Friday, Feb 12

Total Page：16

File Type：pdf, Size：1020Kb

Movies starting Friday, Feb 12 America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Deadpool” Rated R Run Time 1:45 Starring Ryan Reynolds Start 2:50 5:50 8:30 End 4:35 7:35 10:15 Rated R for strong violence and language throughout, sexual content and graphic nudity. “ Hail, Caesar!” Rated PG-13 Run Time 1:50 Starring George Clooney, Scarlett Johansson, Channing Tatum and Ralph Fiennes Start 3:00 6:00 8:30 End 4:50 7:50 10:20 Rated PG-13 for some suggestive content and smoking. “The Finest Hours” Rated PG-13 Run Time 2:00 Starring Chris Pine and Eric Bana Start 2:50 5:40 8:30 End 4:50 7:40 10:30 Rated PG-13 for intense sequences of peril. “Kung Fu Panda 3” Rated PG Run Time 1:40 Starring (voices) Jack Black and Bryan Cranston Start 3:10 6:10 8:30 End 4:50 7:50 10:10 Rated PG for martial arts action and some mild rude humor. ***Prices*** Matinees* $9.00 (3D $12.00) ~ Adults $12.00 (3D $15.00) Seniors and Children under 12 $9.50 (3D $12.50) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies Deadpool (R) Ryan Reynolds Based upon Marvel Comics’ most unconventional anti-hero, Deadpool tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life. Hail, Caesar! (PG-13) George Clooney Scarlett Johansson Channing Tatum Four-time Oscar-winning filmmakers Joel and Ethan Coen (No Country for Old Men, True Grit, Fargo) write and direct Hail, Caesar!, an all-star comedy set during the latter years of Hollywood's Golden Age. Starring Josh Brolin, George Clooney, Ralph Fiennes, Tilda Swinton, Channing Tatum, Scarlett Johansson and Jonah Hill, Hail, Caesar! follows a single day in the life of a studio fixer who is presented with plenty of problems to fix. Kung Fu Panda 3 (PG) ( voices) Jack Black Bryan Cranston When Po's long-lost panda father suddenly reappears, the reunited duo travels to a secret panda paradise to meet scores of hilarious new panda characters. But when the supernatural villain Kai begins to sweep across China defeating all the kung fu masters, Po must do the impossible—learn to train a village full of his fun-loving, clumsy brethren to become the ultimate band of Kung Fu Pandas! The Finest Hours (PG-13) Chris Pine Eric Bana The Finest Hours is the remarkable true story of the greatest small boat rescue in Coast Guard history. On February 18, 1952, a massive nor’easter struck New England, wreaking havoc on the ships caught in its deadly path, including the SS Pendleton, a T-2 oil tanker bound for Boston, which was literally ripped in half, trapping more than 30 sailors inside its rapidly-sinking stern. Four men, led by Captain Bernie Webber, set out in a wooden lifeboat with an ill-equipped engine and little, if any, means of navigation, facing frigid temperatures, 60-foot high waves and hurricane-force winds. Marco Movies 599 S Collier Blvd (239) 642-1111 (across from the Hilton Hotel) .

Copy Link

Recommended publications

An American Original for Over 30 Years
AN AMERICAN ORIGINAL FOR OVER 30 YEARS Utilizing extensive research and development since 1987, Thermo-Tec produces the highest quality products for heat insulating, heat protection, and acoustical control. Our products out perform the competition in the automotive, motorcycle, powersport, marine and aviation industries. Several disciplines of racing, from grassroots to professional race teams, depend on Thermo-Tec high performance products. It’s our reputation for producing the highest quality and best performing products that keeps racers, and automotive enthusiasts alike, using our winning products. Year after year, our loyal domestic and international customer bases have provided the Thermo-Tec brand with sales growth in every category. Our commitment to quality and continuous improvement is our pledge to you and our continued growth. Extreme heat conditions and the destructive nature of radiant heat in general continue to be a major problem for consumers of our products. They find that Thermo-Tec products provide logical, easy-to-use solutions at reasonable prices. Customers may contact us at anytime for heat and sound management solutions. The Thermo-Tec Team is at your service, willing to match ideal products to your needs. EXHAUST INSULATING 5 Rogue Series Exhaust Insulating Wrap • Platinum Exhaust Insulating Wrap 6-7 Original Exhaust Insulating Wrap • Graphite Black Exhaust Insulating Wrap • Generation II Copper Exhaust Insulating Wrap • Exhaust Insulating Wrap Kits 8-9 High Velocity Exhaust Jackets • Header Manifold Blanket •
[Show full text]
X-Men Legacy: 5 Miles South of the Universe Pdf, Epub, Ebook
X-MEN LEGACY: 5 MILES SOUTH OF THE UNIVERSE PDF, EPUB, EBOOK Mike Carey,Steve Kurth | 152 pages | 14 Mar 2012 | Marvel Comics | 9780785160670 | English | New York, United States X-Men Legacy: 5 Miles South of the Universe PDF Book A weak 5 out of I really do. Yeah, it's just the faces that get so skewed by Kurth - like they all have weird tumours. Edgar Tadeo Inker ,. This is also the final issue of X-Men: Legacy. While she does find Marvel Girl and make friends with a crew of pirates, the other half of her crew are battling a horde of insectoid ali Mike Carey has been tasked with the impossible - bringing back Havok, Polaris, and Marvel Girl from the depths of comic lore in time for the X-Men Schism event. I am hoping that "the Days of Future Past" movie is followed up by a cosmic X-men film. Rogue is forced to confront some space pirates that constantly threaten her life. Find out here! In his role as mentor he has typically been present in the book, but he has notable absences, including issues 59—71 in government custody after the Onslaught crisis and 99— educating Cadre K in space. Rogue, Magneto, and Gambit are major characters. Community Reviews. Kate Miller rated it really liked it Jun 02, From Wikipedia, the free encyclopedia. Comic Book Resources. X-Men Legacy Collected Editions 1 - 10 of 11 books. Welcome back. Since the introduction of X- Men , the plotlines of this series and other X-Books have been interwoven to varying degrees.
[Show full text]
Unbelievable Bodies: Audience Readings of Action Heroines As a Post-Feminist Visual Metaphor
Unbelievable Bodies: Audience Readings of Action Heroines as a Post-Feminist Visual Metaphor Jennifer McClearen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2013 Committee: Ralina Joseph, Chair LeiLani Nishime Program Authorized to Offer Degree: Communication ©Copyright 2013 Jennifer McClearen Running head: AUDIENCE READINGS OF ACTION HEROINES University of Washington Abstract Unbelievable Bodies: Audience Readings of Action Heroines as a Post-Feminist Visual Metaphor Jennifer McClearen Chair of Supervisory Committee: Associate Professor Ralina Joseph Department of Communication In this paper, I employ a feminist approach to audience research and examine the individual interviews of 11 undergraduate women who regularly watch and enjoy action heroine films. Participants in the study articulate action heroines as visual metaphors for career and academic success and take pleasure in seeing women succeed against adversity. However, they are reluctant to believe that the female bodies onscreen are physically capable of the action they perform when compared with male counterparts—a belief based on post-feminist assumptions of the limits of female physical abilities and the persistent representations of thin action heroines in film. I argue that post-feminist ideology encourages women to imagine action heroines as successful in intellectual arenas; yet, the ideology simultaneously disciplines action heroine bodies to render them unbelievable as physically powerful women.
[Show full text]
Michelle, My Belle
JUDY, JUDY, JUDY ACCESSORIES: Luxury handbag brand Judith Leiber introduces a WWDSTYLE lower-priced collection. Page 11. Michelle, My Belle A rainbow of color may have populated the red carpet at this year’s Oscars, but Best Actress nominee Michelle Williams went countertrend, keeping it simply chic with a Chanel silver sheath dress. For more on the Oscars red carpet, see pages 4 and 5. PHOTO BY DONATO SARDELLA 2 WWDSTYLE MONDAY, FEBRUARY 28, 2011 Elizabeth Banks Livia with Tom Ford. and Colin eye Firth. Claire Danes in Chanel with Hugh Dancy Emma Stone in at the Chanel Chanel at the Jennifer dinner. Chanel dinner. Hudson Livia and Colin Firth January Jones in Chanel at the Chanel The Endless Season dinner. Perhaps it was because James Franco — the current “What’s Harvey’s movie?” he asked. “‘The King’s standard-bearer for actor-artistes the world over — Speech’? I liked that very much.” was co-hosting the ceremony, or perhaps a rare SoCal But it wasn’t all high culture in Los Angeles this week. cold front had Hollywood in a more contemplative The usual array of fashion house- and magazine-sponsored mood than normal, but the annual pre-Oscar party bashes, congratulatory luncheons, lesser awards shows rodeo had a deﬁnite art world bent this year. and agency schmooze fests vied for attention as well. Rodarte designers Kate and Laura Mulleavy On Wednesday night — a day before the scandal that kicked things off Wednesday night with an exhibit engulfed the house and its designer, John Galliano — of their work (including several looks they created Harvey Weinstein took over as co-host of Dior’s annual for Natalie Portman in “Black Swan”) sponsored Oscar dinner, and transformed it from an intimate affair by Swarovski at the West Hollywood branch of beneath the Chateau Marmont colonnade to a Los Angeles’ Museum of Contemporary Art 150-person event that took over the hotel’s entire and an accompanying dinner at Mr.
[Show full text]
ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise
DOCU§ENT RESUME ED 190 980 CS 005 088 AOTHOR Palumbo, Don'ald TITLE The use of, Comics as an Approach to Introducing the Techniques and Terms of Narrative to Novice Readers. PUB DATE Oct 79 NOTE 41p.: Paper' presented at the Annual Meeting of the Popular Culture Association in the South oth, Louisville, KY, October 18-20, 19791. EDFS PRICE MF01/PCO2 Plus Postage." DESCRIPTORS Adolescent Literature:,*Comics (Publications) : *Critical Aeading: *English Instruction: Fiction: *Literary Criticism: *Literary Devices: *Narration: Secondary, Educition: Teaching Methods ABSTRACT The pdblications of the Marvel Comics Group warrant serious consIderation as .a legitimate narrative enterprise. While it is obvious. that these comic books can be used in the classroom as a source of reading material, it is tot so obvious that these comic books, with great economy, simplicity, and narrative density, can be used to further introduce novice readers to the techniques found in narrative and to the terms employed in the study and discussion of a narrative. The output of the Marvel Conics Group in particular is literate, is both narratively and pbSlosophically sophisticated, and is ethically and morally responsible. Some of the narrative tecbntques found in the stories, such as the Spider-Man episodes, include foreshadowing, a dramatic fiction narrator, flashback, irony, symbolism, metaphor, Biblical and historical allusions, and mythological allusions.4MKM1 4 4 *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** ) U SOEPANTMENTO, HEALD.. TOUCATiONaWELFARE NATIONAL INSTITUTE CIF 4 EDUCATION THIS DOCUMENT was BEEN N ENO°. DOCEO EXACTLY AS .ReCeIVED FROM Donald Palumbo THE PE aSON OR ORGANIZATIONORIGuN- ATING T POINTS VIEW OR OPINIONS Department of English STATED 60 NOT NECESSARILY REPRf SENT OFFICIAL NATIONAL INSTITUTE OF O Northern Michigan University EDUCATION POSITION OR POLICY CO Marquette, MI.
[Show full text]
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.
[Show full text]
Her Own Heroine: Feminism and Diversity in the Comic Book Industry
Panel Title: Her Own Heroine: Feminism and Diversity in the Comic Book Industry Moderator: Patricia B. Worrall, Ph.D. English Department University of North Georgia [email protected] First Speaker: Veronica Harris English Department University of North Georgia [email protected] Title: “Breaking the Mold: Ororo Munroe and the Entertainment Industry” Proposal: Throughout the history and development of comic books, there has been adaptations of the characters to different media venues. Storm, or Ororo Munroe, is no exception. She comes from the African country of Kenya born to a native woman and American man. Her mother comes from a line of priestesses said to hold mystical powers to protect their tribes. At a young age, she experiences a tragic plane crashing into her home, which traps her under her mother’s body and rubble. She develops claustrophobic tendencies, which awaken her powers. Later in life, she comes to teach at the Xavier School for Gifted Youngsters, i.e. mutants, and becomes one of the most powerful X-Men. Representations of Storm occur in many different forms of visual media, such as movies and comics. However, the medium of film limits the development of her backstory and heritage because of the film industry’s shift to an emphasis and focus on white males taken from comics. This shift has resulted in restricting and restraining women of color. On the other hand, cartoons, such as Wolverine and the X-Men and X-Men Evolution , do provide some space for her. Although even in comic space restricts and restrains women of color and becomes analogous to Storm’s claustrophobia.
[Show full text]
Hulk Smash! September, 2020, Vol
Journal of Criminal Justice and Popular Culture Hulk Smash! September, 2020, Vol. 20 (Issue 1): pp. 28 - 42 Clevenger and Acquaviva Copyright © 2020 Journal of Criminal Justice and Popular Culture All rights reserved. ISSN: 1070-8286 Hulk Smash! Violence in The Incredible Hulk Comics Shelly Clevenger Sam Houston State University & Brittany L. Acquaviva Sam Houston State University 28 Journal of Criminal Justice and Popular Culture Hulk Smash! September, 2020, Vol. 20 (Issue 1): pp. 28 - 42 Clevenger and Acquaviva Abstract “Hulk smash!” is one of the most iconic phrases uttered in the pages of comic books. The Incredible Hulk is one of comics’ most violent characters as the Hulk smashes first and asks questions later. The popularity of the comic book genre has exploded within past decades and the interest in comics has increased. But exactly how violent is The Incredible Hulk and what does that mean for readers? This research examines the occurrence of violence in the Incredible Hulk comics through a thematic content analysis of 248 issues. Specifically, such themes as violence against men and women, unpunished violence, formal punishments of violence, interventions to stop violence and the justification provided for violence were assessed. The goal of the research was to determine the amount and level of violence within the comic and in what context it occurred. Results indicate that there is a large amount of violence occurring within the pages of the Incredible Hulk, but that this violence is often justified and committed by the Hulk to protect himself and others. A discussion is provided regarding the potential impact this may have on a reader and their view of violence, crime and justice.
[Show full text]
The Incredible Hulk
The Incredible Hulk Monster, Man, Hero Dana McKnight Texas Christian University hen Marvel Comics introduced The Incredible Hulk in 1962, the following question was displayed prominently within a bold yellow question mark on W the front page: “Is he man or monster or…is he both?”1 Today, it seems easy to dismiss questions about the Incredible Hulk being a monster by merit of the popular Marvel Universe films, which brought the Incredible Hulk to a wide audience. I suspect that most Americans recognize the Incredible Hulk as a member of the Avengers: a hero, not a monster. However, when the Incredible Hulk first made his debut, Stan Lee expected his readers to wonder whether or not the Hulk would be a villain or a hero.2 Drawing from the first six issues of The Incredible Hulk I will discuss how the Incredible Hulk is simultaneously a hero and a monster, both an allegory of the military might of the United States in the atomic age and of the tenuous relationship between security and safety manifest in the uncontrolled destructive power of nuclear weapons. I will close with a glimpse into the contemporary post-9/11 Hulk. Man or Monster? First, it is cogent to get back to the “man or monster” question posed by Stan Lee in the very first issue of The Incredible Hulk, because the Hulk was both a man, Bruce Banner, and a monster, the Hulk. The “man-or-monster” question is not new and was 1 Stan Lee and Jack Kirby, “The Coming of the Hulk,” The Incredible Hulk, no.
[Show full text]
A Movie Review
A Movie Review: Release: February 2016 Rating: 15 Director: Tim Miller Cast: Ryan Reynolds, Morena Baccarin, Ed Skrein, Brianna Hildebrand, TJ Miller, Stefan Kapicic Plot: After developing multiple inoperable tumours, Wade Wilson undertakes an experiment to cure him. After suffering drastic side effects, he sets out to seek revenge on the man who ruined his life. Development hell. That unsavoury purgatory from which most films never escape. After more than 10 years in development, involving multiple rewrites, recastings and even a PG-13 version, Deadpool finally escapes, thanks to some "leaked" test footage which saw Fox greenlight the picture within 24 hours. And it's been a long time coming. Right from the spectacular opening credits (which will surely go down as some of the best ever made) it's clear that director Tim Miller and star Ryan Reynolds have got Deadpool's spirit spot on. Reynolds is an absolute joy to watch; he's clearly having a much better time here than in 2009's disastrous X-Men: Origins (which he has since stated he felt "blackmailed" into doing). The Merc With a Mouth is exactly that; there are in-jokes, pop culture references and fourth-wall breaks abound (even an Inception-esque fourth- wall break within a fourth-wall break). Little escapes unmentioned, Deadpool opting to take the mickey out of just about everything that springs to mind, including Reynolds' turn as Green Lantern, Reynolds himself, Hugh Jackman, and there's even a cheeky reference to the Marvel Cinematic Universe. In terms of character, Deadpool is perfect. The film doesn't fall short in its story aspect either; instead of opting for a standard "the world is in immediate danger and only the hero can stop it" story, Miller rolls with more of an action-romance, and it's much better for it.
[Show full text]
Creating a Superheroine: a Rhetorical Analysis of the X-Men Comic Books
CREATING A SUPERHEROINE: A RHETORICAL ANALYSIS OF THE X-MEN COMIC BOOKS by Tonya R. Powers A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS Major Subject: Communication West Texas A&M University Canyon, Texas August, 2016 Approved: __________________________________________________________ [Chair, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] ____________________________________________________ [Head, Major Department] [Date] ____________________________________________________ [Dean, Fine Arts and Humanities] [Date] ____________________________________________________ [Dean, Graduate School] [Date] ii ABSTRACT This thesis is a rhetorical analysis of a two-year X-Men comic book publication that features an entirely female cast. This research was conducted using Kenneth Burke’s theory of terministic screens to evaluate how the authors and artists created the comic books. Sonja Foss’s description of cluster criticism is used to determine key terms in the series and how they were contributed to the creation of characters. I also used visual rhetoric to understand how comic book structure and conventions impacted the visual creation of superheroines. The results indicate that while these superheroines are multi- dimensional characters, they are still created within a male standard of what constitutes a hero. The female characters in the series point to an awareness of diversity in the comic book universe. iii ACKNOWLEDGEMENTS I wish to thank my thesis committee chair, Dr. Hanson, for being supportive of me within the last year. Your guidance and pushes in the right direction has made the completion of this thesis possible. You make me understand the kind of educator I wish to be. You would always reply to my late-night emails as soon as you could in the morning.
[Show full text]
February 8, 2021 Dear President Biden and Vice President Harris
February 8, 2021 Dear President Biden and Vice President Harris, Thank you for your administration’s early focus on climate change, tribal sovereignty, and racial justice and equity, including your decision to stop the Keystone XL pipeline. We are also grateful for your critical efforts to save lives and address the COVID-19 pandemic that is disproportionately impacting BIPOC communities across our country. As your Administration takes action to address the climate crisis and strengthen relationships with Indigenous communities, we respectfully urge you to reverse another harmful Trump Administration decision and immediately shut down the Dakota Access Pipeline (DAPL) during its court-ordered environmental review. In 2016, the Standing Rock Sioux Tribe became the epicenter of a global climate justice movement to stop the illegal construction of the Dakota Access Pipeline. The pipeline had originally been slated to cross the Missouri River north of Bismarck, ND, yet the risk of an oil spill on the city’s 90% white inhabitants was deemed too great. The new crossing site shifted the risk to the Standing Rock Sioux Tribe, in a location of key religious and cultural importance, including the burial grounds of their ancestors. The U.S. Army Corps of Engineers approved several of the required permits without conducting an Environmental Impact Statement or adequately consulting with the Tribe. After several months of peaceful demonstrations and the advocacy of tens of millions of Americans, President Obama listened to the demands of the Standing Rock Sioux Tribe. He declined to issue the final pipeline permit. Then the U.S. Army Corps of Engineers announced they would conduct a full environmental review, which would focus on the Tribe’s treaty rights.
[Show full text]