Animagazin 1. Sz. (2021. Január 20.)
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Breaking Away- Journey to Platinum Final Report (2011)
BREAKING AWAY: JOURNEY TO PLATINUM BLOOMINGTON PLATINUM BICYCLE TASK FORCE BLOOMINGTON, INDIANA FINAL REPORT: NOVEMBER 30, 2011 Page Intentionally Blank TABLE OF CONTENTS ACKNOWLEDGEMENTS .......................................................................... iii LITTLE 500: PROLOGUE........................................................................iv The Platinum Biking Task Force .......................................................................... v The Platinum Process.........................................................................................vi Report Organization..........................................................................................vii Bloomington’s Legacy ...................................................................................... viii QUALIFICATIONS: WHY PLATINUM? .................................................... 1−1 Why Platinum................................................................................................. 1-2 Quality of Life................................................................................................. 1-5 Health Promotion............................................................................................ 1-7 Environmental Harmony.................................................................................. 1-9 Economic Resiliency...................................................................................... 1-12 INDIVIDUAL TIME TRIALS: FIVE PRIORITIES.......................................... 2−1 The Five Es & Bloomington’s -
8 Electr O N Ic Ed Itio N
fast, though they usually don’t appear in the same series ing youngsters training and caring for exotic creatures as full-sizeOpen mecha, but there are exceptions. A(or in somenim cases machines) that would bee pitted against each other in combat. Th e monsters are usually Modern Powers smart but not sentient, and have not only special pow- Examples: Aquarian Age, Blue Seed, Gatekeepers, ers, but the ability to grow in strength and eventually JoJo’s Bizarre Adventure, Maburaho, Magic User’s Club, “evolve” into a more powerful form with proper care. Mahou Tsukai ni Taisetsu na Koto, Mai-HiME, Read We won’t even get into the possible implications of Or Die, S-Cry-Ed, Tokyo Underground this being a genre that involves cute anime critters in “Modern powers” is what we’ll call a genre of anime cockfi ghts. that involves characters gaining special powers and try- Anyway, pet monster anime is a close relative of ing to cope with them and live normal lives in spite of sports manga. Training monsters and having them fi ght being confronted with whatever dangers those powers is treated as a sport of sorts, and much like a typical bring to them. In eff ect, it’s superheroes without the sports manga (such as Hikaru no Go or Prince of Tennis) spandex or secret identities – though not a few heroes pet monster anime often revolve around a young boy in thisn genre fi nd it preferable to keep their powers starting out as a novice and becoming a master, growing secret from the world at large. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde
43e Festival International du Film de La Rochelle du 26 juin au 5 juillet 2015 LE PUZZLE DES CINÉMAS DU MONDE Une fois de plus nous revient l’impossible tâche de synthétiser une édition multiforme, tant par le nombre de films présentés que par les contextes dans lesquels ils ont été conçus. Nous ne pouvons nous résoudre à en sélectionner beaucoup moins, ce n’est pas faute d’essayer, et de toutes manières, un contexte économique plutôt inquiétant nous y contraint ; mais qu’une ou plusieurs pièces essentielles viennent à manquer au puzzle mental dont nous tentons, à l’année, de joindre les pièces irrégulières, et le Festival nous paraîtrait bancal. Finalement, ce qui rassemble tous ces films, qu’ils soient encore matériels ou virtuels (50/50), c’est nous, sélectionneuses au long cours. Nous souhaitons proposer aux spectateurs un panorama généreux de la chose filmique, cohérent, harmonieux, digne, sincère, quoique, la sincérité… Ambitieux aussi car nous aimons plus que tout les cinéastes qui prennent des risques et notre devise secrète pourrait bien être : mieux vaut un bon film raté qu’un mauvais film réussi. Et enfin, il nous plaît que les films se parlent, se rencontrent, s’éclairent les uns les autres et entrent en résonance dans l’esprit du festivalier. En 2015, nous avons procédé à un rééquilibrage géographique vers l’Asie, absente depuis plusieurs éditions de la programmation. Tout d’abord, avec le grand Hou Hsiao-hsien qui en est un digne représentant puisqu’il a tourné non seulement à Taïwan, son île natale mais aussi au Japon, à Hongkong et en Chine. -
Download the Program (PDF)
ヴ ィ ボー ・ ア ニ メー シ カ ョ ワ ン イ フ イ ェ と ス エ ピ テ ッ ィ Viborg クー バ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P. -
THE 2020–21 RUTH EASTON NEW PLAY SERIES March 3, 2021
THE 2020–21 RUTH EASTON NEW PLAY SERIES PULPPULP VERITEVERITE by Crystal Skillman March 3, 2021 “Five years ago, I began writing a series of pieces that examined activism in the U.S. Pulp Vérité came to me as a parable that uses my training as a photographer to tell this story. With all we are politically facing in this country—the earned criticism of our place in the world internationally— Pulp Vérité is a race against time. This play unfolds and unravels in startling ways. I hope it is a call to action.”— Crystal Skillman Playwright......................Crystal Skillman Director......................Kareem Fahmy** Dramaturg......................Megan Sandberg-Zakian Design consultant......................David Esler Apprentice Stage Manager......................Ashe Jaafaru Workshop Producer......................Hayley Finn Associate Workshop Producer...........Julia Brown Actors Hunter/Kel/Stage Directions.....................Latoya Cameron* Robin......................Meredith Casey Joy......................Latoya Edwards* Will......................Alex Esola* Pike......................Layla Khoshnoudi* Jamie......................Meghan Kreidler* Lesley......................Maggie Metnick* *Appearing through an Agreement between this theatre, the Playwrights’ Center, and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. **Member, Stage Directors and Choreographers Society A NOTE FROM JEREMY B. COHEN Jaime The past four years have felt like an unending string of conversations; discussing with friends and colleagues what actions we needed to take that day. As the world continues to shift, change, and “That morning. You didn’t come back. We found a message—that you were meeting reveal itself at an incredibly rapid pace, many of us are seeking the way to address these challenging someone from an interview, got an address to the cafe—someone we begged from the times and become part of the solution in a whole new way. -
Animes E Desenhos Ordem Alfabetica Código Valor .Hack Legend of The
Planilha1 Animes e Desenhos Ordem Alfabetica Código Valor .Hack Legend of the Twilight Dublado P7-02 R$ 7,00 .hack//ROOTS P7-01 R$ 13,00 .hack//Sign P4-15 R$ 13,00 101 Dálmatas Dublado P4-14 R$ 28,00 11 Eyes P3-06 R$ 7,00 18IF P7-30 R$ 7,00 2x2 Shinobuden P2-27 R$ 7,00 30-Sai no Hoken Taiiku P4-04 R$ 7,00 5-Toubun no Hanayome G8 R$ 7,00 801 TTS Airbats P1-27 R$ 7,00 91 Days p7-20 R$ 7,00 Filmes .Hack G.U. Trilogy Filme P7-09 R$ 7,00 5 Centímetros por Segundo Filme P7-14 R$ 7,00 Letra A Código Valor A Arca Do Zé Colméia Dublado P5-32 R$ 7,00 A Channel P6-05 R$ 7,00 A Coisa Dublado P1-05 R$ 13,00 A Corrida Maluca Dublado P3-03 R$ 20,00 A Formiga e o Tamanduá Dublado P3-11 R$ 7,00 A Lenda de Ellcia Dublado P1-04 R$ 7,00 A Lenda do Zorro Dublado P4-21 R$ 7,00 A Tale Of Melodies P4-11 R$ 7,00 A.D. Police P2-16 R$ 7,00 Abarenbou Kishi!! Matsutarou P5-08 R$ 13,00 Absolute Duo P1-25 R$ 7,00 ACCA: 13-ku Kansatsu-ka P7-19 R$ 7,00 Accel World P5-11 R$ 13,00 Acchi Kocchi P7-18 R$ 7,00 Action Heroine Cheer Fruits P7-30 R$ 7,00 Active Raid Kidou Kyoushuushitsu p7-20 R$ 7,00 Afro Samurai Dublado P6-06 R$ 7,00 After War Gundam X P7-13 R$ 28,00 Agatha Christie no Meitantei P5-26 R$ 20,00 Agente 009-1 Dublado P4-19 R$ 7,00 Agente Aika P4-19 R$ 7,00 Ah! Megami-Sama P5-14/P6-10 R$ 28,00 Ah! Megami-Sama - Mini-Goddess P3-16 R$ 7,00 Aho Girl P8-16 R$ 7,00 Ai Mai Mi P7-15 R$ 7,00 Ai No Kusabi P4-13 R$ 7,00 Ai Tenchi Muyo P7-30 R$ 13,00 Página 1 Planilha1 Ai Yori Aoshi P6-16 R$ 20,00 AIKA R-16 Virgin Mission P6-07 R$ 7,00 AiKa Zero P6-07 R$ 7,00 Air Gear P5-25 -
The Question of Algorithmic Personhood and Being
Article The Question of Algorithmic Personhood and Being (Or: On the Tenuous Nature of Human Status and Humanity Tests in Virtual Spaces—Why All Souls Are ‘Necessarily’ Equal When Considered as Energy) Tyler Lance Jaynes Alden March Bioethics Institute, Albany Medical College, Albany, NY 12208, USA; [email protected] Abstract: What separates the unique nature of human consciousness and that of an entity that can only perceive the world via strict logic-based structures? Rather than assume that there is some potential way in which logic-only existence is non-feasible, our species would be better served by assuming that such sentient existence is feasible. Under this assumption, artificial intelligence systems (AIS), which are creations that run solely upon logic to process data, even with self-learning architectures, should therefore not face the opposition they have to gaining some legal duties and protections insofar as they are sophisticated enough to display consciousness akin to humans. Should our species enable AIS to gain a digital body to inhabit (if we have not already done so), it is more pressing than ever that solid arguments be made as to how humanity can accept AIS as being cognizant of the same degree as we ourselves claim to be. By accepting the notion that AIS can and will be able to fool our senses into believing in their claim to possessing a will or ego, we may yet Citation: Jaynes, T.L. The Question have a chance to address them as equals before some unforgivable travesty occurs betwixt ourselves of Algorithmic Personhood and Being and these super-computing beings. -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
Hiroshi Komiyama · Koichi Yamada a Platinum Society
Science for Sustainable Societies Hiroshi Komiyama · Koichi Yamada New Vision 2050 A Platinum Society Science for Sustainable Societies Series Editorial Board Editor in Chief Kazuhiko Takeuchi, Ph.D., Director and Project Professor, Integrated Research System for Sustainability Science (IR3S), The University of Tokyo Institutes for Advanced Study (UTIAS), Chair of the Board of Directors, Institute for Global Environmental Strategies (IGES), Japan Series Adviser Joanne M. Kauffman, Ph.D., Co-editor in Chief, Handbook of Sustainable Engineering, Springer, 2013 Scientific Advisory Committee Sir Partha Dasgupta, Ph.D., Frank Ramsey Professor Emeritus of Economics, University of Cambridge, UK; Volvo Environment Prize, 2002; Blue Planet Prize, 2015 Hiroshi Komiyama, Ph.D., Chairman, Mitsubishi Research Institute, Japan; President Emeritus, The University of Tokyo, Japan Sander Van der Leeuw, Ph.D., Foundation Professor, School of Human Evolution and Social Change and School of Sustainability, Arizona State University, USA Hiroyuki Yoshikawa, Dr. Eng., Member of Japan Academy; Chairman, The Japan Prize Foundation; President Emeritus, The University of Tokyo, Japan; Japan Prize 1997 Tan Sri Zakri Abdul Hamid, Ph.D., Science Adviser to the Prime Minister of Malaysia, Malaysia; Founding Chair of the UN Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES); Zayed International Prize, 2014 Editorial Board Jean-Louis Armand, Ph.D., Professor, Aix-Marseille Université, France James Buizer, Professor, University of -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
OPEN War Problems Add
^ I ■.’1 FACE TWENTY-EIGHT WEDNESDAY. DECEBCBER I f, 1862 iSlanrtfifBt^r lEvj^nhtg F ree 'TN " 7 ^ I’-Stores Open Until 9 Tonight for Shopping-Free Parking! ^ _.______________ Average Daily Net Preea Ran Var Am W««k Kaded The Weather' Matn St., Mfneh«st«r ^ Deoemlwr 8. ISet Voreoaot of 0. S. Weather fUnaa Phenr.MI 3-4123 Fair aad unseaeonsbly ooM t»- 13,861 mgfat. Low temperatares aero to ' o< tli« Audit 5 above aad S to IS in larger nrfcab 1 of CSranlallnn ITHd^V IflsveMsalitar stlnaadH- OPEN Sabin Use Urged, Court Rejects State N ew s AND EVERY NIGHT INCLUDING SATURDAY, D Injunction Bid Roundup Risk Held Slight To Redistrict War Problems ■ 'N ARISTOCRAFT NEW HAVEN (AP)—A W inst^ Blasting WOMEbl^r ROBES By JOHN BABBOCB ovaccine r^xurted the problem that some cases of polio appeared to panel of three federd judges WASHINGTON (AP) today rejected an application Damages 3 Cars l^ericans are urged to use stem from use of the vaccine, EMBROIDERED specifically from Tyx>e m viruses, for a preliminary injunction and^ DUSTERS the Sabin oral vaccine against one of the triumvirate of polio to force Gov. John N. Demp WpiSTED (A P )— Three polio—^but with a warning of virus types. sey to convene the 1961 ses passing cars were damaged Add Day ~ Nylon Tricot a “very small risk” for adults. There were, they said, U cases The report came Wednesday of polio in question and there was sion of the General Assembly in a dynamite blast at the from U.8.