22-25 October 2020

Home , Concorde (Paris Métro), Pont des Arts, Pont des Invalides, Rue Bonaparte

22-25 october 2020

HORS LES MURS

Noël Dolla, NYMPHÉAS POST DÉLUGE II, 2019, Ceysson & Bénétière © Marc Domage FIAC HORS LES MURS ...... 3 JARDIN DES TUILERIES

DOMAINE DU LOUVRE ...... 4

PLACE DE LA CONCORDE ...... 5

PLACE VENDÔME ...... 6 MUSÉE NATIONAL

EUGÈNE DELACROIX ...... 7

APPLICATIONS ...... 8

REGULATIONS...... 10

CONTACTS

For any question, please contact the Artistic Programmes Department:

Zoé Dailey [email protected] T. +33 (0)1 47 56 24 20 2

Georg Baselitz, Louise Fuller, 2013, Thaddaeus Ropac © Marc Domage FIAC HORS les murs

FIAC Hors les Murs is an exhibition of outdoor artworks presenting sculptures and installations to the widest possible audience in emblematic public spaces throughout the city. Providing a unique opportunity for artists to enter into a dialogue with Parisian heritage sites, the programme favors ease of access to contemporary creation

AVENUE CARNOT

AVENUE DE LA GRANDE ARMEE and encourages broader knowledge by means of on site cultural mediation.

AVENUE DE WAGRAM

PLACE AVENUE HOCHE

LAND E FRIED FIAC Hors les Murs is held in several iconic venues: the Jardin des Tuileries, the Place U AVEN

AV EN de la Concorde, the musée national Eugène Delacroix and the Place Vendôme. CHARLES DE GAULLE UE DE S A CH A AVENUE D'IENA V M P E S N - E LY U SE E E S M AVENUE VICTOR HUGO A

R C E A AVENUE KLEBER U RU

D U

F A N U

O B

O N U AVENUE GEORGE V G R PLACE DE L'OPERA I G T BOULEVARD MAGENTA A M S A E IN U T N - E H AVENUE DE L'OPÉRA V O A N E O PL R M É TE

U D

G UR O UB A F

U RUE DE LA PAIX D

BOULEVARD ST-MARTIN UE R

PLACE DE LA AVENUE GEORGE V AVENUE DES CHAMPS - ELYSEES BIBLIOTHEQUE AVENUE DE L'OPERA NATIONALE REPUBLIQUE AVENUE MONTAIGNE PLACE VENDÔME LE P RUE BÉRANGER A M VEN TE UE DE U L D BO A R EPU B U B E L LIQ RUE DE RIVOLI O E U U V E U R A L R GRAND PALAIS E D V

A V R O AVENUE D'EYLAU L D T RUE DE CASTIGLIONE A

PETIT PALAIS PLACE DE I R

D E

AV. DU PRESIDENT WILSON U AVENUE KLEBER AVENUE MONTAIGNE

LA CONCORDE

T E

M RUE DE TURENNE DE RUE

Pont des Invalides P L E

Pont de l'Alma

K AVENUE DUAV. ALBERT-DE-MUN PRESIDENT WILSON YOR AVENUE GEORGES MANDEL W- NE

AVENUE D'IENA E Q PLACE DU Pont Alexandre-III D UA TROCADERO ET UE I JARDIN DES TUILERIES EN Pass. Debilly D DU 11 NOVEMBRE V ES A Pont de la Concorde AI D'ORSAY 'ORSAY TU QU QUAI D I RUE DE BEAUBOURG LE ANLY RIE K BR S BOULEVARD DE SEBASTOPOL R I O UA Y Q - RUE ST HONORÉ RUE DE RIVOLI RUE DU LOUVRE W AV. GUSTAVE-V-DE-SUEDE E N

R E ME QU U D A O I D A L AV. ALBERT-1 E N U AT Pont Solférino A AV. DES NATIONS-UNIES U O P N RUE DE L'UNIVERSITÉ RUE DE LE E E L'UNIVER U V SITÉ FR EN R AN ER A UE D R AV E L'UNIV CE U -DE-MONACO SITÉ ERSITÉ E VER RA NI M 'U B TURENNE DE RUE L U Pont d'Iena TE DE B AU O UE R U L E V Pont Royal R A Q U UA E R I D Y D U RUE DE RIVOLI L LO N UVRE D SA E A RUE DES ARCHIVES S R B I N RUE VIEILLE DU TEMPLE I F T Pont du Carroussel A R U - A N Q G QUAI MALAQUAIS RUE DU RENARD C E QUAI DE LA MEGISSERIE S LES INVALIDES R R U - M E B D Pont des Arts RUE DU TEMPLE O A E U I N L'U RG N E Voie Georges Pompidou IV O ER IS SI TÉ QUAI DE CONTI

QUAI DE GEVRES R I Pont Neuf O

Q N

RUE DE RIVOLI BOUL TURENNE DE RUE U E L A R Pont de Bir-Hakeim I I

O D EVA CHAMP D R N Q E Pont au Change E S A DE U L

H A RD O I C MARS I R D D Pont R F Notre-Dame R E BEAUMARCHAIS E S V A R G D H E R R C S I A A R N BOULEVARD SAINT - GERMAIN V E D TT E E S Pont d'Arcole L U D Q RUE BONAPARTE U A R O U R G O A B LA U QUAI DU MARCHE NEUF V S QUAI DE E T L BOULEVARD RASPAIL I N Pont Saint-Michel L'HOTEL DEVILLE E MUSÉE NATIONAL S U D RUE SAINT - ANTOINE O

B CATHÉDRALE E BOULEVARD DES INVALIDES QUAI ST MICHEL U EUGÈNE DELACROIX NOTRE-DAME R Pont Louis Philippe QUAI DES CELESTINS Petit pont Voie Georges Pompidou Q U A I D Pont St-Louis E Pont Au Double M BOULEVARD SAINT - GERMAIN O N T Pont Marie BE LL O RU AVENUE DU PRESIDENT KENNEDY E

R D Q U BOULEVARD HENRI IV U U E F RUE DE LYON A A UB Ile aux cygnes D OU I R G E N

D S AIN E C T DO -A S H N A T QUAI DE LA TOURNELLE O IN R E BOULEVARD SAINT - GERMAIN C E N E T L DE LA BASTILLE O E D Pont de Grenelle GRENELLE S N Pont de la Tournelle Pont de Sully T I DE N BLVD BOUR

L QUAI E STATUE H BOULEVARD RASPAIL Pont de Sully C BOULEVAR DE LA LIBERTE I

PLACE M Passerelle - T de l'Arsenal

FERNAND FOREST N I

A QUAI HENRI IV S

CENTRE COMMERCIAL D R IN BEAUGRENELLE A L L V SEINE O • • • • • E -R L QUAI SAINT-BERNARD U CITROEN U R JARDIN D O E B L E DU U ANDRE EN LUXEMBOURG V A

Pont Mirabeau QUAI Pont Morland

V O I E

RUE GUYNEMER

MA Z A S 3 Pont d'Austerlitz

QUAI DE LA RAPEE

Moataz Nasr, The Maze (The People Want the Fall of the Regime), 2011, Galleria Continua © Marc Domage Pont Charles de Gaulle BOULEVARD SAINT-MICHEL

PONT DE BERCY

QUAI DE BERCY

Passerelle

Simone de Beauvoir QUAI FRANÇOIS MAURIAC

Pont de Tolbiac FRANCE

S QUAI PANHARD ET LEVASSOR R

. DES TERROI AV

Pont National jardin des tuileries Domaine du Louvre

In collaboration with the musée du Louvre, every year FIAC Hors les Murs presents a careful selection of some twenty artworks in the Jardin des Tuileries - Domaine du Louvre, deployed in the fountains, basins, lawns, alleys and groves of the garden. Sculptures, installations, site-specific projects, performances and sound pieces are deployed in the garden, resonating with this heritage setting in the heart of Paris and responding to its scale, perspectives and history. Located in the heart of Paris, along the historic axis that runs from the musée du Louvre to the Place de la Concorde, the Jardin des Tuileries provides the opportunity for an idyllic stroll through what is assuredly one of the most beautiful and prestigious gardens in the world. Under the authority of the musée du Louvre since 2005, the Jardin des Tuileries is the largest (25,5 hectares) and the oldest public garden in Paris. The garden welcomes 14 million visitors every year. More than 500 000 visitors attend the Hors les Murs programme during FIAC week. This historical monument is also been listed as a World Heritage Site by Unesco since 1991. All year round, the garden provides the setting for over 200 sculptures from the 17th to the 20th century. Discover the settings of the Jardin des Tuileries on our virtual tour at THIS LINK.

SELECTION COMMITTEE Dominique de Font-Réaulx Cécile Debray Director of programmes and cultural mediation at the Director of the musée de l’Orangerie musée du Louvre Guy Tosatto Bernard Blistène Director of the musée de Grenoble Director of the Centre Pompidou Quentin Bajac Jean de Loisy Director of the Jeu de Paume Director of the École nationale Jennifer Flay Supérieure des Beaux-Arts de Paris Director of FIAC

IMPORTANT DATES

• Mid-July: Selection Committee • September 15th: deadline for sending insurance certificates • September 4th: payment due • October 8th – 19th: installation • September 4th: deadline for sending communication elements • Tuesday October 20th: inauguration • September 15th: deadline for • October 26th - November 10th: sending technical files dismantling

 Exhibition time can be extended to one month from the beginning of October to the beginning of November 2020. 44

In an unprecedented development of the Hors les Murs exhibition in the Jardin des Tuileries - Domaine du Louvre, in 2018 FIAC inaugurated an ephemeral village on the most iconic of all Parisian squares, the Place de la Concorde.

An ensemble of historic and contemporary architectures, artists’ houses, penetrable pavilions and utopian spaces is presented.

Rue royale Place de la Concor de

Avenue des Jardin Champs-Élysées des Tuileries de Place de la Concor

Pont de la Concorde

Carlos Cruz-Diez, ENVIRONNEMENT DE TRANSCHROMIE CIRCULAIRE, 1965-2017, Galerie Philippe Gravier © Marc Domage place vendôme

Every year, FIAC Hors les Murs gives carte blanche to an artist to imagine a specific project for the Place Vendôme.

Built in perfect classical symmetry, the Place Vendôme provides an exceptionnal framework for contemporary creation.

Over the years, it has showcased a series of bold and diverse projects including works by Jaume Plensa, Tadashi Kawamata, Paul McCarthy, Dan Graham, Ugo Rondinone, Oscar Tuazon, Elmgreen & Dragset and Yayoi Kusama

To better visualize the exhibition context, we invite you to take a look at our virtual tour of the venue at THIS LINK.

Vers les Tuileries Ministère de la Justice

R ue de C Yayoi Kusama, Life of the Pumpkin Recites, All About the Biggest Love for the People, 2019, Victoria Miro, Ota Fine Arts, David Zwirner © Marc Domage as tig lio ne

,m Rue de la P

Oscar Tuazon, Une Colonne d’Eau, 2017, Chantal Crousel, Eva Presenhuber, Luhring Augustine © Marc Domage Elmgreen & Dragset, To Whom It May Concern, 2018, Perrotin © Marc Domage Musée national eugène delacroix

In the continuity of FIAC Hors les Murs in the Jardin des Tuileries, and in collaboration with the musée du Louvre, the musée national Eugène Delacroix opens to FIAC visitors. Located in the heart of Saint-Germain-des-Prés, the museum is an unexpected haven of peace, situated between a beautiful paved courtyard and an intimate garden, originally housing the artist’s apartment, an independant studio building and a garden, pupose-designed by the artist himself.

In the 1920’s, Maurice Denis and other great artists successfully lobbied to have this unique ensemble classified as a museum.

Since 2015, FIAC has given carte-blanche to important contemporary artists, including José María Sicilia, Stéphane Thidet, Katinka Bock, Rebecca Warren and Glenn Brown.

Application forms for FIAC Hors les Murs are available online on our website: application.fiac.com

Upon completion of all of the sections, you will be able to download your contract in PDF format. A copy of this document must be signed and returned by email to the Artistic Programmes Department. APPLICATION CRITERIAS

• Galleries may submit several projects. Each project will be reviewed individually by the Selection Committee, before notification of admission or refusal. • Projects may be submitted jointly with other galleries, whether or not they are exhibitors at FIAC – Grand Palais. In this case, the applying gallery remains the only contractor and contact for the organization (responsibility, invoicing, insurance, logistics, etc.). • Galleries whose applications are not retained for FIAC Galleries at the Grand Palais, but have already participated to FIAC, may apply to FIAC Hors les Murs. • Admitted projects must be realized according to the submitted description. Any artistic or conceptual changes after admission must be approved by the Selection Committee. • The site where the works are to be installed are chosen by the Selection Committee, the technical and the curatorial staff of the Jardin des Tuileries and FIAC programming team, depending on the technical and security constraints of presentation of the artwork.

• A flat rate of € 1,500 excl. tax is charged for each artwork, presented in the Jardin des Tuileries. • A flat rate of € 3,000 excl. tax is charged for a carte blanche on the Place Vendôme and at the musée national Eugène Delacroix and the architecture parcours on the Place de la Concorde • Production, transport, installation, dismantling, tools and specific material, surveillance and insurance, maintenance of the artworks are the sole responsibility of the gallery.

SERVICES PROVIDED BY FIAC

• Exhibition space • Preliminary visit on site and the hole of the surveillance and gardener teams of the Tuileries • Assistance and coordination in preparation, planning and exhibition periods • Specific signage for each project • General signage for the programme • Low barriers for artworks which require protection • Visual documentation • Dedicated comunication and media campaign • Official inauguration and allocation of invitations • Cultural mediation service provided by students of the Ecole du Louvre, from Thursday 22nd to Sunday 25th from 3pm to 5:30pm

FIAC HORS LES MURS conformity with the expectations of visitors the artwork is presented, such as maximum to FIAC weight. - Ensuring the artistic coherency between the The rules contained in the technical file are Section 1 – Description of the operations various propositions/works. imperatives. In general terms, the gallery proposed by the organiser The Selection Committee’s decisions are final agrees to comply with all instructions given For the 2020 edition of FIAC, the organiser and no correspondence shall be entered into. by the organiser or the managing body of the pursues its special operations, dedicated to In the event of exhibition of artworks that do Space concerned.The galleries agree to respect artworks going beyond the scope of a regular not comply with the quality requirements of all prescriptions communicated by any local gallery booth, that is, an exhibition of artworks FIAC, the organiser reserves the right to have authorities and to its own costs. in the following locations: Domaine national the artworks in question removed from the The galleries are aware of the fact that the du Louvre et des Tuileries, Place Vendôme, exhibition space. venue selected for FIAC Projects and FIAC Hors Musée national Eugène Delacroix, Place de In general terms, the deliberations and les Murs are prestigious venues listed with la Concorde, thanks to partnerships with the decisions of the Selection Committee are the Monuments Historiques and particularly managing body of these prestigious venues. governed by section 4 of FIAC Special fragile, thus requiring special care and respect. This operation shall be referred to hereafter as Regulations. The organiser reserves the right to expulse FIAC Hors les Murs. any gallery or subcontractor of the gallery if In parallel, the organiser holds FIAC Projects, Section 3 – Attribution of locations it is observed that (s)he violates the terms dedicated to specific artworks presented It is also the role of the Selection Committee and conditions of the present regulations, the outside the galleries booth, namely an and the organiser to attribute a location in technical file or the instructions given by the exhibition of works on the Avenue Winston one of the Spaces to the galleries selected managing body of the space concerned and/or Churchill and surroundings of the Grand Palais through the application process. Galleries the organiser. This regulation does not create as well as indoor spaces of the Petit Palais. This may not request a specific site: the Selection an overall duty of surveillance on the part of operation is hereinafter referred to as «FIAC Committee and the organiser are free to the organiser. Projects». propose the location that they consider the The gallery also agrees to provide the works The organiser reserves the right to add other most appropriate. requested by the organiser in the technical file locations to FIAC Hors les Murs and FIAC This attribution shall be performed as per within the time limits indicated. Projects. the conditions above, to which the following Failing this, the organiser reserves the right to “Space” shall hereafter refer to the site in which provisions shall be added: freely dispose of the location allocated to the the gallery selected for “FIAC Hors les Murs” or After consultation with the managing body gallery. “FIAC Projects” exhibits its artwork. of the Space in which the operation shall be Works of art on display The exhibition time of these operations shall implemented, the organiser establishes the Light and sound installations vary according to the exhibition space and the map of the projects. Based on this map, the The organiser, together with the Selection technical constraints of the artwork (contact Selection Committee freely performs the Committee, reserves the right to require that organiser for more specifics). assignment of locations, taking into account any light or sound piece which is detrimental For such purposes, the organiser has issued a the specificities of each work and each location to neighbouring exhibitors or to the public specific application form for each venue. insofar as possible. shall be removed or its location modified. A For this attribution, the Selection Committee plan indicating its location on the exhibition Section 2 - Selection of galleries and the organiser take the conditions of access space and its technical requirements must be The galleries that wish to participate in FIAC to the site where the work will be exhibited into presented beforehand. Projects or FIAC Hors les Murs address the account, as well as other technical specificities The organiser may have cause to request relevant application form to the organiser, duly of the site. A technical file will be delivered the displacement and/or removal of the signed and completed with all the paperwork to the galleries selected for the project, artworks concerned and/or the installation requested. Only applications from galleries which will include a map of the location, with of appropriate measures, which the exhibitor admitted into FIAC at the Grand Palais will measurements, conditions of access to the site agrees to implement without delay. This clause be studied by the Selection committee of FIAC and its technical specificities.The organiser shall not be interpreted to create a general Projects or FIAC Hors les Murs (unless special shall not be held liable if a difference arises obligation for the organiser to supervise the fact authorisation from the organizer). Galleries between the measurements indicated on the that the artworks on display present no form of may submit several projects. Each project map and the actual dimensions of the location. danger, disturbance, or risk of damage. At all will be reviewed individually by the Selection The same applies for any other technical events, the exhibition of artworks is undertaken Committee of the venue for which the gallery indications. at the exhibitor’s sole liability and under their applied before notification of admission or Some venues require following regulations surveillance. refusal. imposed by the Police prefecture of Paris, the At all events, the exhibition of artworks is The organiser wishes to stress the fact that in concerned arrondissement, the voirie, the city undertaken at the gallery’s sole liability and order for a gallery to be definitively selected, and any other public authority that can be under their surveillance. a Civil Liability certificate must be returned related to the project, along with the exhibition Installation / Removal imperatively before 15 september 2020, pursuant space’s own rules. It is hereby specified that in terms of to the provisions of section 6. Failing this, the installation and removal, the organiser shall application will be systemically rejected, Section 4 – Installation and removal of only provide basic technical support; the full irrespective of the state of advancement artworks responsibility of these operations shall be within the selection process. It shall retain Technical files incumbent to the gallery. the participation fee and the Organiser may The gallery agrees without reserve or The gallery shall be responsible for all of allocate the site to another gallery. restriction to comply with the technical file for the costs relating to its participation in the The organiser verifies that the applications the operation for which it was selected. This file operation, such as installation, transportation, it receives are complete and signed. If so, the will be delivered to the gallery by the organiser insurance and equipment hire or purchasing organiser submits the application to a Selection and shall include: costs, as well as covering the artists’ expenses. Committee relative to the exhibition venue, - The dates of arrival and departure of the The gallery agrees to respect the deadlines and whose members are indicated on the FIAC works, the installation and removal conditions that website. - Instructions for clearing/cleaning and will be provided by the organiser in the The Selection Committee is solely responsible for: protecting the location used by the gallery, technical file, and the local authorities 10 - Judging the artistic quality of the projects that - Specific security and installation instructions if needed. are presented to it by the galleries and their - Specific regulations from the Space in which Failure on the gallery’s part to comply Alicja Kwade, Revolution (Gravitas), 2018, Kamel Mennour © Marc Domage with the deadline or the conditions of equipment (such as secure hanging, assigning for the Fair (Internet, exhibition catalogue, occupation of sites authorises the organiser to of its own guards at the stand, etc.). invitations, visitors’ map, promotional video claim payment in late fees and damages. Some of the venues hosting FIAC Hors les Murs etc.) and more generally in any medium Specifically concerning dismantling, removal or FIAC Projects, such as the Petit Palais, designed to promote the Fair (photographs of and clean up, the organiser may undertake have their own surveillance staff, since they the Fair for publication in traditional media or any operations that have not been completed are public establishments, only said staff is on the Internet, television show produced about by the gallery within the agreed time limits, authorized to move within the exhibition sites / during the Fair etc). at the expense and risk of the gallery. The outside of public opening hours. Therefore, For the managing body of the spaces concerned: galleries occupy the sites in the state in which the gallery accepts that these artworks may in its entire promotional media and, more they find them and must leave them in the same not be under surveillance by its own guards generally, in all media designed to promote the condition. Both the gallery and the organiser or attendants outside of public opening hours. operation. shall sign a form regarding the state of entry It also agrees not to formulate any grievance The gallery guarantees the organiser and the and exit of the site. These documents are against the organisation and the place of managing body of the spaces concerned that: available from the organiser. They shall prevail exhibition in this regard and thus accepts full in the event of an accident, without contest on liability thereto. This condition is essential and - It has obtained from the intellectual property the part of the gallery. determining for the Organiser’s consent to the rights-holders in these creations, all of the The repair of any deterioration caused by present agreement. rights and/or authorisations required for the a gallery or its installations, materials or Any specific prescription and request of above-mentioned utilisations. goods, shall be at the expense of the said surveillance imposed by the local authorities, - It has settled the rights with the collective gallery, as well as any cleaning, rehabilitation, the venue, or the organizer must be e satisfied rights-management organisations concerned; transportation, indisputably. by the gallery and is at his expense. the said rights must correspond to the Each gallery provides, at its own expense, for its The exhibitor is reminded that the insurance utilisations of the work made by the organiser own transport, reception and installation of the subscribed to via the organiser does not within the framework of the present operation. artworks and/or the materials that they require. cover the artworks and that is therefore The present authorisation is granted for a term It agrees to comply with the organiser’s the exhibitor’s role to insure them, by of ten years. instructions pertaining to the regulation of communicating all pertinent information to the entrance and exit of artworks/materials, its insurer, notably the information contained Section 9 - Collective rights management namely concerning the circulation of vehicles in the special and general condition of the Fair. body within the perimeters the projects exhibition In the absence of an agreement between the Section 6 - Liability of the gallery spaces. organisations that collect and distribute Only the gallery is liable for any damage that INSURANCE / LIABILITY copyright payments (the SACEM / ADAGP) and the set-up, exhibition, and dismantling of its the organiser, the gallery deals directly with Section 5 – Liability of the organizer artwork creates (notably damage caused to the these organisations if it makes use of music, exhibition site or bodily injury.) The gallery holds full responsibility for films etc. in any manner whatsoever within the It agrees to pay the organiser, upon their first producing the exhibition (installation and context of the Fair. The organiser shall assume request, all of the amounts requested by them dismantling included). no responsibility thereof. The organiser may, in this capacity. The organiser: The galleries have an obligation to insure at any time, request that the gallery produce 1. Provides the gallery with a prestigious themselves against any forms of damage the relevant proof pertaining to such use of exhibition space and only requires technical (material, physical or consequential) that copyrighted material. and logistical fees, specified in the specific they may create within the framework of application file for FIAC Hors les Murs or FIAC MISCELLANEOUS Projects. the operation they are participating in. The 2. Assists the gallery during installation and organiser shall assume no responsibility Section 10 - Security removal by providing basic technical support. thereof. The gallery must provide, before 15 The gallery agrees to respect the security The organiser’s civil liability shall not be september 2020, a civil liability insurance measures imposed by the nature of the engaged within the framework of any of these certificate covering it against the financial artworks, their exhibition, or by the operations. consequences of its liability, to a level of administrative or legal authorities, as well 3. The organiser remains the gallery’s sole € 7.500.000 per claim for physical injury, as any security measures that may have been € interlocutor; under no circumstances shall and 1.500.000 per claim for material and taken by the organiser. The organiser reserves consequential damage. the gallery formulate any form of claim to the the right to verify compliance with these Section 7 - Insurance of the artworks, goods, manager of the venue. measures. Surveillance is provided under the artists and media presented Conservation of artworks and equipment organiser’s control: its decisions concerning The galleries must insure the materials and – Liability artworks for their total value, as well as the the application of security rules must be Artworks and all of the elements and artists that they are presenting against all implemented immediately. equipment brought to its stand throughout damages that the aforementioned may sustain the fair shall remain the exhibitor’s sole Section 11 - Customs within the framework of said operation. The responsibility and risk 24 hours a day, 7 days organiser shall assume no responsibility It is each gallery’s responsibility to accomplish a week, during transport to and from the venue thereof. the customs formalities for the materials and (stand included), handling, installation, and artworks brought into the country from abroad. dismantling included. Under no circumstances INTELLECTUAL PROPERTY The organiser shall not be held liable for any shall the organiser be held liable concerning difficulties that may arise with respect to such any of these elements. Section 8 - Concession of rights / formalities. We draw the exhibitor’s particular attention Guarantee of peaceful enjoyment The gallery guarantees the organiser and to the fact that the premises in which the Section 12 - Application of the FIAC the managing body of the spaces concerned FIAC Hors les Murs and FIAC Projects is held General Regulations may expose artworks and other equipment that it has obtained from the intellectual to accidents (falls, leakage, theft, loss, etc.) property rights-holders all of the rights and/or Sections 34 and 35 of the FIAC General owing to their age and/or the atypical character authorisations required in the creations that it Regulations apply to the operations. inherent to the event. intends to exhibit, for the presentation of said The exhibitor expressly accepts sole creations within the framework of the operation THE BOND BETWEEN THE EXHIBITOR responsibility for providing cover for all of the described in section 1. The organiser and the AND THE ORGANISER IS ENTIRELY risks thereof. While respecting the security managing body of the spaces concerned shall AND EXCLUSIVELY GOVERNED BY regulations, (s)he must take all measures likely not be held liable in this domain. FRENCH LAW. ANY DISPUTE SHALL BE to protect the artworks and equipment against The gallery authorises the organiser and the SUBMITTED TO THE EXCLUSIVE said risks; under no circumstances shall these managing body of the spaces concerned to JURISDICTION OF THE COURT OF measures be incumbent to the organiser. It reproduce and represent these creations free NANTERRE AND THE FRENCH 11 is notably the exhibitor’s role to decide the of charge. VERSION OF THIS TEXT SHALL BE conditions of surveillance of said artworks and For the organiser: in the communication tools REFERRED TO. Stefan Rinck, FATE - UP AGAINST YOUR WILL, 2019, Semiose © Marc Domage