2006 Board of Directors Elections
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Telegraph Stamps
VOL. 1. NO, 1, OCTOBER, 1894. Published Monthly By CHAS. G. HART. Pipestone, Minne^bta. 3fhe ’^ipcAtonc philatelist. Vol. 1. Pipestone, Minn., Oct. 1894. No. 1. With this we place before you No. 1. What do you think of it? Is it worth 20 cents per year? Send the 20 cents today. W e will exchange with all papers devoted to Philately. Send marked copy. The $1.00 Columbian is already quite rare. It sells at from $5.00 to $10.00, a short time ago they were sold at face value, but now! People say stamp collecting doesn’t* pay.— Pet Philatelist. E. Moyer of Berlin, Ontario, Canada, mails circulars, and guar antees his work. W rite to him. Forgeries of the first issue of Antiognia are in circulation. W e send out fine approval sheets at 50 per cent, commission. Ilart Bros. Stamp Co., Pipestone, Minn. A new series of stamps is report ed from Brazil. Has the Philatelic Press wearied over the 3 cent pink.—American Philatelic Journal. It will pay you to advertise in the P ipestone P h ila te list. Send us a trial ad. » - W e will pay spot cash for the 6, 8 and 15 cent Columbian Stamps. Write for our prices. HART BROS. STAMP COMPANY, Pipestone, Minnesota. Envelopes were first made and used in 1839. Mexico has promised a new set of stamps to be out this month. De nominations, 1‘, 2, 4, 5 and 10 cent. The new U. S. Stamps will be eady soon. They will be the same is the 1890’s with the exception that a small ornament will be shown in the upper corners. -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
Animagazin 1. Sz. (2021. Január 20.)
Téli szezon 2021 Összeállította: Hirotaka Anime szezon 019 2.43: Seiin Koukou Danshi Volley-bu Back Arrow Ex-Arm regény alapján original manga alapján Stúdió: Stúdió: Stúdió: David Production Studio VOLN Visual Flight Műfaj: Műfaj: Műfaj: iskola, sport akció, fantasy, mecha akció, sci-fi, seinen Seiyuuk: Seiyuuk: Seiyuuk: Umehara Yuuichirou, Ono Kenshou, Ozawa Ari, Kitou Akari, Komatsu Mikako Ono Kenshou, Aou Shouta Kaji Yuki Leírás Ajánló Leírás Ajánló Leírás Ajánló Haijima Kimichika röp- Röplabdás anime, Ringarindo területét Egy új mecha sorozat, Natsume Akira egy Már kétszer elhalasz- labdajátékos, visszaköltözik ami nem a Haikyuu. De fal veszi körül, védi és óvja rég láttunk ilyet, a műfaj középsulis diák, akinek csak tott címről van szó, talán Fukuiba, ahol a gyerekkorát hát ki mondta, hogy nem az ott élőket. A fal az isten, rajongói mostanában kicsit az agyát sikerült megmen- most elindul. Nekem hir- töltötte. Itt újra találkozik üthet más a labdába az is- és Ringarindo alapja. el vannak hanyagolva, szó- teni egy tragikus közleke- telen Robotzsaru érzetem egykori barátjával, Kuroba mert cím mellett. Egy re- Egy nap, egy rejtélyes val ez most jól jön. A Studio dési baleset után. Most az lett tőle. Főleg akcióköz- Yunival, akivel egy régi ve- gényadaptációról van szó, férfi, aki Back Arrownak ne- VOLN (Ushio to Tora, Kara- EX-ARM különleges rendőri pontú animének néz ki, sok szekedés miatt romlott meg ami 2015 óta fut. A David vezi magát megjelenik Essha kuri Circus (AniMagazin 50.)) egységgel működik együtt, harccal. Egy 2015-2019 kö- a viszonya. Elkezdik a Seiin Productionról csak annyit faluban. Arrow elvesztette a fogja készíteni, akik eddigi hogy visszaszerezze elve- zött készült mangát adap- középiskolát és csatlakoz- mondok, hogy JoJo és Ha- memóriáját, csak egy dolog- szerény felhozataluk elle- szett emlékeit és testét. -
Who Was Jim Henson? Free
FREE WHO WAS JIM HENSON? PDF Joan Holub,Nancy Harrison | 106 pages | 15 Mar 2012 | Penguin Putnam Inc | 9780448454061 | English | New York, NY, United States Jim Henson | Biography & Facts | Britannica The company is known for its innovations in the field of puppetryparticularly through the creation of the Muppets characters. The company was established in by puppeteers Jim and Jane Henson[2] and is currently independently owned and operated by their children. Henson has produced many successful television series, including The Muppet ShowFraggle Who Was Jim Henson?and Bear in the Big Blue House ; as well, the company designed the Muppet characters for the long-running Sesame Street. Henson also operates Jim Henson's Creature ShopWho Was Jim Henson? animatronics and visual effects studio which has created characters and effects for both Henson productions and outside projects. InHenson was sold Who Was Jim Henson? German media company EM. TV's stock collapsed, and the Henson family re-acquired the company in In the interim, EM. InHenson sold Who Was Jim Henson? rights to The Muppets and Bear in the Big Blue House to Disney, but retains the remainder of its characters, Who Was Jim Henson? library, Who Was Jim Henson? assets. Jim and Jane Henson officially founded Muppets, Inc. One of the company's first characters to appear regularly on television, Rowlf the Dogoriginated in commercials for Purina Dog Chow and became a regular character on The Jimmy Dean Show from to Jim Henson also pitched several different projects to the major American television networks, to little avail. Some ideas became unaired pilots, while others were never produced. -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
Return of Private Foundation OMB No 1545-0052 Form 990 -PF Or Section 4947 ( A)(1) Nonexempt Charitable Trust ` Treated As a Private Foundation 2010 Note
l efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93491318003451 Return of Private Foundation OMB No 1545-0052 Form 990 -PF or Section 4947 ( a)(1) Nonexempt Charitable Trust ` Treated as a Private Foundation 2010 Note . The foundation may be able to use a copy of this return to satisfy state reporting requirements Department of the Treasury Internal Revenue Service For calendar year 2010 , or tax year beginning 01-01-2010 , and ending 12-31-2010 G Check all that apply r'Initial return r'Initial return of a former public charity r'Final return FA mended return r'Address change r'Name change Name of foundation A Employer identification nu The James Irvine Foundation 94-1236937 Number and street (or P 0 box number if mail is not delivered to street address) Room/suite is ieiepnone numoer (see page iu or the instructions) 575 Market Street Suite 3400 (415) 777-2244 City or town, state, and ZIP code C If exemption application is pending, check here Iii. F San Francisco, CA 94105 D 1. Foreign organizations, check here F H Check type of organization I' Section 501(c)(3) exempt private foundation 2. Foreign organizations meeting the 85% test, r- check here and attach computation Section 4947(a)(1) nonexempt charitable trust Other taxable private foundation E If private foundation status was terminated 3 Accounting method F Cash F Accrual I Fair market value of all assets at end un d er sect ion 507 ( b )( 1 )( A), c h ec k h ere F o f y e a r (from Part I I, col. -
University of Colorado Denver
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE Centers for International Business Education CFDA # 84.220A PR/Award # P220A140012 Gramts.gov Tracking#: GRANT11692991 OMB No. , Expiration Date: Closing Date: Jul 03, 2014 PR/Award # P220A140012 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 Attachment - 1 (1239-AreasAffectedbyProject) e6 2. Assurances Non-Construction Programs (SF 424B) e7 3. Disclosure Of Lobbying Activities (SF-LLL) e9 4. ED GEPA427 Form e10 Attachment - 1 (1236-EDGEPA427Description) e11 5. Grants.gov Lobbying Form e13 6. ED Abstract Narrative Form e14 Attachment - 1 (1235-EDAbstractNarrative) e15 7. Project Narrative Form e16 Attachment - 1 (1238-ProjectNarrative) e17 8. Other Narrative Form e74 Attachment - 1 (1237-OtherNarrative) e75 9. Budget Narrative Form e171 Attachment - 1 (1234-BudgetNarrative) e172 10. Form ED_524_Budget_1_2-V1.2.pdf e192 11. Form ED_SF424_Supplement_1_2-V1.2.pdf e194 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. Page numbers created by the e-Application PDF functionality will be preceded by the letter e (for example, e1, e2, e3, etc.). Page e2 OMB Number: 4040-0004 Expiration Date: 8/31/2016 Application for Federal Assistance SF-424 * 1. Type of Submission: * 2. Type of Application: * If Revision, select appropriate letter(s): Preapplication New Application Continuation * Other (Specify): Changed/Corrected Application Revision * 3. Date Received: 4. -
MEMORANDUM May 2, 2012 TO: Sports Information
MEMORANDUM May 2, 2012 TO: Sports Information Contacts of Qualified Institutions for the 2012 NCAA Division I Baseball Championship. FROM: Julie Kimmons NCAA Championships and Alliances, Media Services. SUBJECT: 2012 NCAA Division I Baseball Championship Television, Internet Video Streaming and Radio / Internet Audio Rights. PLEASE FORWARD THIS MEMORANDUM TO REGIONAL SPORTS NETWORKS AND LOCAL TV STATIONS, INTERNET VIDEO ENTITIES AND RADIO CONTACTS Congratulations on qualifying for the 2012 NCAA Division I Baseball Championship. This memorandum is to inform you of the guidelines and procedures for obtaining broadcast rights (i.e., television, Internet video streaming, radio / Internet audio) for the regional round of the Division I Baseball Championship. All of the information included in this memorandum can be obtained by visiting www.NCAA.com/media and clicking on the “Television Rights Overview” link found under Championship Policies (or you can use the following direct link: http://www.ncaa.com/content/television-rights). TELEVISION RIGHTS On receipt of this memorandum, qualified NCAA institutions, local television stations and regional sports networks (RSNs) may email bids to the NCAA to obtain television rights to the NCAA championship. [A sample television rights bid letter can be found in Attachment A.] The bidding deadline is as follows: Competition Day(s) Competitive Bidding Deadline Friday, June 1 – Tuesday, May 29 Regionals Monday, June 4 NOON Eastern Time Regionals. There are up to 112 different NCAA Division I Baseball Regional games from 16 sites. The Division I Baseball regional games will be played Friday, June 1, through Monday, June 4. ESPN will have exclusive television (and webstreaming) coverage at six regional sites (2 sites broadcast on ESPNU / ESPN3 and 4 sites broadcast exclusively on ESPN3). -
Broncos 2010 YEAR in REVIEW RELEASE
denver broncos 2010 YEAR IN REVIEW RELEASE Media Relations Staff Patrick Smyth, Executive Director of Media Relations • (303-649-0536) • [email protected] Rebecca Villanueva, Media Services Manager • (303-649-0598) • [email protected] Erich Schubert, Media Relations Coordinator • (303-649-0503) • [email protected] FOR IMMEDIATE RELEASE TUESDAY, JANUARY 11, 2011 DENVER BRONCOS YEAR IN REVIEW A comprehensive statistical recap of the 2010 season BRONCOS 2010 SEASON QUICK HITS BRONCOS 2010 SCHEDULE/RESULTS The Denver Broncos wrapped up their 51st season of PRESEASON play in 2010 and look forward to a new era of leader- Wk. Day Date Opponent Site Time/Result TV/Rec. ship in 2011 under Executive Vice President of 1 Sun. Aug. 15 at Cincinnati Paul Brown Stadium L, 33-24 0-1 Football Operations John Elway, who returned to the 2 Sat. Aug. 21 DETROIT INVESCO Field at Mile High L, 25-20 0-2 franchise in that role on Jan. 5. 3 Sun. Aug. 29 PITTSBURGH INVESCO Field at Mile High W, 34-17 1-2 QUICKLY: 4 Thu. Sept. 2 at Minnesota Mall of America Field (Metrodome) L, 31-24 1-3 * - Eric Studesville took over the reigns of the team on Dec. 6 after Josh REGULAR SEASON McDaniels was relieved of his duties to become the fourth interim head Wk. Day Date Opponent Site Time/Result TV/Rec. coach and the 13th overall head coach in Broncos history. He led the team 1 Sun. Sept. 12 at Jacksonville EverBank Field L, 24-17 0-1 to a 1-3 record over the final quarter of the season. -
Abbey, Addison X Oct 14,1907 Town of Pomfret Arrested Today in Death of Emmett Frasier; to Mayville Jail Oct 14,1907 Abbey, Davi
ABBEY, ADDISON X OCT 14,1907 TOWN OF POMFRET ARRESTED TODAY IN DEATH OF EMMETT FRASIER; TO MAYVILLE JAIL OCT 14,1907 ABBEY, DAVID D SURROGATE CHERRY CREEK MINNIE J PENNER, ADM JUL 23,1907 ABBEY, FLORA M JUL 17,1909 DUNKIRK, NY TO GEORGE D IRISH SON M/M JAMES IRISH JUL 19,1909 ABBEY, LULA M AUG 05,1909 RIPLEY, NY TO HARRY OTTAWAY, BOTH OF RIPLEY AUG 17,1909 ABDELLA, MARTHA M LICENSE FREDONIA, NY TO ARMEIN BRYAN, WHEELING W VA, Æ26 AUG 23,1910 ABELL, MAJOR C K B NOV 27,1827 DUNKIRK, NY HE & TWIN SISTER, MRS CLARA K (ABELL) BLANCHARD CELEBRATING 80th NOV 25,1907 ABELL, WILLIAM B APR 23,1908 CASSADAGA TO M/M A J ABELL MAY 01,1908 ABRAM, EVERETT M JAN 01,1906 CASSADAGA TO BEULAH KNOTT AT HOME OF HER PARENTS, M/M LEAL KNOTT JAN 05,1906 ACKER, FRANK M JUN 26,1906 ST MARY'S CH TO EDNA KING, DUNKIRK JUN 23,1906 ACKER, FRANK D JUL 06,1906 WESTFIELD FATALLY INJURED AT WELCH GRAPE JUICE PLANT;burTONAWANDA;w & 3daus JUL 11,1906 ACKER, GERTRUDE M JAN 03,1906 MAYVILLE TO AUGUST DAHLIN BY REV JOHN DYSART, EPISCOPAL JAN 04,1906 ACKER, SON B OCT 05,1910 DUNKIRK, NY TO M/M FRANK ACKER, RAILROAD AVE OCT 26,1910 ACKLER, LAURA M M DEC 24,1907 86 E FRONT ST TO ROBERT C V MARTZ, HARRISBURG PA, WILL RES E 2nd ST DEC 26,1907 ACKLEY, EMMA KIRKLAND D JAN 04,1906 ELLINGTON Æ38;hADDISON F;m 1y;MOTHER & BRO/RANDOLPH;SUICIDE BY HANGING JAN 05,1906 ADAMCZAK, VALENTINE M JAN 18,1909 ST HYACINTH'S CH TO STELLA RAJSKA JAN 27,1909 ADAMOWICZ, MARY M JAN 21,1907 ST HYACINTHS CH TO WINCENTY STOCHOVOWSKI FEB 14,1907 ADAMS, DAUGHTER B RECENTLY 40 WEBSTER ST TO M/M MARCH ADAMS -
2009-12-New Orleans:Layout 1.Qxd
NEW ORLEANS SAINTS 2009 WEEKLY MEDIA INFORMATION GUIDE NEW ENGLAND PATRIOTS VS. NEW ORLEANS SAINTS NOV. 30, 2009 @ LOUISIANA SUPERDOME GAME INFORMATION • ROSTERS • DEPTH CHART STATISTICS • MINIBIOS • CLIPS NEW ORLEANS SAINTS HOST NEW ENGLAND PATRIOTS IN MONDAY NIGHT MATCHUP Following a 38-7 victory in Tampa Bay, plete only 17-of-33 passes for 126 yards with one where efficiency on offense, defense and special touchdown, three interceptions, one lost fumble teams carried them to the finish, the New lost and a 33.1 passer rating. DE Will Smith con- Orleans Saints will seek to at least retain their tinued his dominant play in the month of one game lead atop the NFC standings under the November with five tackles and one sack, his shine of Monday Night Football when they host sixth quarterback takedown in four games. He the New England Patriots (7-3) on a nationally leads the club and is tied for second in the NFC televised contest. and fifth in the NFL with 8.5 sacks and three The Saints enter the matchup against forced fumbles. Rookie CB Malcolm Jenkins one of the NFL’s top juggernauts, who have col- recorded an interception in his first NFL start, lected four Super Bowl appearances and three while he was joined in the pick parade by S Chris championships over the past ten years, with a Reis and LB Jonathan Vilma. 10-0 record, riding their first ten game win streak Monday’s matchup will feature two of in franchise history. The Saints and the the NFL’s most prolific offenses over the past Indianapolis Colts are the only unbeaten NFL three seasons, as both the Saints and the teams remaining entering week 12. -
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$4.95 www.americanradiohistory.com 4000040400,04"etvwt*i.Wa04,4.-.".4-. woriettivA7 tempoosivokoRA.A"hor.,,e , 4NAtirAtok, SOLD IN 55% OF THE COUNTRY TO i ï r, OPERATED BY GROUPS:' FOX TRIBUNE PARAMOUNT MEREDITH CLEAR CHANNEL ACME BAHAKEL CAPITOL MALRITE NORTHWEST www.americanradiohistory.com www.americanradiohistory.com BroadcashmgaCable EDITOR'S LEITER immem A fresh look Ihope you find this week's cover inviting and attractive, and not just because of Howie Mandel's smile. It carries our new logo, which we expect will carry this magazine well into the next millennium. Sleeker and more dramatic, the logo preserves our trademark lightning bolt (67 years strong) and gives us a bigger can- vas on which to tell the stories of our expanding constituencies. (It bothered us that cover subjects often would obscure part of " &CABLE" in the previous design.) That smaller logo in the cover's upper right -hand comer is that of our parent company, Cahners Busi- ness Information. A subsidiary of the multinational publisher, Reed Elsevier Inc., Cahners publishes 130 business magazines in the U.S. In addition to BROADCASTING & CABLE, its titles include several Boadcastg&CabIe others with which you might be familiar: Cahlevi- siun, Multichannel News. Variety. Weekly Variety. TWICE and Digital Television. These books cover some of the same ground, but they operate independently and compete vigorous- ly. The logo's little orange twister, by the way, is meant to signify the company's mission -distilling vital news and information from the oceans of raw data and funneling it to targeted business readers. That we do, guided as always by the journalistic mission of providing an untinted window on the TV and radio busi- nesses for their champions and detractors alike.