S21 Voice Recital Program Web2

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2020-21 Season Performances by: Daniel Cesare Jen Searing Max Cool Stacy Shang Abby Hulse David Staronka Dana McGuire Monica Traupmann Derek Petti Julia Wierzbicki Joshua Ronai Sean Willemann With David Zimmerman and James Redcay, piano Date: Saturday, April 17, 2021 at 4PM To stream these FREE virtual performances, visit: stevens.edu/DeBaunPAC 201.216.8934 [email protected] stevens.edu/DeBaunPAC Spring 2021 Voice Recital: Songs in the Corona Lane Streaming Saturday April 17 at 4:00pm Featuring the Students of Dr. Bethany Reeves DeBaun Performing Arts Center Stevens Institute of Technology James Redcay and David Zimmerman, Pianists (where pianists are not listed, karaoke tracks are utilized) Till There Was You ................................................... Meredith Wilson The Music Man, 1957 Jennifer Searing, soprano David Zimmerman, piano Ständchen .............................................. Franz Schubert (1797-1828) Max Cool, tenor James Redcay, piano Se tu m’ami Alessandro Parisotti (1853-1913) Stacy Shang, soprano James Redcay, piano Beau Soir ............................................ Claude Debussy (1862-1918) Sean Willemann, baritone James Redcay, piano Ti guarderò nel cuore (More) ............ Oliviero, Ortolani & Ciorciollini From the film Mondo Cane, 1962 Daniel Cesare, baritone James Redcay, piano Sonntag .......................................... Johannes Brahms (1833-1897) David Staronka, baritone James Redcay, piano Think of Me ..................................................... Andrew Lloyd Webber Phantom of the Opera, 1986 Julia Wierzbicki, soprano David Zimmerman, piano La Serenata .................................. Francesco Paolo Tosti (1846-1916) Max Cool, tenor Plaisir d’amour .......................... Jean-Paul Égide Martini (1741-1816) Daniel Cesare, baritone James Redcay, piano I don’t need a roof .......................................................... Andrew Lippa Big Fish, 2013 Abby Hulse, soprano David Zimmerman, piano The Greatest Star of All ................................... Andrew Lloyd Webber Sunset Boulevard, 1993 Derek Petti, baritone Let It Go ................................................. Lopez & Anderson-Lopez Frozen, 2013 Dana McGuire, soprano Oh! Quante volte ................................... Vincenzo Bellini (1801-1835) Juliet’s aria from I Capuleti e i Montecchi Abby Hulse, soprano James Redcay, piano A Wand’ring Minstrel I .......................................... Gilbert & Sullivan The Mikado, 1883 Joshua Ronai, tenor Almost Real ......................................................... Jason Robert Brown The Bridges of Madison County, 2014 Dana McGuire, soprano Vanilla Ice Cream ...................................................... Bock & Harnick She Loves Me, 1963 Abby Hulse, soprano David Zimmerman, piano Special Thanks to: Carl Russell Daniel Cesare Max Cool Dana McGuire Derek Petti Stacy Shang David Zimmerman Zuzana Crangle AND, thanks to all the singers at Stevens – Voice Studio members, the Stevens Dramatic Society’s musical casts, the a cappella groups, contributors to online talent events - who have soldiered on despite the many limitations and challenges imposed by the coronavirus pandemic. Bravi tutti! .

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Verdi Otello
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YAA 17 Children Program FA.Indd
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To Read the Program Online
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Volume 11, No 1, Fall 2011
BRAVO! Lexington Opera Society Newsletter Vol. 11 No. 1 Fall 2011 FindingThe Romeo and Juliet theing it notcolors just music but of something tragedy the audi- story dates to before ence will relate to.” Studying Shakespeare’s play Shakespeare, and has been reworked in many helped her “understand why the characters are forms. What is it about the young star-crossed saying and doing what they are.” Turay says the lovers that keeps playwrights, composers, film- libretto lacks “much of Juliette’s character devel- makers and audiences coming back? I posed opment,” so the singer must convey that vocally. that question to the singers who will portray the The same is true for Roméo. “You start out tragic pair in UK Opera Theatre’s production of with your own interpretation,” says Castillo, “and Charles Gounod’s opera—Greg Turay and Manuel you add what the stage director gives you and Castillo, the Roméos, and Rachel Sterrenberg what the conductor gives you, and these layers and Julie LaDouceur, our Juliettes. create the final interpretation.” Their answers: “It talks to the human The characters develop emotion- heart,” and it’s “so beautifully tragic.” ally in the course of the tragic lovers’ Staging Roméo et Juliette is four duets. Juliette’s first aria and the “a tremendous undertaking for first act duet are light and showy, a university,” says Turay, and de- and each succeeding duet deepens mands a great deal vocally and her character. LaDouceur describes emotionally from the singers. “But Juliette as “young and spunky and we have wonderful students who sweet and a little shy, but deep are perfect for these roles,” says down she’s one tough cookie.” UKOT director Everett McCorvey.
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Magistrsko Delo
UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za anglistiko in amerikanistiko Eva ZORE MAGISTRSKO DELO Maribor 2018 UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za anglistiko in amerikanistiko MASTER’S THESIS Operatic Adaptation of Shakespeare’s Romeo and Juliet MAGISTRSKO DELO Operna adaptacija Shakespearove drame Romeo in Julija Mentor: Kandidatka: izr. prof. dr. Tomaž Onič Eva Zore Maribor 2018 Lektor povzetka v slovenščini: Andraž Gradišnik, mag. prof. angl. in slov. ZAHVALA It is only with the heart that one can see rightly. — Antoine de Saint-Exupéry Velika zahvala gre mojemu mentorju, izr. prof. dr. Tomažu Oniču, profesorju z veliko začetnico, za strokovne nasvete in vsestransko pomoč pri nastajanju tega magistrskega dela. Hvala red. prof. dr. Michelle Gadpaille za jezikovni pregled magistrskega dela. Hvala, mami in ati – brez vaju ta pot ne bi bila mogoča. IZVLEČEK To magistrsko delo analizira Gounodovo operno adaptacijo Shakespearove drame Romeo in Julija. Ljubezenska zgodba med Romeom in Julijo je postala arhetip ljubezni, zato lahko njuna lika zasledimo v različnih umetniških disciplinah. Na področju glasbe je bila Shakespearova zgodba prikazana v številnih žanrih, med drugim najvidneje v Bellinijevi operi I Capuleti e i Montecchi (1830), Berliozovi simfoniji Roméo and Juliette (1839), Gounodovi romantični operi Roméo et Juliette (1867), baletu Sergeja Prokofjeva Ромео и Джульетта (1938) in v Bernsteinovem muzikalu West Side Story (1961). Gounodeva opera Roméo et Juliette je delo v petih dejanjih na francoski libreto Julesa Barbiera in Michela Carréja. Prvič je bila uprizorjena leta 1867 v pariškem gledališču Théâtre-Lyrique. Magistrsko delo analizira in primerja dve primarni besedili: Shakespearovo dramo Romeo and Juliet in libreto opere Charlesa Gounoda Roméo et Juliette.
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Martha Domingo, Director
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