo Arts Center, 1400 N. American St., Ste. 103, Philadelphia, PA 19122, 215/232-5678, www.philaphotoarts.org, T–Sat 10–6, through July 8. Christopher Kennedy: A Vision of Cubicity, from Impalpable Light at the Bazemore Gallery, Manayunk, PA Christopher Kennedy “Impalpable Light,” The Bazmore Gal- lery, 4339 Main St., Manayunk, PA 19127, 215/482-1119, www. -
Pennsylvania Funding Report: FY 2011 – 2016
Pennsylvania Institute of Museum and Library Services Funding Report: FY 2011 - 2016 The Institute of Museum and Library Services (IMLS) helps ensure that all Americans have access to museum, library, and information services. IMLS is an independent grantmaking agency and the primary source of federal support for the nation’s approximately 123,000 libraries and 35,000 museums. The agency supports innovation, lifelong learning, and entrepreneurship, enabling museums and libraries to deliver services that make it possible for communities and individuals to thrive. IMLS Investments IMLS Investments: FY 2011-2016 # Projects Federal % of Non-Federal Total $ or Awards Funding Federal $ Contribution $ Grants to States, Libraries 346 * $32,843,637 67% $40,060,000 * $72,903,637 Competitive Awards to Museums & Libraries 109 $15,868,150 33% $15,235,683 $31,103,833 Total 455 $48,711,787 100% $55,295,683 $104,007,470 * FY 2016 data for the Grants to States, Libraries count of projects and non-federal contribution are not yet available. Figures shown here only include FY 2011-2015. Grants to State Library Administrative Agencies The Library Grants to States Program, supported by the Library Grants to States Awards (LSTA): Services and Technology Act (LSTA), is IMLS's largest program and FY 2011-2016 provides grants to every state using a population-based formula. State Library Administrative Agencies (SLAAs) provide IMLS with a five-year FY 2016 $5.47 M plan and use subawards and statewide projects to improve library services. FY 2015 $5.42 M In FY 2014, IMLS’s $5.49 million grant to the SLAA leveraged FY 2014 $5.49 M approximately $11.40 million in support from the state that year for library services through the SLAA. -
Acknowledgements and Thanks
acknowledgments and thanks Many organizations and individuals have provided ideas, information, Public Citizens for Children and Youth; School District of Philadelphia; and support for the Arts and Education Initiative (AEI), and these con - Southern Alleghenies Museum of Art; Erie Art Museum; Everhart Mu - tributions have been valuable as our work has progressed during the seum; and the State Museum of Pennsylvania. past two years. Members of our Study Group and our Advisory Com - Our effort to survey various stakeholder groups was made practical by mittee made special continuing contributions that helped to shape our the assistance of the Pennsylvania Art Education Association, the Penn - work and this report, and they are listed in the Appendices. sylvania Music Educators Association, the Pennsylvania Association of We especially appreciate those organizations that partnered with School Administrators, and the Pennsylvania Council on the Arts. EPLC to sponsor and/or host our Regional Community Forums and the The staff of the Pennsylvania Council on the Arts and several current Arts and Education Symposium during 2011. Members and staff of and former Council members provided very important insight into these organizations gave generously of their time and expertise to Council activities. Similarly, we appreciate the very helpful coopera - help make each of these events a success. tion of current and former staff of the Pennsylvania Department of These organizations include Allentown Art Museum; Arts Education Education and the Pennsylvania -
North American Reciprocal Museum (NARM) Program
Congratulations! Your MOA Friends membership includes participation in the following program: North American Reciprocal Museum (NARM) Program MOA Friends who present a current membership card validated with a gold North American Reciprocal sticker are entitled to the following privileges at participating museums: • Free/member admission during regular museum hours • member discounts at museum shops • member discounts on concert/lecture tickets Guests are not included unless they present a current membership card validated by the gold North American Reciprocal sticker. PLEASE NOTE: • Some museums restrict benefits o For Reynolda House Museum of American Art, NARM privileges do not extend to other institutions' members within a 15 mile radius. • 'Family' benefits are defined by each participating institution • See the end notes at the bottom of the list for more information and/or contact the institution prior to your visit to avoid any confusion • An up-to-date list of participating museums can be found on MOA’s website: moa.wfu.edu. Birmingham, Birmingham Museum of Art, 205-254-2565 Lancaster, Lancaster Museum of Art and History (MOAH), (661) 723-6000 North American Reciprocal Birmingham Birmingham Civil Rights Institute, 205-328-9696 Long Beach, Earl Burns Miller Japanese Garden, CSU Long Beach, 562-985-8885 Museum (NARM) Birmingham, Negro Southern League Museum, 205-581-3040 Long Beach, Museum of Latin American Art (MoLAA), 562-437-1689 Association® Members Birmingham, Vulcan Park and Museum, 205-203-4822 Los Altos, Los Altos History