Dear Friends, in Keeping with the Nostalgic Themes with Which We
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
Mixed Folios
mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs -
The English Listing
THE CROSBY 78's ZYXWVUTSRQPONMLKJIHGFEDCBAthe English listing Members may recall that we issued a THE questionnaire in 1990 seeking views and comments on what we should be providing in CROSBY BING. We are progressively attempting to fulfil 7 8 's these wishes and we now address one major ENGLISH request - a listing of the 78s issued in the UK. LISTING The first time this listing was issued in this form was in the ICC's 1974 booklet and this was updated in 1982in a publication issued by John Bassett's Crosby Collectors Society. The joint compilers were Jim Hayes, Colin Pugh and Bert Bishop. John has kindly given us permission to reproduce part of his publication in BING. This is a complete listing of very English-issued lO-inch and 12-inch 78 rpm shellac record featuring Sing Crosby. In all there are 601 discs on 10different labels. The sheet music used to illustrate some of the titles and the photos of the record labels have been p ro v id e d b y Don and Peter Haizeldon to whom we extend grateful thanks. NUMBERSITITLES LISTING OF ENGLISH 78"s ARIEl GRAND RECORD. THE 110-Inchl 4364 Susiannainon-Bing BRUNSWICK 112-inchl 1 0 5 Gems from "George White's Scandals", Parts 1 & 2 0 1 0 5 ditto 1 0 7 Lawd, you made the night too long/non-Bing 0 1 0 7 ditto 1 1 6 S I. L o u is blues/non-Bing _ 0 1 3 4 Pennies from heaven medley/Pennies from heaven THECROSBYCOLLECTORSSOCIETY BRUNSWICK 110-inchl 1 1 5 5 Just one more chance/Were you sincere? 0 1 6 0 8 Home on the range/The last round-up 0 1 1 5 5 ditto 0 1 6 1 5 Shadow waltz/I've got to sing a torch -
RADIO ROCKWAY Odalys Cordero
RADIO ROCKWAY Odalys Cordero Preface It is with great pleasure that I share a Johnny Mercer inspired unit entitled: “Radio Rockway.” This unit utilizes interdisciplinary instruction within a musical setting. The target student audience throughout the curriculum is the 5th grade student population but can easily be adapted to middle and high school level students. The unit is typically completed in approximately nine weeks if music class is taught one hour a week. This unit is designed to educate students on the history and elements of Latin Jazz while simultaneously establishing a creative environment for student to create their own lyrics. On a personal note, I enjoyed witnessing the musical growth in each 5th grade class as they used the framework of pre-existing Latin Jazz songs and lyrically “made it their own,” so to speak. This was a great opportunity for Spanish speakers at an ESOL Level of 1 & 2 level to express themselves more freely throughout the progression of the unit. Overall Organization of Unit UNIT COVER PAGE Unit Title: “Radio Rockway” Grade Level: 5th Grade Subject/Topic Area(s): Studying a selected musical genre typically played on the radio: Latin Jazz. Designed By: Odalys Cordero , Florida International University Unit Duration: 9 Weeks Brief Summary of Unit (Including curricular context and unit goals): Three classes of 5th grade students will learn about the genre of Latin Jazz. This unit will be based on experiencing and creating lyrics to this particular genre. Each class will take on the role of a radio station with the assigned genre. Through these radio stations, students will perform their composition lyrics. -
Rhythm & Blues Rhythm & Blues S E U L B & M H T Y
64 RHYTHM & BLUES RHYTHM & BLUES ARTHUR ALEXANDER JESSE BELVIN THE MONU MENT YEARS CD CHD 805 € 17.75 GUESS WHO? THE RCA VICTOR (Baby) For You- The Other Woman (In My Life)- Stay By Me- Me And RECORD INGS (2-CD) CD CH2 1020 € 23.25 Mine- Show Me The Road- Turn Around (And Try Me)- Baby This CD-1:- Secret Love- Love Is Here To Stay- Ol’Man River- Now You Baby That- Baby I Love You- In My Sorrow- I Want To Marry You- In Know- Zing! Went The My Baby’s Eyes- Love’s Where Life Begins- Miles And Miles From Strings Of My Heart- Home- You Don’t Love Me (You Don’t Care)- I Need You Baby- Guess Who- Witch craft- We’re Gonna Hate Ourselves In The Morn ing- Spanish Harlem- My Funny Valen tine- Concerte Jungle- Talk ing Care Of A Woman- Set Me Free- Bye Bye Funny- Take Me Back To Love- Another Time, Another Place- Cry Like A Baby- Glory Road- The Island- (I’m Afraid) The Call Me Honey- The Migrant- Lover Please- In The Middle Of It All Masquer ade Is Over- · (1965-72 ‘Monument’) (77:39/28) In den Jahren 1965-72 Alright, Okay, You Win- entstandene Aufnahmen in seinem eigenwilligen Stil, einer Ever Since We Met- Pledg- Mischung aus Soul und Country Music / his songs were covered ing My Love- My Girl Is Just by the Stones and Beatles. Unique country-soul music. Enough Woman For Me- SIL AUSTIN Volare (Nel Blu Dipinto Di SWINGSATION CD 547 876 € 16.75 Blu)- Old MacDonald (The Dogwood Junc tion- Wildwood- Slow Walk- Pink Shade Of Blue- Charg ers)- Dandilyon Walkin’ And Talkin’- Fine (The Charg ers)- CD-2:- Brown Frame- Train Whis- Give Me Love- I’ll Never -
"Blues in the Night" Written by Rev
"Blues In The Night" Written By Rev. Suzanne Meyer Ireland's venerable rock band U2 is led by singer Bono. If you are not a rock fan you may know him as the debt relief advocate, a socially conscious musician, "the most secular of saints" according to Time magazine, and the winner of four Grammy Awards. Improbable as it may seem, he is also the author of an introduction to the Hebrew Psalms. As it turns out, Bono is a longtime fan of King David, the ancient Hebrew ruler who is said to have written the Psalms. This is an excerpt from Bono's introduction to the Psalms, published by Grove Press. Bono recalls: “At age 12, I was a fan of David. He felt familiar, like a pop star could feel familiar. The words of the Psalms were as poetic as they were religious, and he was a star—(a dramatic character, because) before David could fulfill the prophecy and become the king of Israel, he had to take quite a beating. He was forced into exile and ended up in a cave in some no-name border town facing the collapse of his ego and abandonment by God. But this is where the soap opera got interesting. This is where David was said to have composed his first Psalm—a blues. That's what a lot of the Psalms feel like to me—the blues. Man shouting at God—"My God, my God, why has Thou forsaken me? Why art thou so far from helping me?" (Psalm 22). -
Sons of the Pioneers Charity Benefit Concert
SONS OF THE PIONEERS CHARITY BENEFIT CONCERT The legendary Sons of the Pioneers will be appearing in concert on Saturday evening, November 3, at 6:30 p.m. at the Victor Valley College Performing Arts Center, in Victorville, California. This special charity performance will benefit the abused children served by the Happy Trails Children’s Foundation in Apple Valley, California. For decades, the Sons of the Pioneers have musically painted unforgettable images of the West; horses, cattle, cowboys, trails, tall timber, canyons and prairies. Their original songs like “Tumbling Tumbleweeds” and “Cool Water” are classics forever entwined into the lore and mystique of the American West. Both songs have been inducted into the Grammy Hall of Fame. The Sons of the Pioneers are the most highly awarded singing group of all time. Among their many prestigious awards, they have been inducted into the Country Music Hall of Fame, the Western Music Association Hall of Fame, the Nashville Songwriters Hall of Fame and the National Cowboy Hall of Fame – Hall of Great Western Performers, for their legacy of works in literature, music, film and television that reflect the significant stories of the American West. The Smithsonian Institute named them as “National Treasures.” The Sons of the Pioneers history began in the fall of 1933 when a young man from Duck Run, Ohio, Leonard Slye, then only 22 years of age and living in Southern California, contacted two of his friends, Bob Nolan and Tim Spencer, to form a musical group. They worked long and hard to develop a unique close harmony sound that has had an enduring influence on American music to this day. -
Chapter Outline
CHAPTER SIX: “IN THE MOOD”: THE SWING ERA, 1935–1945 Chapter Outline I. Swing Music and American Culture A. The Swing Era: 1935–45 1. Beginning in 1935, a new style of jazz-inspired music called “swing” transformed American popular music. 2. Initially developed in the late 1920s by black dance bands in New York, Chicago, and Kansas City 3. The word “swing” (like “jazz,” “blues,” and “rock ’n’ roll”) derives from African American English. a) First used as a verb for the fluid, rocking rhythmic momentum created by well-played music, the term was used by extension to refer to an emotional state characterized by a sense of freedom, vitality, and enjoyment. b) References to “swing” and “swinging” are common in the titles and lyrics of jazz records made during the 1920s and early 1930s. c) Around 1935, the music industry began to use “swing” as a proper noun—the name of a defined musical genre. 4. Between 1935 and 1945, hundreds of large dance orchestras directed by celebrity bandleaders dominated the national hit parade: 1 CHAPTER SIX: “IN THE MOOD”: THE SWING ERA, 1935–1945 a) Benny Goodman b) Tommy Dorsey c) Duke Ellington d) Count Basie e) Glenn Miller 5. These big bands appeared nightly on radio, their performances transmitted coast to coast from hotels and ballrooms in the big cities. 6. Their music was featured on jukeboxes. 7. Many of the bands crisscrossed the country in buses, playing for dances and concerts at local dance halls, theaters, and colleges. 8. The big bands were essentially a big-city phenomenon, a symbol of sophistication and modernity. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
May 1999-Vol. VII, No.2 TTABLEABLE OFOF CCONTENTONTENTSS MAGAZINE COMMITTEE OFFICER in CHARGE J
May 1999-Vol. VII, No.2 TTABLEABLE OFOF CCONTENTONTENTSS MAGAZINE COMMITTEE OFFICER IN CHARGE J. Grover Kelley A Message From the President ............................................................ 1 CHAIRMAN Features Bill Booher VICE CHAIRMAN The 1999 Show Wrap....................................................................... 2 Bill Bludworth Meet Sawyer Brown’s Mark Miller ................................................... 4 EDITORIAL BOARD Teresa Ehrman Hosting the World ............................................................................ 6 Kenneth C. Moursund Jr. A Tribute to the Outgoing Chairman of the Board ........................ 8 Peter A. Ruman Marshall R. Smith III Farewell to America’s Original Singing Cowboy ............................ 10 Constance White Todd Zucker Best Bet — Houston ......................................................................... 12 COPY EDITOR Outgoing Vice Presidents’ Profiles................................................... 14 Larry Levy Committee Spotlights PHOTO EDITOR Charlotte Howard Steer Auction .................................................................................... 16 REPORTERS Transportation .................................................................................. 17 Nancy Burch Gina Covell Show News and Updates John Crapitto Third-Year Committee Chairmen Profiles ...................................... 18 Sue Cruver Cheryl Dorsett-Kennedy Rodeo Round-Up ............................................................................. 21 Stephanie -
Western Music Association
The Official Publication of the Western Music Association Marty Kosel John Kosel Joe Kosel Crosshairs Rick Huff’s Rhode Island Red Chisholm Trail WESTERN AIR WEIGHS IN 150th ANNIVERSARY PAGE 25 PAGE 30 PAGE 10 In This Issue 2017 Awards of Excellence Nomination Ballot Rex Allen Jr's new CD “This Is The Last Cowboy Song” contains the first single written by Dick Goodman ‘Call Of The Canyon’ shipping worldwide March 15th Founder Bill Wiley From The President... Officers Marvin O’Dell, President The most common question I’m asked when I Jerry Hall, Executive V.P. attempt to encourage western music artists to join the Robert Fee, V.P. General Counsel Western Music Association is: what does the WMA Joe Brown, Secretary do for me? Diana Raven, Treasurer Before answering that question, maybe it’s best Executive Director to state what the WMA does NOT do for member Marsha Short artists. The WMA does not book artists into venues. Board of Directors The organization does not promote individual artists Joe Brown Robert Fee or attempt to help anyone become a star. Like any Juni Fisher non-profit organization, the WMA does not work Belinda Gail Marvin O’Dell Jerry Hall WMA President for its members. The members of non-profitable, Rick Huff charitable organizations band and work together to Robert Lorbeer Marvin O’Dell advance the mission of the organization they have elected to join. In short, the Theresa O’Dell mission of the WMA is to “encourage and support the preservation, performance, 2017 Board Interns and composition of historic traditional and contemporary music and poetry of Judy James The West.” In other words, the mission is to advance western music and poetry Yvonne Mayer in the eyes and ears of a listening public. -
Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol.