DOCSLIB.ORG

Stephenson House Knollys House Crcroydon Stephenson House Cherrycherry Orchard Road Croydon

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stephenson House Knollys House Crcroydon Stephenson House Cherrycherry Orchard Road Croydon STEPHENSON HOUSE KNOLLYS HOUSE CRCROYDON STEPHENSON HOUSE CHERRYCHERRY ORCHARD ROAD CROYDON Stephenson House is a prominent 9 storey building in 2 wings / New air conditioning cassette units facing Cherry Orchard Road, close to East Croydon Station. / Raised floors Typical refurbished floors facing Cherry Orchard Road are 959 sq m (10,325 sq ft) with annexe floors of 253 sq m / Three automatic passenger lifts (2,725 sq ft). The building has 102 on-site car parking spaces. / Impressive entrance hall / New doors and skirting boards to office floors / Category 2 LG3 compliant light fittings / Open plan or easily partitioned KNOLLYS HOUSE ADDISCOMBEADDISCOMBE ROAD CROYDON CROYDON SHOPPING AND BUSINESS DISTRICT Croydon is one of the largest towns in the UK Excluding central London, Croydon provides the There are an estimated 13,000 businesses in with approximately 7.5m sq ft of office space, biggest commercial and retail centre in the South Croydon. Corporate occupiers include AIG, Bank and is the largest of the 32 boroughs in terms of East. The Whitgift and Centrale shopping centres of America, British Telecom, Direct Line Insurance, population. Croydon is uniquely located, forming provide a comprehensive range of retail facilities. Mondial Assistance, Mott MacDonald and Royal the access between central London, Gatwick Impressive leisure and cultural offerings are & SunAlliance. international airport and the South East. available through the Fairfield Halls, the Clocktower arts complex and The Warehouse theatre. KNOLLYS HOUSE ADDISCOMBEADDISCOMBE ROAD CROYDON Knollys House is a 12 storey impressive landmark building / New air conditioning cassette units 100 metres approx. from East Croydon Station. / Three automatic passenger lifts Typical upper floors comprise an area of approximately 613 sq m (6,600 sq ft) with the first and second floors / Impressive entrance hall extending to larger areas. The building has 138 on-site car parking spaces. / New doors and skirting boards to office floors / Category 2 LG3 compliant light fittings / Open plan or easily partitioned STEPHENSON HOUSE KNOLLYS HOUSE CHERRY ORCHARD ROAD CROYDON ADDISCOMBE ROAD CROYDON 11 541 sq m 5,830 sq ft 10 541 sq m 5,830 sq ft 09 613 sq m 6,600 sq ft 08 613 sq m 6,600 sq ft Front Wing Annexe 07 959 sq m 10,325 sq ft 253 sq m 2,725 sq ft 613 sq m 6,600 sq ft 06 910 sq m 9,800 sq ft 253 sq m 2,650 sq ft 613 sq m 6,600 sq ft 05 910 sq m 9,800 sq ft 253 sq m 2,650 sq ft 613 sq m 6,600 sq ft 04 910 sq m 9,800 sq ft 253 sq m 2,650 sq ft 553 sq m 5,960 sq ft 03 959 sq m 10,325 sq ft 253 sq m 2,725 sq ft 613 sq m 6,600 sq ft 02 910 sq m 9,800 sq ft 253 sq m 2,650 sq ft 901 sq m 9,699 sq ft 01 959 sq m 10,325 sq ft 261 sq m 2,812 sq ft 836 sq m 9,000 sq ft M 128 sq m 1,385 sq ft 224 sq m 2,412 sq ft 394 sq m 4,242 sq ft GF 144 sq m 1,545 sq ft 394 sq m 4,242 sq ft Available space Available space M40 J16J16 13 J30 A CENTRAL LONDON M4M4 J15J15 ST JAME S'S RO AD HEHEATHROW LONDON CITY J2 LOW J1J1 ER AD DISCO A J2J2 MBE R 3 J3 D OAD 2 A 2 J12J12 O R 3 M WESTWEST CROYDON E M N AD CROYDON 2 O 0 W R D J2J2 M2M2 D O AR J3J3 D A D H R O S C R OR N D Y M N R IO A ER T H A H M25 J7 J6 M25M25 M26M26 J3J3 M20M20 A N L C J10J10 J5J5 J4J4 T E S W YD E S 3 L A L E S L EAST CROYDON M E GUILDFORDGUILDFORD 2 Y STEPHENSON HOUSE 0 N R NK O O KNOLLYS HOUSE TRAMLI R A 1 T D A3 3 H REIGREIGATE 2 ADDISCOM E BE R D M N D EET P GE STR A GEOR R K H 3 I GATWICK L A 2 2 H L 2 INK 2 N AML I R G A R A T D H S T D D ROA 7 R FIEL FAIR 2 E TUNBRIDGETUNBRIDGE WELLS A E Y ROAD T BARCLA A272A272 MINUTES LONDON BRIDGE 14 minutes www.stephensonhousecroydon.com / www.knollyshouse.com VICTORIA 15 minutes BECKENHAM 16 minutes WIMBLEDON 28 minutes MILES M25/M23 JUNCTION 9 miles CENTRAL LONDON 12 miles GATWICK 20 miles HEATHROW 24 miles MISREPRESENTATION ACT THE PARTICULARS CONTAINED IN THIS BROCHURE ARE BELIEVED TO BE CORRECT, BUT CANNOT BE GUARANTEED. ALL LIABILITY, IN NEGLIGENCE OR OTHERWISE, FOR ANY LOSS ARISING FROM THE USE OF THESE PARTICULARS IS HEREBY EXCLUDED. RENTS QUOTED IN THESE PARTICULARS MAY BE SUBJECT TO VAT IN ADDITION. THE CODE OF PRACTICE ON COMMERCIAL LEASES IN ENGLAND AND WALES RECOMMENDS THAT YOU SEEK PROFESSIONAL ADVICE BEFORE AGREEING A BUSINESS TENANCY. THE CODE IS AVAILABLE THROUGH THE WEBSITE AT www.commercialleasecodeew.co.uk. Designed by Wordsearch February 2006 .
Load more

Recommended publications
  • LATE COMPANY by Jordan Tannahill
    Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Spring-Summer Season 2017 | April–July 2017 The European premiere LATE COMPANY by Jordan Tannahill. Directed by Michael Yale. Designed by Zahra Mansouri. Lighting by Nic Farman. Sound by Christopher Prosho. Presented by Stage Traffic Productions in association with Neil McPherson for the Finborough Theatre. Cast: Todd Boyce. David Leopold. Alex Lowe. Lucy Robinson. Lisa Stevenson. “When you wake up in a cold sweat at night and you think someone is watching you, well it’s me. I’m watching you. And that cold sweat on your body, those are my tears…“ As part of the Finborough Theatre’s celebrations of Canada’s 150th birthday, the European debut of “the hottest name in Canadian theatre”, Jordan Tannahill, with the European premiere of Late Company playing at the Finborough Theatre for a four week limited season on Tuesday, 25 May 2017 (Press Nights: Thursday, 27 April 2017 and Friday, 28 April 2017 at 7.30pm). One year after the suicide of their teenage son, Debora and Michael sit down to dinner with their son’s bully and his parents. Closure is on the menu, but accusations are the main course as good intentions are gradually stripped away to reveal layers of parental, sexual, and political hypocrisy – at a dinner party where grief is the loudest guest. Written with sensitivity and humour, Late Company explores restorative justice, cyber bullying, and is both a timely and timeless meditation on a parent’s struggle to comprehend the monstrous and unknown in their child. Playwright Jordan Tannahill has been described as “the future of Canadian theatre” by NOW Magazine.
    [Show full text]
  • Croydon Borouigh of Culture 2023 Discussion Paper
    CROYDON BOROUGH OF CULTURE 2023 Discussion paper following up Croydon Culture Network meeting 25 February 2020 Contents: Parts 1 Introduction 2 Croydon Council and Culture 3 The Importance of Croydon’s Cultural Activists 4 Culture and Class 5 Croydon’s Economic and Social Realities and Community 6 The Focus on Neighbourhoods 7 Audiences and Participants for 2023 8 The Relevance of Local History 9 Croydon’s Musical Heritage 10 Croydon Writers and Artists 11 Environment and Green History 12 The Use of Different Forms of Cultural Output 13 Engaging Schools 14 The Problem of Communication and the role of venues 15 System Change and Other Issues Appendices 1 An approach to activity about the environment and nature 2 Books relevant to Croydon 3 Footnotes Part 1. Introduction 1. The Culture Network meeting raised a number important issues and concerns that need to be addressed about the implementation of the award of Borough of Culture 2023 status. This is difficult as the two planning meetings that were announced would take place in March and April are not going ahead because of the coronavirus emergency. That does not mean that debate should stop. Many people involved in the Network will have more time to think about it as their events have been cancelled. Debate can take place by email, telephone, Skype, Zoom, etc. Several of the issues and concerns relate to overall aims of being Borough of Culture, as well as practical considerations. 2. There are several tensions and contradictions within the proposals that clearly could not be ironed out at the time the bid was submitted to the Mayor of London.
    [Show full text]
  • Isla Shaw Stage Designer
    Isla Shaw Stage Designer WhatsOnStage article, Dec 2015: Let's Talk About Sets: Isla Shaw on The Witches WhatsOnStage article, September 2017: Let’s Talk About Sets: Isla Shaw on Pink Sari Revolution Agents Alice Dunne Assistant +44 (0) 20 3214 0949 Flora Line [email protected] Credits Theatre Production Company Notes MAGIC BEACH CDP Theatre Dir: Liesel Badorrek THE MIDNIGHT GANG CDP Theatre Dir: Susanna Dowling Wri: Maryam Master FULLY SIKH Barking Gecko Theatre Dir:Matt Edgerton Nominated for PAWA award for Best Mainstage Production THE CAT IN THE HAT Leicester Curve UK Dir: Suba Das MY ROBOT Barking Gecko Theatre Dir: Matt Edgerton PINK SARI REVOLUTION Leicester Curve & UK tour Dir: Suba Das THE IMPORTANCE OF BEING Leicester Curve & Birmingham Director: Nikolai Foster EARNEST Rep United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes WIPERS Leicester Curve Dir: Suba Das Winner of the Asian Media Award for Best Stage Production THE WITCHES Leicester Curve / Hong Kong tour Dir: Nikolai Foster WHAT FALLS APART LIVE Theatre (Newcastle) Dir: Max Roberts ALIENS LOVE UNDERPANTS Nick Brooke Dir: Adam Bampton Smith EMILY BROWN AND THE THING Tall Stories / Sydney Opera House Dir: Olivia Jacobs ANGELINA BALLERINA Nick Brooke & Bos Productions Dir: Miranda Larson A MIDSUMMER NIGHT'S DREAM Shakespeare's Globe, UAE tour Dir: Bill Buckhurst THE SNAIL & THE WHALE Tall Stories, Broadway, Sydney Dir: Olivia Jacobs & Toby Mitchell THE GRUFFALO
    [Show full text]
  • The Future of Fairfield Halls
    THE FUTURE OF FAIRFIELD HALLS Sean Creighton, Norbury resident, historian, and Co-ordinator of the Samuel Coleridge-Taylor Network A discussion contribution by Sean FRED SCOTT, CROYDON PIANIST, ON WORKING WITH FH FH has always been co-operative in allowing me to book events there focused on performances involving local young artists across genres of music. ‘Soundpractice has staged events including lunchtime concerts, pre-concert foyer performances and events for last year's Coleridge-Taylor Festival. This last especially was a great forum for young people to perform; some students of mine were able to have premiered a piece they had written around SCT, also involving LMP in the performance. Last November saw local Youth Theatre Company Studio 74 give the first performance in Ashcroft Theatre of a new musical by Stella Coussell (South London composer) called 'Song for the World', based around the life of SCT, a further performance for BHM 2013 is currently being arranged. in addition, Soundpractice has been able to put on concerts as fund-raisers for Skeletal Cancer Action Trust, some of these have featured people affected by that disease. More of these concerts are planned for 2014. There will be a series of concerts in Spring 2014 which will raise funds for SCAT, involving a celebration of the 80th birthday of eminent British composer, and South London resident, Justin Connolly, who will also be performing himself. Future concerts in 2014 will also include prominent international artists in recital who bring their considerable following to Croydon. Included in current planning is to stage a major international-reach multi-genre music festival culminating in a collaboration to find instrumentalists, composers and conductors of excellence.
    [Show full text]
  • Women in Theatre 2006 Survey
    WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female).
    [Show full text]
  • Parliamentary Debates (Hansard)
    Friday Volume 532 9 September 2011 No. 197 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Friday 9 September 2011 £5·00 © Parliamentary Copyright House of Commons 2011 This publication may be reproduced under the terms of the Parliamentary Click-Use Licence, available online through The National Archives website at www.nationalarchives.gov.uk/information-management/our-services/parliamentary-licence-information.htm Enquiries to The National Archives, Kew, Richmond, Surrey TW9 4DU; e-mail: [email protected] 649 9 SEPTEMBER 2011 650 House of Commons Legislation (Territorial Extent) Bill Consideration of Bill, not amended in the Public Bill Committee Friday 9 September 2011 Clause 1 The House met at half-past Nine o’clock DUTIES OF THE SECRETARY OF STATE PRAYERS 9.34 pm The Chairman of Ways and Means took the Chair as Deputy Speaker (Standing Order No. 3). Helen Goodman (Bishop Auckland) (Lab): I beg to move amendment 3, page 1, line 2, leave out ‘publishing Mr Philip Hollobone (Kettering) (Con): I beg to draft’ and insert ‘presenting’. move, That the House sit in private. Mr Deputy Speaker (Mr Lindsay Hoyle): With this it Question put forthwith (Standing Order No. 163), and will be convenient to discuss the following: negatived. Amendment 6, page 1, leave out lines 7 to 10 and insert ‘“legislation” means primary legislation, secondary legislation or amendments to primary legislation’. Amendment 8, page 1, line 16, leave out ‘draft’. Amendment 14, title, line 1, leave out ‘preparing draft legislation for publication’ and insert ‘presenting legislation’. Helen Goodman: I am pleased to have the opportunity to speak on this Bill and to the amendments standing in my name and that of my hon.
    [Show full text]
  • WHAT the WOMEN DID Theatre Includes Lizzie Siddal (Arcola Theatre), Virgin (Watford Palace), Jack Off the Beanstalk (Above the Stag)
    Southwark Playhouse Cafe/Bar FORGOTTEN VOICES FROM THE GREAT WAR: NOW OPEN ALL DAY WHAT THE Mon - Fri 9am - Midnight WOMEN DID Sat 12.30pm - Midnight A TRIPLE BILL OF PLAYS ABOUT THE FIRST WORLD WAR A fantastic menu of simple hot food A wide selection of Hot & Cold drinks Free Wi-Fi A friendly and welcoming atmosphere Experienced baristas Fairtrade, seasonal, locally sourced Great for meetings! For bookings call our Front of House Manager, Nathan, on 020 7407 0234 Enjoy a hot drink on us! Bring this voucher to the cafe between 9am-5pm Mon-Fri for a free hot drink of your choice.* * One voucher per person. Photocopies not accepted. Valid until Friday 14th March 2014 LINDA HAPGOOD | StageAs a protestManager against the US/ inShiverman 2005, which (Theatre503), showed Murder the incomradeship The Cathedral (Oxfordand Playhouse). Her next production is Trained at Royal CentralUK Schoolinvasion of Speech of Iraq and in Drama.2003, For Two’s Company: London Wall humour,Martine (Finborough fading to Theatre). disillusion, Emily of was a theplatoon winner of the Best Costume Designer award at the (Finborough and St James Theatres, and winner of the Stage Management Association Award 2011 OffWestEnd Awards. 2013). Other Theatre Two’sincludes Company Handbagged quickly (Tricycle Theatre), Khadija is 18 (Finborough Theatre), facing misery and death in the trenches. DUNCAN COOMBE | Lighting Designer Tosca (New Diorama),mounted Less Than a Kind production (Jermyn Streetof Miles and national tour), Play it Again Sam TheLighting last Designs rediscovery for Two’s was Company: Velona London Pilcher’s Wall (Finborough and St James Theatres), Ex (Soho (Upstairs at the Gatehouse), Bewitched, Bothered and Bewildered, The Art of Concealment, Mother Malleson’s Black ‘Ell at Soho Theatre), My Real War 1914-? (Trafalgar Studios and national tour).
    [Show full text]
  • Late Company
    STAGE TRAFFIC PRODUCTIONS PRESENT THE EUROPEAN PREMIERE OF LATE COMPANY BY AWARD-WINNING CANADIAN PLAYWRIGHT JORDAN TANNAHILL STARRING TODD BOYCE, DAVID LEOPOLD, ALEX LOWE, LUCY ROBINSON AND LISA STEVENSON AND DIRECTED BY MICHAEL YALE AT FINBOROUGH THEATRE FROM 25 APRIL – 20 MAY 2017 As part of the Finborough Theatre’s celebrations of Canada’s 150th birthday, Canadian playwright Jordan Tannahill, “the hottest name in Canadian theatre”, will debut his play, Late Company, at the Finborough Theatre, for a strictly limited season from 25 April – 20 May 2017, with press nights on 27 April/28 April. The full cast for Late Company are: Todd Boyce (Michael), David Leopold (Curtis), AlEx LowE (Bill), Lucy Robinson (Debora) and Lisa Stevenson (Tamara). This production will be directed by MichaEl YalE, with set and costumes by Zahra Mansouri, lighting by Nic Farman and sound by Chris Prosho. One year after a terrible tragedy; 2 sets of parents, one dead son, one living son. Who is to blame? A suburban dinner party for closure after 17 year-old Joel commits suicide. The guests; his heartbroken mother and father, his so-called tormentor Curtis, and his parents. Far from finding the peace they seek, the dinner strips bare their good intentions to reveal layers of parental, sexual, and political hypocrisy. Written with sensitivity and humour, Late Company explores restorative justice, cyber bullying, and the ever-changing complexities of parenthood in the 21st century. Todd Boyce’s (MichaEl Shaun-Hastings) theatre credits includes The Exorcist (Birmingham Rep), The Last of the Boys (Southwark Playhouse), Hamlet (The Young Vic), The Women of Lockerbie (Orange Tree Theatre, Richmond), Glyn and It (Yvonne Arnaud Theatre, Guildford), Whose Afraid of Virginia Woolf (South Australian Theatre Company), The Normal Heart (Sydney Theatre Company), Limited Edition (Sydney Dance Company), Lovers from Hell (Ovalhouse), Dr Faustus (Sydney Theatre Company) and The Exonerated (Riverside Studios).
    [Show full text]
  • Introduction
    Notes Introduction 1. Current feminist theatre scholarship tends to use the term ‘heteronormative’. The predominant use of the term ‘heterosexist’ in this study draws directly from black lesbian feminist Audre Lorde’s notion of ‘Heterosexism [as] the belief in the inherent superiority of one pattern of loving and thereby its right to dominance’ (Lorde, 1984, p. 45). 2. See Diana Fuss, Essentially Speaking: Feminism, Nature and Difference (London: Routledge, 1989) for summaries and discussions of the essen- tialism/constructionism debates. 3. See, for example, Elaine Aston, An Introduction to Feminism and Theatre (London: Routledge, 1995); Elaine Aston, Feminist Views on the English Stage: Women Playwrights, 1990–2000 (Cambridge: CUP, 2003); Mary F. Brewer, Race, Sex and Gender in Contemporary Women’s Theatre: The Construction of ‘Woman’ (Brighton: Sussex Academic Press, 1999); Lizbeth Goodman, Contemporary Feminist Theatres: To Each Her Own (London: Routledge, 1993); and Gabriele Griffin Contemporary Black and Asian Women Playwrights in Britain (Cambridge: CUP, 2003). 4. See, for example, Susan Croft, ‘Black Women Playwrights in Britain’ in Trevor R. Griffiths and Margaret Llewellyn Jones, eds, British and Irish Women Dram- atists Since 1968 (Buckingham: OUP, 1993); Mary Karen Dahl, ‘Postcolonial British Theatre: Black Voices at the Center’ in J. Ellen Gainor, ed., Imperi- alism and Theatre: Essays on World Theatre, Drama and Performance (London: Routledge, 1995); Sandra Freeman, Putting Your Daughters on the Stage: Lesbian Theatre from
    [Show full text]
  • Boxpark Croydon
    BOXPARK CROYDON CONTENTS INTRODUCTION [0 3] THE CONCEPT [0 5] BOXPARK SHOREDITCH [07] CROYDON [16] Boxpark CroydoN [2 0] DETAILS [31] the EVolution OF A reVolutioN NOT SOME RUN-OF-THE MALL SHOPPING CENTRE NO FLAVOURLESS, JOYLESS FOOD CHAIN BOXPARK'S A VIBRANT FEAST FOR THE SENSES TO KICKSTART CROYDON'S RENAISSANCE [ 4 ] reVolutioN. IN THE BEGINNING THERE WAS BOXPARK SHOREDITCH — THE WORLD'S FIRST POP-UP MALL THE BRAIncHILD OF RoGER WADE, CREAtoR OF BRITISH StReetweAR BRAND BoXFRESH, BoXPARK GRew OUT OF HIS LOVE FOR THE RAW PoweR OF INDUSTRIAL ARCHItectURE AND HIS PASSIon FOR INDEPenDent BRANDS, WHICH ARE IncREASINGLY GettING SQUeeZED OUT OF OUR HOMOGeneoUS HIGH STReetS. THen, AS now, THIS IS RADICAL STUFF, STRIPPING AND REFIttING SHIPPING contAIneRS to CREAte FLEXIBLE, Low coST RetAIL SPAceS THAT STACK UP to MAKE A BRAND new BReeD OF RetAIL DESTINATIon – AND to CREAte A BUSIneSS enVIRonMent WHERE FRESH, InnoVATIVE INDEPenDent RetAILERS WILL THRIVE. It’S A RetAIL REVOLUTIon THAT’S SPAwneD MANY IMITAtoRS BUT no EQUALS. UNTIL noW. [ 5 ] EVolutioN. A casual dining reVolution, where retail becomes entertainment BOXPARK CROYDON EMBRACES THE ORIGINAL ETHOS, AND THEN SOME. BIGGER BY FAR, MORE AMBITIOUS AND EVen MORE RADICAL, IT’S FOUNDED on THE HEARTFELT conVIctIon THAT PeoPLE DESERVE BetteR; THAT IN AN IncREASINGLY DIGITAL ERA WHERE EVERYTHING’S AVAILABLE AT THE CLICK OF A MOUSE we neeD to GIVE PeoPLE MORE… AnD we CAN DO THAT BY CREATING A PLAce THAT’S A JOY to VISIT AND MAKES YOU WAnt to STAY… A DESTINATIon WHERE PeoPLE LOVE to TURN UP, UnwIND AND HANG OUT – AND A HOME FOR HANDPICKED, AUTHentIC BRANDS THAT MAKE YOU FeeL SPecIAL.
    [Show full text]
  • Palace Family Day Set to Boost School Libraries Page 9 Opening the Doors on the Past Page 6
    YourCroydon ISSUE 2 - NOVEMBER 2006 Palace Family Day set to boost school libraries Page 9 Opening the doors on the past Page 6 Mini-motos come to a crushing end Page 12 Fireworks - lighting the touch paper Page 15 TAKEadvantage OF OUR COMPETITIVE contents ADVERTISING RATES FULL page from £799 8 Holes in the road 297 x 210mm How roadworks in the borough are managed by the council, the police and those responsible. HALF page from £350 Horizontal- 148.5 x 210mm 9 Football fun for the family QUARTER page from £175 Croydon Council is teaming up with Crystal Vertical - 148.5 x 105mm Palace to sponsor the club’s Family Day. If you would like your business to benefit 13 Staying safe on the road from advertising in one of the country’s leading community magazines and would Road accident numbers are tumbling thanks to like more information, a copy of our rate the work of the council and its partner agencies. card or a booking form, please call: Paula Howell ☎ 020 8760 5644 14 Explaining the child index How shared information will help safeguard the best interests of all children across Croydon. 18 Recycling that old PC Tips on responsible ways of offloading your old home computer. This magazine is printed on environmentally friendly, TCF (Totally Chlorine Free) paper, 19 Help end fly-tipping produced from a sustainable source. When They are unsightly, unhygienic and antisocial – you have finished with this magazine please help put an end to the blight of fly-tips. recycle it. To contact Croydon Council email: [email protected] Taberner House, Park Lane, Croydon, CR9 3JS Telephone: 020 8726 6000 Council website: www.croydon.gov.uk ELBELB Community website: www.croydononline.org EST.1985 To contact the editor Building & Landscaping Contractors email: [email protected] Taberner House, Park Lane, Croydon, CR9 3JS From a simple tap change to Telephone: 020 8760 5644 a complete refurbishment.
    [Show full text]
  • Council Tax - Held at 0% Again See Page 6 the Diamond Jubilee - Cooking up a Great Day See Page 8 2 Yourcroydon March 2012 | Your Croydon
    Issue 53 - March 2012 Your primary source of community information www.croydon.gov.uk WIN Tickets to see Sweeney Todd page 17 Council tax - held at 0% again See page 6 The Diamond Jubilee - cooking up a great day See page 8 2 yourcroydon March 2012 | Your Croydon Contents Useful contacts For police, fire brigade, ambulance, call: 999 or 112, Text phone 1800 Working harder for you . .6 Croydon Council general enquiries Despite a financial climate that 020 8726 6000 continues to be hostile, with no immediate change in sight, Croydon’s Croydon NHS Walk-in Centre council tax rise stands at 0% – for the 020 3040 0800 second year running. NHS Direct 0845 4647 Celebrate the Queen’s big date . 8 Croydon University Hospital 020 8401 3000 The borough is on celebration alert for 2012 as people get set to mark the Queen’s diamond Get in touch jubilee with the biggest and best To get in touch with the Your Croydon street parties. editorial team, email: yourcroydon@croydon .gov .uk or call 020 8760 5644 Wish you were here? . 12 If you have any concerns or observations The Frank Denning Memorial Trust is once again regarding the distribution or delivery of offering help to students keen to undertake Your Croydon, please send an email to natalie .rogers@satellitedistribution .co .uk foreign travel. or call 020 7372 4776 Your Croydon welcomes letters for publication. Civic awards . 14 They should be no more than 200 words. Receipt of a letter (in print or by email) does not guarantee Your chance to vote for your local hero – a volunteer, inclusion.
    [Show full text]