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Crisis? PU LS Life Long Burningsymposium T a N Z IMPULSTANZ Vienna International Dance Festival Life Long Burning Symposium Crisis? What Crisis!? Dance & Aesthetic – Dance & Labour – Dance & Politics – August Ehem. k. und k. Post- und Telegraphenamt Zollergasse , Wien Regular Updates, Details & Tickets at impulstanz.com + lifelongburning.eu #impulstanz A Future Archeology at ImPulsTanz © Karolina Miernik 2 Friday 11 AUGUST 20:00–22:00 Contributions PD Dr. habil. Krassimira Kruschkova Jay Pather Cape Town Vienna (BG/AT/D) Choreographer, curator and academic Theatre, dance and performance Jay Pather is director of the Institute for theorist, curator Creative Arts (ICA) at the University of Cape She teaches at the University of Applied Town. Here Pather has created structures for Arts, the Academy of Fine Arts Vienna, and is interdisciplinary collaboration. His research visiting professor at the FU Berlin. From 2003 and artistic work deploys site-specific, inter- to 2017 Krassimira was head of the theory disciplinary and intercultural strategies to and media centre at Tanzquartier Wien. She frame postcolonial imaginaries and matters of was visiting professor also at the University social justice. He curates the Infecting the City of Vienna, where she did her doctorate and Public Art Festival; the ICA Live Art Festival, the habilitation. Afrovibes Festival (The Netherlands) and for Selected publications: Ob?scene. Zur the Spielart Festival (Munich). Recent publica- Präsenz der Absenz im zeitgenössischen tions appear in Rogue Urbanism; Performing Theater, Tanz und Film, Vienna, 2005; It Cities and Theater. He was recently appointed takes place when it doesn’t. On dance juror for the International Award for Public and performance since 1989 (ed. with Art, Fellow at the University of London and M. Hochmuth/G. Schöllhammer), Frankfurt a. Chevalier des Arts et des Lettres by the French M., 2006; Uncalled. Dance and performance Ministry of Culture. of the future (ed. with S. Gareis), Berlin, 2009; Wissen wir, was ein Körper vermag (ed. with A. Böhler/S. Valerie), Bielefeld, 2014. Friday 3 Kick Off Dialogues Claudia Bosse Vienna/Berlin Eisa Jocson Manila Artist Choreographer, dancer Claudia Bosse is a choreographer, artist and Eisa Jocson is a contemporary choreographer the artistic director of theatercombinat, a and dancer from the Philippines. Trained as transdisziplinary art production company. a visual artist, with a background in ballet, After studying theatre directing at the she won her first pole-dancing competition Hochschule für Schauspielkunst Ernst Busch in Manila in 2010. Her 3 solo works; Death of Berlin, she develops on an international level the Pole Dancer (2011), Macho Dancer (2013, installations and site spedific theatre works 8:tension) and Host (2015) toured extensi- for museums, architectures, theatres and vely in major festivals worldwide, including urban spaces. Claudia creates experimental ImPulsTanz Vienna (2013), Noorderzon, theatre between (spatial) choreography, Groningen (2013 & 2015), Tanz im August, (choral) theatre and urban intervention. She Berlin (2013 & 2015), Zürcher Theater Spektakel is teaching, lecturing and publishing. She also (2012 & 2013 & 2015), Theater der Welt (2014), initiates or participates in research projects Asia Triennial of Performing Arts, Melbourne and is continuously collaborating with artists (2017). The 3 solos have been presented as a and theorists of different genres. trilogy in LIVEWORKS festival in Sydney (2016) and Counterpulse festival & SF MOMA in San claudiabosse.blogspot.com Francisco (2016). Macho Dancer won the www.theatercombinat.com Zürcher Kantonalbank Acknowledgement Prize 2013. She then had her first solo exhibition; Philippine Macho Academy (2014) in Vargas Igor Dobricic Berlin/Amsterdam Museum, University of the Philippines. From Dramaturge pole to macho dancing to hostess work, Eisa Igor Dobricic is a freelance dramaturge living investigates the labour and representations of between Berlin and Amsterdam and working the dancing body in the service industry, and internationally. He is regularly engaging exposes identity and gender formation, seduc- with students at the Amsterdam School for tion politics, and Filipino social mobility. New Dance (SNDO) and for the last four Under the HAPPYLAND (2017) series, her years he is working as a mentor in a context new creation Princess, a duet with Filipino of the K3 choreographic residency program performance artist Russ Ligtas and Your in Hamburg. Eight years ago, as a research Highness a collaboration with 5 dancers from fellow with the Amsterdam School of the Ballet Philippines is a continuation of her Arts, he developed Table Talks - an ongoing investigation into Filipino labour, performance performative / discursive project of his own. of happiness and production of fantasy within the happiness empire. 4 Friday Gerald Raunig Zurich / Málaga Philosopher works at the eipcp and its multilingual publishing platform transversal texts, and as professor for philosophy at the Zürcher Hochschule der Künste. His books have been translated into English, Serbian, Spanish, Slovenian, Russian, Italian, Dutch, and Turkish. Recent books: DIVIDUUM. Machinic Capitalism and Molecular Revolution Vol. 1, New York/Los Angeles: Semiotext(e)/MIT Press 2016; Kunst und Revolution (Neuauflage), Wien et al.: transversal texts 2017. Rok Vevar Ljubljana Publicist, dance historian, founder of The Slovene Temporary Dance Archives Rok Vevar is a writer, dramaturge, and his- torian of contemporary dance and theatre. He is the founder of The Slovene Temporary Dance Archives, since 2009 member of Nomad Dance Academy (regional and local organiz- ation), co-curator of CoFestival (Ljubljana). A dramaturge he collaborated with choreogra- phers Sinja Ožbolt, Andreja Rauch Pozdravnik, Snježana Premuš, Kaja Lorenci etc. and in the recent years in Mladinsko theatre with Oliver Frljić, Ana Vujanović, Saša Aasentić etc. Bet- ween 2013-2015 – assistant professor at Aca- demy For Theatre in Ljubljana and Academy for Dance Ljubljana. 5 Saturday 12 AUGUST 10:00 11:00 Warm Up Session Talkback Session Angela Schubot of Friday Evening Panel Biljana Tanurovska-Kjulavkovski & In the warm up, we will practise a deep Jasmina Založnik listening to autonomous movements and forces inside and outside the body, which Jasmina Založnik Ljubljana, Aberdeen will breathe us, dance us, think us, dream Theoretician, dramaturge us. Creating a space of true listening before Jasmina Založnik is a theoretician and drama- clobbering what is there with our principals turge in the field of contemporary performing and desires. arts, completing a PhD in visual culture at the University of Aberdeen (UK) (fellowship Angela Schubot Berlin recipient of the Ministry of Culture of RS, the Dance artist Elphinstone PhD Scholarship), attempting As a dancer, researcher and artist, she to reconceive politics embraced in ‘alter- has developed her own solo-practice and native’ performative practices in the 1960, pieces based on the topic of the power- 1970s and 1980s in former Yugoslavia. Among less body. She is co-founder of Two Fish other things, she is a member of the regional (2000-2012) with Martin Clausen and works network Nomad Dance Academy, a member since 2009 with Jared Gradinger, developing of artistic board CoFestival and Performa&- pieces about the topic of debordering of the Platforma. She received the Slovenian national body. In 2016 she started to collaborate with award in contemporary dance – The Ksenija Robert Steijn, finding the brotherhood in Hribar award in the category for critic/writer/ what binds us in being different. Schubot is dramaturge in 2015. teaching movement research and is coaching a.o. at DOCH/University of Dance and Circus in Stockholm, ImPulsTanz Wien, HZT-Berlin and SMASH Berlin. She finished her healing-educa- tion in the method “Danis Bois” and is travel- ling through Mexico and Peru, learning more about plant-medicine and how to let the mind drop into the heart. 6 Saturday Biljana Tanurovska-Kjulavkovski Skopje 12:00 Cultural manager, curator Biljana Tanurovska Kjulavkovski is a cultural Input Lecture worker – a manager and curator operating in the field of contemporary culture and Silke Bake (performing) arts as part of the independent Running riot, striking root art scene in Macedonia. She works on the Between embracing and questioning the re-evaluation of modes of artistic, cultural recent diversity and multiplicity: Is there production and collaboration, being active still a need to define what it would be— in research and advocacy for cultural policy contemporary dance? Is there something like matters. She holds a BA in the History of Art a historical derivation; in which way can we and Archaeology, an MA in Interculturalism, still consider dance as a critical praxis? Cultural Management and Cultural Policy from the University of Arts in Belgrade, and Silke Bake Berlin currently she is PhD candidate in the Faculty Dramaturge, curator, mentor of Drama Arts in Belgrade. She is executive Together with colleagues, artists and director and co-founder of NGO Lokomotiva institutions, she develops thematic and co-founder of Nomad Dance Academy programmes, discoursive and research (NDA). With Lokomotiva, she co-funded Kino formats in the field of contemporary Kultura-space for contemporary performing performing arts. She focuses on the social, arts and culture as well as Jadro- the asso- structural and geographic conditions (and ciation of the independent cultural scene in changes) of contemporary art production.
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