Grand Rapids Comic Con 2018
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UNITED STATES DISTRICT COURT NORTHERN DISTRICT of INDIANA SOUTH BEND DIVISION in Re FEDEX GROUND PACKAGE SYSTEM, INC., EMPLOYMEN
USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 1 of 354 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF INDIANA SOUTH BEND DIVISION ) Case No. 3:05-MD-527 RLM In re FEDEX GROUND PACKAGE ) (MDL 1700) SYSTEM, INC., EMPLOYMENT ) PRACTICES LITIGATION ) ) ) THIS DOCUMENT RELATES TO: ) ) Carlene Craig, et. al. v. FedEx Case No. 3:05-cv-530 RLM ) Ground Package Systems, Inc., ) ) PROPOSED FINAL APPROVAL ORDER This matter came before the Court for hearing on March 11, 2019, to consider final approval of the proposed ERISA Class Action Settlement reached by and between Plaintiffs Leo Rittenhouse, Jeff Bramlage, Lawrence Liable, Kent Whistler, Mike Moore, Keith Berry, Matthew Cook, Heidi Law, Sylvia O’Brien, Neal Bergkamp, and Dominic Lupo1 (collectively, “the Named Plaintiffs”), on behalf of themselves and the Certified Class, and Defendant FedEx Ground Package System, Inc. (“FXG”) (collectively, “the Parties”), the terms of which Settlement are set forth in the Class Action Settlement Agreement (the “Settlement Agreement”) attached as Exhibit A to the Joint Declaration of Co-Lead Counsel in support of Preliminary Approval of the Kansas Class Action 1 Carlene Craig withdrew as a Named Plaintiff on November 29, 2006. See MDL Doc. No. 409. Named Plaintiffs Ronald Perry and Alan Pacheco are not movants for final approval and filed an objection [MDL Doc. Nos. 3251/3261]. USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 2 of 354 Settlement [MDL Doc. No. 3154-1]. Also before the Court is ERISA Plaintiffs’ Unopposed Motion for Attorney’s Fees and for Payment of Service Awards to the Named Plaintiffs, filed with the Court on October 19, 2018 [MDL Doc. -
39635191.Pdf
table of contents RKYV # 28 {September 2009} RKYV ONLINE LOGO - David Marshall { current } RKYV ONLINE LOGO – r. j. paré {modified} RKYV COMICS LOGO – Roy G. James {original} Virtual Cover # 28 Writer’s Column - Art by Allen Freeman - By Larissa Gula - Layout by David Marshall Poetry Interior Art - By Dexter Betantos, Anna Gehmacher, - By Jonathan Biermann, De Tourist, Roger Frances Vargas, r. j. paré Formidable, Engin Korkmaz, Lisa Marie Mueller, Dave Michaels, r. j. paré, Allen Music Freeman. - “Redhouse” - by r. j. pare Editorial Column - “At the Outset: A Few Thoughts from the Short Fiction Editor” - “Bad Beat – Part 2” - By r. j. paré - By r. j. paré In the News Pop Culture - By Tom Rossini - “An interview with Jimmy Palmiotti” - By Brad Bellmore Featured Artist Review - “Comic Book Review” – Allen Freeman - By Brad Bellmore - By r .j. paré - “Raised on Saturday Morning Cartoons” - By Pauline Paré 12 Inches – by Roger Formidable at the outset a few thoughts from the editor By r. j. paré “I suppose I should collect my books And go back to school.” --- Rod Stewart The summer ends and with it the time for idle days at the beach. For our children, moaning and groaning it is time to head on back fer some more of that fancy book learning. For ourselves it can be an opportunity to devote extra time to our never ending back-log of projects. Whether it is a leaky roof that needs fixing before winter or some creative time to express yourself… we all have stuff that piles up. Here at RKYV ONLINE we’ve, lately, devoted more energy to showcasing bigger names and talents as a means of sharing with you – our readers, contributors and developing artists – what is possible when you truly invest in your own creativity. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
127678-Sample.Pdf
Sample file Praise for :ULWHRI:URQJ$:ULWHU¶V*XLGH WR&UHDWLQJ&RPLFV “Write or Wrong is an all-encompassing account of a comic creator’s journey from amateur mistakes to professional triumph. Dirk’s experiences were an invaluable tool IRUP\RZQJURZWKDVDFUHDWRUDQG,JXDUDQWHHWKDWDOOEXGGLQJZULWHUVZLOO¿QG something of incredible value within this book.” – Joey Esposito, Senior Editor of IGN.com, writer of Footprints *** “No one breaks down the comics-writing process quite like Dirk Manning. Conversational and entertaining, encouraging but realistic, Dirk takes on the ins and outs of the practice, the process, and the life of writing in Write or Wrong. Also, awesome hat.” – 7UR\%URZQ¿HOG, Founder of Shotgun Reviews, writer of Sparkshooter and *ULPP)DLU\7DOHV0\WKV /HJHQGV *** “Dirk Manning’s Write or Wrong is packed with crucial advice for comics creators – what to do, what not to do, how to brand yourself – it’s all here! Through this engaging book, Dirk takes you along on his journey from self-publishing webcomics to becoming a pro published by Image Comics and others. If you want to make comics, read this book!” ±5RE$QGHUVRQ, General Manager of $QG\6FKPLGW¶V&RPLFV([SHULHQFH, writer of Rex, Zombie Killer *** ³,I\RX¶UHLWFKLQJWR¿QG\RXUZD\LQWRWKHLQVXODUFRPLFLQGXVWU\\RXZRQ¶WJRZURQJ listening to what Dirk Manning has to tell you about how to go about it. He’s been down the road you want to travel, and he’s reached the other side triumphantly.” ±$QG\+XQVDNHU, Comics Editor, &UDYH2QOLQH *** “I found Write or Wrong in just the nick of time. As a new creator and an independent publisher trying to hack it on my own, I hit all the walls and snags as well as committed all the classic blunders and mistakes. -
AUGUSTINE on SUFFERING and ORDER: PUNISHMENT in CONTEXT by SAMANTHA ELIZABETH THOMPSON a Thesis Submitted in Conformity With
AUGUSTINE ON SUFFERING AND ORDER: PUNISHMENT IN CONTEXT BY SAMANTHA ELIZABETH THOMPSON A Thesis Submitted in Conformity with the Requirements for the Degree of Doctor of Philosophy Department of Philosophy University of Toronto © Samantha Elizabeth Thompson 2010 Augustine on Suffering and Order: Punishment in Context Samantha Elizabeth Thompson Doctor of Philosophy Department of Philosophy University of Toronto 2010 Abstract Augustine of Hippo argues that all suffering is the result of the punishment of sin. Misinterpretations of his meaning are common since isolated statements taken from his works do give misleading and contradictory impressions. This dissertation assembles a comprehensive account of Augustine’s understanding of the causes of suffering to show that these views are substantive and internally consistent. The argument of the dissertation proceeds by confronting and resolving the apparent problems with Augustine’s views on sin and punishment from within the broader framework of his anthropology and metaphysics. The chief difficulty is that Augustine gives two apparently irreconcilable accounts of suffering as punishment. In the first, suffering is viewed as self-inflicted because sin is inherently self-damaging. In the second, God inflicts suffering in response to sin. This dissertation argues that these views are united by Augustine’s concern with the theme of ‘order.’ The first account, it argues, is actually an expression of Augustine’s doctrine that evil is the privation of good; since good is for Augustine synonymous with order, we can then see why he views all affliction as the concrete experience of disorder brought about by sin. This context in turn allows us to see that, by invoking the ii notion of divinely inflicted punishment in both its retributive and remedial forms, Augustine wants to show that disorder itself is embraced by order, either because disorder itself must obey laws, or because what is disordered can be reordered. -
Alt.Fan.Furry
Subject: [alt.fan.furry] A Furry Comic Book List Posted by infopage on Fri, 30 Nov 2012 10:57:24 GMT View Forum Message <> Reply to Message Archive-name: furry/comics-list Posting-Frequency: Posted on the 13th and 30th of each month, and Feb. 28 URL: http://captainpackrat.com/furry/list.htm Last-Modified: December 24, 2005 A Not Quite Complete, but None the Less, Very Thorough Furry Comic Book List (Updated December 24, 2005) (Please note that there are no children's comic books listed here.) All comics are B&W unless otherwise noted. Many of these books can be obtained from the Individual Publishers. A * indicates that the publisher is listed on the Furry Publisher's List, posted separately. A $ indicates that I own a copy of that book, and can provide much more information. Please write me for more detailed information. Definition of comic book/fanzine sizes: Mini-comic: 4.25" x 5.5" Digest: 5.5" x 8.5" Super Digest: 7" x 8.5" A4 Digest: 5.845" x 8.27" Standard: 6-5/8" x 10-1/4" <64 pages Trade-paperback: 6-5/8" x 10-1/4", >64 pages Magazine: 8-1/2" x 11" A4 Magazine: 8.27" x 11.69" I would like to thank everyone who has helped by sending information. If you have any additions, corrections, suggestions, or comments, please E-Mail me. -- 0-9 -- "1001 Arabian Tails" Drawn and Written by Juan Alfonso, Published by Conquest Press. Adults Only. One-shot. A new twist on the tale of Aladdin. -
The Church's Unity and Authority: Augustine's Effort to Convert The
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects The hC urch's Unity and Authority: Augustine's Effort to Convert the Donatists Gavril Andreicut Marquette University Recommended Citation Andreicut, Gavril, "The hC urch's Unity and Authority: Augustine's Effort to Convert the Donatists" (2010). Dissertations (2009 -). Paper 62. http://epublications.marquette.edu/dissertations_mu/62 THE CHURCH’S UNITY AND AUTHORITY: AUGUSTINE’S EFFORT TO CONVERT THE DONATISTS by Gavril Andreicu Ń, Licentiate in history, M.A. A Dissertation Submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin August 2010 ABSTRACT THE CHURCH’S UNITY AND AUTHORITY: AUGUSTINE’S EFFORT TO CONVERT THE DONATISTS Gavril Andreicu Ń, Licentiate in history, M.A. Marquette University, 2010 This dissertation is about Augustine’s views on Church unity and authority and is primarily based on the letters that he wrote against the Donatists. Although Augustine is one of the Fathers most enthusiastically and thoroughly researched, his letters are less studied than his other works. As a significant number of Augustine’s letters were written as part of his effort to unite the Donatists with the Church, they are especially relevant sources for his views on the unity and authority of the Church. While no single work of Augustine covers the entire period of his dealing with the Donatists, the letters witness to Augustine’s activity against the Donatists from the time he became a priest up to 418. Since through his letters Augustine appealed to imperial officials, Catholic landowners, and the Donatists in order to unite the latter with the Church, in the letters Augustine is presenting himself to readers in a uniquely practical and social context, which his other works do not do. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
The Commodification of Grotesque Children in Contemporary Comics and Literature Mark Heimermann University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2016 Neoliberal Darlings: the Commodification of Grotesque Children in Contemporary Comics and Literature Mark Heimermann University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Comparative Literature Commons, and the Esthetics Commons Recommended Citation Heimermann, Mark, "Neoliberal Darlings: the Commodification of Grotesque Children in Contemporary Comics and Literature" (2016). Theses and Dissertations. 1151. https://dc.uwm.edu/etd/1151 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. NEOLIBERAL DARLINGS: THE COMMODIFICATION OF GROTESQUE CHILDREN IN CONTEMPORARY COMICS AND LITERATURE by Mark Heimermann A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2016 ABSTRACT NEOLIBERAL DARLINGS: THE COMMODIFICATION OF GROTESQUE CHILDREN IN CONTEMPORARY COMICS AND LITERATURE by Mark Heimermann The University of Wisconsin-Milwaukee, 2016 Under the Supervision of Professor Peter Sands This dissertation analyzes grotesque depictions of children in contemporary, speculative comics and literature: Katherine Dunn’s Geek Love, Kazuo Ishiguro’s Never Let Me Go, Jeff Lemire’s Sweet Tooth, Ben Marcus’ The Flame Alphabet, and Richard Starkings’ Elephantmen. It argues that the grotesque in these texts embodies the tension between children as economic objects and children as social beings, as the protagonists’ nonhuman elements are used to justify their commodification. -
Video 108 Media Corp 9 Story A&E Networks A24 All Channel Films
Video 108 Media Corp 9 Story A&E Networks A24 All Channel Films Alliance Entertainment American Cinema Inspires American Public Television Ammo Content Astrolab Motion Bayview Entertainment BBC Bell Marker Bennett-Watt Entertainment BidSlate Bleecker Street Media Blue Fox Entertainment Blue Ridge Holdings Blue Socks Media BluEvo Bold and the Beautiful Brain Power Studio Breaking Glass BroadGreen Caracol CBC Cheng Cheng Films Christiano Film Group Cinedigm Cinedigm Canada Cinema Libre Studio CJ Entertainment Collective Eye Films Comedy Dynamics Content Media Corp Culver Digital Distribution DBM Films Deep C Digital DHX Media (Cookie Jar) Digital Media Rights Dino Lingo Disney Studios Distrib Films US Dreamscape Media Echelon Studios Eco Dox Education 2000 Electric Entertainment Engine 15 eOne Films Canada Epic Pictures Epoch Entertainment Equator Creative Media Everyday ASL Productions Fashion News World Inc Film Buff Film Chest Film Ideas Film Movement Film UA Group FilmRise Filmworks Entertainment First Run Features Fit for Life Freestyle Digital Media Gaiam Giant Interactive Global Genesis Group Global Media Globe Edutainment GoDigital Inc. Good Deed Entertainment GPC Films Grasshopper Films Gravitas Ventures Green Apple Green Planet Films Growing Minds Gunpowder & Sky Distribution HG Distribution Icarus Films IMUSTI INC Inception Media Group Indie Rights Indigenius Intelecom Janson Media Juice International KDMG Kew Media Group KimStim Kino Lorber Kinonation Koan Inc. Language Tree Legend Films Lego Leomark Studios Level 33 Entertainment -
The Founder of the Christian Comic Arts Society
1948 - 2014 THE FOUNDER OF THE CHRISTIAN COMIC ARTS SOCIETY A COLLECTION OF THOUGHTS, AUTOBIOGRAPHY AND RARE FACTS ON CHRISTIAN COMIC HISTORY Page 1 This booklet is dedicated to Don Ensign’s Life and Legacy. Don Ensign: The Founder of the Christian Comic Arts Society is Copyright © 2020 CCAS Illustrations and Photographs are from Don Ensign’s archives Copyright © 2020 Christian Comic Arts Society. All rights reserved. The CCAS balloon logo and other CCAS artwork and publications are owned by CCAS. All other art is owned by their respective owners. Any resemblance to actual persons, living or dead, is purely coincidental. No part of this booklet may be reproduced, stored in a retrieval system, or transmitted in any form or by any means — electronic, mechanical, photocopy, recording, or any other without the prior written permission of the CCAS Board of Directors. Scripture from KJV. Page 2 INTRODUCTION page book was printed and is available through CCAS). by Robert Flores I think everyone in CCAS (and in Christian comics) owes something to Don Ensign. He somehow was able Don Ensign was truly a humble man. to mobilize a lot of lonewolf Christian comic artists into a cohesive whole (not an easy task, I might add). He was I first heard of him through the CCAS newsletter in 1996, always in the background; not in the spotlight. That’s what I will remember him for. God used Don Ensign in many called New Creation. I picked up this newsletter at the Comic-Con in San Diego. I would read his articles which mighty ways that are still continuing to this day.