Indiana Full Score
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Big Band Arrangers of the Swing Era Selected List
Big Band Arrangers of the Swing Era Selected list Band leader Arrangers Tex Beneke Henry Mancini Jimmy Dorsey Tutti Camarata Sonny Burke Tommy Dorsey Paul Weston Sy Oliver Axel Stordahl Benny Goodman Eddie Sauter Buster Harding Fletcher Henderson Horace Heidt Frank DeVol Woody Herman Heil Hefti Ralph Burns Igor Stravinsky Harry James Leroy Holmes Dave Mathews Isham Jones Gordon Jenkins Hal Kemp John Scott Trotter Elliot Lawrence Gerry Mulligan Ray McKinley Eddie Sauter Red Norvo Eddie Sauter Artie Shaw Ray Conniff Johnny Mandel Buster Harding Charlie Spivak Nelson Riddle Claude Thornhill Gil Evans Leader/Arranger Arranger Count Basie Buster Smith Jimmy Mundy Andy Gibson Herschel Evans Cab Calloway Foots Thomas Harry White Duke Ellington Billy Strayhorn Earl Hines Jimmy Mundy Budd Johnson Stan Kenton Pete Rugolo Bill Holman Andy Kirk Mary Lou Williams Earl Thompson Glen Miller Bill Finegan Billy May Claude Thornhill Gil Evans Bill Borden Gerry Mulligan Chick Webb Edgar Sampson Charlie Dixon Andy Gibson Herschel Evans Leader/Arranger Les Brown Benny Carter Larry Clinton Will Hudson Elliot Lawrence Russ Morgan Ray Noble Boyd Raeburn Raymond Scott Musicians in Bands that were Important Arrangers Leader Arranger Instrument Bob Crosby Bob Haggart bass Matty Matlock saxophone Deane Kincaide saxophone Jimmy Dorsey Tutti Camarata trumpet Joe Lipman piano Woody Herman Heil Hefti trumpet Ralph Burns piano Hal Kemp John Scott Trotter piano Gene Krupa Gerry Mulligan saxophone Jimmy Lunceford Sy Oliver trumpet Glen Miller Henry Mancini piano Artie Shaw Ray Conniff trombone Johnny Mandel trombone Charlie Spivak Nelson Riddle trombone . -
Harry James on Vacation Cuts Payroll
..... .... _ NEWS FROM HOLLYWOOD VOL. 4, NO. 1 52 JANUARY, 1946 Kenton Shooting flickers For Two Vlajor Film Firms Stan Kenton’s current stay in Hollywood is proving fru itfu l. Plus íolding over for almost two months it the Palladium, Kenton’s ork has )een going in for movie work in a arge way. C urre n tly fin ish in g up scenes !:or C olum bia’s “ Duchess o f Broadway,” ’ band will report to that studio ¿.most immediately for another flicker. In “ Duchess,” the ork does four tunes Bnd Jinx Falkenberg w ill be seen singing ivith the band in the movie. Underway, too, is a W arners’ m ovie íort, based on the Kenton band itself, he short is one o f several dealing w ith lame bands being produced by Warners hat will attempt to get away from the MARTHA TILTON and Andy Russell have a right to smile. Martha, because jsual cornball tre a tm e n t handed big she’s due back on the west coast where she’ll resume housekeeping with her )ands. I f promises now being made fo r husband, recently discharged Navy man, Leonard Vannerson, continue on the t hold true, it should turn out to be a Hall of Fame show and cut more Capitol platters. Andy can grin because his nusically satisfying and intelligent film. Capitol album of love ballads is a click, because he’s set to go to NYC later After closing the Palladium, Kenton this year for a return engagement at the Paramount Theater. -
Site of February
MYSTERY OF THE 3 F'S SOLVED; THE FRESHMAN FARMER FROLIC By ED TYBURSKI Now it can be told. For the everyone does so, this can be made past week every time one looked in into a real "hick" affair. Remem- the BEACON and saw the little ber that you may be the lucky one ad way own in the corner he to be elected Mr. or Miss Yokel. would glance up and look perplex- Tickets may be obtained from ed. What do The Three F's mean? the following people: He would turn to his neighbor and Marysh Mieszkowski, Elaine ask the question only to be given Turner, Eleanore Vispi, John Guis- Vol. 3, No. 21. WILKES COLLEGE, WILKES-BARRE, PA. Friday, January 14, 1949 a blank stare and a shrug of the ti, Jane Saiwoski, Carlie Thomas, shoulders. Well, to stop anycine Eugene Snee, Ralph Bolinski, Ron- from banging his head against the ald Cherry, Skinny Ennis, Rita Split Rock Lodge CUE 'N CURTAIN IN READINESS stone wall in front of Chase Hall, Zekas, Mary Ferrari, and Terry here is the news. FRESHMAN Turassini. FARMER FROLIC. Simple, isn't The other committees are as Site of February FOR PRODUCTION FEBRUARY 10-11 it? follows: Entertainment: Charles Gloman, On the last Saturday of this Blake, a newcomer to the month, January 29, the freshmen Henry Merrolli, Nancy McCague, Winter Carnival Tickets for the coming Cue 'N Marty Fred Davis, Bob Sanders, Norma Curtain production THE MALE Wilkes Theatre, is doing a good job of Wilkes will sponsor a farmer rehearsals and great things are dance. -
STANLEY FRANK DANCE (K25-28) He Was Born on 15 September
STANLEY FRANK DANCE (K25-28) He was born on 15 September 1910 in Braintree, Essex. Records were apparently plentiful at Framlingham, so during his time there he was fortunate that the children of local record executives were also in attendance. This gave him the opportunity to hear almost anything that was at hand. By the time he left Framlingham, he and some friends were avid record collectors, going so far as to import titles from the United States that were unavailable in England. By the time of his death, he had been writing about jazz longer than anyone had. He had served as book editor of JazzTimes from 1980 until December 1998, and was still contributing book and record reviews to that publication. At the time of his death he was also still listed as a contributor to Jazz Journal International , where his column "Lightly And Politely" was a feature for many years. He also wrote for The New York Herald- Tribune, The Saturday Review Of Literature and Music Journal, among many other publications. He wrote a number of books : The Jazz Era (1961); The World of Duke Ellington (1970); The Night People with Dicky Wells (1971); The World of Swing (1974); The World of Earl Hines (1977); Duke Ellington in Person: An Intimate Memoir with Mercer Ellington (1978); The World of Count Basie (1980); and Those Swinging Years with Charlie Barnet (1984). When John Hammond began writing for The Gramophone in 1931 he turned everything upside down and Stanley began corresponding with Hammond and they met for the first time during Hammond's trip to England in 1935. -
October, 2020
October, 2020 What ’s Inside: Letter from VMSC Staff 2 Information and Note from the Sequoia Health Care District 3 Scott Lohmann Exercise/ Adaptive PE 4-5 Active Aging Week 2020 6-7 Bills Made Clear & Senior Services Peninsula Family Service 6-7 Sequoia Village 8-9 AnewVista 10-11 Health Education from Dignity Health Sequoia Hospital 12-13 A Bit of History & THE MAZE 14-15 Donations Back Cover Greetings from the Veterans Memorial Senior Center, As of today 09/28/2020 the crew at the Veterans Memorial Senior Center has now served 40,000 free lunches to over 650 local seniors. We would like to give a special shout out to the Friends of the Veterans Memorial Senior Center for securing the funding from the Sequoia Health Care District in order to assist the City of Redwood City for the cost of the free lunch program. This is truly the definition of a community partnership! The photo on the cover was taken looking west over the Senior Center at 2:50 pm on September 9th, 2020. It was so dark and eerie that day due to the wildfires. As you can see even the outdoor lighting on the building was on during the middle of the day! Hopefully we won’t see many days like that anymore. In this issue of the Sentinel we have included some Funny songs, an I Spy game and some upcoming community events. There is a page if you would like to start a new Pen pal to exchange letters. Also, we have taken some pictured of friends that just wanted to say hi! We hope you enjoy reading the Sentinel and if you ever need to talk with us here at the senior center, we are only a phone call away, 650-780-7270. -
Harry James Harry James ...Today Mp3, Flac, Wma
Harry James Harry James ...Today mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Harry James ...Today Country: UK Released: 1960 Style: Big Band, Space-Age MP3 version RAR size: 1881 mb FLAC version RAR size: 1608 mb WMA version RAR size: 1198 mb Rating: 4.3 Votes: 725 Other Formats: VOX VQF MP3 MIDI MP4 WMA AU Tracklist Hide Credits Undecided A1 Arranged By – Ernie WilkinsWritten-By – Shavers*, Robin* Satin Doll A2 Arranged By – Bob FlorenceWritten-By – Strayhorn*, Ellington*, Mercer* Eyes A3 Arranged By – Bob FlorenceWritten-By – Florence* End Of Town Blues A4 Arranged By – Ernie WilkinsWritten-By – Wilkins* King Porter Stomp A5 Arranged By – Ernie WilkinsWritten-By – Morton* Ensemble B1 Arranged By – Ernie WilkinsWritten-By – Wilkins*, James* Jersey Bounce B2 Arranged By – Ernie WilkinsWritten-By – Plater*, Johnson*, Wright*, Bradshaw* Rockin' In Rhythm B3 Arranged By – Ernie WilkinsWritten-By – Ellington*, Carney*, Mills* Take The "A" Train B4 Arranged By – Ernie WilkinsWritten-By – Strayhorn* Lester Leaps In B5 Arranged By – Ernie WilkinsWritten-By – Young* Companies, etc. Recorded At – RCA Victor Studios, Hollywood Credits Bass – Russ Phillips Drums – Tony DeNicola Engineer – Al Schmitt, Dave Hassinger Ensemble – Harry James And His Orchestra Guitar – Terry Rosen Piano – Jack Perciful Recording Supervisor – Jesse Kaye Saxophone – Ernie Small, Herb Lorden, Jay Corre, Sam Firmature, Willie Smith Trombone – Ernie Tack, Ray Sims, Vincent Diaz* Trumpet – Larry McGuire, Nick Buono, Rob Turk, Verne Guertin Trumpet, Conductor, Liner Notes – Harry James Notes Cover: Harry James ...Today! Label: Harry James "Today" Plays The Big Band Favourites Garrod & Lofthouse patents pending. Recorded February 1960 (per Jazz Discography Ver 14.0) at RCA-Victor Recording Studios in Hollywood, CA. -
Full Beacher
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 36, Number 4 Thursday, January 30, 2020 Musical Journeyby Andrew Tallackson Chuck Steck performs last year during a LaPorte County Symphony Orchestra children’s concert. Beacher fi le photo by Bob Wellinski hen Chuck Steck was a young boy, Chuck fell in love with the brass instrument, right his father would regularly invite then and there. friends over for an impromptu jam “I thought it was the neatest sound in the world,” session. Brent was what the fam- he said, smiling. “I bugged my parents until they got ily dubbed a “weekend warrior.” me a trumpet. It was an old, beat-up 1940s trum- Talented at the piano and organ, he pet that looked like it had been through a couple of performed every weekend with a lo- wars, but that’s what I started with.” cal dance band. It was something he enjoyed. It also The trumpet, indeed, has served Chuck well, Whelped put food on the table. whether it be as a performer, educator or clinician. One of his father’s bandmates was a trumpet His love of music has infl uenced the lives of count- player who owned a music store in Valparaiso. Continued on Page 2 THE Page 2 January 30, 2020 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 Beacher Company Directory e-mail: News/Articles - [email protected] Don and Tom Montgomery Owners email: Classifieds - [email protected] Andrew Tallackson Editor http://www.thebeacher.com/ Drew White Print Salesman PRINTE ITH Published and Printed by Janet Baines Inside Sales/Customer Service T Becky Wirebaugh Typesetter/Designer T A S A THE BEACHER BUSINESS PRINTERS Randy Kayser Pressman Dora Kayser Bindery Delivered weekly, free of charge to Birch Tree Farms, Duneland Beach, Grand Beach, Hidden Shores, Long Beach, Michiana Shores, Michiana MI and Shoreland Hills. -
A Biographical Sketch Native-Texan Louise Tobin Hucko
Louise Tobin Hucko: A Biographical Sketch Native-Texan Louise Tobin Hucko (b. 1918, Aubrey, TX) grew up in Denton in a large family that sang and played music together. She was the fourth youngest of eleven children and the only one to make music her profession. Louise remembers the teenagers playing ukuleles on the porch and rushing home from school at lunch to listen to Louis Armstrong on the radio. After winning a CBS Radio Talent Contest in 1932, she toured the larger Texas cities as part of the Interstate Theatre Circuit, singing with society dance orchestras, led by such figures as Hyman Charninsky and Al Kvale. After joining Art Hicks and His Orchestra in 1934, she met Harry James who was playing first trumpet. This ensemble was one of several Texas territory bands of the 1930s that ventured outside the state in hopes of reaching a national audience. In late 1934-early 1935 they made their way to Albany, New York, with stops in Oklahoma and Ohio. By this time Benny Goodman had hit; the swing era had begun. Shortly after their arrival in New York, the Art Hicks Orchestra disbanded. A very young Louise, age 15, and Harry, who had just turned 18 married in May 1935. The newlyweds, who kept the elopement a secret from her family, were now looking for work. Harry accepted an offer to play third trumpet with the Herman Waldman Orchestra back down south in Shreveport. “He hated it and actually lost his lip for awhile!,” Louise recalls. With the help of Texan-band leader, Ligon Smith, Louise found work around Texas, singing with orchestras led by Smith, Charlie Davis, and Carlos Shaw. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
Primary Sources: an Examination of Ira Gitler's
PRIMARY SOURCES: AN EXAMINATION OF IRA GITLER’S SWING TO BOP AND ORAL HISTORY’S ROLE IN THE STORY OF BEBOP By CHRISTOPHER DENNISON A thesis submitted to the Graduate School-Newark Rutgers University, The State University of New Jersey In partial fulfillment of the requirements of Master of Arts M.A. Program in Jazz History and Research Written under the direction of Dr. Lewis Porter And approved by ___________________________ _____________________________ Newark, New Jersey May, 2015 ABSTRACT OF THE THESIS Primary Sources: An Examination of Ira Gitler’s Swing to Bop and Oral History’s Role in the Story of Bebop By CHRISTOPHER DENNISON Thesis director: Dr. Lewis Porter This study is a close reading of the influential Swing to Bop: An Oral History of the Transition of Jazz in the 1940s by Ira Gitler. The first section addresses the large role oral history plays in the dominant bebop narrative, the reasons the history of bebop has been constructed this way, and the issues that arise from allowing oral history to play such a large role in writing bebop’s history. The following chapters address specific instances from Gitler’s oral history and from the relevant recordings from this transitionary period of jazz, with musical transcription and analysis that elucidate the often vague words of the significant musicians. The aim of this study is to illustratethe smoothness of the transition from swing to bebop and to encourage a sense of skepticism in jazz historians’ consumption of oral history. ii Acknowledgments The biggest thanks go to Dr. Lewis Porter and Dr. -
Harry James and His Orchestra My Greatest Mistake / Flight of the Bumble Bee Mp3, Flac, Wma
Harry James And His Orchestra My Greatest Mistake / Flight Of The Bumble Bee mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: My Greatest Mistake / Flight Of The Bumble Bee Country: US Released: 1943 Style: Big Band MP3 version RAR size: 1149 mb FLAC version RAR size: 1797 mb WMA version RAR size: 1339 mb Rating: 4.2 Votes: 977 Other Formats: AC3 MP2 WMA AUD TTA MIDI VOX Tracklist Hide Credits My Greatest Mistake A Vocals – Dick Haymes B Flight Of The Bumble Bee Companies, etc. Record Company – Elite Record Manufacturing Co. Credits Alto Saxophone [Uncredited] – Claude Lakey, Dave Matthews Bass [Uncredited] – Thurman Teague Directed By [Uncredited] – Harry James Drums [Uncredited] – Mickey Scrima Guitar [Uncredited] – Bryan Kent Piano [Uncredited] – Jack Gardner Tenor Saxophone [Uncredited] – Bill Luther, Drew Page Trombone [Uncredited] – Bruce Squires, Dalton Rizzotto, Truett Jones Trumpet [Uncredited] – Claude Bowen, Harry James , Jack Palmer, Jack Schaeffer Notes "My Greatest Mistake" recorded c. July 1940 in New York City and originally released on Varsity 8389. "Flight Of The Bumble Bee" recorded c. May 1940 in New York City and originally released on Varsity 8298. Barcode and Other Identifiers Matrix / Runout (Side A label): 1889 Matrix / Runout (Side B label): 1643 Related Music albums to My Greatest Mistake / Flight Of The Bumble Bee by Harry James And His Orchestra Harry James And His Orchestra - Montevideo / Music Makers Ray Noble And His Orchestra - Tiger Rag / Japanese Sandman Lincoln Dance Orchestra / University -
Emmett Berry
1 The TRUMPET of EMMETT BERRY Solographer: Jan Evensmo Last updated: July 18, 2019 2 Born: Macon, Georgia, July 23, 1915 Died: June 22, 1993 Introduction: Emmett Berry was an excellent swing trumpeter but possibly suffered by being overshadowed by the charismatic Roy Eldridge with a related style. It was quite obvious that he should be a candidate for a solography on internet! Early history: Raised in Cleveland, Ohio; began ‘gigging’ with local bands, then joined J. Frank Terry’s Chicago Nightingales in Toledo, Ohio (1932), left Terry in Albany, New York, in 1933and ‘gigged’ mainly in that area during the following three years. Joined Fletcher Henderson in late 1936, and remained until Fletcher disbanded in June 1939. With Horace Henderson until October 1940, briefly with Earl Hines, then with Teddy Wilson’s sextet from May 1941 until July 1942, then joined Raymond Scott at C.B.S. With Lionel Hampton from spring of 1943, week with Teddy Wilson in August 1943, briefly with Don Redman and Benny Carter, then again rejomed Teddy Wilson c. November 1943. With John Kirby Sextet from summer 1944 until January 1945, Eddie Heywood, February until October 1945, then joined Count Basie. Left Basie in 1950. (ref. John Chilton). Message: I met Emmett Berry’s daughter Christina at the National Jazz Museum of Harlem a few years ago, seeking information about her father. I promised her a solography, it has taken some time, but here it is. Hopefully you are happy with this tribute to your father, Christina! 3 EMMETT BERRY SOLOGRAPHY FLETCHER HENDERSON & HIS ORCHESTRA NYC.