The Court of Camelot Arthurian Pantheon

Total Page:16

File Type:pdf, Size:1020Kb

The Court of Camelot Arthurian Pantheon The Court of Camelot Arthurian Pantheon “YET some men say in many parts of England that King Arthur is not dead, but had by the will of our Lord Jesu into another place; and men say that he shall come again, and he shall win the holy cross. I will not say it shall be so, but rather I will say: here in this world he changed his life. But many men say that there is written upon his tomb this verse: Hic jacet Arthurus, Rex quondam, Rexque futurus (Here lies Arthur the once and future king). “ - Le Morte D'Arthur by Thomas Malory “So there’s a few floors of military police, six confirmed sorcerers, a couple dozen spartoi, and an elite squad of werewolf warriors? I thought you said this was going to be hard.” -Joe Ortega, Lancelot OVERVIEW The gods often concern themselves with stories of creation, of times before men, when the divines and titans shaped the fabric of the world. If you look for primal tales at the dawn of eternity, keep looking: you will not find them here. The stories of Camelot are the stories of heroes, of those bound by fate and those who conquered it. The first court of Arthur was made up of Scions of the Welsh and Irish Pantheons, with a few from even stranger heritage. They gathered together in Britain to protect mortal men from wicked fairies, dragons, and the incursions of foreign Scions and Titanspawn. As their legend grew, so too did the breadth of their cause. At the height of their power, Arthur and his fellows took a solemn oath upon the Round Table. As heroes of equal power and fervor, they each swore to eternally defend mankind with all of their strength. Unfortunately, it would not be a great foe which ultimately defeated Camelot. By their own hand, the invincible fellowship of heroes was no more. Their ichor dried up and none of their bloodline remains. But Fate has other plans. The oath of eternal protection reshaped the destiny of the World. In times of great need, when the future of mankind is in question, the hand of Fate reaches out and assembles the Knights once more--choosing from the best of humanity to fulfill the promise of Arthur. Joining the Court The Court of Camelot is quite different from the other Pantheons in that there is only one Scion at any given time for a divine parent. All of its members are both Chosen and Incarnated Scions. They are Chosen, as any human being who exemplifies the traits of their divine parent may rise as a Scion. They are Incarnations, as their Fate and the Fate of their divine parent weaves together to create a new destiny. He who is chosen as the Scion of Arthur is, metaphysically speaking, no different from the original. While he retains his mind, body, and soul, the ichor shouts to the cosmos: “Here is Arthur, King of Knights”. The birth of a Scion is largely done by Fate, through a process known as the Selection. The Selection, acting on the oath of the Round Table, only creates new Scions when the fate of mankind is in danger.. This danger need not be immediate and pressing; it’s rare that a Scion of Camelot is even remotely aware of the battle they were called to fight. It may be decades away from the moment of their selection, but it is always coming. The Court of Camelot is rarely assembled in any meaningful numbers. Most often, only a precious few are called to action in any given time period. While more dangerous times seem to attract more knights, there have been occasions where only one has been called, despite the apparent end of the world. There also seems to be no rhyme or reason for which Knight is called. Auguries and Divinations may say that Gawain will adventure once more soon, but there is little reason given to why the Sun Knight and not the the Knight with Two Swords. The Visitation While it is the power of Fate that chooses a new Scion, the Visitation is not without ceremony. The Ladies of the Lake, ancient fairies whose own fate is bound to the Courts, appear to those on the cusp of realizing their power. They will often test the mettle of the candidate in the days or weeks before their awakening, presenting some trial or posing a question the soon to be Scion must answer. Performing well can earn the favor of the Ladies, who are the ones that grant Birthrights to the Scions, and many Ladies continue on as Guides for the fledgling knights. At the end of the Visitation, the Lady will inform the Scion of the name of his predecessor, usually referred to as his Epithet, and grant them some small insight into the conflict they must someday face. The Rite of Succession Much more rarely, a Scion of Camelot may choose to give up his Epithet and power to another. The reasons for doing so are deeply personal, but have included things such as family or suffering from wounds that even a Scion may not recover from. This functions much the same as the Selection of Fate, save that it is the original Scion who observes and judges a potential. Once they have made up their mind, Fate swirls about the Scion and his protegee, slowly transferring the weight of his karma and power. A Visitation is necessary, as the Knight is bound to tell the recipient of his new duties and name before the process is complete. At the end, the original is stripped of his Ichor and a new Scion of Camelot is born. The “parent” Scion often continues to possess some of his power in the months to come, but like the embers of a dying fire, it will eventually be snuffed out. The echoes of their power sometimes manifest as an appropriate Supernatural Path, but most become normal humans. This process is permanent and irreversible--once given, the power can never be taken back. Principal Members There have been many members of the court of Camelot, from as few as twelve knights to well over one hundred. The Knights that follow are the most famous or integral members of the legend. Arthur Aliases: King Arthur, Arthur Pendragon, Artor, Artorius, The Once and Future King, Red Dragon of ​ Wales Lord of knights, the once and future king. The central character of Camelot and possibly the most famous king of all myths. He was known for his skill in combat, his talent for leadership, and for his panoply of magical items. His divine right lent legitimacy to the British Monarchy for generations, while his Round Table inspired notions of egalitarianism and equality. He has been seen as a figure from the Mabinogion, as a Roman General, and as a conglomeration of the deeds of historical kings, but the truth of the world is not so simple. While most Scions awaken in the prime of their life, usually as young adults, Arthurs tend to be chosen much earlier than that. Like their progenitor, Arthurs are thrust into their position at unstable ages. Given power and responsibility that would make experienced politicians sweat, the boy (and girl) Kings must balance growing as a person with growing as a sovereign. The youngest known Arthur was only eight years old when he took up his own Excalibur, a baseball bat, and went to fight the Werewolf Unit of Nazi Germany. Arthurs are usually the eye of the storm; the center which the tumultuous passions and drives of heroes swirl around. Firmly dedicated to both their friends and their ideals, Arthurs have historically struggled with keeping their bandmates on task and off of each other’s backs. Callings: Guardian, Judge, Leader ​ Purviews: Epic Dexterity, Epic Stamina, Epic Strength, Order, Prosperity, War ​ Balin Aliases: Balin the Savage, The Knight with the Two Swords ​ Sir Balin is not what most people think of when you ask them about the Knights of the Round table. A poor knight from Northumberland, Balin was quickly made an outlaw for beheading one of the Ladies of the Lake in Arthur’s court. Despite this, he came to aid King Arthur against the rebel alliance of Kings, performing such feats of prowess that even the other knights of the round compared him to a demon. While he and his twin Balan would kill each other in a duel, Balin’s later adventures would plant the seeds for the Quest for the Holy Grail and the battles between Lancelot and the other Knights. While Balin had unmatched strength and a virtuous heart, his reckless actions often caused more problems than he solved. The recent Hundred Kami War in Japan is another example of Balin’s misguided help backfiring spectacularly. Scions of Balin are a courageous lot, even by the standards of Heroes. Prone to strong action and with a firm moral compass, they strike out against the villains of the world without regard for their own safety. Perhaps because of this, Balin’s Scions seem to cause trouble despite their best intentions. There’s an air of bad luck about them, and Balins tend to arise from the poor, the downtrodden, or the unwanted of society. Scions of Balan never appear unless there is a Scion of Balin already present in the world. The two are irrevocably bound by Fate to be both ally and enemy, and to have a hand in each other's ultimate doom.
Recommended publications
  • Queen Guinevere
    Ingvarsdóttir 1 Hugvísindasvið Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir June 2011 Ingvarsdóttir 2 Háskóli Íslands Hugvísindasvið Enskudeild Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir Kt.: 060389-3309 Supervisor: Ingibjörg Ágústsdóttir June 2011 Ingvarsdóttir 3 Abstract This essay is an attempt to recollect and analyze the character of Queen Guinevere in Arthurian literature and movies through time. The sources involved here are Welsh and other Celtic tradition, Latin texts, French romances and other works from the twelfth and thirteenth centuries, Malory’s and Tennyson’s representation of the Queen, and finally Guinevere in the twentieth century in Bradley’s and Miles’s novels as well as in movies. The main sources in the first three chapters are of European origins; however, there is a focus on French and British works. There is a lack of study of German sources, which could bring different insights into the character of Guinevere. The purpose of this essay is to analyze the evolution of Queen Guinevere and to point out that through the works of Malory and Tennyson, she has been misrepresented and there is more to her than her adulterous relation with Lancelot. This essay is exclusively focused on Queen Guinevere and her analysis involves other characters like Arthur, Lancelot, Merlin, Enide, and more. First the Queen is only represented as Arthur’s unfaithful wife, and her abduction is narrated. We have here the basis of her character. Chrétien de Troyes develops this basic character into a woman of important values about love and chivalry.
    [Show full text]
  • The Character Model in Le Morte Darthur
    The Character Model in Le Morte Darthur Anat Koplowitz-Breier ([email protected]) BAR-ILAN UNIVERSITY (RAMAT-GAN) Resumen Palabras clave Los personajes de La muerte de Arturo, La muerte de Arturo de Sir Thomas Malory, no se ajustan a la Malory definición estándar típica de los Caracterización personajes del romance. De hecho, Tipo pueden ser ubicados en una especie de Modelo de personaje estado transitorio que ha sido La dama denominado modelo de personaje. Tras La mujer con poderes mágicos dilucidar la naturaleza de tal concepto, este artículo procede a investigar dos modelos relativos a mujeres en La Muerte de Arturo: «La Dama» y «La Mujer con Poderes Mágicos». Abstract Key words The characters in Sir Thomas ’ Le Morte Darthur La Morte ’ do not conform to Malory the standard definition of Romance Characterization personae. In fact, they can be placed in Type a kind of transitional stage which has ’Model been called a ’ Model. After The Lady elucidating the nature of such a The Woman with Magical Power concept, this paper goes on to investigate two ’ Models of women in the Le Morte Darthur: «The Lady» and «The Woman with Magical AnMal Electrónica 25 (2008) Powers». ISSN 1697-4239 In the memory of my beloved teacher Prof. Ruth Reichelberg, who taught me what it means to be an academic person and a true Character Sir Thomas Malory's Morte is a mixture of at least two genres, Romance and Chronicle (Pochoda 1971). As McCarthy writes, his style is not of one piece: «’ matière is the matière of romance, but the sens, the ‘’ is perhaps not» (1988: 148).
    [Show full text]
  • Camelot the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
    Insights A Study Guide to the Utah Shakespeare Festival Camelot The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Anne Newhall (left) as Billie Dawn and Craig Spidle as Harry Brock in Born Yesterday, 2003. Contents InformationCamelot on the Play Synopsis 4 Characters 5 About the Playwright 6 Scholarly Articles on the Play A Pygmalion Tale, but So Much More 8 Well in Advance of Its Time 10 Utah Shakespeare Festival 3 8FTU$FOUFS4USFFUr $FEBS$JUZ 6UBIr Synopsis: Camelot On a frosty morning centuries ago in the magical kingdom of Camelot, King Arthur prepares to greet his promised bride, Guenevere. Merlyn the magician, the king’s lifelong mentor, finds Arthur, a reluctant king and even a more reluctant suitor, hiding in a tree.
    [Show full text]
  • Book Production 2019.Xlsm
    CustomEyes® Book List Title Author ISBN RRP Publisher Age Synopsis Mr and Mrs Brick are builders, just like their mothers and fathers and grandmothers and grandfathers. But their new baby doesn’t seem to be following in their footsteps. Instead of building things up, she keeps Happy Families - Miss Brick the Builders' Ahlberg, Allan 9780140312423 £4.99 Puffin 06+ knocking things down! Baby Miss Josie Jump the jockey can’t wait to gallop in a race like her mum, her brother and even her grandma, but everyone says she’s too young. But then grandma’s horse gets a sore throat and Jimmy Jump gets a Happy Families - Miss Jump the Jockey Ahlberg, Allan 9780140312416 £4.99 Puffin 06+ splinter in his bottom Mr Biff is a boxer but he likes to eat cream cakes and sit by the fire in his slippers. Mr Bop is a boxer too, but he’s the fittest, toughest man in town. So Mr Biff needs to train hard before their charity match – but will he Happy Families - Mr Biff the Boxer Ahlberg, Allan 9780140312362 £4.99 Puffin 06+ strong enough to swap his cream cakes for carrots? Mr Buzz works hard to look after his bees - and his bees work hard to make lots and lots of lovely honey. But one morning Mr Buzz sees his bees swarming and he knows that when bees swarm and buzz off together Happy Families - Mr Buzz the Beeman Ahlberg, Allan 9780140312447 £4.99 Puffin 06+ they never come back. So the Buzz family put on their bee hats and bee gloves and give chase.
    [Show full text]
  • Lancelot - the Truth Behind the Legend by Rupert Matthews
    Lancelot - The Truth behind the Legend by Rupert Matthews Published by Bretwalda Books at Smashwords Website : Facebook : Twitter This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please purchase your own copy. Thank you for respecting the hard work of this author. First Published 2013 Copyright © Rupert Matthews 2013 Rupert Matthews asserts his moral rights to be regarded as the author of this book. ISBN 978-1-909698-64-2 CONTENTS Introduction Chapter 1 - Lancelot the Legend Chapter 2 - Lancelot in France Chapter 3 - Lancelot in Britain Conclusion Introduction Of all the Knights of the Round Table, none is so famous as Sir Lancelot. He is both the finest of the Arthurian knights, and the worst. He is the champion of the Round Table, and the reason for its destruction. He is loyal, yet treacherous. Noble, but base. His is a complex character that combines the best and worst of the world of chivalry in one person. It is Sir Lancelot who features in every modern adaptation of the old stories. Be it an historical novel, a Hollywood movie or a British TV series, Lancelot is centre stage. He is usually shown as a romantically flawed hero doomed to eventual disgrace by the same talents and skills that earn him fame in the first place.
    [Show full text]
  • My Fair Lady
    The Lincoln Center Theater Production of TEACHER RESOURCE GUIDE Teacher Resource Guide by Sara Cooper TABLE OF CONTENTS INTRODUCTION . 1 THE MUSICAL . 2 The Characters . 2 The Story . 2 The Writers, Alan Jay Lerner and Frederick Loewe . 5 The Adaptation of Pygmalion . 6 Classroom Activities . 7 THE BACKDROP . 9 Historical Context . 9 Glossary of Terms . 9 Language and Dialects in Musical Theater . 10 Classroom Activities…………… . 10 THE FORM . 13 Glossary of Musical Theater Terms . 13 Types of Songs in My Fair Lady . 14 The Structure of a Standard Verse-Chorus Song . 15 Classroom Activities . 17 EXPLORING THE THEMES . 18 BEHIND THE SCENES . 20 Interview with Jordan Donica . 20 Classroom Activities . 21 Resources . 22 INTRODUCTION Welcome to the teacher resource guide for My Fair Lady, a musical play in two acts with book and lyrics by Alan Jay Lerner and music by Frederick Loewe, directed by Bartlett Sher. My Fair Lady is a musical adaptation of George Bernard Shaw’s play Pygmalion, itself an adaptation of an ancient Greek myth. My Fair Lady is the story of Eliza Doolittle, a penniless flower girl living in London in 1912. Eliza becomes the unwitting object of a bet between two upper-class men, phonetics professor Henry Higgins and linguist Colonel Pickering. Higgins bets that he can pass Eliza off as a lady at an upcoming high-society social event, but their relationship quickly becomes more complicated. In My Fair Lady, Lerner and Loewe explore topics of class discrimination, sexism, linguistic profiling, and social identity; issues that are still very much present in our world today.
    [Show full text]
  • Camelot in Spokane.Pub
    CAMELOT IN SPOKANE Includes Lake Chelan March 25, 2015 - 5 Days Fares Per Person : $995 double/twin $1250 single $950 triple Tour is exempt from GST. >>>Early Bookers: $60 discount on first 15 seats; $30 on next 10 >>>TIC Travel Insurance: Plan 3-Comprehensive $95 double/twin, $119 single, $90 triple Redeem Experience Points : Book by February 11 and redeem up to 26 e-points Includes • Coach transportation for 5 days • Locally-guided tour of Spokane • 4 nights of accommodation & hotel taxes • Transfer to and from INB Theatre • 4-course wine pairing dinner at Tsillan Cellars • Ticket to Camelot at INB Theatre • Orchard ride at Orondo Cider Works with cider • Knowledgeable tour director sampling and donuts • Luggage handling at hotels • Gourmet dinner at Patsy Clark’s Mansion • 7 meals : 2 breakfasts, 3 lunches, 2 dinners • Wine tasting at Patit Creek Cellars Experience Points: Earn 26 e-points Camelot Show Seating • Orchestra Level Right Centre Rows K to N • A seating plan for INB Center is available at our offices. • Please book early as theatre seats are assigned in the order that you book. Camelot Camelot was composed by Alan Jay Lerner (lyrics) and Frederick Loewe (music) and was based on the King Arthur legend as adapted from the T.H. White novel, The Once and Future King . After their success with My Fair Lady , there were high expectations for Camelot . It opened in Toronto in 1960 with stars Julie Andrews, Robert Goulet and Richard Burton. The running time was supposed to be 2½ hours, but instead it clocked in at 4½ hours and the exhausted audience went home at 1 a.m.
    [Show full text]
  • Actions Héroïques
    Shadows over Camelot FAQ 1.0 Oct 12, 2005 The following FAQ lists some of the most frequently asked questions surrounding the Shadows over Camelot boardgame. This list will be revised and expanded by the Authors as required. Many of the points below are simply a repetition of some easily overlooked rules, while a few others offer clarifications or provide a definitive interpretation of rules. For your convenience, they have been regrouped and classified by general subject. I. The Heroic Actions A Knight may only do multiple actions during his turn if each of these actions is of a DIFFERENT nature. For memory, the 5 possible action types are: A. Moving to a new place B. Performing a Quest-specific action C. Playing a Special White card D. Healing yourself E. Accusing another Knight of being the Traitor. Example: It is Sir Tristan's turn, and he is on the Black Knight Quest. He plays the last Fight card required to end the Quest (action of type B). He thus automatically returns to Camelot at no cost. This move does not count as an action, since it was automatically triggered by the completion of the Quest. Once in Camelot, Tristan will neither be able to draw White cards nor fight the Siege Engines, if he chooses to perform a second Heroic Action. This is because this would be a second Quest-specific (Action of type B) action! On the other hand, he could immediately move to another new Quest (because he hasn't chosen a Move action (Action of type A.) yet.
    [Show full text]
  • Masaryk University of Brno
    MASARYK UNIVERSITY OF BRNO FACULTY OF EDUCATION Bachelor thesis Brno 2015 Martina Eklová Masaryk University Faculty of Education Department of English Language and Literature Concept of Love Triangle in Medieval Romance Bachelor thesis Brno 2015 Thesis supervisor: Author: Mgr. Jaroslav Izavčuk Martina Eklová Anotace Příběhy, jejichž hlavním tématem je milostný trojúhelník a nevěra, zažily ve středověké literatuře velký rozvoj. Mezi nejznámější patří příběh Tristana a královny Isoldy, stejně jako vyprávění o královně Guinevře a Lancelotovi. Bakalářská práce analyzuje a porovnává tyto dva milostné trojúhelníky a zároveň zkoumá možný vliv Tristanova příběhu na vznik legendy o Lancelotovi. První část bakalářské práce se týká žánru středověké romance a jejích prvků. Další kapitoly zahrnují analýzu milostných trojúhelníků na pozadí středověké společnosti a tehdejšího pojetí manželství a nevěry. Annotation The stories with a love triangle and adultery as its main theme developed significantly during the Middle Ages. Among the most popular ones belong the story of Tristan and Queen Iseult as well as the tale about Queen Guenever and Launcelot. The bachelor thesis analyses and compares these two love triangles and it examines the possible influence of Tristan‟s story on the legend about Launcelot. The first part of the bachelor thesis comprises the genre of medieval romance and its elements. The next chapters involve the analysis of the love triangles against the background of medieval society and its concept of marriage and adultery. Klíčová slova Středověká romance, milostný trojúhelník, manželství, nevěra, Román o Tristanovi a Isoldě, Artušova smrt, Malory, Bédier Keywords Medieval romance, love triangle, marriage, adultery, The Romance of Tristan and Iseult, Le Morte d‟Arthur, Malory, Bédier 1 Affirmation I hereby declare that I have worked on the bachelor thesis independently, using only the sources which are listed in the Bibliography.
    [Show full text]
  • Mcsporran, Cathy (2007) Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction
    McSporran, Cathy (2007) Letting the winter in: myth revision and the winter solstice in fantasy fiction. PhD thesis http://theses.gla.ac.uk/5812/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction Cathy McSporran Thesis submitted for the degree of Doctor of Philosophy Department of English Literature, University of Glasgow Submitted October 2007 @ Cathy McSporran 2007 Abstract Letting the Winter In: Myth-Revision and the Winter Solstice in Fantasy Fiction This is a Creative Writing thesis, which incorporates both critical writing and my own novel, Cold City. The thesis explores 'myth-revision' in selected works of Fantasy fiction. Myth- revision is defined as the retelling of traditional legends, folk-tales and other familiar stories in such as way as to change the story's implied ideology. (For example, Angela Carter's 'The Company of Wolves' revises 'Red Riding Hood' into a feminist tale of female sexuality and empowerment.) Myth-revision, the thesis argues, has become a significant trend in Fantasy fiction in the last three decades, and is notable in the works of Terry Pratchett, Neil Gaiman and Philip Pullman.
    [Show full text]
  • Monty Python's SPAMALOT
    Monty Python’s Spamalot CHARACTERS Please note that the ages listed just serve as a guide. All roles are available and casting is open, and newcomers are welcome and encouraged. Also, character doublings are only suggested here and may be changed based on audition results and production needs. KING ARTHUR (Baritone, Late 30s-60s) – The King of England, who sets out on a quest to form the Knights of the Round Table and find the Holy Grail. Great humor. Good singer. THE LADY OF THE LAKE (Alto with large range, 20s-40s) – A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. Sings everything from opera to pop to scatting. Gets angry easily. SIR ROBIN (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. Ironically called "Sir Robin the Brave," though he couldn't be more cowardly. Joins the Knights for the singing and dancing. Also plays GUARD 1 and BROTHER MAYNARD, a long-winded monk. A good mover. SIR LANCELOT (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. He is fearless to a bloody fault but through a twist of fate discovers his "softer side." This actor MUST be great with character voices and accents, as he also plays THE FRENCH TAUNTER, an arrogant, condescending, over-the-top Frenchman; the KNIGHT OF NI, an absurd, cartoonish leader of a peculiar group of Knights; and TIM THE ENCHANTER, a ghostly being with a Scottish accent.
    [Show full text]
  • Camelot* Fungicide / Bactericide
    ® Prescription Treatment brand Camelot* Fungicide / Bactericide ACTIVE INGREDIENT: Copper salts of fatty and rosin acids† . 58.0% INERT INGREDIENTS: . 42.0% Contains petroleum distillates, xylene or xylene range aromatic solvent. TOTAL 100.0% † Metallic Copper Equivalent 5.14%) * Camelot is a registered Trademark of Griffin Corporation. EPA Reg. No. 1812-381-499 KEEP OUT OF REACH OF CHILDREN CAUTION PRECAUTIONARY STATEMENTS USER SAFETY RECOMMENDATIONS Users should: FIRST AID • Wash hands before eating, drinking, chewing gum, using tobacco or using the toilet. IF ON SKIN OR CLOTHING: Take off contaminated clothing. Rinse skin immediately • Remove clothing immediately if pesticide gets inside. Then wash thoroughly and put on with plenty of water for 15 to 20 minutes. Call a poison control center or doctor for treat- clean clothing. ment advice. IF SWALLOWED: Immediately call a poison control center or doctor. Do not induce ENVIRONMENTAL HAZARDS vomiting unless told to do so by a poison control center or doctor. Do not give any liquid This pesticide is toxic to fish and aquatic organisms. Do not apply directly to water, or to areas to the person. Do not give anything by mouth to an unconscious person. where surface water is present or to intertidal areas below the mean high water mark. Do not IF INHALED: Move person to fresh air. If person is not breathing, call 911 or an ambu- contaminate water when disposing of equipment washwaters. lance, then give artificial respiration, preferably mouth-to-mouth, if possible. Call a poison control center or doctor for further treatment advice. PHYSICAL OR CHEMICAL HAZARDS IF IN EYES: Hold eye open and rinse slowly and gently with water for 15 to 20 minutes.
    [Show full text]