Download Production Notes

Total Page:16

File Type:pdf, Size:1020Kb

Download Production Notes Momentum Pictures Present A Film By Rob Zombie Directed by Rob Zombie Produced by Rob Zombie, Jason Blum, Andy Gould, Oren Peli Running time: 101 minutes Cetificate: TBC Opens at selected UK cinemas on 19 April 2013 Press Contacts Offline: Sarah Wharton – [email protected] Online and Music: Tom Hewson – [email protected] For hi-res images/production notes and more, go to – www.fetch.fm FILMMAKERS Director Rob Zombie Written by Rob Zombie Produced by Rob Zombie, Jason Blum, Andy Gould, Oren Peli, Executive Produced by Brian Kavanaugh-Jones, Steven Schneider Director of Photography Brandon Trost Production Designer Jennifer Spence Editor Glenn Garland Music by John 5, Griffin Boice Costume Designer Leah Butler Casting by Monika Mikkelsen SHORT SYNOPSIS Rock music icon turned filmmaking auteur, Rob Zombie conjures up a nerve-wracking chiller involving Heidi (Sheri Moon Zombie), a radio station DJ, who receives a wooden box containing a record, “a gift from the Lords.” Heidi listens and the bizarre sounds within the grooves immediately trigger flashbacks of Salem's violent past. Is Heidi going mad or are the Lords of Salem returning for revenge on modern day Salem? LONG SYNOPSIS Flashback to 1692 where a group of seven women are condemned to death during the Salem Witch trials for practicing witchcraft and summoning the Devil. This group of women call themselves the Lords of Salem. Prior to their execution, one of the women promises the judge two things: First, they will haunt the town as ghosts, and second, through the Judge who ordered them to be executed (John Nathaniel Hawthorne), Satan will be spawned. Cut to present day - Heidi Hawthorne is a recovering drug addict and well known disc jockey at a Salem, Massachusetts radio station. One evening a mysterious wooden box appears at the radio station addressed to Adelheid Elizabeth Hawthorne (Heidi) from “The Lords”. Heidi takes the record home and not only does the record play backwards, but it triggers a series of blurred images into her head. Later that evening, she awakens in the middle of the night to find her apartment door wide open and her pet rat down the hall. After seizing her pet, Heidi is attacked by the ghosts of condemned witches. A few days later, Heidi hosts Francis Matthias, a Salem historian and expert on the witch trials, on her radio show. Following the interview she plays the Lords album. While the record plays, three women, in cult-like fashion, murder their significant others. We later learn from Francis that the three women were all descendants of Salem townspeople who ordered the Lords of Salem to death. That evening, Heidi makes it home to meet her neighbor, Lacy, and Lacy’s sisters, Megan and Sonny. After the sisters inform Heidi that they read palms and foreshadow her fate, Heidi is spooked and heads for her apartment. Later that evening the witches strike again and terrorize Heidi. Meanwhile, Francis begins making connections with the recent murders and the ancestors of Salem, and realizes that something bad is happening. As the popularity of the Lords album increases, Heidi begins to lose herself physically and emotionally. People around her become more and more worried as she falls back into her drug addict patterns. One of these people is Lacy. One evening after Lacy comforts Heidi for all that she has been going through, Lacy and her sisters take Heidi to an alternate realm where she is impregnated by Satan. Word of a concert for The Lords spreads around town. It is to be held at the Salem Palladium, a venue that has been shut down for years. Francis heads over to Heidi’s apartment to inform her about Lords’ connections to what has been going on in the town and his fear for what is about to happen in the town. He is greeted by Lacy and her sisters. Fearing he will reveal to Heidi what is happening and disrupt the coming of their Master (Satan), they kill him. Meanwhile, the Palladium has filled with fans of The Lords who are eagerly waiting for the band to begin performing. After an unusual power outage the entire venue is transformed into a burning, smoky, barren forest. Heidi, who has become overpowered by the Devil and his seed, rises in the air and floats to the stage, where she gives birth to Satan’s spawn. In the midst of this, chaos ensues as promised by the Lords and what is left is a crucified Heidi and a destroyed Salem, Massachusetts. DIRECTOR’S STATEMENT “In Salem, to renounce belief in the invisible world is the only disease permitted to afflict the stimulation of the imagination. Congregational strife in Salem Village makes this spectral evidence its own "violent tempest for compensation concerning the winter of The Lords" -- keep in mind that these elements alone are not enough to explain the phenomenon precisely known as the trials. It is because we seek independence, let us not be ungrateful to such a backlash and reversals of accustomed perspectives and valuations within the discovery and testimony of which she was tried for witchcraft. Should it help to confirm the suspicions that she was indeed a practicing witch -- to which the spirit has seen mischievousness and futility of the goat and shall have it raged against itself. To thrive in this way is no small discipline and fascination for its lost future -- "The residents of Salem were after all, Puritans, which means they viewed their community not just as a group of individuals, but as a single entity united under the fist of God" (which is nonsensical because it was believed that a witch could harm someone by sticking pins and other objects into a poppet that represented the victim -- total absurdity within the realm of Margaret Morgan and the coven of six witches), but as is the ability to control one's knowing -- it is those who began pointing their fingers at others to take the conjecture and to dispose of them, so that only one covered in the shroud knows how to employ a variety of interpretations in the service of the mammoth (not merely over the appearance of the senses, but a much higher kind of worship when accusations of witchcraft became as common as chopping wood). This situation spawned extreme tension and cruelty against reason -- a voluptuous pleasure primed to reach its height when the primal society of reason declared that "flawless recitation did little in impeding the witch trials" but "there is a thread of truth in being trapped in the life of the sheep -- but reason is excluded from the flock!" Only the goat knows free will so he will always be punished and weaned. The beast is not without sorrow that he and her child are to be separated at birth -- the beast who had first lain under her blood, rested at her breast no more. So together for that brief while, the notion of any sight or sound exposed on film -- snares of such contradictory concepts as "pure reason in the eyes of God and beyond absolute spirituality". Henceforth, let us be on guard against the dangerous old conceptual fiction so near to the silver screen (supposing we were capable of this) and enjoy the hot buttered popcorn. Though this alone becomes something lacking; this world always demanded the "eye of absurdity" proclaim that, "No one has died as a convicted witch in America again after the Salem witch trial" -- but to this I must say -- hooray for Hollywood.” ~ Rob Zombie CAST & FILMMAKER BIOS ROB ZOMBIE (WRITER/DIRECTOR) An auteur filmmaker with unlimited vision, Rob Zombie’s unique voice has gained him unparalleled recognition across the mediums of film, music and publishing. Zombie’s most recent cinematic feat, The Lords of Salem, is produced in association with Jason Blum, Steven Schneider, Oren Peli (Insidious, Paranormal Activity franchise), and Andy Gould. He’s had evident box office success with his re-imagining of John Carpenter’s Halloween in 2007, which premiered at #1 at the box office, breaking all Labor Day Weekend records and grossing over $80 million dollars worldwide. Having breathed new life into the Halloween franchise, he also helmed Halloween 2 (Dimension), in August 2009. Prior to that, Zombie wrote and directed the 2004 cult favorite House of 1000 Corpses (Lionsgate) and its companion, 2005’s critically acclaimed The Devil’s Rejects (Lionsgate). Zombie also added a twisted, R-rated animated feature to his roster, The Haunted World of El Superbeasto (Starz), based on his own comic book series. For the past two decades Zombie has also directed dozens of music videos, and was the first self-directed artist to win an MTV VMA. He’s also directed a special episode of the CBS’s wildly popular CSI: Miami, Tom Pappa’s Comedy Central special, and uncharacteristically macabre commercials for Woolite laundry detergent and AMDRO ant bait. As a musician, Rob Zombie is a 7 time Grammy-nominated recording artist, who has sold over fifteen million albums worldwide to date. Zombie still dominates the touring world, selling-out arenas around the globe, and toured the US on co-headline tours with the likes of Alice Cooper, Ozzy Osbourne, and Slayer. When it comes to any artistic feat or endeavor, leave it to Rob Zombie to challenge and stretch the bounds of imagination, and the comfort zones of his audience. SHERI MOON ZOMBIE (HEIDI HAWTHORNE) Sheri Moon Zombie takes us on a disturbing cinematic journey in her latest film The Lords of Salem, as Heidi Hawthorne, a local disc jockey sinking into madness as she struggles with her connection to Salem's macabre history.
Recommended publications
  • Screendollars August 10, 2020 About Films, the Film Industry No
    For Exhibitors Screendollars August 10, 2020 About Films, the Film Industry No. 129 Newsletter and Cinema Advertising Happy birthday to Stan Durwood, the Founder of AMC Theatres, born 100 years ago on August 5, 1920. Stan was a highly motivated and creative entrepreneur, who expanded the family theatre business he took over in 1960 to become one of the largest theatre chains in the world. He is credited with many innovations that transformed the movie business, most notably, the creation of the multiplex cinema and the invention of the arm-rest cup holder. Purpose-built, multiple- screen, cinema entertainment complexes became Parkway Twin Theatres, the first Multiplex, The dominant force in exhibition in the late 20th century, growing a $2B annual industry in opened in Kansas City on July 12, 1963 1975 to a $6B industry in 1997. He was a proud son of Kansas City, where AMC is based. Welcome Back - Looking Forward to a Brighter 2021 As theatres begin to re-open and the industry comes back to life, we take stock of the positive signs of what lies ahead. The movie business has been interrupted, but it is not broken. Despite the significant challenges this year, when new movies return to theatres, audiences will follow. When circumstances permit, people are going to say to themselves, “I have been stuck at home for months watching streaming, and I’m tired of that. Now I want go out with friends and family, see other people, and experience something fantastic." Screendollars has produced this three-minute video, which previews the Must-See Movies which will be coming to theatres in 2021.
    [Show full text]
  • Finn Ballard: No Trespassing: the Post-Millennial
    Page 15 No Trespassing: The post­millennial road­horror movie Finn Ballard Since the turn of the century, there has been released throughout America and Europe a spate of films unified by the same basic plotline: a group of teenagers go road­tripping into the wilderness, and are summarily slaughtered by locals. These films may collectively be termed ‘road­horror’, due to their blurring of the aesthetic of the road movie with the tension and gore of horror cinema. The thematic of this subgenre has long been established in fiction; from the earliest oral lore, there has been evident a preoccupation with the potential terror of inadvertently trespassing into a hostile environment. This was a particular concern of the folkloric Warnmärchen or ‘warning tale’ of medieval Europe, which educated both children and adults of the dangers of straying into the wilderness. Pioneers carried such tales to the fledging United States, but in a nation conceptualised by progress, by the shining of light upon darkness and the pushing back of frontiers, the fear of the wilderness was diminished in impact. In more recent history, the development of the automobile consolidated the joint American traditions of mobility and discovery, as the leisure activity of the road trip became popular. The wilderness therefore became a source of fascination rather than fear, and the road trip became a transcendental voyage of discovery and of escape from the urban, made fashionable by writers such as Jack Kerouac and by those filmmakers such as Dennis Hopper ( Easy Rider, 1969) who influenced the evolution of the American road movie.
    [Show full text]
  • KATHRYN HIMOFF, ACE Editor
    KATHRYN HIMOFF, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS PLAYERS Trish Sie CAMPFIRE / NETFLIX Feature Film Ross Dinerstein, Ross Girard, Marc Platt UNT. YANCE FORD DOC Yance Ford HARPO FILMS Documentary Keetin Mayakara LOVE, GUARANTEED Mark Steven NETFLIX Feature Film Johnson Stephanie Slack, Margret Huddleston LIMETOWN Rebecca Thomas ENDEAVOR CONTENT / FACEBOOK Pilot & Season 1 Andre Nemec, Josh Appelbaum FINDING STEVE MCQUEEN Mark Steven IDENTITY FILMS Johnson Anthony Mastromauro, Silvio Muraglia THE FINEST Regina King LINCOLN SQUARE / ABC SIGNATURE Pilot Raymond Quinlan, Linda Berman, Pam Veasey EVERY DAY Michael Sucsy MGM / Peter Cron, Paul Trijbits GUARDIANS OF THE GALAXY II James Gunn MARVEL / DISNEY Add’l Editor Louis D’Esposito, Kevin Feige Victoria Alonso, Jonathan Schwartz DICE Series Various Directors SHOWTIME / Furst Films, Richard Shepard THE MAN IN THE HIGH CASTLE David Semel SCOTT FREE PROD. / AMAZON Pilot David Zucker, Ridley Scott, Frank Spotnitz Mark Mitchell THE STRAIN Peter Weller FX Series Deran Sarafian Guillermo del Toro, Carlton Cuse TRUST ME Clark Gregg BRON STUDIOS / Keith Kjarval JOYFUL NOISE Todd Graff ALCON / WARNER BROS. / Andrew Kosove GEORGIA O’KEEFE Bob Balaban SONY MOW Josh Maurer, Alixandre Witlin, Tony Mark APPALOOSA Ed Harris GROUNDSWELL / NEW LINE CINEMA Michael London, Ed Harris, Robert Knott LICENSE TO WED Ken Kwapis WARNER BROS. Robert Simonds, Christine Sacani UGLY BETTY Richard Shepard ABC Pilot Ben Silverman, Teri Weinberg, Silvio Horta THE SISTERHOOD OF THE Ken Kwapis WARNER BROS / ALCON TRAVELING PANTS Andrew Kosove, Debra Martin Chase THE OFFICE Pilot Ken Kwapis NBC / Ken Kwapis, Greg Daniels HOUSE OF 1000 CORPSES Rob Zombie LIONSGATE / Andy Gould POLLOCK Ed Harris SONY CLASSICS / Fred Berner, Jon Kilik Nominated, Academy Award, Best Actor Peter Brant, Joseph Allen Won, Academy Award, Best Supporting Actress KILLING ZOE Roger Avary OCTOBER FILMS Quentin Tarantino, Samuel Hadida INNOVATIVE-PRODUCTION.COM | 310.656.5151 .
    [Show full text]
  • Screendollars About Films, the Film Industry No
    For Exhibitors October 12, 2020 Screendollars About Films, the Film Industry No. 138 Newsletter and Cinema Advertising Sparked by this year’s renewed interest in independent distributors and genre films, we celebrate the creativity of American International Pictures, the pioneer of mass-production, low-budget film making. AIP was founded in 1954 as American Releasing Corporation (ARC) by Samuel Arkoff, an entertainment lawyer, and James Nicholson, a former sales manager for Realart Pictures. They soon expanded into production so they could take full control of their product, both creatively and financially. AIP developed a checklist of creative elements to ensure a film’s appeal to their target youth audience, largely overlooked by studios of the day. Their ARKOFF formula, named after the founder, included these elements: Action, Revolution, Killing, Oratory, Fantasy and Fornication. AIP would frequently bundle multiple pictures to play as double features at the nearly 4000 drive-ins (Click to Play) operating in the US in the 50’s and 60’s. One of AIP’s famously prolific and successful directors, was Roger Corman, "The Pope of Pop Cinema", who established a cult following for himself and AIP through his adaptions of Edgar Allen Poe tales as horror films. Famously, AIP’s new project development began by creating the film’s title and movie poster, which was then market-tested to confirm interest before the screenwriter, director and cast were hired. Today’s independent producers have many lessons they can learn from the film entrepreneurs
    [Show full text]
  • Inhaltsverzeichnis
    Inhaltsverzeichnis Vorwort / Danksagung _______________________________________ 6 1 Einleitung ___________________________________________ 7 2 Die Ursprünge der Filmwirtschaft _____________________ 10 2.1 Die Entstehung des Kinos ____________________________ 10 2.2 Vom Varieté zum Monopolunternehmen _______________ 11 2.3 Ein Neuanfang nach 20 Jahren_________________________ 13 3 Der Herstellungsprozess______________________________ 16 3.1 Die Filmproduktion__________________________________ 16 3.2 Evolution der Filmherstellung_________________________ 17 3.3 Die 4 Phasen der heutigen Produktion _________________ 18 3.3.1 Development ________________________________________ 18 3.3.2 Pre-Production_______________________________________ 19 3.3.3 Production __________________________________________ 20 3.3.4 Post-Production ______________________________________ 21 3.4 Filmstudios und andere Dienstleister __________________ 21 3.5 Risiken bei der Filmproduktion _______________________ 23 3.5.1 Das Investitionsrisiko _________________________________ 24 3.5.2 Das Fertigstellungsrisiko ______________________________ 25 3.5.3 Das Verwertungsrisiko________________________________ 26 4 Finanzierung und Verwertung von Filmproduktionen ___ 28 4.1 Kosten vs. Erlöse_____________________________________ 28 4.1.1 Einflussfaktoren der Erlöse ____________________________ 30 4.1.2 Von der Verwertungskette zum Verwertungsnetzwerk____ 32 4.1.3 Das Packaging _______________________________________ 35 4.2 Filmfinanzierung und Distribution ____________________
    [Show full text]
  • Rightsholder-List.Pdf
    IE-Ireland COR - Corporations: Employees Facilities Label 101 Films 12 Yard Productions 123 Go Films 1A Productions Limited 1st Miracle Productions Inc 20th Century Studios (f/k/a Twentieth Century Fox Film Corp.) 2929 Entertainment 365 Flix International 3DD Entertainment 41 Entertaiment LLC 495 Productions 4Licensing Corporation (fka 4Kids Entertainment) 7&7 Producers Sales Services 9 Story Enterprises 99Pro Media Gmbh A Really Happy Film (HK) Ltd. (fka Distribution Workshop A&E Networks Productions Aardman Abacus Media Rights Ltd Abbey Home Media Abduction Films Abot Hameiri About Premium Content SAS Abso Lutely Productions Absurda Acacia ACIP (fka Angel City Factory (ACP)) Acorn Media Acorn Media Acorn TV Actaeon Films Action Concept Film und Stuntproduktion (ex. Germany) Active Entertainment Adhoc Films Adler Media Adult Swim Productions Adventure Line Productions (ALP) Adventure Pictures Aenon Affiliate of Valiant Women Society (fka Maralee Dawn Ministries) After Dark Films Agatha Christie Productions Ager Film AI Film AIM Group (dba Cinevision Global -Ambassador Film Library) Air Productions Akkord Film Produktion Aktis Films International Al Dakheel Inc Alberio Films Alchemy Alchemy Television Group Alcina Pictures (ex. Canada) Alcon Entertainment Alcon Television All3media International Alley Cat Films Alliance Atlantis International Distribution Alliance Atlantis International Distribution Allied Vision Ltd All-In-Production Gmbh Allmedia Pictures Gmbh Alonso Entertainment Gmbh Aloupis Productions Altitude Films Sales Amazing
    [Show full text]
  • Sean Pertwee
    www.hamiltonhodell.co.uk Sean Pertwee Talent Representation Telephone Madeleine Dewhirst & Sian Smyth +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Film Title Role Director Production Company THE RECKONING Moorcroft Neil Marshall Fourth Culture Films HOWL Driver Paul Hyett Starchild Pictures ALAN PARTRIDGE: ALPHA PAPA Steve Stubbs Declan Lowney Baby Cow Films U.F.O. The Tramp Dominic Burns Hawthorne Productions THE MAGNIFICENT ELEVEN Pete Jeremy Wooding Angry Badger Pictures THE SEASONING HOUSE Goran Paul Hyett Sterling Pictures ST GEORGE'S DAY Proctor Frank Harper Elstree Productions NAKED HARBOUR Robert Aku Louhimies First Floor Productions WILD BILL Detective Dexter Fletcher 20Ten Media FOUR Detective John Langridge Oh My! Productions 4, 3, 2, 1 Mr. Richards Noel Clark Unstoppable Entertainment JUST FOR THE RECORD Sensei Steve Lawson Black & Blue Films DOOMSDAY Dr. Talbot Neil Marshall Rogue Pictures DANGEROUS PARKING Ray Peter Howitt Flaming Pie Films THE MUTANT CHRONICLES Capt. Nathan Rooker Simon Hunter First Foot Films BOTCHED Mr. Groznyi Kit Ryan Zinc Entertainment Inc. GOAL! 2: LIVING THE DREAM Barry Rankin Danny Cannon Milkshake Films WILDERNESS Jed Michael J. Bassett Momentum Pictures GOAL! Barry Rankin Danny Cannon Milkshake Films GREYFRIARS BOBBY Duncan Smithie John Henderson Piccadilly Pictures THE LAST DROP Sgt. Bill McMillan Colin Teague Carnaby Films THE PROPHECY Dani Simionescu Joel Soisson Miramax DOG SOLDIERS Sgt. Harry G. Wells Neil Marshall Kismet Entertainment THE 51st STATE Detective Virgil Kane Ronny Yu Alliance Atlantis EQUILIBRIUM Father Kurt Wimmer Dimension SEVEN DAYS TO LIVE Martin Shaw Sebastian Niemann Indigo Productions LOVE, HONOUR AND OBEY Sean Dominic Anciano Fugitive Films TUBE TALES Driver Charles McDougal Horsepower SOLDIER Mace Paul Anderson Warner Bros.
    [Show full text]
  • Programa Sitges 2012.Pdf
    1 INFORMACIÓ I VENDA D’ENTRADES Compra les teves entrades anticipades a través Els descomptes no són acumulables. El de Telentrada de Catalunya Caixa, per internet titular haurà de mostrar el DNI i el seu carnet de a (www.telentrada.com), per telèfon trucant al descompte a les taquilles. 902 10 12 12 o en qualsevol oficina de Catalunya Caixa. * Excepcions dels abonaments Fantàstics i dels carnets de descompte: els descomptes no són PREUS (IVA inclós) aplicables a les gales d’Inauguració i de cloenda, 8,50€: Secció Oficial Fantàstic a Competició, maratons del 14 d’octubre, Abonament Matinée, Secció Oficial Fantàstic Panorama, Secció Oficial Abonament Auditori, Butaca VIP i Localitat Fantàstic Galas, Secció Oficial Noves Visions, Numerada. Secció Anima’t, Secció Seven Chances, Sitges Family, Sessions Especials VENDA D’ENTRADES 6,50€: Secció Retrospectiva i Homenatges (Sitges Pots comprar les teves entrades anticipades a Clàssics), menors de 14 anys per a la secció Sitges través de Telentrada de Catalunya Caixa, per Family internet a www.telentrada.com, per telèfon 7,50€: Sessions Anima’t Curts, sessió SOFC Curts i trucant al 902 10 12 12 o en qualsevol oficina de sessió SOFP Curts Catalunya Caixa. 10,50€: Maratons, Programa doble i Sessions 3D 12,50€: Maratons del 14 d’octubre, Gala Del 4 al 14 d’octubre també les podràs adquirir a d’Inauguració i Gala de Cloenda les taquilles de l’Auditori situades a l’Hotel Meliá 4,50€: Classes magistrals (Sitges Fòrum) Sitges (c/ Ramon Dalmau, s/núm) i a les taquilles Jardins Retiro situades als Jardins del Retiro (c/ ABONAMENTS (IVA inclós) Àngel Vidal, 17).
    [Show full text]
  • Sitges #49 International Fantastic Film Festival 7Th-16Th October at Sitges
    DIVENDRES 7 AUDITORI MELIÁ SITGES RETIRO 09.00h INSIDE Inauguració 08.30h DANS LA FORET (INTO THE FOREST) PF 13.30h TRAIN TO BUSAN SOFC49 10.30h SWEET, SWEET LONELY GIRL PF 16.00h THE AGE OF SHADOWS Ò 12.15h LAKE BODOM PF 19.30h EN TU CABEZA. PARTE II: MILAGROS 14.00h MOMOTARO: SACRED SAILORS Y REMEDIOS + INSIDE Gala inauguració * Anima’t E 22.45h COLOSSAL SOFE * 15.45h INTIMATE ENEMIES Ò 18.00h THE TIGER Ò Dissabte 8 20.45h DANS LA FORET (INTO THE FOREST) PF 01.15h THE LOVE WITCH + 22.45h EN TU CABEZA. PARTE II: MILAGROS KARAOKE CRAZIES + THE LURE SOFC49 * Y REMEDIOS + INSIDE Inauguració * Dissabte 8 01.00h JAPAN MADNESS: ASSASSINATION CLASSROOM - GRADUATION + KARATE KILL + HIGANJIMA: VAMPIRE ISLAND (HIGANJIMA DELUXE) PF + M X-TR + M X-TR E * Dissabte 8 AUDITORI MELIÁ SITGES RETIRO 08.15h THE LOVE WITCH SOFC49 08.15h BEYOND THE GATES PF 10.30h HELL OR HIGH WATER SOFE 10.00h THE NEIGHBOR PF 12.30h MELANIE. THE GIRL WITH ALL THE 11.45h COLOSSAL SOFE * GIFTS SOFC49 14.00h CURTS D’ANIMACIÓ A COMPETICIÓ I 14.45h SAFE NEIGHBORHOOD SOFC49 Anima’t - curts * 16.45h THE VOID SOFC49 * 16.00h SWEET, SWEET LONELY GIRL PF * 18.30h SHIN GODZILLA SOFE 17.30h THE AGE OF SHADOWS Ò 20.45h PROYECTO LÁZARO SOFC49 * 20.00h LAKE BODOM PF * 23.00h TRAIN TO BUSAN SOFC49 22.00h ALIENS: EL REGRESO SC * Diumenge 9 Diumenge 9 01.15h LA NIT + ZOMBI: ATTACK OF THE 01.00h KARAOKE CRAZIES + THE LURE + LETHERHOSENZOMBIES + SEOUL STATION + THE LOVE WITCH SOFC49 * IT STAINS THE SANDS RED + MIRUTHAN M X-TR DIUMENGE 9 AUDITORI MELIÁ SITGES RETIRO 08.15h EL EXTRAÑO (THE WAILING) SOFC49 08.15h RUPTURE PF 11.15h CURTS FANTÀSTICS A COMPETICIÓ I * 10.15h SAFE NEIGHBORHOOD SOFC49 13.15h OPERATION MEKONG Ò * 12.00h SHIN GODZILLA SOFE 15.45h MUSEUM SOFC49 * 14.15h DOFUS–LIVRE I: JULITH Anima’t 18.30h LA AUTOPSIA DE JANE DOE (THE 16.15h BEYOND THE GATES + Q&A PF * AUTOPSY OF JANE DOE) SOFC49 * 18.15h MR.
    [Show full text]
  • Star Channels Guide, Oct. 29-Nov. 4
    OCTOBER 29 - NOVEMBER 4, 2017 staradvertiser.com HOLEY HUMOR Arthur (Judd Hirsch) and Franco (Jermaine Fowler) prepare to take on gentrifi cation, corporations and trendy food trucks in the humorously delicious sophomore season of Superior Donuts. Premieres Monday, Oct. 30, on CBS. Join host, Lyla Berg as she sits down with guests Meet the NEW SHOW WEDNESDAY! who share their work on moving our community forward. people SPECIAL GUESTS INCLUDE: and places Nate Gyotoku, Director of Sustainability Initiatives, KUPU that make Jerri Chong, President, Ronald McDonald House Charities of Hawaii 1st & 3rd Wednesday Desoto Brown, Historian, Bishop Museum Hawai‘i olelo.org of the Month, 6:30 pm Shari Chang, CEO of Girl Scouts of Hawaii Channel 53 special. Representative Jarrett Keohokalole ON THE COVER | SUPERIOR DONUTS Tasty yet topical Deliciously real laughs in alongside the shop as it continues to draw new customers with healthier breakfast alterna- faces in, while never losing sight of its regulars. tives, keeping in mind social and ethical prin- season 2 of ‘Superior Donuts’ The quick wit and bold approach to dis- ciples. The discussions surrounding millennials cussing modern issues make it unsurprising aren’t new for “Superior Donuts,” but the ad- By Kat Mulligan that the series is back for a second season. dition of Sofia provides yet another outlet for TV Media “Superior Donuts” never shies away from Arthur’s reluctance to change, as her healthy confronting topics such as gentrification, the alternatives food truck threatens to take away ong before the trends of grandes, mac- corporation creep into small neighborhoods some of the fresh clientele Franco and Arthur chiatos and pumpkin spice lattes, neigh- and the death of the small business owner.
    [Show full text]
  • Author Functions, Auteur Fictions Understanding Authorship in Conglomerate Hollywood Commerce, Culture, and Narrative
    Author Functions, Auteur Fictions Understanding Authorship in Conglomerate Hollywood Commerce, Culture, and Narrative VOLUME II: APPENDICES Thomas James Wardak A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities School of English Literature March 2017 Bibliography ‘2009 WORLDWIDE GROSSES’, Box Office Mojo (n.d.) <http://www.boxofficemojo.com/yearly/chart/?view2=worldwide&yr=2009> [accessed 13 March 2017]. ‘2015 WORLDWIDE GROSSES’, Box Office Mojo (n.d.) <http://www.boxofficemojo.com/yearly/chart/?view2=worldwide&yr=2015> [accessed 13 March 2017]. ‘3D screens—2004 onwards’, UK Cinema association (n.d.) <http://www.cinemauk.org.uk/the- industry/facts-and-figures/uk-cinema-industry-infrastructure/3d-screens/> [accessed 13 March 2017]. ‘ABOUT REDDIT’, Reddit (13 April 2016) <https://web.archive.org/web/20160413011025/https://www.reddit.com/about/> [accessed 13 March 2017]. ‘Box office revenue in North America from 1980 to 2015 (in billion U.S. dollars)’, Statista: The Statistics Portal (2016) <http://www.statista.com/statistics/187069/north-american-box- office-gross-revenue-since-1980/> [accessed 13 March 2017]. ‘Comic Book Sales by Year’, Comichron (n.d.) <http://www.comichron.com/yearlycomicssales.html> [accessed 13 March 2017]. ‘Footfall Breakdown for each Station’, Network Rail (n.d.) <https://web.archive.org/web/20160910230139/https://www.networkrail.co.uk/Footfa llBreakdownForEachStation.pdf> [accessed 13 March 2017]. ‘John Ford’s Young Mr. Lincoln: A collective text by the Editors of Cahiers du Cinéma’, trans. Helen Lackner and Diana Matias, Screen, 13.3 (1972), 5-44. ‘Monthly reach of Empire magazine in the United Kingdom (UK) from October 2012 to September 2015 (in 1,000s)’, Statista: The Statistics Portal (n.d.) <http://www.statista.com/statistics/413664/empire-monthly-reach-uk/> [accessed 13 March 2017].
    [Show full text]
  • Weekend Box Office Results
    Monday, November 16, 2020 | No. 142 Jack Elam was one of the most widely recognized character actors working in film and television during his five- decade career beginning in the 1950’s. Born in Arizona 100 years ago on 11/13/1920, after graduating high school Elam moved to Los Angeles and enrolled in Santa Monica Junior College. After serving two years in the US Navy during WWII, he embarked on a career as an accountant. By chance, Samuel Goldwyn was one of his bookkeeping clients, and Elam was able to parlay the connection into his first role in acting. Elam became well-known for playing villains in dozens of Westerns and gangster stories popular during that period. He played his desperados with an air of crazy, accentuated by his physical appearance. As a youth, Elam lost the use of his left eye after being stabbed in it with a pencil during a fight with another Boy Scout from his troop. Later in his career, Elam played a wider range of roles, including comedic performances in films such as Support your Local Sheriff, Support your Local Gunfighter and The Cannonball Run. The contribution of character actors is often overlooked in Hollywood’s paparazzi culture, lost in the shadow of the bright lights trained on headliners. However, good character actors are highly regarded by their fellow actors, and often enjoy long careers that span decades. (Click to Play) “I could sneak up on a coyote if I’ve a mind to.” – Jack Elam Weekend Box Office Results (11/9-11) With Comments by Paul Dergarabedian, Comscore Average $/ Rank Title Week Theatres
    [Show full text]