Michael Graves Architect Info

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Michael Graves Architect info Michael Graves was born on July 9 1934 in Indianapolis, Indiana. He received his architectural training at the University of Cincinnati doing a program that let him work with Carl A. Strauss (another architect) while getting his education. He entered Harvard University after getting his Bachelor of Science in Architecture in 1958. Architect info (continued) In 1960 he received the Prix de Rome fellowship of the American Academy in Rome. In 1962 he accepted a teaching job at Princeton University. Michael Graves designed the Portland Building in Portland, Ohio, which was an early example of postmodern architecture. How he uses the principles and elements of design in his work: Line because the shapes are made of line. Colour because the buildings are colourful. Contrast because some parts of the building contrast from others. Building style Michael Graves uses many geometric shapes in his work. 5 words I would use to sum up his style are: Postmodern, simple, unique, colorful and playful How he uses shape and dimension to influence the aesthetics of his buildings: Michael Graves uses shape to make his buildings look interesting. Denver Public Library • Michael graves designed a large addition to the Denver public library in 1990. Celebration, Florida Post Office Michael Graves designed the Celebration, Florida Post Office How Michael Graves uses mathematical concepts in his designs He uses a variety of geometric shapes to make up the structure of his buildings. The geometric shapes he uses are symmetrical and most of the finished buildings are as well. There are repeating patterns of 2-D geometric shapes on many of his buildings. Postmodern Architecture Michael Graves was one of the first architects to begin designing buildings with postmodern style. Michael Graves also got other architects to design in postmodern style. Postmodernist thinking is a change from modernist thinking that previously dominated architecture. It combines new ideas with traditional forms, and its buildings may startle, surprise, and even amuse. Portland building Thanks for watching!!!!!! .

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^M'-^Ki'm-r- --' •« >i^'?fi O^t LQG The Design for a School of Art 'mi The Depot District Lubbock, Texas Robyn Giuiro^a '^^mX'> m KfiB^i?»5!^ppii|M^|(!f|?s Fall 1999 I^^^S-"* • . .M by Robyn Qulroqa A Thesis Architecture Submitted to the Architecture faculty of the College of Architecture of Texas Tech University in Partial Fulfillment for The Degree of MASTERS OF ARCHITECTURE Jarfcesl White, Dean. College of Architecture December 1999 ii 5 2 a037cQ.L'J> /9 <^ r- •] ^r.^^ wt\' ~^Kitlft ii^ A^^m oj ii N (iW/!>«n#»ij%) 11 J IAB »? s; of IINSSI^ ' 04 THEORY 05 THEORY GOALS AND OBJECTIVES oe BACI^GROUND INFORMATION ON COLLAGE 24 THEORY ISSUES 25 THEORY ISSUE NUMBER ONE 26 THEORY ISSUE NUMBER TWO 27 THEORY ISSUE NUMBER THREE 26 THEORY CASE STUDIES 29 THEORY CASE STUDY NUMBER ONE: THE ANTHENEUM BY RICHARD MEIER THEORY CASE STUDY NUMBER TWO: ADDISON CONFERENCE AND THEATRE CENTRE 33 FACILITY TYPE 34 MISSION STATEMENT 35 ACTIVITY ANALYSIS 37 FACILITY PERFORMANCE REQUIREMENTS 40 SPATIAL ANALYSIS 56 SPATIAL SUMMARY 60 FACILITY TYPE CASE STUDIES 61 FACILITY TYPE CASE STUDY NUMBER ONE: CENTRE FOR THE VISUAL ARTS BY FRANK GEHRY 67) FAr:il ITY TYPE CASE STUDY NUMBER TWO: ART SCHOOL BY KUOVO & PARTANEN ARCHITECTS 111 OS i|Nii9D^ DESIGN PROCESS SCHEMATIC REVIEW DESIGN DEVELOPMENT COHCEFTONE CONCEPT TWO COHCEFTTHREE DESIGN RESPONSE RESPONSE TO THEORY ISSUES RESPONSE TO FACILITY TYPE PERFORMANCE REQUIREMENTS RESPONSE TO CONTEXT ISSUES IV -"" IABIH OJ ilNiSSiip 102 DOCUMENTATION 103 Overall Presentation Layout 104 Courtyard Level Plan if: 105 First Floor Plan 106 East and North Elevations 107 West and South Elevations 106 Transverse and Longitudinal Sections 109 Structural Axon 110 Site Plan and Mechanical Flans 111 Interior Perspective 112 Exterior Perspective 113 Mode! Photos 114 Conclusion 115 LIST OF ILLUTRATIONS 125 BIBLIOGRAPHY l£s iHaAgT 'AK I£s fiQABT The theory of artistic collage as an architectural design tool will be used in the design process.
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