DOCSLIB.ORG

Robin Robinson (Director)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Robin Robinson (Director) WHO’S WHO I THE WICKHAMS: CHRISTMAS AT PEMBERLEY Robin Robinson (Director) Main Street Theater: The Best Christmas Pageant Ever, Alexander and the Terrible, Horrible, No Good, Very Bad Day, Curious George: The Golden Meatball, Hello, Mrs. Piggle-Wiggle, Click, Clack, Moo: Cows That Type, The Last Wife, Ramona Quimby, Duck for President, Seussical, She Loves Me, Quilters, Our Country’s Good, Serious Money, Into The Woods, The Art Of Self Defense, Chocolate Cake, Old Doves (World Premiere), How To Say Goodbye. Stages: Merrily We Roll Along; The World Of Beauty (World Premiere); Theatre Lab Houston: Avenue X; Search And Destroy; Hyde Park Theatre In Austin: Colonel Mustard (World Premiere); Capitol City Playhouse: Stud Silo (World Premiere); South Pacific; Grayson College: Over 80 Productions including Working, Treasure Island, Dead Man’s Cell Phone, Othello, Godspell, Pippin, Grapes Of Wrath, Charlotte’s Web. Film: The Prodigy (Actor); Who's Who for Outstanding Educators; 2014 Texas Educational Theatre Association Educator of the Year for Community WHO’S WHO I THE WICKHAMS: CHRISTMAS AT PEMBERLEY Colleges. Education: M.A., Texas Woman’s University, Directing; B.S., University of Texas, Austin, Education. Member, TTAO (Texas Theatre Adjudicators & Officials). Alan Brincks (Mr. Fitzwilliam Darcy) Main Street Theater: Private Lives, Miss Bennet: Christmas at Pemberley (2018); Alley Theatre: All New Festival- The Supreme Leader; The Classical Theatre Company: The Fair Maid of the West; Unity Theatre: And Then There Were None. Landing Theatre: The Visit. Caduceus Theatre Co: Porcelain; Arkansas Shakespeare Festival: Love’s Labour’s Lost, Julius Caesar; Company One: Green Eyes; Virginia Stage Company: A Christmas Carol; Nebraska Shakespeare Festival: A Midsummer Night’s Dream, Hamlet, Romeo and Juliet; Quintessence Theatre: The Three Musketeers, Romeo and Juliet, Richard II, As You Like It, The Metamorphosis, Mourning Becomes Electra. Sentai Filmworks: Multiple roles. Education: WHO’S WHO I THE WICKHAMS: CHRISTMAS AT PEMBERLEY B.F.A., Nebraska Wesleyan University; M.F.A., University of Houston. Claire Hart-Palumbo* (Mrs. Reynolds) Main Street Theater: (Actor) Silent Sky, The Year of Magical Thinking, Copenhagen (2004), Little Foxes, Sisters Rosensweig, Arcadia (1996), The Heidi Chronicles (1992), (Director) Private Lives, Miss Bennet: Christmas at Pemberley (2017 & 2018), Fallen Angels, Blithe Spirit (1999 & 2011), Present Laughter, Design for Living, On Approval, The Countess, Hayfever, Uncle Vanya, Pride and Prejudice (revival). Stages Repertory Theatre: founding company member. Additional Houston theater credits include The Alley Theatre, Queensbury Theatre; Luciole International Theatre Company, Wordsmyth Theater Company, Texas Repertory Theater, Express Theater, New Heights Theater, Young Audiences, Bayou City Concert Musicals, Houston Shakespeare Festival, Houston Shaw Festival, Country Playhouse, WHO’S WHO I THE WICKHAMS: CHRISTMAS AT PEMBERLEY the Group Theater, and Stage West. Regional credits include Julian Theater (San Francisco), Live Oak Theater (Austin), Unity Theater (Brenham), Idaho Repertory Theater (Moscow), Strand Street Theater (Galveston), and Freehold (Seattle). Film: There You Are, Helen Alone, Mulberry Stains, and Driving and Dementia. Teaching: University of Texas (Austin); University of Houston-Downtown; Mercury Studio; Lone Star College system. Education: Sam Houston State University; American Conservatory Theater; University of Texas. Proud union member of Actors' Equity Association and SAG/AFTRA. Leslie Lenert (Mrs. Elizabeth Darcy) Main Street Theater: Wolf Hall and Bring Up the Bodies (American premieres), Bridge to Terabithia, The Magic School Bus Live! The Climate Challenge (Tour); A.D. Players: Godspell, A Charlie Brown Christmas, Joshua and the Ta-Raa, Ta-Raa, Ta-Raa, The Lion, the Witch and the Wardrobe, The Hero Squad (2 & 3), WHO’S WHO I THE WICKHAMS: CHRISTMAS AT PEMBERLEY The Diary of Anne Frank, Charley’s Aunt; Theatre Southwest: The Philadelphia Story; Eklektix Theatre Company: Songs for a New World; Bayou City Theatrics: South Pacific; Houston Family Arts Center: Annie, Seussical the Musical, The Sound of Music; College of the Mainland Arena Theatre: Much Ado About Nothing. Education: University of Texas at Austin. Alyssa Marek (Cassie) Main Street Theater: Enemies; Classical Theatre Company: All's Well That Ends Well; Unity Theatre: Brighton Beach Memoirs; Houston Shakespeare Festival: Comedy of Errors; Shakespeare in the Shade: Two Gentlemen of Verona; University of Houston School of Theatre and Dance: Three Sisters, Mr. Marmalade, The Last Night of Ballyhoo, She Kills Monsters. Education: B.F.A., University of Houston School of Theatre & Dance, Acting. WHO’S WHO I THE WICKHAMS: CHRISTMAS AT PEMBERLEY Skyler Sinclair (Lydia Wickham) Main Street Theater: Private Lives, The Secretary, Miss Bennet: Christmas at Pemberley (2017 & 2018), Peace in Our Time; The Alley Theatre: Crimes of the Heart; A.D. Players: Around the World in 80 Days, Harvey; 4th Wall Theatre: Shakespeare in Vegas, A Midsummer Night's Dream; Classical Theatre Co.: Lysistrata; Catastrophic Theatre: The University of Tamarie; Unity Theatre: Doubt; Mildred's Umbrella Theatre: Dry Land; Landing Theatre: Oleanna; Celebration Theatre: The Divine Sister; Shakespeare Outreach: Romeo and Juliet (Tour); Education: B.F.A., University of Houston. Blake Weir* (George Wickham) Main Street Theater: Relatively Speaking, The Book of Will, Miss Bennet: Christmas at Pemberley, Enemies, The Last Wife, Wolf Hall and Bring Up the Bodies (First American Productions); AD WHO’S WHO I THE WICKHAMS: CHRISTMAS AT PEMBERLEY Players Theater: The Hiding Place, Sherlock Holmes: The Final Adventure, Charley’s Aunt; Obsidian Theater's 1984; Mildred’s Umbrella: Mac Wellman’s Dracula; Unity Theatre: Boeing Boeing, You Never Can Tell;; Landing Theatre: Fool for Love; Black Lab Theatre: Really Really; Film: REEL (Post- Production Gin and Tonic Films). Anime: Mitsuboshi Colors (Sentai Filmworks), Release the Spyce, Haikyuu!! (Second Season), My Teen Romantic Comedy SNAFU TOO!; Guest Artist for Explosure at The Nerdist School – Los Angeles, California. Education: B.F.A., Stephen F. Austin State University. On Twitter @ BlakeWeir88 Nathan Wilson (Brian) Main Street Theater: The Wizard of Oz, Wolf Hall and Bring Up the Bodies (American premieres); Stages Repertory Theatre: Shear Madness, Panto Goldilocks; Queensbury Theatre: Sideshow, For Tonight, Elf. Obsidian Theatre: Cabaret. Texas WHO’S WHO I THE WICKHAMS: CHRISTMAS AT PEMBERLEY Repertory Theatre: Hair Like the Sun, Hay Fever, Inspecting Carol; Sam Houston State University: Cardenio, A Funny Thing Happened on the Way to the Forum, Dog Sees God, Trojan Women, Our Town, This is Our Youth. Janel J. Badrina (Sound Design) Main Street Theater: over 10 seasons including The Weir, Buyer and Cellar; Enemies, Native Gardens, Into The Woods, Close Up Space, Dog Act, Heidi Chronicles, Driftwood, The Last Night of Ballyhoo; Town Center Theater: Julius Caesar, Merry Christmas George Bailey, Night & Her Stars. Over 15 seasons as stage manager. Eric Marsh (Lighting Design) Main Street Theater: The Hard Problem, Private Lives (2019), The Book of Will, Enemies, Wolf Hall and Bring Up the Bodies (First American Productions), Working, Silent Sky, Putting It Together, Peace in Our Time, Fallen Angels, Pippi Longstocking, James and the Giant Peach, A Civil War Christmas: An American Musical Celebration, The Real Thing, Close WHO’S WHO I THE WICKHAMS: CHRISTMAS AT PEMBERLEY Up Space, Memory House, Love Goes to Press, Dog Act, Red Hot Patriot: Kick- *** Wit of Molly Ivins, Jackie & Me, The Coast of Utopia, Blithe Spirit, and many more; Texas Repertory Theatre: Smokey Joe’s Café, Sylvia, Wait Until Dark, The Mystery of Irma Vep, Dracula; Ensemble Theatre: The Waiting Room, The Wiz; Sam Houston State University: Rocky Horror Show, Enron, Into The Woods, Bare: A Pop Opera, Nine, Hamlet, Dead Man’s Cell Phone, Rent, The Secret Garden, Chicago, Scenes of an Execution, The Full Monty, 42nd Street, South Pacific; TUTS: Like You Like It. Education: M.F.A., Western Illinois University; B.A., CSU – Chico. Professor, Sam Houston State University. Ryan McGettigan (Set Design) Main Street Theater: Secretary, Men On Boats, Miss Bennet: Christmas at Pemberley, Akeelah and the Bee, Mockingbird, Love and Information, Bridge to Terabithia, Putting it Together, Into the Woods, Civil War Christmas, Close Up Space, Henry WHO’S WHO I THE WICKHAMS: CHRISTMAS AT PEMBERLEY V (with Prague Shakespeare Company), Memory House, Richard III (with PSC); Classical Theatre Company: The Birds, The Cherry Orchard, A Christmas Carol, The Importance of Being Earnest, Doctor Faustus, Ubu Roi; Theatre Under the Stars: Spring Awakening, A Chorus Line, Jerome Robbins' Broadway, Rocky Horror Show, Million Dollar Quartet, James and the Giant Peach; TUTS Underground: Heathers, Striking 12, Bonnie & Clyde, First Date, LMNOP; Stages Repertory Theatre: Marie Antoinette (Houston Press Best Scenic Design Award), Failure, Language Archive, Next to Normal; Catastrophic Theatre: Buried Child, Middletown, Clean/ Through; Cape Rep (Brewster, MA): Indecent, Jerusalem, Eurydice, Beauty Queen of Leenane; Legacy Theatre (Atlanta, Georgia): Music Man, 9 to 5, 25th Annual Putnam County Spelling Bee; New Orleans Opera: Die Fledermaus, Carmen, Lucia di Lammermoor; Houston Grand Opera: Bound (World Premiere), From My Mother’s Mother (World Premiere), Your Name Means WHO’S WHO I THE WICKHAMS:
Load more

Recommended publications
  • Rules EN 2015 TTR2 Rules Nordic EN 18/05/15 15:51 Page2
    [T2RNordic] rules EN 2015_TTR2 rules Nordic EN 18/05/15 15:51 Page2 icket to Ride Nordic Countries takes you on a Nordic adventure through Denmark, Finland, Norway and Sweden as you travel to the great northern cities T of Copenhagen, Oslo, Helsinki and Stockholm. Visit Norway's beautiful fjords and the magnificent mountain scenery on the Rauma Railway. Breathe in the salt air of the busy Swedish ports on the Baltic Sea. Ride through the Danish countryside where Vikings once walked. Hop-on the Finnish railway and travel across the Arctic Circle to the land of the Midnight Sun. CREDITS Game design by Alan R. Moon Illustrations by Julien Delval Graphic Design by Cyrille Daujean 2-3 8+ 30-60’ [T2RNordic] rules EN 2015_TTR2 rules Nordic EN 18/05/15 15:52 Page3 Components 1 Globetrotter Bonus card u 1 Board map of Scandinavian train routes for the most completed tickets u 120 Colored Train cars (40 each in 3 different colors, plus a few spare) 46 Destination u 157 Illustrated cards: Ticket cards 110 Train cards : 12 of each color, plus 14 Locomotives ∫ ∂ u 3 Wooden Scoring Markers (1 for each player matching the train colors) u 1 Rules booklet Setting up the Game Place the board map in the center of the table. Each player takes a set of 40 Colored Train Cars along with its matching Scoring Marker. Each player places his Scoring Marker on the starting π location next to the 100 number ∂ on the Scoring Track running along the map's border. Throughout the game, each time a player scores points, he will advance his marker accordingly.
    [Show full text]
  • Performing and Fine Arts Studying the Arts in Houston
    Performing and Fine Arts Studying the Arts in Houston Whether music, drama or studio arts is your passion, UST offers degree programs to help you develop and refine your talents. Strategic partnerships with organizations in Houston, the nation’s fourth-largest city, expose our students to world-class entertainers and artists. And our small classes allow more time for individual interaction with professors. Nestled in the heart of the Houston Museum District, UST is the ideal place to study. The internationally acclaimed Museum of Fine Arts, Houston (MFAH) sits directly south of the UST campus. The world-renowned Menil Collection and numerous other museums are in the immediate neighborhood, providing art students easy access to a treasure trove of original art works. UST also enjoys close proximity to the Houston Theater District, which includes nine organizations in all of the major performing arts disciplines – ballet, music, opera and theater. Year-round performances take place at the Alley Theatre, Hobby Center for the Performing Arts, Jones Hall and Wortham Theater Center. UST Performing and Fine Arts Center To attract and serve students in the creative fields, UST will establish a higher profile for the arts on campus and provide exceptional venues to accommodate them. A planned Performing and Fine Arts Center will give students the opportunity to refine their talents, while affording UST a greater, more impactful presence in the community. “Using what I learned during my The Glassell School of Art progression through the program, UST studio arts students enjoy the best of two campuses. Non-studio art coursework is taken on I will be able to implement idea the UST campus, and studio arts coursework is taken generation, visual problem solving and at the Glassell School of Art MFAH.
    [Show full text]
  • Performing History Studies in Theatre History & Culture Edited by Thomas Postlewait Performing HISTORY
    Performing history studies in theatre history & culture Edited by Thomas Postlewait Performing HISTORY theatrical representations of the past in contemporary theatre Freddie Rokem University of Iowa Press Iowa City University of Iowa Press, Library of Congress Iowa City 52242 Cataloging-in-Publication Data Copyright © 2000 by the Rokem, Freddie, 1945– University of Iowa Press Performing history: theatrical All rights reserved representations of the past in Printed in the contemporary theatre / by Freddie United States of America Rokem. Design by Richard Hendel p. cm.—(Studies in theatre http://www.uiowa.edu/~uipress history and culture) No part of this book may be repro- Includes bibliographical references duced or used in any form or by any and index. means, without permission in writing isbn 0-87745-737-5 (cloth) from the publisher. All reasonable steps 1. Historical drama—20th have been taken to contact copyright century—History and criticism. holders of material used in this book. 2. Holocaust, Jewish (1939–1945), The publisher would be pleased to make in literature. 3. France—His- suitable arrangements with any whom tory—Revolution, 1789–1799— it has not been possible to reach. Literature and the revolution. I. Title. II. Series. The publication of this book was generously supported by the pn1879.h65r65 2000 University of Iowa Foundation. 809.2Ј9358—dc21 00-039248 Printed on acid-free paper 00 01 02 03 04 c 54321 for naama & ariel, and in memory of amitai contents Preface, ix Introduction, 1 1 Refractions of the Shoah on Israeli Stages:
    [Show full text]
  • NEW Media Document.Indd
    MEDIA RELEASE WICKED is coming to Australia. The hottest musical in the world will open in Melbourne’s Regent Theatre in July 2008. With combined box office sales of $US 1/2 billion, WICKED is already one of the most successful shows in theatre history. WICKED opened on Broadway in October 2003. Since then over two and a half million people have seen WICKED in New York and just over another two million have seen the North American touring production. The smash-hit musical with music and lyrics by Stephen Schwartz (Godspell, Pippin, Academy Award-winner for Pocahontas and The Prince of Egypt) and book by Winnie Holzman (My So Called Life, Once And Again and thirtysomething) is based on the best-selling novel by Gregory Maguire. WICKED is produced by Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt and David Stone. ‘We’re delighted that Melbourne is now set to follow WICKED productions in New York, Chicago, Los Angeles, the North American tour and London’s West End,’ Marc Platt and David Stone said in a joint statement from New York. ‘Melbourne will join new productions springing up around the world over the next 16 months, and we’re absolutely sure that Aussies – and international visitors to Melbourne – will be just as enchanted by WICKED as the audiences are in America and England.’ WICKED will premiere in Tokyo in June; Stuttgart in November; Melbourne in July 2008; and Amsterdam in 2008. Winner of 15 major awards including the Grammy Award and three Tony Awards, WICKED is the untold story of the witches of Oz.
    [Show full text]
  • Download Download
    ISSN 2002-3898 © Ken Nielsen and Nordic Theatre Studies DOI: https://doi.org/10.7146/nts.v25i1.110898 Published with support from Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS) Gone With the Plague: Negotiating Sexual Citizenship in Crisis Ken Nielsen ABSTRACT This article suggests that two historical performances by the Danish subcultural theatre group Buddha og Bag- bordsindianerne should be understood not simply as underground, amateur cabarets, but rather that they should be theorized as creating a critical temporality, as theorized by David Román. As such, they function to complicate the past and the present in rejecting a discourse of decency and embracing a queerer, more radical sense of citizenship. In other words, conceptualizing these performances as critical temporalities allows us not only to understand two particular theatrical performances of gay male identity and AIDS in Copenhagen in the late 1980s, but also to theorize more deeply embedded tensions between queer identities, temporality, and citizenship. Furthermore, by reading these performances and other performances like them as critical temporalities we reject the willful blindness of traditional theatre histories and make a more radical theatre history possible. Keywords: BIOGRAPHY Ken Nielsen is a Postdoctoral lecturer in the Princeton Writing Program, Princeton University, where he is currently teaching classes ranging from contemporary confession culture to tragedy. He holds a PhD in the- atre studies from The Graduate Center, City University of New York, with an emphasis on Gay and Lesbian Studies from the Center for Lesbian and Gay Studies (CLAGS). In addition, he holds an MA in Theatre Research from the University of Copenhagen.
    [Show full text]
  • OSLO Casting Announcement
    MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords.
    [Show full text]
  • Your Itinerary
    Highlights of Scandinavia Your itinerary Start Location Visited Location Plane End Location Cruise Train Over night Ferry Day 1 it destroyed by the Gestapo. Arrive Copenhagen (2 Nights) Included Meals - Breakfast You're in for a whole lot of hygge when you hit the colourful, character­filled streets of Day 7 Copenhagen, which kick­starts your journey across Scandinavia. This cool capital manages to mix fairy tale with function as you'll come to discover. Spend your day Bergen – Sognefjord (Hafslo) (1 Night) soaking up the sunshine in 17th­century Nyhavn or rubbing shoulders with the fun­ Norway's fjord country takes centre stage today as you head to the 'King of the loving locals in Tivoli Gardens, Europe's second oldest amusement park. You'll meet Fjords', Sognefjord. Your scenic drive will pass Tvindefossen waterfall before arriving your Travel Director and fellow travellers for dinner later at your hotel. at the world's longest and deepest fjord. For nature lovers, there's an Optional Experience to board a cruise on the UNESCO­listed Nærøy Fjord whose stunning Comwell Portside Hotel - landscape has inspired painters for centuries. Later, you'll have a rare opportunity as part of an Optional Experience to meet a local Included Meals - Dinner family on their working farm against the backdrop of the fjord, sampling their Day 2 traditions that date back to Viking times. Tonight, join your travel companions for Copenhagen sightseeing and free time dinner at your hotel. Discover why Copenhagen earns its status as one of the world's most liveable cities Hotel - Eikum ­ a place where work and play are perfectly balanced.
    [Show full text]
  • The Danish People's High School
    DEPARTMENT OF THE INTERIOR BUREAU OF EDUCATION 131XLETIN, /1915, No.45 THE DANISH PEOPLE'S HIGH SCHOOL INCLUDING A GENERAL ACCOUNT OF THE EDUCATIONAL SYSTEM OF DENMARK . By MARTIN HEG D PRESIDENT WALDORF COLLEGE. FOREST CITY. IOWA WASHINGTON GOVERNMENT PRINTING OFFICE 1915 4 ,0 ADDITIONAL COPIES 07 THIS PGRLICATIA MAY Bb( RCURROaaoit TAIL SUPISSINAMDENTorDOCUMINTS 00VYRNMSNT PRINTING OPPICIL.,-' WASHINGTON, D. C. AT 20 CENTS COPX CONTENTS. Pass. Letter transmittal Prefat -v note 6 PART I. THE EDUCATIONAL SYSTEM OF DENMARK. Chapter I.Historical development 7 ILOrganization and administration of education 19 II 1. Elementary education 29 IV.Secondary education _ 53 V. University and vocational education 64 PART II. THE DANISH PEOPLE'S HIGH SCHOCIL. VI.Origin of the people's high schools 78 VII. growth of the people's high school 84 schools and their life 99 IX.Alms, curricula, and methods 113 X.Influence and results 129 XI. People's high schools in other countries 142 XII.--Conclusion 154 )tppendix A.Statistical tables 167 B.Bibliography 172 Irma 181 8 LETTER OF TRANSMITTAL DEPARTMENT OF TIIE INTERIOR, BUREAU OF EDUCATION, Washington, September E3, 1915: SIR: The folk high schools of Denmark and other Scandinavian countries are so unique and contain so much of interest to all who are concerned in the preparation,of young men and wothein for higher and better living and for more efficient citizenship that, although two or three' former bulletins of this bureau have been devoted to-a 'description of these schi)ols and their work, I recommend that the manuscript transmitted herewith be published as a bulletin of the Bureau of Education for the purpose of giving a still more com- Jorehensive account of the subject.Those who read this and the 114former bulletins referred to vij11 have a fairly complete account, not only of these.schools, but also of the whole system of rural education of which these sehooli tre an important wt.
    [Show full text]
  • United States Theatre Programs Collection O-016
    http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items.
    [Show full text]
  • Announcement of Awards 5Th Annual Washington Area Theatre Community Honors
    Announcement of Awards 5th Annual Washington Area Theatre Community Honors THE WATCH AWARDS Nominations Announced January 16, 2005 – 6:30 pm at The Birchmere, Alexandria, VA Award Ceremony held Sunday, March 6, 2005 – 7:00 pm at The Birchmere, Alexandria, VA Final Attendance: 495 Award Ceremony Tickets $12.50 at the Birchmere Box Office or through Ticketmaster (plus service charge) 90 productions (25 musicals, 65 plays) were adjudicated in 2004. Twenty-four community theater companies participated in WATCH adjudication. – Aldersgate Church Community – Port City Playhouse Theatre – Port Tobacco Players – American Music Stage – Prince William Little Theatre – The Arlington Players – Providence Players – Castaways Repertory Theatre – Reston Community Players – Chevy Chase Players – Rockville Little Theatre – Dominion Stage – Rockville Musical Theatre – Elden Street Players – St. Mark’s Players – Fauquier Community Theatre – Silver Spring Stage – Hard Bargain Players – Tantallon Community Players – Kensington Arts Theatre – Tapestry Theatre Company – Little Theatre of Alexandria – Vienna Theatre Company – Montgomery Playhouse (Inactive: Springfield Community Theatre) And now for the Nominations and Awards… In each of the twenty-eight categories, five nominees were selected based on the average scores of at least eight judges. In some categories, due to score ties, more than five nominees are announced. Award recipients are listed first in bold with other nominations provided in alphabetical order by nominee. The nominations are provided by category and by theater at the end of the document. Nominations for outstanding technical achievements. Outstanding Set Design (5) • Tina Thronson & John Coscia, The Man Who Came To Dinner, Providence Players • David Bayles & Joe Stine, A Christmas Story, Port Tobacco Players • John Downing, Sleuth, Little Theatre of Alexandria • Andrew S.
    [Show full text]
  • 14PL120 Alley Theatre FINAL.Pdf
    CITY OF HOUSTON Archaeological & Historical Commission Planning and Development Department PROTECTED LANDMARK DESIGNATION REPORT LANDMARK NAME: Alley Theatre AGENDA ITEM: C OWNER: Alley Theatre HPO FILE NO.: 14PL120 APPLICANT: Scott J. Atlas DATE ACCEPTED: Aug-21-2014 LOCATION: 615 Texas Avenue HAHC HEARING DATE: Sep-25-2014 SITE INFORMATION Lots 1, 2, 3, 6, 7, 8 & 12 & Tract 11, Block 60, SSBB, City of Houston, Harris County, Texas. TYPE OF APPROVAL REQUESTED: Protected Landmark Designation HISTORY AND SIGNIFICANCE SUMMARY The Alley Theatre was founded in 1947 by Nina Vance (1914-1980), one of the most outstanding theatrical directors in the U.S. and Texas in the mid twentieth century. The Alley is now one of the oldest non-profit, professional, resident theater companies in continuous operation in the United States. From its inception, the Alley Theatre staged productions in an “arena” or “in the round” spatial format, a practice associated with cutting-edge theatrical companies in the mid-twentieth-century period. In the Alley’s first season (1947-48), performances were held in a dance studio on Main Street. Audience members had to walk along a narrow outdoor passage to get to the performance space; this passage was the origin of the Alley’s name. In 1962, the Alley Theatre was given a half-block site in the 600 block of Texas Avenue by Houston Endowment and a $2 million grant from the Ford Foundation for a new building and operating expenses. The theater was to be part of a downtown performance and convention complex including Jones Hall, the home of the Houston Symphony, Houston Grand Opera, and Society for the Performing Arts.
    [Show full text]
  • Houston // Texas 2 — Contents 3
    HOUSTON // TEXAS 2 — CONTENTS 3 CONTENTS Overview 04 The Heart of the Theater District 08 Anchors 10 Site Plans 12 Offices 18 Houston 22 The Cordish Companies 26 4 — OVERVIEW 5 WELCOME TO BAYOU PLACE In the heart of Houston’s renowned Theater District, Bayou Place is the city’s premier dining, office, and entertainment district. Alongside the Hobby Center for the Performing Arts, the Alley Theatre, and the Wortham Theater Center, Bayou Place boasts its own flexible performance space, Revention Music Center, as well as Sundance Cinemas. 6 — OVERVIEW 7 $47M OFFICE & $25M $22M 150K 3M OFFICE SPACE ENTERTAINMENT SQUARE FEET OF THEATER DISTRICT ENTERTAINMENT DISTRICT EXPANSION DEVELOPMENT OFFICE SPACE TICKETS SOLD ANNUALLY 8 — HEART OF THE THEATER DISTRICT 9 10 11 1 2 12 3 4 6 7 5 9 8 THE HEART OF THE THEATER DISTRICT 1 Wortham Center 7 City Hall 2 Alley Theatre 8 Sam Houston Park 3 Jones Hall 9 Heritage Plaza ON WITH 4 Downtown Aquarium 10 Minute Maid Park 5 The Hobby Center 11 George R. Brown Convention Center THE SHOWS 6 Tranquility Park 12 Toyota Center 10 — ANCHORS 11 ANCHOR TENANTS PREMIER RESTAURANTS, THEATERS, AND BUSINESSES 12 — SITE PLANS 13 RESTAURANTS & BARS Hard Rock Cafe Little Napoli Italian Cuisine The Blue Fish NIGHTLIFE & ENTERTAINMENT SITE PLAN Sundance Cinemas Revention Music Center FIRST KEY Retail Office FLOOR Parking 14 — SITE PLANS 15 SITE PLAN SECOND FLOOR RESTAURANTS & BARS Hard Rock Cafe OFFICES SoftLayer Merrill Corporation NIGHTLIFE & ENTERTAINMENT Sundance Cinemas Revention Music Center The Ballroom at Bayou Place KEY Retail Office Parking 16 17 3M+ ANNUAL VISITORS 18 — OFFICES 19 150,000 SQUARE FEET OF CLASS A OFFICE SPACE 20 — OFFICES 21 22 — HOUSTON 23 HOUSTON BAYOU CITY Founded along Buffalo Bayou, site of the final battle for Texas independence, Houston is the largest city by population in Texas and the fourth largest in the United States.
    [Show full text]