Asia Pacific Journal of Multidisciplinary Research, Vol. 3, No. 4, November 2015 Part IV _______________________________________________________________________________________________________________ Asia Pacific Journal of Analysis of the dance of native Isan artists for Multidisciplinary Research conservation Vol. 3 No. 4, 129-132 November 2015 Part IV Pakawat Petatano, Sithisak Champadaeng and Somkit Suk-Erb P-ISSN 2350-7756 The Faculty of Cultural Science, Mahasarakham University, Khamriang E-ISSN 2350-8442 Sub-District, Kantarawichai District, MahaSarakham Province, Thailand www.apjmr.com
[email protected] Date Received: September 28, 2015; Date Revised: October 30, 2015 Abstract –This is a qualitative investigation to analyse native dance in North-eastern Thailand. There were three objectives for this investigation, which were to study the history of Isan folk dance, current dance postures and ways to conserve the current dance postures of Isan folk artists. Research tools were interview, observation, participation, focus group discussion and workshop. The purposively selected research sample was composed of 3 groups of national artists. The findings show that Isan folk dancer shave their own unique dancing styles. Each artist has his or her own identity, which is constructed based on personal experience of dancing and singing. Mor lam is a dance used to accompany traditional Isansung poetry. Modern dance postures have been adapted from the traditional forms. Dance postures have been adapted from three primary sources: traditional literature, the ethnic and Lanchang dancing in the Lao People’s Democratic Republic and rhythmic Khon Kaen compositions. The conclusions of this investigation suggest that preservation of the dancing arts and postures should centre on the incorporation of new knowledge, as well as the continuation of traditional dance postures.