Guitar Exercises for Dummies‰
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“See, I Am Making All Things New.”
And the one who was seated on the throne said, “See, I am making all things new.” the Universe Humanity City God’s son Copyright© Caroline Martin Advent 2020 Making All Things New Contents Week 1: How? Week 2: Human Response? Week 3: Why? Week 4: How? Why? What? The Incarnation Advent Over 2000 years ago the early followers of Jesus told the world of good news. Jesus of Nazareth was and is the Christ. His life, his death, and especially his resurrection to which they were witnesses was the key to bringing the world to its fruition, to its created purpose, to its right relationship with God. It was both a promise of what was to come and an assertion that what is gives light to that future, for it is now and yet to be. God in Christ Jesus made a new covenant with the world. The letters the apostle Paul wrote to the churches he knew suggest that the time of fulfillment was near; the coming of Christ in glory was expected soon. As time passed Paul often warned and encouraged those he had led to the truth he saw in Christ Jesus, not to give up hope even though the Parousia was not yet. The gospel writers several decades later echoed that same conviction adding elements of suffering and judgment to the picture of the Day of the Lord. The writer of Revelation envisioned a spectacular descent of the Lamb who takes away the sins of the world and reigns in the city of God, the New Jerusalem. -
Guitar Virtuosity for the Everyday Man for Use with Guitar Freak Workstation
Guitar Virtuosity for the Everyday Man For use with Guitar Freak Workstation Sean Clancy 2nd Edition ©2009 Sean Clancy Enterprises Guitar Virtuosity for the Everyday Man Contents: Welcome to Guitar Freak Workstation with SightReader Master Extreme! 3 Lesson 1 -for beginners -the very basics 4 Lesson 2 -the guitar 6 Lesson 3 -Naturalization -the concept 10 Foundation course 12 Lesson 1 -Timing 13 Lesson 2 -strumming 19 Lesson 3 -strumming continued 21 Lesson 4 - Alternate Picking made easy 24 Lesson 5 - The major scale -playing it in timing subdivisions 27 Lesson 6 -Basic Chords 29 Lesson 7 -Learning a basic song 32 Lesson 8 -How chords and scales work (also a little on GFW Quick chords) 34 Chord Families -Introducing the Major, Minor and Dominant Families 38 Rhythm – chords level 1 (learning rock level chords, top 40 level, pop, country, blues) 40 Lesson 1 -Barre chords 41 Lesson 2 -Learning the notes on the E and A Strings (using GFW SightReader) 45 Lesson 3 -Learning songs by Ear 48 Lesson 4 -Finger Picking 53 Lesson 5 -Writing songs -song forms 56 Lesson 6 -Blues Structures and Rhythms 59 Lesson 7 -Working out chords for songs we may have heard but are in demand at an Impromptu jam 63 Lesson 8 -A list of popular songs to learn and steal forms from 67 Lead – level 1, (getting to learn lead playing, playing over songs, sounding great 69 Lesson 1 -Finger agility! 70 Lesson 2 -Laying chord shapes for your soloing 73 Lesson 3 -The Pentatonic Scale -part A - 77 Lesson 4 -Part B - 80 Lesson 5 -Breaking out of the box shapes - 83 Lesson 6 - Modes? I don’t need any stinking modes? 87 Lesson 7 -Rules for Soloing 90 1 Guitar Virtuosity for the Everyday Man Advanced Rhythm- 93 Lesson 1 -Stylistic Rhythms 94 Lesson 2 -Jazz Chords 99 Lesson 3 -The Metronome “Practice Chords, Scales and Licks 101 Lesson 4 -Know where the 3, 5, 7 and root are. -
Mission Issue
free The San Francisco Arts Quarterly A Free Publication Dedicated to the SArtistic CommunityFAQ i 3 MISSION ISSUE - Bay Area Arts Calendar Oct. Nov. Dec. Jan - Southern Exposure - Galeria de la Raza - Ratio 3 Gallery - Hamburger Eyes - Oakland Museum - Headlands - Art Practical 6)$,B6)B$UWVB4XDUWHUO\BILQDOLQGG 30 Saturday October 16, 1-6pm Visit www.yerbabuena.org/gallerywalk for more details 111 Minna Gallery Chandler Fine Art SF Camerawork 111 Minna Street - 415/974-1719 170 Minna Street - 415/546-1113 657 Mission Street, 2nd Floor- www.111minnagallery.com www.chandlersf.com 415/512-2020 12 Gallagher Lane Crown Point Press www.sfcamerawork.org 12 Gallagher Lane - 415/896-5700 20 Hawthorne Street - 415/974-6273 UC Berkeley Extension www.12gallagherlane.com www.crownpoint.com 95 3rd Street - 415/284-1081 871 Fine Arts Fivepoints Arthouse www.extension.berkeley.edu/art/gallery.html 20 Hawthorne Street, Lower Level - 72 Tehama Street - 415/989-1166 Visual Aid 415/543-5155 fivepointsarthouse.com 57 Post Street, Suite 905 - 415/777-8242 www.artbook.com/871store Modernism www.visualaid.org The Artists Alley 685 Market Street- 415/541-0461 PAK Gallery 863 Mission Street - 415/522-2440 www.modernisminc.com 425 Second Street , Suite 250 - 818/203-8765 www.theartistsalley.com RayKo Photo Center www.pakink.com Catherine Clark Gallery 428 3rd Street - 415/495-3773 150 Minna Street - 415/399-1439 raykophoto.com www.cclarkgallery.com Galleries are open throughout the year. Yerba Buena Gallery Walks occur twice a year and fall. The Yerba Buena Alliance supports the Yerba Buena Nieghborhood by strengthening partnerships, providing critical neighborhood-wide leadership and infrastructure, serving as an information source and forum for the area’s diverse residents, businesses, and visitiors, and promoting the area as a destination. -
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00:00:00 Music Music “Crown Ones” off the album Stepfather by People Under The Stairs. A fun, funky instrumental. 00:00:05 Morgan Host Hello, I’m Morgan Rhodes. My co-host Oliver Wang is away, but will Rhodes be back next week. So today it’s just me; and you are listening to Heat Rocks. Every episode we invite a guest to join us to talk about a heat rock, you know, incendiary material, an album that feels like fire shut up in your bones; and today, we will be taking it back together to revisit a compilation record released by ABKCO Records called Sam Cooke: Portrait of a Legend. 00:00:32 Music Music “Nothing Can Change This Love” off the album Portrait of a Legend by Sam Cooke. A slow, tender song. If I go, a million miles away I'd write a letter, each and everyday Cause honey nothing, nothing can ever change this love I have for you 00:01:00 Morgan Host What a beautiful challenge that had to have been, taking a voice like Sam Cooke’s, a career like Sam Cooke’s, a discography like Sam Cooke’s, and a life like Sam Cooke’s, and compiling 30 gems on a project. ABKCO Records did just this, releasing a Portrait of a Legend on June 17th, 2003. The compilation, bookended by two gospel tracks, “Touch The Hem Of His Garment”, and “Nearer to Thee”, covers the years 1951-1964, from Sam’s humble beginnings as one of the stars of an all-star gospel group, the Soul Stirrers, to pop sensationalism, chief crooner, to fallen star, to legend. -
Building Rock/Blues Solos – Part 1
Building Rock/Blues solos – Part 1 E Minor pentatonic – Exercises and Licks Please see the end of the document for notes on each exercise/lick Exercise 1. Exercise 2. Exercise 3. Exercise 4. Lick 1. Lick 2. Lick 3. Lick 4. Lick 5. Exercise 1. Simply the E minor pentatonic up and down. Become familiar with this scale before moving on. Exercise 2. This time the notes of the scale are doubled up. Maintain alternate picking (down, up, down, up etc. with the plectrum) throughout. Exercise 3. This one involves 'string skipping' across the scale. If this appears daunting, make sure to play it slowly first to ensure each note sounds clearly. As well as being good technique practise, string skipping is a great way of helping you see the scale differently, which is important for learning to solo creatively. Exercise 4. So many phrases in guitar solos are built out of repeating patterns and are in fact less complicated than they first appear. The pattern here is 3 up, go back a note, 3 up again, go back a note etc. Lick 1. A very classic Blues lick using double stops (two notes at a time), ¼ note bends and hammer-on triplets. Lick 2. Putting the string skipping exercise into practise, this lick uses plenty of legato (hammer ons and pull offs) Lick 3. This is basically the reverse of Exercise 4 – down 3, then up 1 etc. The addition of legato makes this lick sound fluid and also makes it easier to play fast – a lick like this makes a great 'finale' to a solo. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Tapped Arpeggios with String Skipping!
TAPPED ARPEGGIOS WITH STRING SKIPPING! Two of the more difficult techniques in rock and metal guitar soloing are right hand tapping and string skipping; for this column, I’m going to show you how to play arpeggios licks that incorporate them both! It’s very common for arpeggios to be performed on one string via tapping in groups of three notes – one note is tapped and the others are pulled-off or hammered-on. However, what’s less common is to extend the range of the arpeggio by taking the single string tapping lick and transposing it up or down an octave. For maximum playability, this necessitates moving to a non-adjacent string (string skipping). This process can also be repeated to incorporate a further octave. The end result is an arpeggio with a much wider range, and since it involves right and left hand legato playing, the sound created is very fluid and piano-like. Two shred masters who use this technique are Guthrie Govan and Michael Angelo Batio. EXERCISE 1 I’ve come up with two licks to demonstrate this technique, starting with an E minor triad. On the fifth string, tap the 14th fret with your right hand middle finger, pull-off to your first finger on the 7th fret, then hammer-on to the 10th fret with your third or fourth finger (then play this again). Now, move up two frets and skip to the third string, tapping the 16th fret. To play the next octave, jump to the first string and tap the 19th fret by moving the fingering up three frets. -
D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor. -
Suicide the Forever Decision by Dr. Paul G. Quinnett
SUICIDE The Forever Decision New 3rd Edition By Dr. Paul G. Quinnett Dr. Quinnett is a clinical psychologist and the Director of the QPR Institute, an educational organization dedicated to preventing suicide. He has worked with suicidal people and survivors of suicide for more than 35 years. Author of seven books and an award- winning journalist, he is also a Clinical Assistant Professor in the Department of Psychiatry and Behavioral Science at the University of Washington School of Medicine, Seattle, Washington. Compliments of the QPR Institute Suicide: the Forever Decision For those thinking about suicide and for those who know, love and counsel them. DISCLAIMER Both author and publisher wish the reader to know that this book does not offer mental health treatment, and in no way should be considered a substitute for consultation with a professional. The identities of the people written about in this book have been carefully disguised in accordance with professional standards of confidentiality and in keeping with their rights to privileged communication with the author. TABLE OF CONTENTS INTRODUCTION Introduction ...........................................................................5 CHAPTER1 You Don't Have to Be Crazy...................................................7 CHAPTER2 An Idea That Kills ................................................................ 11 CHAPTER3 Don't I Have a Right to Die?................................................. 13 CHAPTER4 Are You Absolutely Sure?................................................... -
Unit 2 – Marvelous Me
A theme guide for preschool | Unit 2 Marvelous Me Cu r os tyCo ner 38802 Curiosity Corner 2nd Edition Theme Guide: Unit X2 © 2014, 2020 by the Success for All Foundation. All rights reserved. Produced by the Curiosity Corner 2nd Edition Team Jennifer Austin Kate Conway Mike Knauer Karen Poe Program Developer Program Developer Software Developer Production Artist Irene Baranyk Meghan Fey Claire Krotiuk Kelly Rose Production Artist Proofreader Rollout Team Online Tools Developer Sue Belt Wendy Fitchett Nancy Madden Pam Russell Rollout Team Rollout Team Program Developer Contributing Developer Coleen Bennett Marti Gastineau Kristal Mallonee-Klier Kimberly Sargeant Program Developer Editor Rollout Team Contributing Developer Teresa Blanton Jeffrey Goddard Lori Martin Jane Strausbaugh Field Advisory Team Video Team Field Advisory Team Video Team Devon Bouldin Angie Hale Terri Morrison Laurie Warner Designer Video Team Program Developer Production Artist Debra Branner Jill Hanson Irina Mukhutdinova Tina Widzbor Designer Rollout Team Production Artist Production Artist James Bravo Tonia Hawkins Sheri Mutreja Janet Wisner Illustrator Video Team Coordinator Editor Kathy Brune Michael Hummel Cathy Pascone Judith Worrell Production Artist Designer Field Advisory Team Rollout Team Patrice Case-McFadin Wanda Jackson Michele Patterson Michelle Zahler Program Developer Illustrator Production Artist Proofreader Patricia Johnson Susan Perkins Software Developer Designer We wish to acknowledge the coaches, teachers, and children who piloted the program and provided valuable feedback. The Success for All Foundation grants permission to reproduce the blackline masters of this Curiosity Corner 2nd Edition theme guide on an as-needed basis for classroom use. Curiosity Corner is brought to you by the Success for All Foundation in partnership with Sesame Workshop, the non-profit educational organization behind Sesame Street. -
Licks 1-100 Finale 2020 1.1-3.Pdf
General information about Licks & Improvisation Licks are short figures which are usually 1-2 bars in duration. These figures are first practiced individually and then learned off by heart. Eventually, you then apply these figures practically. A solo often consists of several consecutively played licks. The advantage of this is that you can recall these ideas precisely in different live situations and can easily transpose them on a guitar by moving them into different keys. Improvisation can, generally speaking, be compared to learning a new language: First you learn individual words, then you put the words together to form phrases, and then whole sentences. Eventually, you don’t have to think about words, grammar etc. anymore and can speak freely about your thoughts on a topic. The same thing happens with improvisation. The goal is to gradually think less about scales, arpeggios etc. and instead to also tell a story while playing. The more you try this, the more freedom you will gain in terms of rhythm, dynamics, expression and phrasing. Tip: You can of course transcribe the following licks differently for yourself, or phrase and vary them differently. All licks can also be watched and played along to via my YouTube channel: www.youtube.com/c/antonkorenjak . I hope that you will have a lot of fun with this guitar licks, experience a positive musical development and at the same time will find a companion on the way to your personal goal! Lick of the week 1 in C#m Styles: Rock, Blues Used Scales: Pentatonic Scale, Aeolian Mode Tfuellchnical -
00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs. Chill, grooving instrumentals. 00:00:05 Oliver Wang Host Hello, everyone. It’s Oliver Wang from Heat Rocks. Just wanted to let you know that for the next month we are rolling out a new mini- series about movies and music, just in time for award season. We’re calling it Music and Popcorn, and starting next week we’ll have four episodes where guests are invited to talk about one of their favorite soundtracks and the movies that use them. To kick things off, though, we wanted to revisit some of the previous episodes where we’ve explored this exact territory, and we’re gonna start with our conversation with comedian Eliza Skinner about John Huges’ classic 1980s teen drama, Pretty In Pink. 00:00:44 Music Music “Pretty in Pink” off the album Pretty in Pink by The Psychedelic Furs. Upbeat 80s pop. Caroline laughs, and it’s raining all day… [Music fades out as Oliver speaks] 00:00:59 Oliver Host Now, given your penchant for freestyle— [Eliza laughs.] —we thought you would pick a hip hop album, but here you are with Pretty in Pink, an iconic soundtrack from an iconic film to be sure, but about as far from hip hop and the 1980s cultural scale as one could imagine. Why did you want to talk about this album? 00:01:16 Eliza Guest This album was the seminal album for me. This helped create so Skinner much of my um, interesting in music as an adult.