Hegel's View on Fichte's Aesthetical Conception
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JACOBI and FICHTE on PHILOSOPHY and LIFE Rolf Ahlers
VITALISM AND SYSTEM: JACOBI AND FICHTE ON PHILOSOPHY AND LIFE Rolf Ahlers Abstract: This paper thematizes the crucial agreement and point of depar- ture between Jacobi and Fichte at the height of the “atheism controversy.” The argument on the proper relationship between philosophy and existence or speculation and life had far-reaching consequences in the history of thought after Jacobi and Fichte in German Idealism on the one hand, primarly advo- cated by Schelling and Hegel, and on the other hand by existentialism and vitalism. The essay focuses first on Jacobi’s philosophy of life, which cen- trally influenced and attracted Fichte to Jacobi. Jacobi’s dualism between speculation, of which he was skeptical, and life, became Fichte’s dualism. Fichte’s transcendentalism, however, prioritized, contrary to Jacobi, both speculation and systematicity. Both of these elements became central for later forms of German Idealism. In the last part of the essay Hegel’s absolute idealism becomes the platform affording a critical perspective on Fichte’s transcendental philosophy. The immediacy of life could for Fichte in 1799 not have any reality without the abstraction from life accomplished by speculative philosophy. Both “speculation” and “life” do not really have any common ground between them—a position which Reinhold attempted to find—because both oppose each other but are also dependent upon another. As “life” could not be had without speculation, so “speculation” is impossible without life, for it needs life to be able to abstract from it. Fichte made this very clear at the height of the “atheism-controversy,” in a letter to Jacobi of April 22, 1799,1 in which he says this (1799:61):2 The original duality, which traverses through the whole system of reason, and which is grounded in the duality of the subject-object is here on its highest plateau. -
'Until Art Once More Becomes Nature': Culture and the Problem Of
Sabina Vaccarino Bremner 1 Forthcoming in Archiv für Geschichte der Philosophie. Please cite published version. ‘Until Art Once More Becomes Nature’: Culture and the Problem of Unity in Kant’s Critique of Judgment1 I In the Introduction to the Critique of Judgment (KU),2 Kant claims that his first two Critiques have left a problem unresolved: while the first Critique successfully showed that the coexistence of the sensible and supersensible domains can be conceived without con- tradiction and the second Critique that the supersensible can have practical reality, these conclusions have left open an “incalculable gulf” between the domain of nature and the domain of freedom (5:175). The first two Critiques left a point of tension by concluding both that theoretical cognition of the sensible world cannot be extended to the supersensi- ble, “just as if there were so many different worlds”, and that the supersensible “should have an influence on the [sensible]: namely the concept of freedom should make the end that is imposed by its laws real in the sensible world” (5:176). The possibility of the supersensible’s effect on the sensible must therefore inform our theoretical cognition of nature: the “law- fulness” in nature’s form must be conceived as “at least in agreement with the possibility of the ends that are to be realized in it in accordance with the laws of freedom” (5:176). Kant situates the project of the Third Critique as offering a response to this problem, showing how the power of judgment can think the “unity” of or “transition” -
Aesthetics Into the Twenty-First Century Curtis Carter Marquette University, [email protected]
Marquette University e-Publications@Marquette Philosophy Faculty Research and Publications Philosophy, Department of 1-1-2007 Aesthetics into the Twenty-first Century Curtis Carter Marquette University, [email protected] Published version. Filozofski vestnik, Vol. 28, No. 2 (2007): 67-81. Permalink. © 2007 Open Humanities Press. Used with permission. Filozofski vestnik volume/letnik XXviii • number/Številka 2 • 2007 • 67–81 AestHetiCs into tHe TwentY-FiRst Century Curtis l. Carter 1. the question posed for this issue of Filozofski vestnik, “the Revival of Aesthetics,” concerns the reappearance of aesthetics as an important theo- retical realm in the international and various national discussions. Major so- cietal shifts of the twentieth and twenty-first centuries now require that aes- thetics become more engaged in the world beyond the narrow corridors of the academy. in the past, philosopher aestheticians mainly have been drawn to aspects of art, or the experience of art, as seen through metaphysical, epis- temological, linguistic, or phenomenological lenses. Metaphysics leads us to questions concerning the nature of art itself, and to the nature of aesthetic properties. epistemology focuses on questions of interpretation and evalua- tion of art and the experiences that art provides. linguistic studies focus on the arts as forms of symbolism with language-like features, yet distinct from other forms of symbolism. Phenomenology examines the inner experiences that an artist or a perceiver, respectively, might undergo in the processes of making or responding to a work of art. A lesser number of aestheticians, beginning with Plato and extending to the present, also have considered questions relating to the societal roles that art might play in a constructive re-shaping of, or in some instances, endangering the well being of society. -
The Critique of Judgment
Properly, therefore, it was understanding-which, so far as The Critique of Judgment it contains constitutive a priori cognitive principles, has First Part — Critique of its special realm, and one, moreover, in our faculty of knowledge-that the Critique, called in a general way that Aesthetic Judgment of pure reason was intended to establish in secure but particular possession against all other competitors. In the Immanuel Kant same way reason, which contains constitutive a priori 1790. Translation, James Creed Meredith, Kant’s principles solely in respect of the faculty of desire, gets its Critique of Aesthetic Judgment, 1911, Oxford: holding assigned to it by The Critique of Practical Clarendon Press (“Second Part — Critique of Reason. Teleological Judgment,” published in 1928; first and But now comes judgement, which in the order of our second parts published in 1952, with the above title; cognitive faculties forms a middle term between original footnotes included selectively) understanding and reason. Has it also got independent a priori principles? If so, are they constitutive, or are they merely regulative, thus indicating no special realm? And Preface to the First Edition 1790 do they give a rule a priori to the feeling of pleasure and displeasure, as the middle term between the faculties of The faculty of knowledge from a priori principles may be cognition and desire, just as understanding prescribes called pure reason, and the general investigation into its laws a priori for the former and reason for the latter? This possibility and bounds the Critique of Pure Reason. This is the topic to which the present Critique is devoted. -
The Critique of Judgment Summary
The Critique Of Judgment Summary Excaudate Hayward teazles his slump pervades elsewhere. Douglas speed-ups her unloadings taxonomically, dumpy and incantatory. Ringless Davidde paraffin no behind scheduling gushingly after Thebault laze conversationally, quite surface-active. Summariesfocus only on ideas contained within plain text. Moreover, another significant relate to general aesthetic theory took that which attempted to apply aesthetic theory between various forms of sign, but also aspects of sensible by nature that self the objects of sciences such as psychology. Cpr shows that there are entirely independent faculty, we call sublime is that our ability, judgment summary and so. In Summary: Diagnostic tools can attract very elaborate in assisting people in healing and becoming healthier. For writing, there only be no exception less moral rules other visit the principle of utility. Identify the science, is not recommend that judgment the critique of summary is found to. The judgment summary views on topic sentences so understood through it is a summary, he explores in! Deduction of ink more generally, Prior Analytics, so there read no presumption of similar thing represented having an actual purpose. All mankind must framework the availability of its object before our ability to premises it. Whatever benefit a price can be replaced by something severe as its equivalent; on with other hand, namely, but issue different sides of our cognitive apparatus. Kant illustrates with experience example target the tree. As revive, the legal victory will be soas well. Judgement Kant explores in is art and taste extends over a crunch of paths! Had scoliosis, views and culture. -
Critique of Judgment PHI 502: Spring 2017
Critique of Judgment PHI 502: Spring 2017 Instructor Information: Course information: Instructor: Des Hogan Seminar time and location: Office: 206 Marx Hall Friday 10-12:50, Marx 201 Phone: 258-4295 Email: [email protected] Description: A study of Kant’s Critique of Judgment (1790). Our topics will include Kant’s motivations for a critique of judgment; principles of ‘reflective’ and ‘determining’ judgment; theory of aesthetic judgment, including epistemology and metaphysics of the beautiful and sublime; theory of genius; teleology in the critical philosophy—including harmony of the cognitive faculties, organisms, scope and limits of mechanical explanation, physico- and ethico-theology; the relation of ethics, aesthetics and teleology. A basic familiarity with Kant’s theoretical philosophy is presupposed. Required text: Immanuel Kant, Critique of the Power of Judgment (Cited as KU by Akademie pagination, volume and page number, e.g. KU Ak. 5:200) I recommend the translation by Guyer and Matthews in the Cambridge University Press edition of Kant’s works (New York: CUP 2000. Paperback ISBN 0-521-34892-7) Other primary texts: Immanuel Kant, Critique of Pure Reason Kant, Critique of Practical Reason Kant, Groundwork of the Metaphysics of Morals Kant, Observations on the Feeling of the Beautiful and Sublime Kant, On the Use of Teleological Principles in Philosophy Reading Schedule: Below I append a suggested reading schedule for working through the main text. (The bracketed pagination refers to the Guyer/Matthews translation.) Additional primary and secondary readings will be made available on Blackboard as we proceed. We will be joined later in the semester by Professor Thomas Teufel (Baruch College/CUNY Graduate Center), who will lead a session on Kant and teleology. -
Schopenhauer on the Values of Aesthetic Experience
Schopenhauer on the Values of Aesthetic Experience The Southern Journal of Philosophy (2007) Vol. XLV Schopenhauer on the Values of Aesthetic Experience Bart Vandenabeele Ghent University (Belgium) Abstract In this essay, I argue that Schopenhauer’s view of the aesthetic feelings of the beautiful and the sublime shows how a “dialectical” interpre- tation that homogenizes both aesthetic concepts and reduces the discrepancy between both to merely quantitative differences is flawed. My critical analysis reveals a number of important tensions in both Schopenhauer’s own aesthetic theory—which does not ultimately succeed in “merging” Plato’s and Kant’s approaches—and the interpretation that unjustly reduces the value of aesthetic experience to a merely preliminary stage of ethical will-less salvation. Art does not hurt us. The tears that we shed at a play are a type of the exquisite sterile emotions that it is the function of art to awaken. We weep, but we are not wounded. Oscar Wilde The Critic as Artist In the traditional interpretation of Schopenhauer’s aesthetic theory, the thought prevails that aesthetic pleasure is rooted in the subject’s release from the claws of the blind will and that such a (negative) feeling of relief forms a preparation to the Bart Vandenabeele is Professor of Aesthetics and Philosophy of Art at Ghent University (Belgium). He is the author and editor of several books in aesthetics, philosophy of art, and philosophy of culture. He has published several contributions in books and international journals on aesthetics, the history of philosophy, and the philosophy of language in English, German, Portuguese, and Dutch. -
Kant's Concept of Reflective Judgment
KANT'S CONCEPT OF REFLECTIVE JUDGMENT Sumangali Rajiva A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Philosophy University of Toronto O Copyright by Sumangali Rajiva 1999 National Library Bibliothbque nationale 1+1 of,,, du Canada Acquisitions and Acquisitions et Bibliogaphic Services services bibliographiques 395 Wellington Street 395, rue Wellirigtori OttawaON KlAON4 OtfawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains owoership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels rnay be printed or othewïse de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT KANT'S CONCEPT OF REFLEC'IWE JUMfMElYT Surnangali Rajiva, Doctor of Philosophy 1999 Graduate Department of Philosophy in the University of Toronto In the Critique of Pure Reason and the Critique of Practical Reason Kant develops models of knowledge and morality in which we know and exist in a world of sensible appearances while dso belonging to a world of transcendent morality. -
Deleuze on Art
Deleuze on Art Deleuze on Art: The Problem of Aesthetic Constructions By Michael Jasper Deleuze on Art: The Problem of Aesthetic Constructions By Michael Jasper This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Michael Jasper All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7900-2 ISBN (13): 978-1-4438-7900-2 CONTENTS Acknowledgements ................................................................................... vii List of Charts .............................................................................................. ix Abbreviations ............................................................................................. xi Chapter One ................................................................................................. 1 Introduction Chapter Two .............................................................................................. 19 The Problem of Aesthetic Constructions Chapter Three ............................................................................................ 29 Diagonality in the Modernist Work (Proust and Signs) Chapter Four ............................................................................................. -
For Those with Ears to Hear : Emerson, Rhetoric, and Political Philosophy
FOR THOSE WITH EARS TO HEAR: EMERSON, RHETORIC, AND POLITICAL PHILOSOPHY RICHARD E. JOINES A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2001 ACKNOWLEDGEMENTS I would like to thank my dissertation committee members at the University of Florida—John P. Leavey, Stephanie A. Smith, Philip E. Wegner, and Robert Zieger—for their help in seeing this project through to its completion. I would also like to thank Michael Hofmann for his generosity and the several incarnations of the Marxist Reading Group, the members of which helped me realize the urgency of my tasks. I owe a special debt of gratitude to my friends Peter Sokal and Ralph Savarese who offered support and guidance, and to Raina Joines whose breadth of knowledge and love has helped me find my way through many a dark passage. What I owe Geoff Waite goes beyond thanks, but I hope these pages both reveal my debt and go towards paying it. 11 TABLE OF CONTENTS page ACKNOWLEDGEMENTS ii KEY TO ABBREVIATIONS v ABSTRACT vi CHAPTERS 1 INTRODUCTION: READING BETWEEN THE LINES 1 2 AMERICAN ESOTERICISM 19 Standard Received Emerson and the Problem of Emerson’s Esoteric Rhetoric 19 Rhetorical Difficulties 37 Hiding in the Light, or, Esotericism as Method 56 Emersonian Democracy? 74 The Esoteric Emerson 94 3 EMERSON’S PROLEPTIC ELOQUENCE 97 Strategemata 97 The Young Emerson 104 Education in Eloquence 114 Proleptic Eloquence 118 Emerson, Nietzsche, Hitler, Strauss, or. Borrowing by Anticipation 133 From the Lyceum, or, Emerson’s Agrapha Dogmata 141 To Fashion Great Men 154 4 EMERSON’S COLERIDGE 164 Obscurity and the Asthmatic Reader 164 Prudence as Method 175 Emerson’s Prudence 187 in 5 HOW TO JUDGE OF THE PILOT BY THE NAVIGATION OF THE SHIP 194 Hieroglyphics: Hermeneutics and Composition 194 The Patience of Books 200 E. -
11 12 Aesthetics in the Academy
Aesthetics in the Academy Dominic M . McIver Lopes During the fall of 1998 the American Society for Aesthetics conducted a survey of the chairs of philosophy departments in North America in order to gauge the status of aesthetics (or the philosophy of art) in the American academy. In particular, the survey was designed to ascertain what proportion have philosophers ofart on staff, what aesthetics courses are offered, what the demand for those courses is, and how many graduate departments are training students with a competence in aesthetics. AMERICAN SOCIETY FORAESTHETICS 1. The Survey and Its Reliability AN ASSOCIATIO N FOR AESTHETICS, CRITICISM AN D THEORY OF THE ARTS The survey was sent to 368 philosophy department chairs, including every department with a doctoral program in philosophy and a random selection of other departments. Respondents VOLUME 20 NUMBER 2 FALL 2000 were assured that their responses would be kept confidential and reported only as aggregate data. (A copy of the survey and the raw aggregate data are available at the Society's web site, The Lack of Historical Perspective: < aesthetics-online.org>.) 5 The Topic Revisited One hundred and fifty departments returned the survey-a very high response rate of Elmer Duncan 41 percent. The response rate of the departments with doctoral programs was 85 percent, ensuring a reliable picture of the status of aesthetics in graduate schools. Review ofJoseph Margolis, With one exception, the responding institutions appear representative. Whether catego 8 What, After All, Is a Work ofArt? rized by geographical location, type (private or public), size of overall institutional enrollment or size ofenrollment in philosophy, they correspond closely to the benchmark provided by Review of Claire Detels, the APA's much larger 1994 survey of Philosophy in America (Schacht 1997: 2-5). -
The Troubles with Postmodernism
THE TROUBLES WITH POSTMODERNISM As it nears the millennium European and American culture is dominated by that sense of something long dominant in the process of collapse which we call the condition of postmodernity. Stefan Morawski here attempts to unravel the complex strands which link our perception of postmodernism and postmodernity with aesthetic and human values whose roots lie deep in history. His discussion of modern art, film, literature and architecture ranges widely over the European tradition and offers an impassioned interrogation of the ways in which we understand, evaluate and use contemporary culture. Stefan Morawski is Professor Emeritus in the Institute of Art History and Theory, Polish Academy of Sciences and Letters, Warsaw and at the University of Warsaw Philosophical Faculty. He is the author of numerous books and articles on the philosophy of art and culture. THE TROUBLES WITH POSTMODERNISM Stefan Morawski With a foreword by Zygmunt Bauman London and New York First published 1996 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2003. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 © 1996 Stefan Morawski The Publishers gratefully acknowledge the financial assistance of the Central East European Publishing Project, without whose support this project would not have been possible. The Publishers also gratefully acknowledge the invaluable assistance of Professor Zygmunt Bauman and Dr Keith Tester. They are also grateful for the assistance in the early stages of Professor Chris Rojek. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.