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Diplomsko Delo
UNIVERZA V LJUBLJANI FILOZOFSKA FAKULTETA ODDELEK ZA ETNOLOGIJO IN KULTURNO ANTROPOLOGIJO ODDELEK ZA ZGODOVINO DIPLOMSKO DELO LJUBLJANA, 2015 PATRICIJA JEREB UNIVERZA V LJUBLJANI FILOZOFSKA FAKULTETA ODDELEK ZA ETNOLOGIJO IN KULTURNO ANTROPOLOGIJO ODDELEK ZA ZGODOVINO PATRICIJA JEREB Ne računajte na nas! Razpad Jugoslavije in vpliv rock 'n' rolla v protivojnih akcijah v Srbiji v devetdesetih letih prejšnjega stoletja Diplomsko delo Študijski program: Etnologija in kulturna antropologija Zgodovina Mentorja: red. prof. dr. Rajko Muršič red. prof. dr. Božo Repe Ljubljana, 2015 Zahvala Iskreno se zahvaljujem mentorjema prof. dr. Rajku Muršiču in prof. dr. Božu Repetu za vse strokovne nasvete in vsestransko pomoč pri izdelavi diplomskega dela ter vsem svojim sogovornikom, saj brez njih moje diplomsko delo ne bi bilo mogoče. Zahvaljujem se staršem in prijateljem za vso podporo in spodbudne besede v času študija. Izvleček Ne računajte na nas! Razpad Jugoslavije in vpliv rock 'n' rolla v protivojnih akcijah v Srbiji v devetdesetih letih prejšnjega stoletja Diplomsko delo obravnava tematiko razpada Jugoslavije in vpliv rocka v protivojnih akcijah v Srbiji. Vojne na območju nekdanje Jugoslavije so v srbski družbi pustile neizbrisen pečat. Vojna kultura ni vplivala samo na razmah kriminala temveč je močno zaznamovala tudi glasbeno sceno. Protivojne akcije so bile relativno pogoste; vojni situaciji so se upirale različne organizacije, ki so z akcijami opozarjale na nesmiselnost vojne in njene posledice. Prav tako so protivojno držo izražali posamezni rock glasbeniki, ki so izvedli nekaj uspešnih projektov. Najodmevnejši projekt je skupina Rimtutituki, ki je v februarju 1992 posnela pacifistično pesem Slušaj 'vamo (Poslušaj) z eksplicitnim sporočilom. Rock ni preprečil tragičnega konca SFRJ, to niti ni bil namen, brez dvoma pa izpeljani glasbeni projekti predstavljajo velik uspeh in iskro upanja vsem narodom nekdanje skupne države. -
PHASE III Call for Applications 2016 Anibar
An EU funded project managed by the European Union Office in Kosovo Implemented by CULTURE FOR ALL – PHASE III Call for applications 2016 In December 2015, the “Culture for all – phase III” project launched a Call for applications 2016 in order to support the existing and/or new cultural projects/ events under Lot 1 and inter-ethnic cultural projects/ activities and/or cultural activities which promote the visibility, inclusiveness, respect and rights of vulnerable groups under Lot 2. The call was addressed to non-profit-making public or private bodies legally constituted in Kosovo, NGOs, associations or other cultural operators or civil society organisations, or informal groups or individual artists/creative practitioners who are based in Kosovo and covered theater and performing arts, audio-visual arts, cinema, publishing and book sector, architecture, and urban interventions, music, visual arts, handicrafts, fashion, design, interdisciplinary actions and cultural theory and criticism. 113 actors submitted their applications. After the assessment exercise carried out by the “Culture for all – phase III” project team and one independent expert and, in agreement with the European Union Office in Kosovo, a list of 21 projects selected under Lot 1 and 5 project selected under Lot 2 was established. Summaries of the selected projects are listed below. PROJECTS SELECTED UNDER LOT 1 ► Anibar Title: “ANIBAR International Animation Festival - 7th Edition” Project description: The 7th edition of the ANIBAR animation festival was organised from 14 to 20 August 2016, in Peja. The festival aimed to further promote youth involvement in the animation, especially at the local level. In the context of the festival, the following activities were carried out: animation film showings; workshops, presentations, meetings with filmmakers and masterclasses; Junior Oscar Competition; and ANIBAR concerts. -
KFOS LOCAL and INTERNATIONAL VOLUME II.Pdf
EDITED BY IOANNIS ARMAKOLAS AGON DEMJAHA LOCAL AND AROLDA ELBASANI STEPHANIE SCHWANDNER- SIEVERS INTERNATIONAL DETERMINANTS OF KOSOVO’S STATEHOOD VOLUME II LOCAL AND INTERNATIONAL DETERMINANTS OF KOSOVO’S STATEHOOD —VOLUME II EDITED BY: IOANNIS ARMAKOLAS AGON DEMJAHA AROLDA ELBASANI STEPHANIE SCHWANDNER-SIEVERS Copyright ©2021 Kosovo Foundation for Open Society. All rights reserved. PUBLISHER: Kosovo Foundation for Open Society Imzot Nikë Prelaj, Vila 13, 10000, Prishtina, Kosovo. Issued in print and electronic formats. “Local and International Determinants of Kosovo’s Statehood: Volume II” EDITORS: Ioannis Armakolas Agon Demjaha Arolda Elbasani Stephanie Schwandner-Sievers PROGRAM COORDINATOR: Lura Limani Designed by Envinion, printed by Envinion, on recycled paper in Prishtina, Kosovo. ISBN 978-9951-503-06-8 CONTENTS ABOUT THE EDITORS 7 ACKNOWLEDGEMENTS 12 INTRODUCTION 13 CULTURE, HERITAGE AND REPRESENTATIONS 31 — Luke Bacigalupo Kosovo and Serbia’s National Museums: A New Approach to History? 33 — Donjetë Murati and Stephanie Schwandner- Sievers An Exercise in Legitimacy: Kosovo’s Participation at 1 the Venice Biennale 71 — Juan Manuel Montoro Imaginaries and Media Consumptions of Otherness in Kosovo: Memories of the Spanish Civil War, Latin American Telenovelas and Spanish Football 109 — Julianne Funk Lived Religious Perspectives from Kosovo’s Orthodox Monasteries: A Needs Approach for Inclusive Dialogue 145 LOCAL INTERPRETATIONS OF INTERNATIONAL RULES 183 — Meris Musanovic The Specialist Chambers in Kosovo: A Hybrid Court between -
The Shaping of Bulgarian and Serbian National Identities, 1800S-1900S
The Shaping of Bulgarian and Serbian National Identities, 1800s-1900s February 2003 Katrin Bozeva-Abazi Department of History McGill University, Montreal A Thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements of the degree of Doctor of Philosophy 1 Contents 1. Abstract/Resume 3 2. Note on Transliteration and Spelling of Names 6 3. Acknowledgments 7 4. Introduction 8 How "popular" nationalism was created 5. Chapter One 33 Peasants and intellectuals, 1830-1914 6. Chapter Two 78 The invention of the modern Balkan state: Serbia and Bulgaria, 1830-1914 7. Chapter Three 126 The Church and national indoctrination 8. Chapter Four 171 The national army 8. Chapter Five 219 Education and national indoctrination 9. Conclusions 264 10. Bibliography 273 Abstract The nation-state is now the dominant form of sovereign statehood, however, a century and a half ago the political map of Europe comprised only a handful of sovereign states, very few of them nations in the modern sense. Balkan historiography often tends to minimize the complexity of nation-building, either by referring to the national community as to a monolithic and homogenous unit, or simply by neglecting different social groups whose consciousness varied depending on region, gender and generation. Further, Bulgarian and Serbian historiography pay far more attention to the problem of "how" and "why" certain events have happened than to the emergence of national consciousness of the Balkan peoples as a complex and durable process of mental evolution. This dissertation on the concept of nationality in which most Bulgarians and Serbs were educated and socialized examines how the modern idea of nationhood was disseminated among the ordinary people and it presents the complicated process of national indoctrination carried out by various state institutions. -
2009 08 12 AKTO 4 Catalog
279487115 АКТО_4 FESTIVAL FOR CONTEMPORARY ARTS TOPIC_GENERATIONS AKTO_4 Festival for Contemporary arts will be held from 12.08 - 16.08.09 in Bitola, Republic of Macedonia. Akto is a regional festival for contemporary art which includes visual arts, performing arts, music and theory of culture. The main objective of Akto Festival is to open the cultural frameworks of a modern society through “recomposing” and redifning them in a new context. The programme of the festival is based on two concepts. The frst concept is space/location_ Locations have been transformed in terms of their previous meanings. The basic idea of the festival is art pieces to come out of the standard location (galleries, museums, theatres) used for presenting art, and their setting up in new location. Re-moving of the pieces into new location transforms the piece itself (according to the parameter space). The second concept is the topic of the festival_ The topic of Akto_4 festival is Generations. The artistic pieces (according to the parameter Generations) are going to be presented in two categories: artistic pieces that have generations as a basic starting point and pieces that are transformation of an already fnished artistic forms (also according to the parameter Generations). The “new” piece is transformed from its basic form. It has new statics and dynamics. The topic Generations deals with the issue of generations and initiates several questions: Are the ties between today’s young generations with the generation of their parents broken? Are today’s young generations -
Library U Našem Fontu
HESTIA Library LATIN AMERICA Art, city ant the public sphere in Chile, Ignacio Symulewicz R., Ediciones/Met- ales Pesados, Santiago de Chile, 2013 Cartografías líquidas, Museo de Arte Carillo, Mexico City, 2017 El cubo de Rubik, arte mexicano en los años 90, Daniel Montero, La Colección Académica, Mexico City, 2013 Frames and Documents: Conceptualist Practices (selections from the Ella Fonta- nals - Cisneros Collection), CIFO, Miami, 2011. Géométries Sud, du Mexique à la Terre de Feu, Fondation Cartier pour l'art contemporain, Paris, 2018 How do we want to be governed? (Figure and Ground), edited by Roger M. Buergel, Ruth Noack, Miami Art Central, Miami, 2004 No-History’s Library (Biblioteca de la No-Historia), Jarpa Voluspa, Santiago de Chile, 2010 Márgenes e Instituciones: Arte en Chile desde 1973, Nelly Richard, Ediciones/ Metales Pesados, Santiago de Chile, 2014 Memoria y Amnesia-Sobre la Historia Reciente del arte en Chile 1976-2006., Luz Maria Williamson, Polígrafa, Santiago de Chile, 2017 Radical Women: Latin American Art 1960-1985, Cecilia Fajardo-Hill and Andrea Giunta, Hammer Museum, Del Monico Books / Prestel, New York & London, 2017 ——————————————————————————————————————————— FRANCE Bourse revelations emerige 2017: En forme de vertiges, Paris, 2017 (exhibition catalogue) Bourse revelations emerige 2018: Outside our, Paris, 2018 (exhibition cata- logue) Collection Laurent Dumas, Communic'Art, Paris, 2018 Re/productions, Cyril Zarcone, Galerie Eric Mouchet, Paris, 2017 Cookbook : L'art et le processus culinaire, Nicolas Bourriaud, -
English, French and Russian, the Media Self-Regulation Guidebook Was Launched at the Eurasia Regional Forum for Media Development Held in Paris on 17–19 April 2008
Yearbook 2008 Yearbook 10 2008 THE REPRESENTATIVE ON FREEDOM OF THE MEDIA THE REPRESENTATIVE ON FREEDOM OF THE MEDIA www.osce.org/fom THE REPRESENTATIVE ON FREEDOM OF THE MEDIA The Representative on Organization for Security and Organization for Security and Co-operation in Europe ISBN 978-92-9234-627-0 Co-operation in Europe Freedom of the Media The views expressed by the contributing authors in this publication are their own and do not necessarily reflect the views of the OSCE Representative on Freedom of the Media. © 2009 The Representative on Freedom of the Media Organization for Security and Co-operation in Europe (OSCE) Wallnerstrasse 6 A-1010 Vienna, Austria tel +43-1-512 21 45-0 fax +43-1-512 21 45-9 e-mail [email protected] www.osce.org/fom Design & Layout: Phoenix Design Aid, Denmark ISBN 978-92-9234-627-0 Yearbook 10 2008 The OSCE Representative on Freedom of the Media Vienna 2009 contents Contents 11 Preface by Alexander Stubb 15 Foreword by Miklos Haraszti Contributions 19 Greeting on the occasion of the 20th anniversary of ARTICLE 19 Miklos Haraszti 23 The Success Story of the Media Self-Regulation Guidebook Adeline Hulin 29 When confrontation ends and co-operation begins. The media and the government Zoya Kazanzhy Mandate of the OSCE Representative on Freedom of the Media 35 Decision No. 193: Mandate of the OSCE Representative on Freedom of the Media 43 Decision No. 1/07: Extension of the Mandate of the OSCE Representative on Freedom of the Media Declarations 47 Joint Declaration by the four Global Rapporteurs on Freedom of -
IVAN MOUDOV EDUCATION 2002 Masters Art, Fine Art Academy
IVAN MOUDOV EDUCATION 2002 Masters Art, Fine Art Academy, Sofia, Bulgaria. 1995 Graduated from the National Academy of Arts, Sofia, Bulgaria. SOLO SHOWS 2016 Exchange, Sofia Art Gallery, Sofia, Bulgaria 2015 Certificate of authenticity, ICA, Sofia, Bulgaria IVAN MOUDOV//Vandalising the market, Kluckyland, Wien, Austria Ivans’s Coffre Fort, Artists Club/Coffre Fort, Bruxelles, Belgium Turbo Conceptualism, Kunstverein, Milan, Italy. Certificate of Authenticity, Tobačna 001 CC, Ljubljana, Slovenia 2014 Indifferent show, in collaboration with Anastas Moudov and Anastas Moudov Junior, Sariev Contemporary, Plovdiv, Bulgaria 2013 Blumm Prize 2013, Artist nominated, Brussels, Belgium. Ivan Moudov, Museum Moderner Kunst Stiftung Ludwig – MUMOK, Wien, Austria. Stones, Casa Cavazzini, Udine, Italy. Untitled, Moderna Galerija, Ljubljana. 2012 The Glory Hole, Alberta Pane Gallery, Paris, France. Performing Time, Prometeogallery, Milan, Italy. Performing an Exhibition, Siz Gallery, Rijeka, Croatia. 2011 %, W139, Amsterdam, The Netherlands. Solo show, Sariev Gallery, Plovdiv, Bulgaria. One Square Meter, Hilger Contemporary, Vienna. 2010 Creation of a Museum of Contemporary Art in Bulgaria, History Museum, Plovdiv, Bulgaria. Wine for Openings, Cabaret Voltaire, Zurich, Swiss. Ivan Moudov, Stiftung Binz 39, Zurich, Swiss. 2009 Romanian Trick, Artericambi, Verona, Italy. 2008 Wine for Openings, Stacion Center for Contemporary Art Prishtina, Kosovo. Trick Or Treat, Kunstverein Braunschweig, Braunschweig, Germany. Welcome, prometeogallery di Ida Pisani, curated by: Katia Anguelova, Milan, Italy. Ivan Moudov, The 1st at Moderna, Moderna Museet, curated by: Ulf Eriksson, Stockholm, Sweden. 2007 Already Made, Siemens ArtLab, curated by: Iara Boubnova, Wien, Austria. 2006 MUSIZ, Studio Tommaseo, curated by: Maria Vassileva Trieste, Italy. Guide (avec Sibin Vasilev), Contemporary Art Center, Plovdiv, Bulgaria. New Hope, Goethe Institut, Sofia, Bulgaria. -
Ohrid Municipality I
PROJECT APPRAISAL DOCUMENT Rehabilitation of various streets and two local roads and procurement of special vehicles for communal enterprise August 2014 OHRID MUNICIPALITY I. PROJECT DESCRIPTION A. GENERAL INFORMATION ON THE MUNICIPALITY Ohrid municipality is one of 80 municipalities in the Republic of Macedonia and belongs to the South West planning region occupying part of Ohrid-Struga valley, Lake Ohrid and part of Galicica National Park. It borders Debarca municipality to the north, Resen municipality to the east, Struga municipality to the west and Albania to the south. Total area of 383.93km 2 comprises 204km 2 land and 179.93km 2 water. Total population is 55,749 inhabitants. The climate is continental with some Mediterranean influence coming through the mountain of Galicica. There are 18 urban communities and 26 rural communities in the city. Ohrid city and the Ohrid Lake became a world cultural and natural heritage under the protection of UNESCO since 1979. Figure 1: Republic of Macedonia *note: the municipal territory is marked in green 2 Figure 2: Municipalities of the South West region *The South-west planning region is one of eight statistical regions within the Republic of Macedonia. It comprises 9 municipalities: Vevcani, Debar, Debrca, Ohrid, Kicevo, Makedonski Brod, Plasnica, Struga and Centar Zupa. B. DEMOGRAPHIC AND ECONOMIC PROFILE According to the last 2002 Census the total number of inhabitants in the municipality is 55,749 from which male are 27,598 and female 28,151 with natural increase of 0.4%. In relation to the ethnic affiliation of the citizens, the prevailing population are Macedonians, representing 85% of the total population (see table 2). -
Prishtina Insight
Opinion: Who Wants War in Macedonia? March 30 - April 12, 2012 Issue No. 85 www.prishtinainsight.com Price € 1 Kosovo Mayor’s COMMENT Serbia’s Childish Funders Demand Game of Tit-for-Tat Their Payback A number of disappoint- ed businessmen in Prizren are urging the > page 3 mayor, Ramadan Muja, NEWS to keep his promise and EU Launches award them tenders worth millions of euros Kosovo Feasibility as compensation for Study their part in funding > page 4 his 2009 electoral NEWS campaign. Serbia and Kosovo See Page 5 Lead Asylum Seekers League Kosovo Signs Second US > page 6 FEATURE Knives and Needles Lobbyist for $50,000-a-Month Mark Bektashi Hashim Thaci’s government has signed up its second Washington-based lobbyist in less than a year at a cost of 50,000 Holy Day dollars a month. By Lawrence Marzouk and with Members of Congress and Last year, Kosovo’s government opportunities for Kosovo, as well Petrit Collaku their staff, Executive branch offi- discretely engaged the lobbying as gathering funds from foreign cials, members of the press, and services of another of aid programs”. he contract between Podesta nongovernmental organizations”. Washington’s top firms for $50,000 Although the deal with the com- Group and Kosovo’s Ministry > page 12-13 Podesta is only the latest US lob- a month, after being forced to can- pany was apparently signed on Tof Economic Development, worth 50,000 dollars, a month was bying firm employed on Kosovo- cel an identical agreement with the August 31, it has never been INSIDE PRISHTINA signed at the beginning of March. -
An Analysis of Media Ownership in 2021
AGENCY FOR AUDIO AND AUDIOVISUAL MEDIA SERVICES AN ANALYSIS OF MEDIA OWNERSHIP IN 2021 June, 2021 AGENCY FOR AUDIO AND AUDIOVISUAL MEDIA SERVICES AN ANALYSIS OF MEDIA OWNERSHIP IN 2021 Katerina Donevska Magdalena D. Dovleva, M.A. Zoran Trajchevski, PhD CONTENTS INTRODUCTION ......................................................................................5 OWNERSHIP STRUCTURE OF BROADCASTERS .................................7 Televisions at national level ..............................................................7 Televisions at regional level ............................................................. 12 Televisions at local level .................................................................. 16 Radio stations at national level ....................................................... 17 Radio stations at regional level .......................................................18 Radio stations at local level .............................................................20 INTEGRATION OF BROADCASTERS' CAPITAL .................................25 CHANGES IN THE OWNERSHIP STRUCTURE OF BROADCASTERS IN 2020 .....................................................................26 OWNERSHIP STRUCTURE OF PRINT MEDIA PUBLISHERS ...........28 INTRODUCTION The Agency for Audio and Audiovisual Media Services has prepared this Analysis for the purpose of providing increased transparency of ownership of the media, using official data on the ownership structure of the broad- casters issued by the Central Registry of the Republic of North Macedonia, -
MCEC IIEP Quarterly Report #8 Oct Dec 2013
Interethnic Integration in Education Project QUARTERLY PROGRAM PERFORMANCE REPORT No. 8 October 1, 2013 – December 31, 2013 Joint student activities Submitted by: Macedonian Civic Education Center (MCEC) under Cooperative Agreement No. AID-165-A-12-00002 USAID Interethnic Integration in Education Project QUARTERLY REPORT #8, October 2013 – December 2013 TABLE OF CONTENTS Page 1. Background 3 2. Progress Towards Objectives 4 3. Crosscutting Activities 6 4. Project Activities 10 4.1. Community Outreach 10 4.2. Capacity Building of School Management and Teachers 12 4.3. Demonstration Schools 20 4.4. Providing Incentives to Schools and Communities 25 5. Lessons learned 31 6. Activities to Increase Participation of People with Disabilities (PWDs) 33 7. Activities in the next reporting period 34 8. List of appendices 36 2 USAID Interethnic Integration in Education Project QUARTERLY REPORT #8, October 2013 – December 2013 MACEDONIAN CIVIC EDUCATION CENTER (MCEC) USAID INTERETHNIC INTEGRATION IN EDUCATION PROJECT (IIEP) QUARTERLY PROGRAM PERFORMANCE REPORT No. 8 Cooperative Agreement No: AID-165-A-12-00002 Progress Report No: 8 Reporting Period: October 1, 2013 – December 31, 2013 1. BACKGROUND On December 2, 2011, the Macedonian Civic Education Center (MCEC) signed the Cooperative Agreement with USAID agreeing to provide support to USAID’s Interethnic Integration in Education Project (IIEP). IIEP is a four-year, USD 5.2 million initiative targeting all primary and secondary schools in Macedonia. The main objective of IIEP is to build awareness and provide diversity training, technical assistance, and incentives to school boards, principals, teachers, and administration officials in support of interethnic integration in education. It will build broad public understanding on the benefits for all citizens as a result from integrating Macedonia’s education system.