Interesse in Baan Toerisme Is Groot
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Redalyc.Fealdad, Alteridad Y Representación De La Población
Comunicación y Sociedad ISSN: 0188-252X [email protected] Universidad de Guadalajara México Murillo Sandoval, Sandra Leticia; Escala Rabadán, Luis Fealdad, alteridad y representación de la población latina en Estados Unidos en el discurso televisivo de Ugly Betty Comunicación y Sociedad, núm. 20, julio-diciembre, 2013, pp. 113-134 Universidad de Guadalajara Zapopan, México Disponible en: http://www.redalyc.org/articulo.oa?id=34627020006 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Fealdad, alteridad y representación de la población latina en Estados Unidos en el discurso televisivo de Ugly Betty Ugliness, otherness and representation of the Latino population in the United States in Ugly Betty’s television discourse SANDRA LETICIA MURILLO SANDOVAL1 Y LUIS ESCALA RABADÁN2 En este artículo analizamos la trans- T his work examines the formación de las representaciones transformations of the media de la población latina en Estados constructions of the Latino population Unidos en la teleserie Ugly Betty, a made in the television series Ugly Betty través de una perspectiva socioló- through a sociological and semiotic gica y semiótica. Concluimos que approach. Using sociological and dicha transformación constituye una semiotic approaches, it is concluded ruptura importante en materia de la that such transformation constitutes adaptación de géneros mediáticos y an important difference in regard to también una representación cultural the media genres involved, as well as más compleja de dicha población en a more complex cultural portrayal of la sociedad estadounidense. -
La Construcción Discursiva Del Espectador En Los Reality Shows. El Caso De Gran Hermano Del Pacífico
FACULTAD DE CIENCIAS Y ARTES DE LA COMUNICACIÓN La construcción discursiva del espectador en los reality shows. El caso de Gran Hermano del Pacífico. Tesis para optar el Título de LICENCIADA EN PUBLICIDAD Presentada por CYNTHIA INGRID CABREJOS CALIENES Lima 2007 INTRODUCCIÓN El presente trabajo de investigación lleva como título: “La construcción discursiva del espectador en los reality shows. El caso de Gran Hermano del Pacífico”. Partiendo de las repercusiones sociales que este formato ha tenido en el plano social e individual, me interesa centrar mi análisis en esta nueva forma de hacer televisión que explota día a día la publicidad de la intimidad y el entretenimiento como recursos válidos para ganar audiencias. Todos sabemos que la televisión ejerce una fuerte influencia en sus televidentes, especialmente en la forma en la que estos se relacionan con su entorno. Sin duda, las imágenes de la televisión de hoy representan a su espectador, en la forma en que este concibe su sociedad y además, en cuáles son sus hábitos de consumo. Por otro lado, tenemos que la forma en la que estos reality shows presentan los objetos que exhiben y cuánto exhiben de ellos, es muestra de su papel por construir a un tipo de espectador ideal. Como un libro que ha sido escrito para un lector que idealmente interpreta y comprende los contenidos de la forma que lo ha concebido el autor, los reality shows establecen marcas enunciativas para atribuirle a su espectador diferentes competencias que finalmente terminen por fidelizarlo y engancharlo al drama. Precisamente la pregunta que esta investigación pretende responder es cómo el discurso de los realities (concentrándose particularmente en el de Gran Hermano) construye a un espectador ideal omnisciente y omnividente. -
Sprungbrett Oder Krise? Das Erlebnis Castingshow-Teilnahme
Sprungbrett oder Krise? 48 Maya Götz, Christine Bulla, Caroline Mendel Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2 40221 Düsseldorf Postfach 103443 40025 Düsseldorf Telefon V 021 1/77007-0 Telefax V 021 1/72 71 70 E-Mail V [email protected] LfM-Dokumentation Internet V http://www.lfm-nrw.de ISBN 978-3-940929-28-0 Band 48 Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Eine Befragung von ehemaligen TeilnehmerInnen an Musik-Castingshows Maya Götz, Christine Bulla, Caroline Mendel Ein Kooperationsprojekt des Internationalen Zentralinstituts für das Jugend- und Bildungsfernsehen (IZI) und der Landesanstalt für Medien Nordrhein-Westfalen (LfM) Impressum Herausgeber: Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2, 40221 Düsseldorf www.lfm-nrw.de ISBN 978-3-940929-28-0 Bereich Kommunikation Verantwortlich: Dr. Peter Widlok Redaktion: Regina Großefeste Bereich Medienkompetenz und Bürgermedien Verantwortlich: Mechthild Appelhoff Redaktion: Dr. Meike Isenberg Titelbild: Collage © Wild GbR Lektorat: Viola Rohmann M. A. Gestaltung: disegno visuelle kommunikation, Wuppertal Druck: Börje Halm, Wuppertal April 2013, Auflage: 1.000 Exemplare Nichtkommerzielle Vervielfältigung und Verbreitung ist ausdrücklich erlaubt unter Angabe der Quelle Landesanstalt für Medien Nordrhein-Westfalen (LfM) und der Webseite www.lfm-nrw.de Inhaltsverzeichnis Vorwort 8 Zusammenfassung 9 Einleitung 11 1 Das System Castingshow -
Movielistings
4b The Goodland Star-News / Friday, December 29, 2006 Like puzzles? Then you’ll love sudoku. This mind-bending puzzle will have FUN BY THE NUMBERS you hooked from the moment you square off, so sharpen your pencil and put your sudoku savvy to the test! Here’s How It Works: Sudoku puzzles are formatted as a 9x9 grid, broken down into nine 3x3 boxes. To solve a sudoku, the numbers 1 through 9 must fill each row, col- umn and box. Each number can appear only once in each row, column and box. You can figure out the order in which the numbers will appear by using the numeric clues already provided in the boxes. The more numbers you name, the easier it gets to solve the puzzle! ANSWER TO TUESDAY’S SATURDAY EVENING DECEMBER 30, 2006 SUNDAY EVENING DECEMBER 31, 2006 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 E S E = Eagle Cable S = S&T Telephone E S E = Eagle Cable S = S&T Telephone Flip This House Profit chal- Flip This House: The Movie Justice: Deadly Magnolia: Justice Hooker kills men. Flip This House Profit chal- The First 48: Fallen; Dog the Bounty Hunter: Dog the Bounty Hunter Dog the Dog the The First 48: Fallen; 36 47 A&E lenge. (TV G) (R) Star House (R) Patricia Allanson (TVPG) lenge. (TV G) (R) 36 47 A&E Texas Burning (R) Bonds of Love (R) (TVPG) (R) Hunter (R) Hunter (R) Texas Burning (R) Ugly Betty: After Hours Ugly Betty: Lose the Boss? Ugly Betty: Fake Plastic KAKE News (:35) American Idol Re- (:35) Enter- Extreme Makeover: Desperate Housewives: Dick Clark’s New Year’s KAKE News (:35) -
Title of Dissertation
SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon. -
Agents Explain Health Insurance Marketplace
‘Latin American Idol’ performer serenades CHS student, A10 CRESTVIEW PD CELEBRATES PROMOTIONS, AWARDS | A4 Saturday, OCTOBER 12, 2013 www.crestviewbulletin.com 38th Year, Number 82 50¢ Agents explain Health Insurance Marketplace By MATTHEW BROWN into law in 2010. Uninsured residents Bureau. However, there are no Af- WANT TO GO? 682-6524 | @cnbMatthew can visit the website and enroll for fordable Care Act insurance cards. [email protected] health insurance even with a pre-ex- “There is a lot of confl icting in- WHAT: isting condition. formation out there, so our goal is to Health Insurance CRESTVIEW — Understanding Though Barnes and Roberts educate people and let them know Marketplace health insurance options can be can’t solve widespread healthcare. what is available to them,” Roberts information sessions diffi cult — especially for residents gov glitches reported since the site’s said. WHEN: 10 who’ve never had coverage — but launch, they have tried to separate Barnes and Roberts answered a.m., noon, 2 p.m. help is available. fact from fi ction. questions and advised residents on and 4 p.m. Oct. 23 Barnes Insurance and Financial For instance, numerous Ameri- options Wednesday at the Crestview WHERE: Services’ Spencer Barnes and Drew cans have reported receiving calls Area Chamber of Commerce offi ce. MATTHEW BROWN | News Bulletin Roberts, among others are helping from someone claiming to be from Deb Winter, a retired widow, Crestview Area residents navigate the Health In- the federal government, saying said she appreciates the informa- Deb Winter, a retired widow, Chamber of surance Marketplace website, at no they’re verifying personal informa- tion. -
Tooele Transcript Bulletin Having a Shingled Roof Also Will Be Decid- P.O
www.tooeletranscript.com TUESDAY TOOELE RANSCRIPT Abandoned pets T have new friend at Tooele City Animal Shelter. See B1 BULLETIN November 21, 2006 SERVING TOOELE COUNTY SINCE 1894 VOL. 113 NO. 52 50 cents Tooele gas prices still higher than in Salt Lake ATV users by Alleen Lang fight CORRESPONDENT Motorists looking to fuel You would their car for the holiday sea- son will find prices in the have to take together Tooele area anywhere from economics 12 to 25 cents a gallon higher than the lowest prices listed courses to for trail in Bountiful, Orem and Provo, according to UtahGasPrices. understand com, a website linked to the access national consumer-driven gasoline GasBuddy Organization. prices. by Karen Hunt Though few service station STAFF WRITER managers are willing to go on SCOTT MCMILLAN For a few minutes Thursday record as to exactly why gas VICE PRESIDENT OF FLYING evening, Buck Swaney got up is more pricey here, industry on his soapbox — or rather a watchers say it’s a result of plastic toolchest — to empha- simple supply-and-demand ply-and-demand mechanism size the theme of an hour’s market forces, with stations in gas companies use to set prices worth of discussion: Those metro areas along the Wasatch is complex. who use Tooele County trails Front selling a higher volume “You would have to take eco- need to be responsible. of gas than smaller stations nomics courses to understand Swaney, a planning consul- in Tooele County. Local sta- gasoline prices,” McMillan tant who works for Bear West tion managers do say they have said. -
Sunday Morning, June 3
SUNDAY MORNING, JUNE 3 FRO 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 COM Good Morning America (N) (cc) KATU News This Morning - Sun (cc) Your Voice, Your Paid This Week With George Stepha- Paid Paid 2/KATU 2 2 Vote nopoulos (cc) (TVG) Paid Paid CBS News Sunday Morning (N) (cc) Face the Nation (N) (cc) Paid Paid Storm Stories Paid PGA Tour Golf 6/KOIN 6 6 (cc) (TVG) NewsChannel 8 at Sunrise (N) (cc) NewsChannel 8 at Sunrise at 7:00 AM (N) (cc) Meet the Press (N) (cc) 2012 French Open Tennis Men’s and Women’s Fourth Round. (N) 8/KGW 8 8 (Live) (cc) Betsy’s Kinder- Angelina Balle- Mister Rogers’ Curious George Thomas & Friends Bob the Builder Rick Steves’ Travels to the Nature Black Mamba. Black NOVA The planet’s most deadly 10/KOPB 10 10 garten rina: Next Neighborhood (TVY) (TVY) (TVY) Europe (TVG) Edge mamba of Africa. (TVPG) creatures. (cc) (TVPG) FOX News Sunday With Chris Wallace Good Day Oregon Sunday (N) Paid NASCAR Racing Sprint Cup: FedEx 400. (N) (Live) (cc) 12/KPTV 12 12 (cc) (TVPG) Paid Paid Turning Point Day of Discovery In Touch With Dr. Charles Stanley Life Change Paid Paid Paid Inspiration Today Camp Meeting 22/KPXG 5 5 (cc) (TVG) (cc) (TVG) Kingdom Con- Turning Point (cc) Praise W/Kenneth Winning Walk (cc) A Miracle For You Redemption (cc) Love Worth Find- In Touch (cc) PowerPoint With It Is Written (cc) Answers With From His Heart 24/KNMT 20 20 nection (TVPG) Hagin (TVG) (cc) ing (TVG) (TVPG) Jack Graham. -
Boom Times Expected in the Mining Industry
BULEVARDI 2/4, www.ahjoclub.fi ISSUE 6 • 13 – 19 JUNE 2007 • € 3 (SIS. ALV) FINLAND NEWS BUSINESS LIFESTYLE Selänne finally Few Finns are Travel Smoking ban victorious prepared for organisers ignites mixed SPORT page 12 retirement believe in response Film festival Finland’s appeal in Sodankylä page 5 page 10 page 13 CULTURE page 14 LEHTIKUVA / MARKKU ULANDER Boom times expected in the mining industry SAMI SALLINEN - HELSINKI TIMES possibility of uranium mining in Fin- STT land. According to Pekka Suomela, the Chief Inspector of Mines at the Ministry of Trade and Industry, about THE RISING market prices for gold, fi ve applications for uranium claims nickel and other metals have in Pohjois-Karjala are currently revitalised the mining industry in being processed, and the two already Finland. Finnish and international granted licences are being exam- companies are now racing ahead to ined by the Supreme Administra- exploit the country’s mineral wealth. tive Court. The prospect of domestic Several major mining projects are uranium mining to feed Finland’s expected to start production in the increasing number of nuclear power next fi ve years. plants has attracted strong criticism In a telling sign of confi dence from environmental groups and the in the industry, Talvivaara Min- communities potentially affected by ing Company Ltd had no problem pollution from the mines. raising €310m for constructing a Speaking at the FinnMateria nickel mine in Sotkamo, by list- exhibition in Jyväskylä recent- ing its shares on the London Stock ly, Suomela rued the fact that the Exchange in May. The company is public storm around uranium The hot weather drew more than 60,000 people to enjoy the free Kaivopuisto summer concert in Helsinki last Sunday. -
Monchi Balestra Host Conducción Radio Y Televisión, Producción Gral En Comunicaciones
Monchi Balestra Host Conducción Radio y Televisión, Producción Gral en Comunicaciones PREMIOS Y RECONOCIMIENTOS: Nominación: o Martin Fierro 1995 Rubro: Entretenimiento por La tarde de la vida. Premios: o Broadcasting 1995 Y 1996 Rubro: Programación integral por La tarde de la vida o Premio Martin Fierro 1999 Rubro: Humor por Delirantes o Premio Broadcasting 2000 por La máquina del sonido o Premio Broadcasting 2000 y 2001 por TVI o Premio Martin Fierro 2001 Rubro: Humor por Vamos que venimos BIOGRAFÍA 1967 - 2000: primeros años e inicios de carrera Ramón Marcelo Balestra nació el 8 de octubre de 1967 en la ciudad de Casilda, perteneciente a la provincia de Santa Fe 1 . Trabajó en diferentes señales radiales desde los 13 años y a los 18 tuvo su propia señal de radio en su ciudad natal, FM TOP. A los 20 años emigró a California, Estados Unidos en donde trabajó en diferentes emisoras latinas de radio, a su regreso se radica en Rosario, provincia de Santa Fe donde consagró su carrera como conductor de radio y televisión. 1 Ya en estos tempranos estadios de su carrera Balestra empezó a recibir sus primeras nominaciones a los premios Martín Fierro, que otorga la Asociación de Periodistas de la Televisión y la Radiofonía Argentinas (APTRA), y a los premios Broadcasting. 2001 - 2011: TV abierta y Latin American Idol Posteriormente llega a conducir la versión argentina de Family Feud, llamada 100 argentinos dicen (2005), programa que también se emitió por Canal 13 2 , también llega a conducir programa en señales de cable internacionales como Fox Sports y Movie City. -
Confessions in the Courtroom: an Audience Research on Court Shows
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses March 2016 Confessions in the Courtroom: An Audience Research on Court Shows Silvina Beatriz Berti University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Critical and Cultural Studies Commons, and the Mass Communication Commons Recommended Citation Berti, Silvina Beatriz, "Confessions in the Courtroom: An Audience Research on Court Shows" (2016). Doctoral Dissertations. 551. https://doi.org/10.7275/7873397.0 https://scholarworks.umass.edu/dissertations_2/551 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. CONFESSIONS IN THE COURTROOM: AN AUDIENCE RESEARCH ON COURT SHOWS A Dissertation Presented by Silvina Beatriz Berti Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of Doctor of Philosophy February 2016 Communication © Copyright by Silvina Beatriz Berti 2016 All Rights Reserved CONFESSIONS IN THE COURTROOM: AN AUDIENCE RESEARCH ON COURT SHOWS A Dissertation Presented by Silvina Beatriz Berti Approved as to style and content by: ____________________________________ Michael Morgan, Chair ____________________________________ Sut Jhally, Member ____________________________________ Agustín Lao Montes, Member ____________________________________________ Erica Scharrer - Department Head Department of Communication DEDICATION To my loving children, Alejandro and Federico ACKNOWLDEGMENTS I would like to begin by thanking my advisor, Michael Morgan, for his many years of patient guidance and support. -
1 Industria Musical En Colombia: Una Aproximación Desde Los Artistas, Las Disqueras, Los Medios De Comunicación Y Las Organiza
Industria Musical en Colombia: una aproximación desde los artistas, las disqueras, los medios de comunicación y las organizaciones. Por: Andrea Arcos Vargas Trabajo de grado para optar por el título de comunicadora social Director José Miguel Pereira G. Pontificia Universidad Javeriana Facultad de Comunicación y Lenguaje Carrera de Comunicación Social Bogota, 2008 1 Reglamento de la Pontificia Universidad Javeriana Artículo 23 “La Universidad no se hace responsable por los conceptos emitidos por los alumnos en sus trabajos de grado, solo velará porque no se publique nada contrario al dogma y la moral católicos y porque el trabajo no contenga ataques y polémicas puramente personales, antes bien, se vean en ellas el anhelo de buscar la verdad y la justicia” 2 Bogotá, enero 31 de 2008 Dr. Jürgen Horlbeck Decano Académico Estimado Jürgen: Con la presente remito el trabajo de grado “Industria musical en Colombia: una aproximación desde los artistas, las disqueras, los medios de comunicación y las organizaciones”, realizado por la estudiante Andrea Arcos Vargas de Comunicación Social. El trabajo hace un estudio descriptivo sobre la industria musical en Colombia desde sus actores centrales, sus percepciones y puntos de vista y sugiere nuevos temas para seguir profundizando en el conocimiento de la industria musical en el país. Considero que además de cumplir con los requisitos exigidos por la Facultad, es un trabajo riguroso que amplía el conocimiento y comprensión de la manera como se hace y produce la música en el país en la perspectiva de