Monophobia a Fear of Solitude
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I STEVE JACKSON GAMES ,; Ancient Howor Crawls Into the Dark Future
I STEVE JACKSON GAMES ,; Ancient Howor Crawls into the Dark Future By Chris W. McCubbin Edited by Scott D. Haring Cover by Albert Slark Illustrated by Dan Smith GURPS System Design by Steve Jackson Scott Haring, Managing Editor Page Layout, Typography and Interior Production by Rick Martin Cover Production by Jeff Koke Art Direction by Lillian Butler Print Buying by Andrew Hartsock and Monica Stephens Dana Blankenship, Sales Manager Thanks to Dm Smith Additional Material by David Ellis Dickerson Bibliographic information compiled by Chris Jarocha-Emst Proofreading by Spike Y. Jones Playtesters: Bob Angell, Sean Barrett, Kaye Barry, C. Milton Beeghly, James Cloos, Mike DeSanto, Morgan Goulet, David G. Haren, Dave Magnenat, Virginia L. Nelson, James Rouse, Karen Sakamoto, Michael Sullivan and Craig Tsuchiya GURPS and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. Pyramid and the names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. Cull of Cihulhu is a trademark of Chaosium Inc. and is used by permission. Elder Sign art (p. 55) used by permission of Chaosium Inc. GURPS CihuIhuPunk is copyright 0 1995 by Steve Jackson Games Incorporated. All rights reserved. Printed in the U.S.A ISBN 1-55634-288-8 Introduction ................................ 4 Central and South America ..27 Hacker ..................................43 About GURPS ............................4 The Pacific Rim ...................27 -
Hypersphere Anonymous
Hypersphere Anonymous This work is licensed under a Creative Commons Attribution 4.0 International License. ISBN 978-1-329-78152-8 First edition: December 2015 Fourth edition Part 1 Slice of Life Adventures in The Hypersphere 2 The Hypersphere is a big fucking place, kid. Imagine the biggest pile of dung you can take and then double-- no, triple that shit and you s t i l l h a v e n ’ t c o m e c l o s e t o o n e octingentillionth of a Hypersphere cornerstone. Hell, you probably don’t even know what the Hypersphere is, you goddamn fucking idiot kid. I bet you don’t know the first goddamn thing about the Hypersphere. If you were paying attention, you would have gathered that it’s a big fucking 3 place, but one thing I bet you didn’t know about the Hypersphere is that it is filled with fucked up freaks. There are normal people too, but they just aren’t as interesting as the freaks. Are you a freak, kid? Some sort of fucking Hypersphere psycho? What the fuck are you even doing here? Get the fuck out of my face you fucking deviant. So there I was, chilling out in the Hypersphere. I’d spent the vast majority of my life there, in fact. It did contain everything in my observable universe, so it was pretty hard to leave, honestly. At the time, I was stressing the fuck out about a fight I had gotten in earlier. I’d been shooting some hoops when some no-good shithouses had waltzed up to me and tried to make a scene. -
Universidade Federal De Santa Catarina Pós
UNIVERSIDADE FEDERAL DE SANTA CATARINA PÓS-GRADUAÇÃO EM LETRAS/INGLÊS E LITERATURA CORRESPONDENTE WEIRD FICTION AND THE UNHOLY GLEE OF H. P. LOVECRAFT KÉZIA L’ENGLE DE FIGUEIREDO HEYE Dissertação Submetida à Universidade Federal de Santa Catarina em cumprimento dos requisitos para obtenção do grau de MESTRE EM LETRAS Florianópolis Fevereiro, 2003 My heart gave a sudden leap of unholy glee, and pounded against my ribs with demoniacal force as if to free itself from the confining walls of my frail frame. H. P. Lovecraft Acknowledgments: The elaboration of this thesis would not have been possible without the support and collaboration of my supervisor, Dra. Anelise Reich Courseil and the patience of my family and friends, who stood by me in the process of writing and revising the text. I am grateful to CAPES for the scholarship received. ABSTRACT WEIRD FICTION AND THE UNHOLY GLEE OF H. P. LOVECRAFT KÉZIA L’ENGLE DE FIGUEIREDO HEYE UNIVERSIDADE FEDERAL DE SANTA CATARINA 2003 Supervisor: Dra. Anelise Reich Corseuil The objective of this thesis is to verify if the concept of weird fiction can be classified not only as a sub-genre of the horror literary genre, but if it constitutes a genre of its own. Along this study, I briefly present the theoretical background on genre theory, the horror genre, weird fiction, and a review of criticism on Lovecraft’s works. I also expose Lovecraft’s letters and ideas, expecting to show the working behind his aesthetic theory on weird fiction. The theoretical framework used in this thesis reflects some of the most relevant theories on genre study. -
Bloch the Best of Edmond Hamilton Introduction by Leigh Brackett the Best of Leigh Brackett Introduction by Edmond Hamilton *The Best of L
THE STALKING DEAD The lights went out. Somebody giggled. I heard footsteps in the darkness. Mutter- ings. A hand brushed my face. Absurd, standing here in the dark with a group of tipsy fools, egged on by an obsessed Englishman. And yet there was real terror here . Jack the Ripper had prowled in dark ness like this, with a knife, a madman's brain and a madman's purpose. But Jack the Ripper was dead and dust these many years—by every human law . Hollis shrieked; there was a grisly thud. The lights went on. Everybody screamed. Sir Guy Hollis lay sprawled on the floor in the center of the room—Hollis, who had moments before told of his crack-brained belief that the Ripper still stalked the earth . The Critically Acclaimed Series of Classic Science Fiction NOW AVAILABLE: The Best of Stanley G. Weinbaum Introduction by Isaac Asimov The Best of Fritz Leiber Introduction by Poul Anderson The Best of Frederik Pohl Introduction by Lester del Rey The Best of Henry Kuttne'r Introduction by Ray Bradbury The Best of Cordwainer Smith Introduction by J. J. Pierce The Best of C. L. Moore Introduction by Lester del Rey The Best of John W. Campbell Introduction by Lester del Rey The Best of C. M. Kornbluth Introduction by Frederik Pohl The Best of Philip K. Dick Introduction by John Brunner The Best of Fredric Brown Introduction by Robert Bloch The Best of Edmond Hamilton Introduction by Leigh Brackett The Best of Leigh Brackett Introduction by Edmond Hamilton *The Best of L. -
Necronomicon.Pdf
1 NECRONOMICON FROM FICTION TO FALSIFYING HISTORY A STUDY OF A CONCEPT BY H.P. LOVECRAFT WILMAR TAAL Cover image: Illuminatus 1 (1978) by H.R. Giger 2 © 2017 Wilmar Taal. First edition PDF March 2017. All rights reserved. No part of this publication may be reproduced, stored within a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, scanning, recording or otherwise, without the prior written permisson of the author. 3 PREFACE Nine years of study and work are before you, accompanied by a lot of thinking and one bright idea. After I disapproved many subjects for my thesis, being much too broad, a visit by my second cousin brought me to a literary study of Lovecraft’s Necronomicon, a work of fiction considered real by many readers of Lovecraft’s work. Although my thesis was interactive (a CD Rom accompanied my thesis), this online translated version has more similarities with a book than an interactive thesis. In the 2017 version there are also some additions made, like the Tyson Necronomicon which was published after I graduated university. It doesn’t affect the conclusion written to this thesis. Furthermore it is a representation of the thesis I delivered to the University in 2004. This means that it is not the original work, I have taken the liberty to add some information, but also to leave some things out. I have decided not to include the summary, the notes and the sources. This is a free online sample which can be requested through my websites. -
H.P. Lovecraft and the Modernist Grotesque
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2008 H.P. Lovecraft nda the Modernist Grotesque Sean Elliot Martin Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Martin, S. (2008). H.P. Lovecraft nda the Modernist Grotesque (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/881 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. H.P. LOVECRAFT AND THE MODERNIST GROTESQUE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Sean Elliot Martin December 2008 Copyright by Sean Elliot Martin 2008 H.P. LOVECRAFT AND THE MODERNIST GROTESQUE By Sean Elliot Martin Approved November 21, 2008 ________________________________ ________________________________ Anne Brannen Laura Callanan Associate Professor of English Assistant Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Linda Kinnahan Professor of English (Committee Member) ________________________________ ________________________________ Albert Labriola Magali Michael Dean, McAnulty College and Graduate Chair, English Department School -
December, 2013 the Solar Pons Gazette
Volume 4.1—Issue 5 December, 2013 The Solar Pons Gazette WWW.SOLARPONS.COM August Derleth & Solar Pons: THIS ISSUE: Who Needs a Hard Boiled Detective? By Bob Byrne Who Needs a Hard- This essay originally appeared as a guest column on the CRIMINAL BRIEF mystery blog 1 boiled Detective? It’s quite possible that you aren’t familiar with Solar Pons, the ‘Sherlock Holmes of Praed Greetings From 3 Praed Street Street.’ If that is so, a quick viewing of the Solar Pons FAQ page might help. And if you’re Featured Case: The thinking Solar Pons is nothing more than a tired copy of the Baker Street sleuth, the first 4 Norcross Riddle essay in the first issue of The Solar Pons Gazette might change your mind. Foreword: The Mem- 6 oirs of Solar Pons Pages from the Note- Welcome back. So, August Derleth was a born and raised Wisconsin boy, enamored with 9 books of Dr. Parker Sir Arthur Conan Doyle’s tales of the great Sherlock Holmes. He wasn’t much different Featured Case: The 7 17 Passengers than an awful lot of American youths in the nineteen twenties. Except, the enterprising Derleth wrote to the author and asked if there would be any more stories, and if not, The Adventure of the 19 Aspiring Animator could he write some himself. Doyle, not the friendliest person in regards to his meal tick- Pontine Canon et, did have the courtesy to send back a reply, denying Derleth permission to continue 25 Abbreviations the adventures. From the Pontine 26 The Lost Locomotive 28 Not discouraged at all, the nineteen year-old University of Wisconsin student made a Reconsidered note on his calendar, ‘In re: Sherlock Holmes’, as a reminder to write a story in imitation Featured Case: The 32 Lost Locomotive of Doyle’s creation. -
Justin Robinson’S Mr Blank Is Like Following Some Self- Deprecating, White Rabbit Into a Sprawling, L.A
GE T Blank Justin Robinson I really need a bet ter career plan... ...That’s when the screaming started. I will admit to a certain amount of schadenfreude there, as much as I was capable of while still chained to an altar. But watching a bunch of people who until five seconds before had thought of themselves as the black-clad army of the apocalypse start screaming like terrified kids and flinging themselves under pews to hide is hilarious. [ Praise for MR BLANK “To read Justin Robinson’s Mr Blank is like following some self- deprecating, white rabbit into a sprawling, L.A. noir wonderland on a 100-MPH, nerd culture-fueled rollick.” —Fanboy Comics Fill in the : Mr. Blank Get Blank Other Candlemark & Gleam books by Justin Robinson: City of Devils GE T Blank Justin Robinson First edition published 2014. Copyright © 2014 by Justin Robinson All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this book may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Please respect the author’s rights; don’t pirate! This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental. Or possibly that’s just what they want you to think. For information, address Candlemark & Gleam LLC, 104 Morgan Street, Bennington, VT 05201 [email protected] Library of Congress Cataloging-in-Publication Data In Progress ISBN: 978-1-936460-57-1 eBook ISBN: 978-1-936460-58-8 Cover art and design by Kate Sullivan Book design and composition by Kate Sullivan Typeface: Droid Serif Editor: Kate Sullivan www.candlemarkandgleam.com For Lauri, you are pot roast [ I’M RETIRED. -
Necronomicon 1 Necronomicon
Necronomicon 1 Necronomicon The Necronomicon is a fictional grimoire appearing in the stories by horror writer H. P. Lovecraft and his followers. It was first mentioned in Lovecraft's 1924 short story "The Hound",[1] written in 1922, though its purported author, the "Mad Arab" Abdul Alhazred, had been quoted a year earlier in Lovecraft's "The Nameless City".[2] Among other things, the work contains an account of the Old Ones, their history, and the means for summoning them. Other authors such as August Derleth and Clark Ashton Smith also cited it in their works; Lovecraft approved, believing such common allusions built up "a background of A fan-created prop representing the Necronomicon (2004) evil verisimilitude." Many readers have believed it to be a real work, with booksellers and librarians receiving many requests for it; pranksters have listed it in rare book catalogues, and a student smuggled a card for it into the Yale University Library's card catalog.[3] Capitalizing on the notoriety of the fictional volume, real-life publishers have printed many books entitled Necronomicon since Lovecraft's death. Origin How Lovecraft conceived the name Necronomicon is not clear — Lovecraft said that the title came to him in a dream.[4] Although some have suggested that Lovecraft was influenced primarily by Robert W. Chambers' collection of short stories The King in Yellow, which centers on a mysterious and disturbing play in book form, Lovecraft is not believed to have read that work until 1927.[5] Donald R. Burleson has argued that the idea for the book was derived from Nathaniel Hawthorne, though Lovecraft himself noted that "mouldy hidden manuscripts" were one of the stock features of Gothic literature.[6] Lovecraft wrote[7] that the title, as translated from the Greek language, meant "an image of the law of the dead": nekros - νεκρός ("dead"), nomos - νόμος ("law"), eikon - εικών ("image").[8] Robert M. -
Lovecraft and Poe: Masters of the Macabre of Providence Bachelor‟S Diploma Thesis
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Ondřej Harnušek Lovecraft and Poe: Masters of the Macabre of Providence Bachelor‟s Diploma Thesis Supervisor: Bonita Rhoads, Ph. D. 2013 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‟s signature Acknowledgement I would like to thank, first and foremost, to Mrs Bonita Rhoads for her undying faith in me finishing this work and for her comely help whenever I needed it. Next people to thank are MS Lenka Pokorná and Petra Králová, who finally set me on the right track with my thesis and gave me the more concrete idea as to what I should explore in it. I also thank them plus Hana Šafrancová, Petra Voštinárová, Miroslav Bartoš, and Viktor Dvořák for their mental and / or editing support. My next thanks goes to Kristina Alešová who helped in times when I needed it most and for making the jungle of MLA a bit clearer to me. I also thank to the wonderful people (whom I‟ve never met in person, sadly enough) from H. P. Lovecraft Historical Society, namely Mr Sean Branney and Mr S. T. Joshi, an expert on Lovecraft, who is able and willing to answer an e-mail by a stranger like me in less than a day, and willingly provide them with relevant information. From the non-academic sector I would like to thank to my family, my girlfriend, and Melanie King for their support and motivation. -
Trail of Cthulhu.Pdf
TRAIL OF CTHULHU Credits Publisher: Simon Rogers Written by: Kenneth Hite GUMSHOE System: Robin D Laws Layout: Jérôme Huguenin Art: Jérôme Huguenin GUMSHOE Guru: Robin D Laws Editing and Additional Material: Simon Rogers Based on: Call of Cthulhu by Sandy Petersen and Lynn Willis Special thanks : Effie and Julia Huguenin, Léo and Pascal Quidault Playtesting: Adrian Price, Steve Dempsey, Wai Kien, Adrian Smith, Graham Walmsley, Alex Fradera, Dave, Polymancer Studios, Simon Rogers, Daniel Bayn, Danni Bayn, Chris Malone, Mark DiPasquale, Matthew Pook, Tim Barker, Louise Hayes, David Lai, Mike Shepard, Carla Jane Miller, Elizabeth Rees, Robert Mills, Donald F. Taylor III, Richard Hardy, Lynne Hardy, Frederic Moll, Fredrik Hansson, Jeff Campbel Jamie Michael, Joshua Ford, Marcus Ogawa, Lisa Marie Ogawa, Gil Trevizo, Henry de Veuve, Ronald Abitz, Steve Bartalamay, Alan Fountain, Peter Kessler, Wojciech “Alter” Kobza, Laurent Mollicone, Olivier Noël, Wayne O’Connor, Ghislain Morel, James Semple, Gabriella Semple, Dan Pusceddu, Olive Pusceddu, Axel Eble, Stefan Ohrmann, Martin Schrammm, Onno Tasler, Ralf Achenbach, William C Bargo Jr, Jacques Maurice Mallah, Donald F. Taylor III, Keith A Callison, Doug © 2007 Pelgrane Press Ltd. All Rights Reserved. Published by arrangement with Chaosium, Inc. Trail of Cthulhu is a trademark of Pelgrane Press Ltd. 3 TRAIL OF CTHULHU Contents CREDITS ...........................................................3 Cop Talk (Interpersonal) ...................32 Piggybacking ........................................... -
Occasional Beasts: Tales
Occasional Beasts: Tales Occasional Beasts: Tales By John Claude Smith Omnium Gatherum Los Angeles CA Occasional Beasts: Tales Copyright © 2018 John Claude Smith ISBN-13: 9781949054002 ISBN-10: 1949054004 “The Wounded Table” Originally published in the chapbook, The Wrath of Concrete and Steel, Dunhams Manor Press, 2016 “Dandelions” Originally published as a stand-alone chapbook, Dunhams Manor Press, 2014 “The Cooing” Originally published in Nightscript Volume 1, 2015 “The Occasional Beast That is Her Soul” Originally published in White Cat Magazine, 2012 “This Darkness…” Originally published in For the Night is Dark anthology, 2013 “I Am…” Originally published in A Mythos Grimmly, 2015 “Beautiful” Originally published in Fossil Lake: An Anthology of the Aberrant, 2014 “Chrysalis” Originally published in Phantasm/Chimera, 2017)Vox Terrae Originally published as a stand-alone chapbook, Dunhams Manor Press, 2015 “The Land Lord” Originally published in the chapbook, The Wrath of Concrete and Steel, Dunhams Manor Press, 2016 All rights reserved. No part of this book may be reproduced or trans- mitted in any form or by any electronic or mechanical means, including photocopying, recording or by any information storage and retrieval sys- tem, without the written permission of the author and publisher omni- umgatherumedia.com. This book is a work of fiction. Names, characters, places and incidents are either the products of the author’s imagination or are used fictitiously. Any resemblance to actual events or persons, living or dead, is coincidental. First Edition For Alessandra, always… and my wonderful son, Gabriel Acknowledgements: Thank you to my faithful readers, the writers/creative individuals whose art inspires my own and the publishers and editors whose invaluable help shaped these tales into their ultimate forms.