Grants overview 2012

1 2012 ECF GRANTS OVERVIEW Introduction

ECF grants stimulate cultural collaboration, transnational explorations, artistic expression STEP Beyond Travel Grants and the mobility of artists and cultural actors. We support projects by individuals and organisations that have the potential to both capture and reflect on relevant European Between 3 December 2011 and 2 December 2012, we received 838 applications from realities, and bring these to the attention of the general public. artists and cultural operators from 49 countries. 239 applicants from 42 countries were awarded a STEP Beyond Travel Grant (a success rate of 28 %). A total of € 105,050 was In line with ECF’s mission and guiding principles we facilitate reflection and dissemination spent. of knowledge, and to this end ECF’s Grants and Digital Departments have been investing in designing and building the Grants Lab – an online space for cultural practitioners from In addition, five special grants have been awarded in the framework of the competition to Europe and beyond. Users can share information about their projects, get in touch with win a trip to ECF's Imagining Europe event in Amsterdam on 4-7 October 2012. These their peers from all over Europe and apply for ECF funding. In 2012, the first pilot of the grants covered travel and accommodation costs and per diems, and amounted to a total Grants Lab – the STEP Beyond Lab – was launched as the first publicly available ECF of € 4,625. Lab at http://www.ecflabs.org/grants/stepbeyond. Discretionary and Pro-active Grants Collaboration Grants In 2012, ECF awarded two discretionary grants of €20,000 and €15,000 respectively, and The 2012 budget for Collaboration Grants amounted to €300,000. Of this total, €299,830 three pro-active grants (related to ECF’s Imagining Europe event in October in was spent on grants. Amsterdam) amounting to a total of €23,200.

There has been one Collaboration Grants round in 2012, with the deadline of 2 May. We received 420 applications. Of these, 281 applications were eligible – according to the technical criteria – and 27 proposals were pre-selected and sent to the advisers who selected 14 projects to receive a Collaboration Grant. The success rate (based on eligible applications) is thus 4.9%.

Balkan Incentive Fund for Culture (BIFC)

The 2012 budget for BIFC grants amounted to €245,200. Of this total, €244,838 was spent. 106 organisations applied for a BIFC grant and twelve projects were selected to receive support (a success rate of 11%).

2 2012 ECF GRANTS OVERVIEW Grant advisers in 2012

Collaboration Grants BIFC – Balkan Incentive Fund for Culture Grants

André Akutsa Oliver Musovik Fundraising and Cooperation Project Manager, Association A.M.I., Independent Artist and Curator and Deputy Regional Manager, Swiss Cultural Programme in the Western Balkans, Macedonia Rabiaâ Benlahbib Director, Kosmopolis (Den Haag), The Netherlands Haris Pasovic Director, East West Center Sarajevo, Bosnia and Herzegovina Chrissie Faniadis Communications, Kulturbryggan, Sweden

Ann Margret Hauknes Project Manager, Norwegian Centre of Expertise Tourism, Norway

Petya Koleva Managing Director, Intercultura Consult,

Laurens Runderkamp Senior Policy Officer, SICA/Dutch Centre for International Cultural Activities, The Netherlands

3 2012 ECF COLLABORATION GRANTS Collaboration Grants 2012

1. Cultural Translations. Revisiting Footnotes (Latvia)

2. European Days in Belarus ()

3. European Prospects: Visual Explorations in an Undiscovered Continent (UK)

4. Hard Facts ()

5. Hi, you are making a film (HEH1P) (Spain)

6. New breath of culture: fill heritage with the life of arts (Ukraine)

7. multipli-Cities (UK)

8. Now wakes the sea (The Netherlands)

9. OuUnPo – A new Spring for Democracy? (Sweden)

10. P.I.G.S. ()

11. Recreation Ground (Germany)

12. Social Error (Hungary)

13. We have a situation... (France)

14. Voice the Music (Macedonia)

4 2012 ECF COLLABORATION GRANTS

1. Cultural Translations. Revisiting Footnotes

Organisation Latvian Centre for Contemporary Art (Latvia) ECF decided to support this project because Partners IZOLYATSIA. Platform for Cultural Initiatives (Ukraine), Center for Contemporary Art, Chisinau [KSA:K] (Moldova) and it explicitly aims to strengthen the Drugo More (Croatia). collaboration between Eastern regions of Website http://www.lcca.lv/ Europe and strives to offer an ‘eastern’ Grant award € 25,000 view of recent history (as opposed to the traditionally better known ‘western’ cultural Summary scene). Because of this, it also fits well The project will bring together cultural institutions and artists from Latvia, Ukraine, Moldova and Croatia to create a platform for collaboration and to with ECF’s European Neighbourhood compile a glossary of shared terminology from these post-socialist contexts. The glossary will take the form of research-based ‘suitcase’ exhibitions, Programme. artistic interventions and also online or printed publications. It will attempt to review and rewrite contemporary cultural history and to add new pages to the existing version of common European cultural space. The project targets cultural institutions in former Soviet and Socialist countries, emphasising the connection between the “East-East” cultural scenes.

2. European Days in Belarus

Organisation Kultur Aktiv (Germany) ECF decided to support this project because Partners Discussion and Analytical Society “Liberal Club” (Belarus), Valgevene Uus Tee (Estonia) and Oficina da Courela Associação it values the views of people who have been (Portugal). excluded from sharing their vision of Europe. Website http://www.kulturaktiv.org ECF also thinks it is daring to operate in a Grant award € 24,000 complex context by bringing together people who are eager to find a platform where they Summary can express themselves and exchange their The project European Days in Belarus aims to create a new artists’ network between Europe and Belarus through an exchange of art and artists. The views freely. target group for this project mainly consists of Belarusian artists, cultural managers and journalists, as well as others involved in the cultural sphere. Partner countries include Estonia, Portugal and Germany (and this list will ideally expand to more EU countries in future). In September 2012, seven artists from Belarus will partner with an artist from one of the project countries and they will take part in the European Cultural Days in Belarus event in the regional Belarusian towns of Vitebsk, Brest and Mogilev. Then all 14 artists will come together for a conference in Minsk with around 200 participants. Discussions about the present-day tendencies of European culture development and the role and place of Belarus will take place under the guidance of the organisers and participating artists.

5 2012 ECF COLLABORATION GRANTS

3. European Prospects: Visual Explorations in an Undiscovered Continent

ECF decided to support this project because Organisation Ffotogallery Wales (UK) it looks at European citizenship through Partners Fotosommer Stuttgart e.V. (Germany), Lithuanian Photographers Association (Lithuania) and FAMU Film & TV School of Academy different lenses and aims to create a of Performing Arts in Prague (Czech Republic). laboratory for young talents to collaborate Website http://www.ffotogallery.org/ with their own peers. This approach fits well Grant award € 23,000 with ECF’s Youth & Media Programme.

Summary European Prospects: Visual Explorations in an Undiscovered Continent uses photography and the visual arts to examine questions of identity and experience in an enlarged European Union involving key arts organisations in Wales, Germany, Lithuania and the Czech Republic. Working collaboratively at all stages of the project, artists and cultural institutions will investigate the changing nature of European citizenship, and how our wider global outlook is mediated by trade, culture and technology. The project targets emerging artists from the four participating countries, audiences connected to the exhibition venues and cultural professionals from all parts of the EU.

4. Hard Facts

Organisation Domestic Research Society (Slovenia) ECF decided to support this project with a Partners Samoupravna interesna zajednica (Croatia) and PENSART (Spain). research and development grant because Website http://www.hardfactsblog.wordpress.com/ although the idea of looking at ‘do-it-yourself’ Grant award € 10,000 history in Europe is valuable and the proposal radiated energy and enthusiasm, we felt the Summary organisers needed to invest in researching the This grant for research and development will be invested in developing the Hard Facts project, which aims to explore the difference between topic and to consider how they plan to realise media- or science-generated history and the history we have constructed ourselves throughout our lives. We all have a tendency to bring home the project in practice. souvenirs from the events we attend throughout our lives. Often these memories are synchronised with the common social or political significance of the events that are also reflected through the media coverage at the time. But there are cases when these events never enter history, or their significance is only realised at a later stage. Targeting people who do not usually follow contemporary art, Hard Facts will explore how we try to pin down our fluid lives and how we let the media upgrade the subjectively experienced events into historical ones.

6 2012 ECF COLLABORATION GRANTS

5. Hi, you are making a film (HEH1P)

Organisation Maelström/ Off Limits (Spain) ECF decided to support this project because Partners Tatatour (Morocco) and Palha de Abrantes Association (Portugal). it is a straightforward project that uses an Website http://www.offlimits.es/maelstrom innovative, experimental format in film- Grant award € 25,000 making, involving teenagers and their specific neighbourhoods on both sides of the Summary Mediterranean basin. It therefore links well to Hi, you are making a film is a collaborative experiment with three groups of teenagers between 15 and 18 years old from Spain, Portugal and ECF’s Youth & Media Programme. Morocco. These young film-makers will generate a film collectively that will create a reality beyond their own identity. It works according to a cadavre exquis format where each group of youngsters tells their story in their local context, without knowing what the others will do in the next scene of the film. Based on a technique developed by the Surrealist movement in the early twentieth century, a collection of words or images is gathered collaboratively. Each participant then adds to a composition in sequence, either by following a rule or by being allowed to see the end of what the previous person has contributed. The idea is to target teenagers from Madrid, Abrantes and Tangiers and to create a bridge between these young people and the communities they live in.

6. New breath of culture: fill heritage with the life of arts

Organisation Kherson City Center for Youth Initiatives “Totem” (Ukraine) ECF decided to support this project because Partners Youth Association “DRONI” (Georgia) and Armenian Young Women Association (Armenia). it addresses a region where audience Website http://www.totem.kherson.ua/ development that is specific to young people Grant award € 23,000 – and involves young people – is both daring and necessary. It also fits well within ECF’s Summary European Neighbourhood programme. Drawing on traditional cultural heritage found in the museums of Ukraine, Georgia and Armenia, this project aims to develop and share best practice for participatory approaches that use art innovations for audience development. The project will work with international groups of creative young people to facilitate dialogues and to exchange cultural experiences. The project will create art projects that are inspired by different local, national and international culture values but are represented in a modern and relevant way through, for example, art quests, installations and video art. These projects and ideas will be collected to create an alternative art guide for each of the museums in question.

7 2012 ECF COLLABORATION GRANTS

7. multipli-Cities

Organisation Motiroti (UK) ECF decided to support this project because Partners Oslo Museum (Norway), Centro Interculturale Mondinsieme () and Do Tank Studios (UK). it combines art and interculturality using an Website http://www.motiroti.com innovative digital platform and reaches out to Grant Award € 20,000 different audiences, reflecting an alternative view of today’s urban realities. Summary multipli-Cities is a series of artist-led walking tours in London, Oslo and Reggio Emilia created for Smartphones. Designed for people who live and work in these locations, each tour throws new light on the city from unexpected angles, revealing invisible stories, hidden treasures, locations and communities. The tours explore the creative potential that is brought to European cities when people migrate between different locations – opening up new opportunities and perspectives. Six artists from a cross-section of generations, locations and cultural backgrounds will design content for this project. They include: Tania El Khoury (UK/Lebanon); Randa Ghazy (Italy/Egypt); Samuele Huyn-Hong (Italy/Vietnam); Samir M’Kadmi (Norway/Tunisia); Margarida Palva (Norway/Portugal); Ali Zaidi (UK/India/Pakistan). The project will be developed interactively. After this first development phase, it will be expanded and opened up to allow more artists to create their own content for the app, and to allow more organisations to become involved with the community that supports and promotes it.

8. Now wakes the sea

Organisation Stichting Satelliet Group (The Netherlands) ECF decided to support this project because Partners GeoAIR (Georgia), Europist (Turkey) and MediArt Dialog (Moldova). projects like these have been supported Website http://www.satellietgroep.nl by ECF in the past and this project has the Grant award € 20,000 potential of taking the research to yet another level. The regions where the project takes Summary place also connects the project to ECF’s A research and exchange project focusing on coastal areas in the Black Sea and North Sea. The project will include several components, such as European Neighbourhood programme. coastal research by architects, urbanists and scientists, and artist in residency programmes in coastal transition areas in Turkey, the Netherlands, Georgia and Moldova. Two artists/film-makers per location will work as an international partnership within the residency to visualise, reflect and research the history of coastal developments and the influence on coastal urban life and people.The goal is to develop strategies that could open up new visions on the relationship between cities and residents to the coastlines in question.

8 2012 ECF COLLABORATION GRANTS

9. OuUnPo – A new Spring for Democracy?

Organisation Vision Forum (Sweden) ECF decided to support this project because Partners GAM – Global Art and the Museum (Germany), Batroun Projects (Lebanon) and Ashkal Alwan – The Lebanese Association for it is interested in seeing assumptions about Plastic Arts (Lebanon). the ‘Arab Spring’ and the ‘social media Website http://visionforum2011.blogspot.com/ revolution’ questioned properly, following its Grant Award € 12,220 work in the Arab Mediterranean countries, in particular at the level of cultural policies. Summary OuUnPo investigates the role of social media in contemporary Middle Eastern societies and looks at how social media can be used as a democratic tool, with a particular focus on young people. The project will research how democratic and artistic processes can be implemented in a Middle Eastern context in the wake of the Arab Spring. A week-long work session will take place in Beirut, including collaborations with local artists and researchers, leading to interventions in public spaces and different institutions – as well as a publication. The shared goal will be to create a renewed understanding of Europe for people from many different backgrounds, and to inspire them to regard the world’s future as a shared enterprise.

10. P.I.G.S.

Organisation Entropia (Greece) ECF decided to support this project because Partners The Performance Corporation (Ireland) and ETRE Association (Italy). it is a different and positive approach to a Website http://www.theatre-entropia.gr very timely European topic and it wants Grant award € 20,000 to address disturbing and uncomfortable questions to young citizens to fight negative Summary stereotypes. The acronym Ρ.Ι.G.S. (which stands for Portugal – Ireland – Greece – Spain) has been used by bond analysts, investors’ circles and financial commentators as a concise way of referring to the EU’s economically weaker countries. This project will attempt to investigate the current landscape we are living in by raising disturbing and uncomfortable questions and addressing them in a playful way. Performing artists, theorists and thinkers from different parts of Europe will be invited to work collaboratively in this open process through laboratories, residencies and workspaces. The project will culminate in a final event – “SOTIRIA” (Salvation) – which will take the form of a thematic festival and will include urban interventions, installations, performances, site- and situation-specific works and a public forum.The project is targeted primarily at younger people (aged 18-35), since the current situation affects them directly and a vision for the future concerns them the most.

9 2012 ECF COLLABORATION GRANTS

11. Recreation Ground

Organisation Wasteland Twinning Network (Germany) ECF decided to support this project because Partners W139 (The Netherlands) and The Islanders – One Thoresby Street (UK). it is exploring public space and its Website http://wasteland-twinning.net relationship with local communities, focusing Grant Award € 20,000 on public ownership or ‘commons’ rather than the gentrifying approach. This topic Summary is not only quite topical for urban planners Recreation Ground is a pioneering trans-European art and urbanism project that brings together artists, architects, critical theorists, ecologists, and architects, but ECF is also currently urban planners and local communities in Berlin, Amsterdam and Nottingham to develop new collaborative approaches to understand the role, investigating what it means for citizens to function and value of wasteland spaces in three large urban centres. The project will result in a forum and various artistic projects delivered on-site reclaim public spaces (see, for example, and in collaboration with the local communities. It will target transitory inhabitants and users of the three wasteland areas, including artists, (guerilla) http://www.culturalfoundation.eu/imagining- gardeners, joggers, fishers, dog walkers and tourists, as well as architects and urban planners. europe).

12. Social Error

Organisation SZPUTNYIK Nonprofit Kft (Hungary) ECF decided to support this project because Partners Schauspielhaus Graz GmBH (), Staatstheater Mainz (Germany), Hungarian Theatre of Cluj (Romania) and Schauspiel it questions the core essence of the EU Leipzig, Germany. through an artistic performance taking place Website http://www.szputnyik.com/Social_Error.html in Central Europe, bringing an issue that Grant award € 25,000 is important to ECF before a new theatre audience. Summary This project consists of a theatrical board game organised in each of the participating countries, recreating contemporary ruling political systems and economic anomalies, and presenting a metaphor of modern society. The performance is modelled on multiplayer strategic board games such as Risk or The Settlers of Catan, which are then adapted into a series of dramatic vignettes. The result is a vicious and action-packed theatrical event that comments on the nature of power, emerging ideologies, faithful subjects and rebellious outsiders. Another twist is added when the audience is offered the chance to interact through voting, a concept taken from televised reality shows. The project is aimed at theatre-goers who are open to new innovations, as well as new audiences that are interested in the content of the performance, including political scientists and minority groups.

10 2012 ECF COLLABORATION GRANTS

13. We have a situation...

Organisation Association AP033 (France) ECF decided to support this project because Partners MAD emergent art center (The Netherlands), Schaumbad – Freies Atelierhaus Graz (Austria) and Furtherfield (UK). it offers a fresh participatory approach, using Website http://www.apo33.org/ both on- and offline artistic performances, Grant award € 27,050 and harnesses the power of networks to identify and address ‘situations’ that reflect Summary important European issues. We have a situation... is a series of live, cross-border, participatory performances that will take place both online and offline, focusing on current cross-cultural European issues, e.g. financial crisis and disillusionment by political leaders.The performances will occur at local venues and simultaneously on the online platform UpStage. They will share stories across European national borders and pose questions that investigate a specific situation, which will be formulated in a collaborative way by audience and performers alike.After each performance, European audiences – connecting online in real time – will contribute to discussions that imagine creative solutions to the situation. Four ‘situations’ will be created in London, Eindhoven, Graz and Nantes. Each ‘situation’ will consist of a planning and research phase (by both online and local participants), a five- day workshop (by both local participants in collaboration with artists), and this will culminate in a performance (for a locally gathered audience and a live online trans-European audience, who will all participate in the discussion). The target audience consists of European citizens who look to imagining a better world and want to voice that vision.

14. Voice the Music

Organisation Jeunesses Musicales (Macedonia) ECF decided to support this project because Partners Jeunesses Musicales (Serbia), Exces Music (Romania) and Glazbena Mladez Hrvatske HGM (Croatia). it is particularly relevant and innovative to Website http://www.jmm.org.mk focus on building audiences in this region of Grant award € 25,560 Europe. It has a broad reach (11 countries) and aims to establish a network operating in Summary a mutually supportive format. It also explicitly The long-term objective of Voice the Music is to bring arts closer to audiences through mutual education and interaction between stage (venue), links policy and practice (and vice versa). musicians, organisers and audiences. It focuses on young musicians, young music professionals and music educators, supporting them to develop innovative ways of presenting music and engaging audiences in concerts. The project will begin by mapping the current situation, identifying needs and key skills required, and collecting best practices in 11 countries (Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Macedonia, Montenegro, Poland, Romania, Serbia, Slovenia and Ukraine). A selected number of participants will be trained in creative concert production and will disseminate their new- found skills at a local level. Finally, the project aims to engage in a policy dialogue with cultural and educational authorities to integrate those skills into concert management practices and cultural and educational curriculums at a local level.

11 2012 ECF BIFC GRANTS BIFC (Balkan Incentive Fund for Culture) Grants

1. Balkan Express - Reflecting Balkans through new lenses (Slovenia)

2. Co-voicings - The project about meeting voices (Slovenia)

3. Documentary Rough Cut Boutique (Bulgaria)

4. Ex Yu No Border Jamming (Slovenia)

5. Fijuk Network (Serbia)

6. Fresh Danube Films (Serbia)

7. Invisible Walls (Kosovo)

8. Listening to the audience (Macedonia)

9. Music E761 (Bosnia & Herzegovina)

10. On the verge of reason (OVR) (Croatia)

11. Remembering Maja (Croatia)

12 2012 ECF BIFC GRANTS

1. Balkan Express - Reflecting Balkans Through New Lenses

Organisation Association Balkan Express (Slovenia) ECF decided to support this project because Partners Alt Art Foundation (Romania), Bunker (Slovenia), CUMA Association (Turkey), Drugo More (Croatia), Expeditio (Montenegro), it encourages and promotes cross-sectoral IETM (Belgium) and ODA Theatre (Kosovo) collaborations and complements grass-roots Website In progress innovation and creation with a scientific Grant award € 20,000 theoretical approach.

Summary A collaboration between partners from Slovenia, Belgium, Romania and Turkey, this project provides a platform to help the region’s arts sector to rethink its role and to reconnect with other sectors in a search for a renewed vision of the future. To achieve this, the project will identify and promote examples of innovative and sustainable practice from the region and encourage the creation of socially engaged cross-sectorial collaboration through lectures, presentations, public debates, workshops, working groups, blogs and a ‘think-and-act’ tank. The target group includes: artists and cultural operators from the Balkans and Central Europe; experts and operators from different fields such as urbanists, sociologists, philosophers, psychoanalysts, economists, ecologists, scientists and engineers; as well as general audiences interested in sustainability.

2. Co-voicings – The Project About Meeting Voices

Organisation Emanat Institute (Slovenia) ECF decided to support this project because Partners CRVENA Association for Culture and Art (Bosnia & Herzegovina), it stimulates collaboration between different Festival Interzone (Serbia), Instytut im. Jerzego Grotowskiego (Poland) generations, connecting traditions with Website www.emanat.si contemporary lives. Grant award €18,856

Summary With partners from Slovenia, Poland, Serbia and Bosnia & Herzegovina, this project aims to mix the traditional (ethno) singing and knowledge about music traditions with contemporary music expressions and alternative practices. Workshops and lectures will be combined with live performances and screenings. The target groups include: local artists from different generations, genres and musical traditions; anthropologists; and researchers from cultural, artistic and philosophical backgrounds.

13 2012 ECF BIFC GRANTS

3. Documentary Rough Cut Boutique

Organisation Balkan Documentary Center (Bulgaria) ECF decided to support this project because Partners DokuFest International Documentary and Short Film Festival (Kosovo), MakeDox Creative Documentary Film Festival it opens up professional development (Macedonia) and Obala Art Center – Sarajevo Film Festival (Bosnia and Herzegovina). possibilities for young documentary Website http://www.bdcwebsite.com filmmakers who have limited access to Grant award € 13,480 support in their home countries by linking them up with the most important regional Summary institutions, channels and networks. A collaboration between partners from Bulgaria, Bosnia and Herzegovina, Kosovo and Macedonia, this project offers coaching and expert advice The project puts a strong emphasis on from distinguished experts for selected creative documentary projects. The aim is to help Balkan filmmakers to produce five high-quality artistic knowledge and skills transfer and networking documentary films through active collaboration between filmmakers, national film institutions, media and festivals. within the framework of successful regional The target groups include: Balkan filmmakers (especially from the Balkan countries that are not EU members);TV commissioning editors, media documentary festivals. representatives and distributors; film institutions; documentary film festivals; and general audiences (viewers of documentary films).

4. Ex Yu No Border Jamming

Organisation Subkulturni azil – zavod za umetniško produkcijo in založništvo (Slovenia) ECF decided to support this project because Partners Alternativna kulturna organizacija – AKO (Serbia), Tuzla Live (Bosnia and Herzegovina) and Udruga Trash (Croatia). it will give a new lease of life to the Website www.ljudmila.org/subkulturni-azil/ alternative music scene in Serbia and Bosnia Grant award € 20,000 and Herzegovina by exchanging knowledge and experience between the partners and Summary by involving relevant stakeholders (such With partners from Slovenia, Serbia, Bosnia and Herzegovina, and Croatia, this project offers a platform for musical creativity among alternative as producers and decision-makers) in the youth subcultures in the Balkan region. It aims to strengthen local non-commercial music scenes by offering workshops, organising music events project. and helping artists to establish local music labels and festivals inspired by the project. Experience in decision-making, administration, fundraising, production and project management will be shared with partner organisations in five different workshops. The target groups are organisations and individuals from Serbia and Bosnia and Herzegovina who support, produce or promote alternative music, such as punk and electronic music. Important target groups are musicians – as the project aims to connect them with listeners, as well as other musicians and producers – and local producers and decision-makers in the field of cultural production in Bosnia and Serbia.

14 2012 ECF BIFC GRANTS

5. Fijuk Network

Organisation Association Turbo Comix (Serbia) ECF decided to support this project because Partners Association ARTOUR (Croatia), Kud Mreža (Slovenia) and La Bagarre ONLUS (Italy). it will encourage knowledge exchange with Website www.turbomix.eu/blog www.novodobafestival.net the comic scene between the Balkans and Grant award € 14,045 European countries and also other artistic disciplines – e.g. film, performance, visual Summary arts, literature and music. With partners from Slovenia, Croatia, Italy and Serbia, this networking project aims to promote and distribute independent comics throughout the region. The project consists of collaborative workshops and laboratories that bring artists, publishers, organisers and the audience together in experimental production spaces during different festivals. It also aims to develop an online platform and a printed periodical publication that will promote and investigate the link between independent comics and other art forms. The project aims to expand the existing circle of comic fans to all lovers of modern, experimental and alternative artistic expression, by breaking down the barriers between consumers and cultural producers through collaborative participatory workshops.

6. Fresh Danube Films

Organisation Cinema City Association (Serbia) ECF decided to support this project because Partners Association of Movie Fans “RARE” (Croatia); Crossing Europe Film Festival Linz (Austria); Fund B92 – it connects film-makers and different film- Free Zone Film Festival (Serbia) related institutions with each other, creating a Website www.cinemacity.org new network. It also improves the knowledge Grant award € 29,490 and practical skills of young film artists from the region and increases their visibility and Summary recognition outside the region. The aim of the project is to promote and support cultural diversity and creative synergy of cinematographies along the Danube River by creating a networking and knowledge-sharing platform for talented young film-makers from this region.Together with organisations from Serbia, Croatia and Austria, the project will develop capacity-building activities for young film professionals, as well as organising promotional events and creating an online database. This project targets young film-makers and students of film academies across the Danube region, as well as institutions involved in the art of film- making and the general festival audiences.

15 2012 ECF BIFC GRANTS

7. Invisible Walls

Organisation ODA (Kosovo) ECF decided to support this project because Partners Desperate Men (United Kingdom); Lieux Publics (France); Skupi Festival (Macedonia); UZ Arts (United Kingdom) it is exploring and rethinking the use of public Website www.teatrioda.com space in countries where artistic public Grant award € 20,000 interventions rarely happen. Additionally, this project creates new places for showcasing Summary arts and culture and bringing people together With partners from France, Macedonia and the UK, this project aims to provoke new artistic thinking around the notions of freedom of movement, as random visitors to public spaces. physical/psychological isolation and public spaces. Local artists will collaborate with other European artists during residencies and workshops in order to develop street art techniques and artistic practices in public spaces, followed by a performance. The ‘work in progress’ and the final result will be presented in a video documentary and a brochure. The target groups are artists from Kosovo, Macedonia, France and the UK, as well as local residents/visitors to the public spaces and policy- makers.

8. Listening to the audience

Organisation Faculty for things that can’t be learned – FRU (Macedonia) ECF decided to support this project because Partners NI Center for Culture (Macedonia), P.A.R.A.S.I.T.E. Institute (Slovenia), SKART (Serbia) and it addresses the important issue of audience Stacion Center for Contemporary Art (Kosovo). development in the region, linking audience's Website www.aktofestival.com expectations with an actual production of a Grant award € 16,740 festival.

Summary This collaborative project invites opinions and listens to audience’s expectations, needs and preferences in an interactive dialogue, as well as involving young audiences in the conceptualisation and production of activities for the AKTO festival for contemporary arts. The lead organisation, FRU from Macedonia, will also organise a series of seminars and workshops with partners from Slovenia, Macedonia, Serbia and Kosovo. The results of the project will be presented in exhibitions and in a collaborative workshop documentary. The target groups are emerging Macedonian artists, who will be coordinating the workshops, established regional artists and experts in contemporary art in the Balkans, as well as volunteers at the AKTO festival and the general audience.

16 2012 ECF BIFC GRANTS

9. Music E761

Organisation Alter Art (Bosnia & Herzegovina) ECF decided to support this project because Partners ACADEMICA – Akadamska grupa (Serbia), Cultural Center Lift (Serbia), Forum of civic action FORCA Požega (Serbia), Positive it is collaboration at the grassroots level Youth (Serbia), Timok Youth Center (Serbia), Udruženje gradana “Kultivator” (Bosnia and Herzegovina), with the potential to expand across the Udruženje “Tuzla Live” (Serbia) region. Additionally, young musicians will Website www.alterart.ba be empowered by providing them with the Grant award €11,727 necessary resources and knowledge. Local audiences from small towns will also have Summary the opportunity to connect with new music With partners from Serbia and Bosnia & Herzegovina, this project aims to strengthen the local capacity of young musicians and others involved and bands. in the independent music scene in seven different small towns along the road E761 between Bosnia & Herzegovina and Serbia. With a total of 22 bands, concerts will take place in the cities along the road. In order to facilitate access to the global markets of the creative industry at regional and national level, professional recordings of two songs by each band and a documentary film will be made and distributed. The target group are the members of 22 bands (108 young people aged between 13 and 30) and the audience attending cultural centres alongside the E761 road.

10. On the verge of reason (OVR)

Organisation Shadow Casters (Croatia) ECF decided to support this project because Partners Centre for Cultural Decontamination – CZKD (Serbia), Qendra Multimedia (Kosovo) and Omada One/off (Cyprus) it celebrates everyday heroes and their acts Website www.shadowcasters.blogspot.com of selflessness and civil courage in an age Grant award € 28,500 of growing individualism and increasing lack of social cohesion in European societies. Summary This is especially true in the societies of the With partners from Croatia, Serbia, Kosovo and Cyprus, this project aims to provide a visible space for stories of human courage from all social participating countries. strata and generations through a dynamic, multi-layered interactive web archive. This will include testimonies from different people through short videos and audio clips, and the exploration of radical personal engagement between 1933 and today. The goal is to empower the idea of individuals who cherish their individuality through awareness of belonging to a wider context. Accompanying exhibitions, debates and workshops will bring further components to the project. This cross-generational and cross-social project targets a broad general audience. The heroes of the story also represent every strata of society. The project addresses children who will talk about their everyday heroes but can also imagine the heroic acts they want to accomplish themselves.

17 2012 ECF BIFC GRANTS

8. Remembering Maja

Organisation de facto (Croatia) ECF decided to support this project because Partners Art workshop Lazareti (Croatia), Bitef Theatre (Serbia), Kliker (Serbia) and &TD Theatre (Croatia). it uses innovative approaches to open Website www.defactoart.com up a critical examination of the culture of Grant award € 22,000 remembrance in the countries of former Yugoslavia, while developing a dialogue Summary between cultural and artistic operators and This project aims to analyse the ‘Maja phenomenon’ as a case study for understanding collective childhood memories in socialist Yugoslavia. Partners young people in Serbia and Croatia through from Serbia and Croatia will produce the play Maja and me and Maja. This will be followed by artistic and interdisciplinary theoretical workshops, collaborative work. lectures and public discussions. The whole project will be documented on a website, as well as on a DVD and in a publication. The play will also tour in theatres in Bosnia and Herzegovina, and Montenegro. The target groups are the general public, theatre experts, historians and anthropologists, as well as young professionals, students and cultural activists – all whom have personal memories of or interest in the children’s books about Maja in particular, and in the period of Yugoslav socialism in general.

18 2012 ECF STEP BEYOND TRAVEL GRANTS Step Beyond Travel Grants

The STEP Beyond Travel Grant scheme operates on a rolling basis. This means that STEP Beyond Travel Grants run over the entire year, with a twice monthly assessment carried out internally. STEP Beyond Travel grants amount to €250, €400 or €700, depending on the travel itinerary.

19 2012 ECF STEP BEYOND TRAVEL GRANTS

STEP Beyond Travel Grants 2012 The highest number of applications received in 2012 - according to departure country - was from Germany (104), United Kingdom (61) and Serbia (58). Germany (39), United Kingdom (28) and Serbia (16) also had the highest number of awarded grants per country.

The highest number of applications received in 2012 - according to destination country - was to Turkey (76), Germany (67) and Russian Federation (48). Turkey (32), Germany (17), Morocco (12), Georgia (12) and France (12) had the highest number of awarded grants per destination country.

• Pascal Le Brun-Cordier from France to Tunisia • Jean-Sebastian Teil from France to Tunisia • to Turkey • Philipp Jan Zimmermann from Germany to Croatia • Fatma Yehia from Egypt to Seda Shekoyan from Armenia to France • Gohar Smoyan from Armenia to France • Basma Switzerland • Bashar Horoub from Palestinian Territories to Norway • Timothée Huguet from Alsharif from Jordan to The Netherlands • Sviatoslav Pomerantsev from Ukraine to Germany • Turkey to Spain • Soledad Zarate from United Kingdom to Serbia • Stanley Middleton from United Daryna Poseichuk from Ukraine to Germany • Andriy Lyubka from Ukraine to Germany • Noah Kingdom to Serbia • Astrea Pejovic from Serbia to France • Jovana Papovic from Serbia to France Birksted-Breen from United Kingdom to Russian Federation • Johanna von den Driesch from • Réka Deák from Romania to Jordan • Yassine Boussiad from The Netherlands to Morocco • Germany to Egypt • Alvaro Sau Razkin from Spain to Egypt • Claudia Orjuela from Spain to Egypt Mohammed Benjamin Benrakad from The Netherlands to Morocco • Mohammed Ali from The • Ezzat Ismail from Egypt to France • Neander Anna from Sweden to Albania • Brännström Netherlands to Morocco • Simona Orinska from Latvia to Armenia • Liga Stibe from Latvia to Andréas from Sweden to Albania • Nesrin Tanç from Germany to Turkey • Gürsoy Tanç from Armenia • Simon Deschamp from Sweden to Turkey • Sibylle Meder Kindler from Greece to Israel Germany to Turkey • Kemal Kilicli from Germany to Turkey • Marenz Marcolini Emanuela from • Lucia Macari from The Netherlands to Moldova • Dmytro Biloiartsev from The Netherlands to Italty to Georgia • Darash Ehud from Germany to Israel • Landau Na’ama from Germany to Israel Moldova • Shushan Khachatryan from Armenia to The Netherlands • Olena Chertilina from • Greinke Berit from United Kingdom to Morocco • Esra Geelmuyden Pertan from Denmark to Ukraine to The Netherlands • Klaus Kleine from Germany to Israel • Leah Whittingham from United Turkey • Effendi Rena from Egypt to United Kingdom • Pavel Kostomarov from Russian Federation Kingdom to Ukraine • Harm-Christian Tolden from United Kingdom to Ukraine • Sylvain Mariette to Czech Republic • Slawomir Czerwinski from Ukraine to Turkey • Agata Katarzyna Bielska from from France to Armenia • Arabella Lawson from United Kingdom to Palestinian Territories • Joanna Poland to Turkey • Pawel Korbus from Poland to Turkey • Zorana Djakovic from Serbia to United Gierdal from United Kingdom to Palestinian Territories • Valeriy Simonchuk from Ukraine to Kingdom • Anna Weißenfels from Germany to Morocco • Anne Merlin from France to Turkey • Palestinian Territories • Katie Tranter from United Kingdom to Ukraine • Toby Thirling from United Alma Ferovic from Bosnia-Herzegovina to Slovakia • Maia Simonia from The Netherlands to Kingdom to Ukraine • Alan Fertil from Belgium to Bosnia-Herzegovina • Damien Teixidor from Georgia • Jana Kollertová from Czech Republic to Bosnia-Herzegovina • Azra Ibrahimovic from Belgium to Bosnia-Herzegovina • Patricia Gropp from Germany to Israel • Tatiana Fiodorova from Serbia to Slovenia • Jovana Rakic from Serbia to Slovenia • Markus Nieden from Germany to Moldova to Czech Republic • Armine Hovhannisyan from Armenia to Turkey • Andrea Benaglio Ukraine • Ruta Vimba from Germany to Serbia • Julia Vernersson from Germany to Serbia • from Italy to Morocco • Alina Fofanova from Italy to Morocco • Marzia Palmieri from Italy to Morocco Christophe Vaillant from Germany to Serbia • Svitlana Topor from Ukraine to Sweden • Vasyl • Julia Dick from Germany to Turkey • Cigdem Ücüncü from Germany to Turkey • Elisabeth Malko from Ukraine to Sweden • Fionnuala Doran from United Kingdom to Turkey • Rachid Alik Lindig from Germany to Turkey • Evy Schubert from Germany to Georgia • Peter Geoghegan from from Algeria to Turkey • Ailin Conant from United-Kingdom to Lebanon • Orly Hummel from Israel United Kingdom to Albania • Dara Siligato from Spain to Tunisia • George Tabliashvili from Georgia to Germany • Susanna Gyulamiryan from Armenia to Germany • Jasmina Aleksova from to Portugal • Viktoria Georgieva from Bulgaria to Ukraine • Mathijs Stegink from The Netherlands Macedonia (FYROM) to Portugal • Ivo Pecov from Macedonia (FYROM) to Portugal • Gokce Suvari to Russian Federation • Anne Mauch from The Netherlands to Russian Federation • Janneke de from Turkey to The Netherlands • Federica Bueti from Germany to Israel • Nadine Poulain from Graaf from The Netherlands to Russian Federation • Gunes Terkol from Turkey to Serbia • Guclu Germany to Serbia • Vojin Kopuz from Bosnia-Herzegovina to Croatia • Zoltan Katay from Hungary Oztekin from Turkey to Serbia • Sukru Ozgur Erkok from Turkey to Serbia • Orcun Okurgan from

20 Turkey to The Netherlands • Hilal Sebel Pekel from Turkey to The Netherlands • Sirma Oztaş from Morocco • Laura Kraeusel from Germany to Morocco • Gilles Aubry from Germany to Morocco • Turkey to The Netherlands • Suzanne Posthumus from The Netherlands to Turkey • Nicolas Borel Arpi Adamyan from Armenia to Germany • Nikita Khudiakov from Ukraine to Germany • Ievgeniya from The Netherlands to Turkey • Chrysoula Panousiadou from United Kingdom to Palestinian Dulko from Ukraine to Germany • Armen Sargsyan from Armenia to Albania • Liana Avetisyan Territories • Olga Karyakina from Russian Federation to Germany • Srdjan Kovachevich from from Armenia to Albania • Artur Makaryan from Belgium to Albania • Paulina Papenfuss from Croatia to Cyprus • Maka Batiashvili from Georgia to France • Baris Seyitvan from Turkey to Germany to Turkey • Sabine Ostermann from Germany to Turkey • Lisa Roedig from Germany to France • Aleksey Manukyan from Armenia to France • Sergey Shivts from Georgia to Moldova • Bosnia-Herzegovina • Ali Ihsan Kaleci from France to Azerbaijan • Erica Letailleur from France to David Turley from United Kingdom to Ukraine • Dimitrii Kazenas from Russian Federation to United Azerbaijan • Anna Gruszka from Poland to Georgia • Bartosz Ciepaj from Poland to Georgia • Kingdom • Alexandr Koposov from Russian Federation to United Kingdom • Nikita Nesterov from William Hollister from United Kingdom to Georgia • Ellinor Balbach from Germany to Bosnia- Russian Federation to United Kingdom • Carolina Victoria Tapias Guzman from Germany to Croatia Herzegovina • Donika Rudi from Kosovo to Portugal • Hisham Awad from Lebanon to Portugal • • Sara Duana Meyer from Germany to Egypt • Liat Bolzman from Israel to Croatia • Rima Jawabra Mourad Haimer from Algeria to Spain • Alix Janta-Polczynski from United Kingdom to Turkey • from Israel to Croatia • Carolina Rito from United Kingdom to Turkey • Natalie Czech from Germany Lauren Jones from United Kingdom to Turkey • Jaba Sikharulidze from Georgia to Austria • Ieva to Turkey • Jelena Martinovic from Serbia to Italy • Sofiane Zouggar from Algeria to United Kingdom Astahovska from Latvia to Georgia • Stefan Press from Switzerland to Armenia • Jonas Leihener • Ivan Ivanovski from Macedonia (FYROM) to United Kingdom • Deda Qëndresë from Kosovo to from Germany to Georgia • Erik Lavesson from Germany to Georgia • Goni Zilberman from Israel United Kingdom • Jelena Kostica from Serbia to United Kingdom • Nelisa Bazdar from Bosnia- to Ireland • Jelena Veljkovic from Serbia to Ireland • Illia Gladshtein from Ukraine to The Herzegovina to United Kingdom • Iryna Tsypina from Ukraine to Germany • Kateryna Korolyova Netherlands • Vladimir Fjodorov from Latvia to Ukraine • Vineta Kalnina from Latvia to Ukraine • from Ukraine to Germany • Gillie Kleiman from United Kingdom to Israel • Daniel Han from Poland Karolina Wojtasik from Poland to Turkey • Lucia Simaskova from Czech Republic to Israel • Julia to Bosnia-Herzegovina • Alexandra Kazazou from Poland to Bosnia-Herzegovina • Diego Pileggi Schneeweiss from Germany to Macedonia (FYROM) • Julia Niksch from Germany to Macedonia from Poland to Bosnia-Herzegovina • Marieke Warmelink from The Netherlands to Turkey • Anna (FYROM) • Matina Magkou from Belgium to Lebanon • Marine Khucishvili from Georgia to France Martirosyan from Armenia to Turkey • Sona Khachatryan from Armenia to Turkey • Masa Jelic • Alicja Dobrucka from United Kingdom to Palestinian Territories • Ljubica Milekic from Bosnia- from Serbia to Italy • Marko Potkonjak from Serbia to Italy • Jaroslav Sedlák from Czech Republic Herzegovina to France • Liina Paakspuu from Estonia to Georgia • Tamara Sudjashvili from to Moldova • Michal Mačuda from Czech Republic to Moldova • Lea Hawerlandová from Czech Georgia to France • Jerneja Rebernak from Austria (Slovenia?) to Lebanon • Ruth Dupre from Republic to Moldova • Miroslava Polanska from Slovak Republic to Armenia • Hanin Tarabay from Belgium to Lebanon • Ceylan Dokmen from Turkey to The Netherlands • Dragana Jovovic from Palestinian Territories to Italy • Armen Vardanyan from Armenia to The Netherlands • Alina Serbia to France • Yevhen Hulevych from Ukraine to France • Serkan Bozkurt from Turkey to The Abdullayeva from Azerbaijan to Switzerland • Manuela Centrone from France to Turkey • Andrew Netherlands • Annegret Sachse from Germany to Russian Federation • Angela Boskovitch from Sawyer from United Kingdom to Morocco • Jovanka Popova from Macedonia (FYROM) to Norway Germany to Egypt • Tomasz Ciesielski from Poland to Croatia • Gabriele Labanauskaite from • Elena Trencheva from Macedonia (FYROM) to Norway • Giusy Chierchia from The Netherlands Lithuania to Georgia • Annika Hippler from Germany to Russian Federation • Klemen Zavrsnik to Albania • Maxim Efimov from Russian Federation to Croatia • Gül Aydin from Turkey to Estonia from Slovenia to Bosnia-Herzegovina • Adina Istrate from United Kingdom to Croatia • Ana Catarina • Seckin Aydin from Turkey to Estonia • Menekse Samanci from Turkey to Estonia • Diana Cristina Pinho from Portugal to Russian Federation De Fex Sierra from France to Jordan • Virginie Piotrowski from France to Armenia • Ilaria Olimpico from Italy to Israel • Hannes Lingens from Germany to Russian Federation • Pierre Borel from Germany to Russian Federation • Alexander Peroutka from Czech Republic to Russian Federation • Milos Djordevic from Serbia to Germany • Jovana Avramovic from Serbia to Germany • Joel Anderson from United Kingdom to Jordan • Roberto Santaguida from Germany to Serbia • Jacquelyn Honess-Martin from United Kingdom to Bosnia-Herzegovina • Rowan Jessie Rutter In September 2012 ECF announced a competition to win a trip to ECF’s Imagining Europe event from United Kingdom to Bosnia-Herzegovina • Margarida Mendes from Portugal to Lebanon • in Amsterdam on October 4 - 7. Out of the 51 submissions coming from all over the European Aleksander Popovic from Serbia to Germany • Ana Dimitrijevic from Serbia to Germany • Milan Neighbourhood, five winners were selected, who came up with the most creative and original Manic from Serbia to Germany • Zane Datava from Latvia to Turkey • Margrieta Dreiblate from answers to the question ‘How do you imagine Europe?’: Ghizlane Assou (Morocco), Hayk Sekoyan Latvia to Turkey • Amanda Ziemele from Latvia to Turkey • Sandra Babing from Germany to (Armenia), Lea Linin (Macedonia/FYROM), Natalia Kidalova (Ukraine) and Yoav Galai (Israel).

21 2012 ECF DISCRETIONARY GRANTS Discretionary Grants

NEF Anniversary 2012

Organisation NEF – Network of European Foundations Website http://www.nef-europe.org Amount awarded € 20,000

Summary All twelve members of the Network of European Foundations (NEF) contributed to a unique 10th anniversary event held in Austria, on the first weekend of September 2012, with the theme of "Seeding the Future of Europe". The project brought together 25 "insiders" - crucial influencers or decision-makers within EU institutions - with 25 innovators and thinkers from the realms of science, economics, civil society activism, culture and youth who are working "outside" institutions, with an aim to move from crisis thinking to future thinking and propose practical ways forward. A preview performance of the Doc Next Network project, European Souvenirs, was included in the programme.

Festival Europe Now

Organisation Podium Mozaiek (The Netherlands) Partner Theater RAST (The Netherlands) Website http://www.podiummozaiek.nl Grant award €15,000

Summary Together with Theater Rast, Festival Europe Now will be organised on 7–12 May 2013 in Podium Mozaiek and Bellevue Theatre in Amsterdam. The aim is to create a dialogue about post-migrant Europe. What can we understand about contemporary Europe and what can the (theatre) world learn from the storytelling of Europe Now?

22 2012 ECF PRO-ACTIVE GRANTS Pro-active Grants

Europeans are questioning what it means to be part of Europe and whether they want to continue to be part of it, while people around the world are talking about Europe’s economic and cultural future. In response, ECF initiated a four-day event – Imagining Europe – which brought together leading artists and thinkers from diverse disciplines and backgrounds to explore these issues, through music, performance, film, exhibitions and debates. Imagining Europe took place on the 4–7 October 2012 at the renowned cultural space, De Balie in Amsterdam. Participants included Indian-born author Amitav Ghosh, Syrian composer and musician Kinan Azmeh, Dutch trumpet player Eric Vloeimans, Belarus Free Theatre and British-based filmmaker John Akomfrah.

23 2012 ECF PRO-ACTIVE GRANTS

1. Trash Cuisine at Imagining Europe

(Addendum to grant 1161 (research phase 2011)

Organisation Belarus Free Theatre Partners Centre for Cultural Decontamination – CZKD (Serbia), Qendra Multimedia (Kosovo) and Omada One/off (Cyprus) Website http://dramaturg.org/?lang=en Amount awarded € 8,750

Summary During the Imagining Europe event, exiled actors from the Belarus Free Theatre premiered their latest piece, Trash Cuisine, at the Stadsschouwburg in Amsterdam. The performance examined the theme of violence, drawing on the actors’ experience growing up in Belarus – the last European country to use the death penalty. In their imaginary ‘kitchen’, Belarus Free Theatre served the audience with an emotional culinary experiment, accompanied by live music.

2. Music performance with Kinan Azmeh

Organisation Stichting Enveloppe for Eric Vloeimans Amount awarded €8,480

Summary In the framework of ECF’s Imagining Europe event, Dutch trumpeter Eric Vloeimans developed a musical performance in collaboration with Syrian musician Kinan Azmeh. The performance premiered on 4 October 2012 at the event’s main location De Balie in Amsterdam and a second performance took place on 5 October.

3. Tweet at Imagining Europe

Developing and creating virtual reality and social media participation at Imagining Europe Awarded to Sander Veenhof Amount awarded €5,970

Summary Sander Veenhof developed a unique concept, allowing guests at the Imagining Europe event to use their smart phones and computers as a “remote control”, so that they could participate pro-actively in the event. The concept enabled users to connect with participants and other guests, in and outside De Balie, to receive more content during and after the event, and to widen our social media outreach.

24 2012 ECF FINANCIAL OVERVIEW

Financial overview 2012 Grants

Budget Spent Collaboration Grants 300,000 299,830 BIFC Grants 245,200 244,838 Discretionary Grants 50,000 35,000 Pro-active Grants 75,000 23,200 Step Beyond Travel Grants 141,000 105,050

Organisations that received a Collaboration Grant 2012 Organisations that received a Balkan Incentive Fund for Culture Grant 2012

Name Amount granted Name Amount granted Vision Forum 12,220 Shadow Casters 28,500 Ffotogallery 23,000 Turbo Comics 14,045 APO33 27,050 De facto 22,000 Kultur Aktiv 24,000 Faculty for things that can’t be learned 16,740 Szputnyik 25,000 Balkan Documentary Centre 13,480 Maelström 25,000 Subkulturni azil 20,000 Entropia 20,000 ODA 20,000 Wasteland 20,000 Cinema City Association 29,490 Jeunesses Musicales 25,560 Association Balkan Express 20,000 Satellietgroep 20,000 Emanat Institute 18,856 Kherson 23,000 Alter Art 11,727 Motiroti 20,000 Labin Art Express XXI 30,000 Latvian centre 25,000 TOTAL BIFC 244,838 Domestic Research Society Grants 10,000 TOTAL COLLABORATION GRANTS 299,830

Organisations that received a Pro-active Grant 2012

Name Amount granted Organisations that received a Discretionary Grant 2012 Belarus Free Theatre 8,750 Name Amount granted Stichting Enveloppe for Eric Vloeimans 8,480 NEF – Network of European Foundations 20,000 Sander Veenhof 5,970 Podium Mozaik 15,000 TOTAL PRO-ACTIVE GRANTS 23,200 TOTAL DISCRETIONARY GRANTS 35,000

25