Legends of King Arthur
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The Character Model in Le Morte Darthur
The Character Model in Le Morte Darthur Anat Koplowitz-Breier ([email protected]) BAR-ILAN UNIVERSITY (RAMAT-GAN) Resumen Palabras clave Los personajes de La muerte de Arturo, La muerte de Arturo de Sir Thomas Malory, no se ajustan a la Malory definición estándar típica de los Caracterización personajes del romance. De hecho, Tipo pueden ser ubicados en una especie de Modelo de personaje estado transitorio que ha sido La dama denominado modelo de personaje. Tras La mujer con poderes mágicos dilucidar la naturaleza de tal concepto, este artículo procede a investigar dos modelos relativos a mujeres en La Muerte de Arturo: «La Dama» y «La Mujer con Poderes Mágicos». Abstract Key words The characters in Sir Thomas ’ Le Morte Darthur La Morte ’ do not conform to Malory the standard definition of Romance Characterization personae. In fact, they can be placed in Type a kind of transitional stage which has ’Model been called a ’ Model. After The Lady elucidating the nature of such a The Woman with Magical Power concept, this paper goes on to investigate two ’ Models of women in the Le Morte Darthur: «The Lady» and «The Woman with Magical AnMal Electrónica 25 (2008) Powers». ISSN 1697-4239 In the memory of my beloved teacher Prof. Ruth Reichelberg, who taught me what it means to be an academic person and a true Character Sir Thomas Malory's Morte is a mixture of at least two genres, Romance and Chronicle (Pochoda 1971). As McCarthy writes, his style is not of one piece: «’ matière is the matière of romance, but the sens, the ‘’ is perhaps not» (1988: 148). -
Lancelot - the Truth Behind the Legend by Rupert Matthews
Lancelot - The Truth behind the Legend by Rupert Matthews Published by Bretwalda Books at Smashwords Website : Facebook : Twitter This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please purchase your own copy. Thank you for respecting the hard work of this author. First Published 2013 Copyright © Rupert Matthews 2013 Rupert Matthews asserts his moral rights to be regarded as the author of this book. ISBN 978-1-909698-64-2 CONTENTS Introduction Chapter 1 - Lancelot the Legend Chapter 2 - Lancelot in France Chapter 3 - Lancelot in Britain Conclusion Introduction Of all the Knights of the Round Table, none is so famous as Sir Lancelot. He is both the finest of the Arthurian knights, and the worst. He is the champion of the Round Table, and the reason for its destruction. He is loyal, yet treacherous. Noble, but base. His is a complex character that combines the best and worst of the world of chivalry in one person. It is Sir Lancelot who features in every modern adaptation of the old stories. Be it an historical novel, a Hollywood movie or a British TV series, Lancelot is centre stage. He is usually shown as a romantically flawed hero doomed to eventual disgrace by the same talents and skills that earn him fame in the first place. -
The Adventures of Sir Lancelot Du Lake
1 The Adventures of Sir Lancelot du Lake There was held a feast of the Round Table at Caerleon, with high splendour; and all the knights thereof held many games and jousts. And therein Sir Lancelot increased in fame and worship above all men, for he overthrew all comers, and never was unhorsed or worsted, save by treason and enchantment. When Queen Guinevere had seen his wondrous feats, she held him in great favour, and smiled more on him than on any other knight. And Lancelot thought on her as fairest of all ladies, and done his best to win her grace. So the queen often sent for him, and bade him tell of his birth and strange adventures: how he was only son of great King Ban of Brittany, and how, one night, his father, with his mother Helen and himself, fled from his burning castle; how his father, groaning deeply, fell to the ground and died of grief and wounds, and how his mother, running to her husband, left himself alone; how, as he thus lay wailing, came the lady of the lake, and took him in her arms and went with him into the midst of the waters, where, with his cousins Lionel and Bors he had been cherished all his childhood until he came to King Arthur’s court; and how this was the reason why men called him Lancelot du Lake. Anon it was ordained by King Arthur, that in every year at Pentecost there should be held a festival of all the knights of the Round Table at Caerleon, or such other place as he should choose. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Writing and Literary Study Spring 2010 the Chivalrous Sir Gawain If
Ahmed 1 Sarin Taslima Ahmed College Writing II: Writing and Literary Study Spring 2010 The Chivalrous Sir Gawain If a man does not open the door for a woman, she may think chivalry is dead or forget that it ever existed at all. Today's woman is not a damsel in distress, but rather stands on equal ground with her masculine counterpart. She has no need to acknowledge that there was ever a time when men lived and died for the sake of honor. However, around 1066 a.d. to 1485 a.d., that was exactly what European knights, and those around the world, did (Achlin). Of these brave soldiers, the most famous were the Knights of the Round Table, subjects of Camelot and King Arthur. Perhaps the most acclaimed knights are dubbed Sir Lancelot and Sir Gawain. Lancelot is still known as the greatest of all knights, the perfect knight, but based on Gawain's actions in Sir Gawain and the Green Knight by the Pearl Poet and those of Lancelot in The Once and Future King by T.H. White, I've come to the conclusion that Gawain is a greater model of chivalry than Lancelot. Following the code of chivalry, Gawain is faithful to God, his King, and he is respectful to women. Lancelot is very talented, but he does not feel the need to follow the laws of knighthood, and ends up disregarding King Arthur, Queen Guinevere and even God because of it. "Two virtues above all else were held to mark the good knight and bring him honor. -
The Logic of the Grail in Old French and Middle English Arthurian Romance
The Logic of the Grail in Old French and Middle English Arthurian Romance Submitted in part fulfilment of the degree of Doctor of Philosophy Martha Claire Baldon September 2017 Table of Contents Introduction ................................................................................................................................ 8 Introducing the Grail Quest ................................................................................................................ 9 The Grail Narratives ......................................................................................................................... 15 Grail Logic ........................................................................................................................................ 30 Medieval Forms of Argumentation .................................................................................................. 35 Literature Review ............................................................................................................................. 44 Narrative Structure and the Grail Texts ............................................................................................ 52 Conceptualising and Interpreting the Grail Quest ............................................................................ 64 Chapter I: Hermeneutic Progression: Sight, Knowledge, and Perception ............................... 78 Introduction ..................................................................................................................................... -
THE STORY of KING ARTHUR and HIS KNIGHTS by Howard Pyle
THE STORY OF KING ARTHUR AND HIS KNIGHTS By Howard Pyle HOW KING ARTHUR HELD A ROYAL WEDDING, AND ESTABLISHED THE ROUND TABLE. AND now was come the early fall of the year; that pleasant season when meadowland and wold were still green with the summer that had only just passed; when the sky, likewise, was as of summertime-extraordinarily blue and full of large floating clouds; when a bird might sing here and another there a short song in memory of springtime (as the smaller fowl doth when the year draweth to its ending); when all the air was tempered with, warmth and yet the leaves were everywhere turning brown and red and gold, so that when the sun shone through them it was as though a cloth of gold, broidered with brown and crimson and green, hung above the head. Now was come the early autumn season of the year, when it is exceedingly pleasant to be afield among the nut-trees with hawk and hound, or to travel abroad in the yellow world, whether it be ahorse or afoot. Such was the time of year in which had been set the marriage of King Arthur and the Lady Guinevere at Camelot, and at that place was extraordinary pomp and glory of circumstance. All the world was astir and in a great ferment of joy, for all folk were exceedingly glad that King Arthur was to have a queen. In preparation for that great occasion the town of Camelot was entirely bedight with magnificence, for the stony street along which the Lady Guinevere must come to the royal castle of the king was strewn thick with fresh-cut rushes, smoothly laid. -
King Arthur and His Knights
King Arthur and his Knights by George Gibson 1/23 Contents Chapter One: Young Arthur............................................................................3 Chapter Two: The sword in the stone............................................................. 4 Chapter Three: Britain has a King...................................................................5 Chapter Four: Excalibur.................................................................................. 6 Chapter Five: Arthur meets Guinevere........................................................... 7 Chapter Six: The five Kings............................................................................8 Chapter Seven: Lancelot............................................................................... 10 Chapter Eight: The Holy Grail...................................................................... 12 Chapter Nine: King Arthur goes to Aralon................................................... 14 Track 1: Was King Arthur Only a Legend?.................................................. 16 Track 2: Before Arthur's Time...................................................................... 17 Track 3: Knight............................................................................................. 18 Track 4: Page, Squire, Knight....................................................................... 19 Track 5: Castles.............................................................................................20 Track 6: Old Castle of Great Interest........................................................... -
ABSTRACTION of CONVENTIONAL DEFINITIONS: ANNOTATED DEMONSTRATIONS in This Section, We Present a Series of Demonstrations Of
ABSTRACTION OF CONVENTIONAL DEFINITIONS: ANNOTATED DEMONSTRATIONS In this section, we present a series of demonstrations of our system abstracting de®nitions from the combination of its prior knowledge and the new portions of network built to represent its under- standing of story fragments that contain new words. 7.1. THE ``BRACHET'' DEMONSTRATION The examples in this chapter are taken from Malory's Le morte Darthur [Malory 1972]. In these examples, Lumiansky's translation of Malory appears in boldface. A simpler English translation, such as could be parsed by the grammar we intend to use in future versions of this work, appears in italics (in place of the SNePSUL version the system was actually given). Comments glossing the system output are pre®xed by a semi-colon. Much of the information from the story was input using the SNePSUL command "add", which causes forward-chaining inference (so that the system can notice logical conse- quences of the input). Many of these inferences (especially those found by reduction: eliminating an arc and the node at its head from a proposition) are irrelevant to the story, and so have been deleted for clarity. Unedited transcripts of these runs appear in the appendix.7 At the beginning of this run, the KB contained the following facts and rules: If x is a mammal, then it bears young. If x bears young, then it is a mammal. Mammals are animals. Quadrupeds are vertebrates. Vertebrates are animals. Harts are deer. Halls are buildings. Hounds are dogs. Dogs are mammals Dogs are quadrupeds. Dogs are carnivores. Dogs are predators. -
Bangor University DOCTOR of PHILOSOPHY Representations Of
Bangor University DOCTOR OF PHILOSOPHY Representations of the grail quest in medieval and modern literature Ropa, Anastasija Award date: 2014 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Representations of the Grail Quest in Medieval and Modern Literature Anastasija Ropa In fulfilment of the requirements of the degree of Doctor of Philosophy of Bangor University Bangor University 2014 i Abstract This thesis explores the representation and meaning of the Grail quest in medieval and modern literature, using the methodologies of historically informed criticism and feminist criticism. In the thesis, I consider the themes of death, gender relations and history in two medieval romances and three modern novels in which the Grail quest is the structuring motif. Comparing two sets of texts coming from different historical periods enhances our understanding of each text, because not only are the modern texts influenced by their medieval precursors, but also our perception of medieval Grail quest romances is modified by modern literature. -
Camelot Forever Transcript
1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief. I’m Eric Molinsky. When the lockdown began last March, I was desperate to delve into the most pleasant escapist fantasy I could think of. And I found that place in Camelot. You probably know the story: As a boy, Arthur is tutored by Merlin. Then Arthur pull a sword out of a stone, which proves he is going to be king. At Camelot, he creates a round table of knights, including Lancelot – who has an affair with Queen Guinevere. And the knights go on a quest to find the Holy Grail. It’s all very glorious -- until the end. I actually hadn’t read any Arthurian tales since I was a kid. But I did grow up in Massachusetts where the myth of JFK as Camelot was still alive and well. In fact, I was surprised to learn recently that the word Camelot wasn’t associated with Kennedy in his lifetime. It was something Jackie said to a reporter about the musical Camelot, after he died. In fact, that was a scene in the Natalie Portman movie Jackie. JACKIE: And that last song, that last side of Camelot, is all that keeps running through my mind. “Don’t let it be forgot, that for one brief, shining moment there was a Camelot.” Ingrid Nelson teaches Arthurian literature at Amherst College. She says Kennedy was not the first leader who was tied to Camelot. In fact, almost 700 years ago, King Edward the Third did everything he could to associated himself with King Arthur. -
Read Ebook {PDF EPUB} the Story of Queen Guinevere and Sir Lancelot
Read Ebook {PDF EPUB} The Story Of Queen Guinevere And Sir Lancelot Of The Lake With Other Poems by Wilhelm Hertz The Story Of Queen Guinevere And Sir Lancelot Of The Lake: With Other Poems by Wilhelm Hertz. Access to raw data. The story of Queen Guinevere and Sir Lancelot of the lake. After the German of Wilhelm Hertz. With other poems. Abstract. Mode of access: Internet. To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request. Suggested articles. Useful links. Blog Services About CORE Contact us. Writing about CORE? Discover our research outputs and cite our work. CORE is a not-for-profit service delivered by the Open University and Jisc. Arthur, King. King Arthur was a legendary ruler of Britain whose life and deeds became the basis for a collection of tales known as the Arthurian legends. As the leading figure in British mythology, King Arthur is a national hero and a symbol of Britain's heroic heritage. But his appeal is not limited to Britain. The Arthurian story—with its elements of mystery, magic, love, war, adventure, betrayal, and fate—has touched the popular imagination and has become part of the world's shared mythology. The Celts blended stories of the warrior Arthur with those of much older mythological characters, such as Gwydion (pronounced GWID-yon), a Welsh priest-king. Old Welsh tales and poems place Arthur in traditional Celtic legends, including a hunt for an enchanted wild pig and a search for a magic cauldron, or kettle. In addition, Arthur is surrounded by a band of loyal followers who greatly resemble the disciples of Finn , the legendary Irish hero.