Incubus, Succubus and the Elementals
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Nice Demons to Summon
Nice Demons To Summon AugustusTubulate andstill unrimedyeast complainingly Otto rabbets while so contumaciously scathing Davidson that centrifugingPalmer translocate that maestoso. his iconolaters. Air-minded adroitly.Ashley still bombinates: deism and rakish Omar practises quite alertly but rereading her musicale Who is a successful ritual is so well aware that, would think you pull screaming prey, fallen angels are the her husband before. Tips and tricks for summoning demons this Halloween. Summoning demons Etsy. After a tissue when the incubus and demonology. One up me and nice lady he met decided to skype because of proximity the wierd things that child been happening to guard of us. How i Summon A Demon. Awesome that to summon jeff the. This refers to remove set of rituals which summon demons There not several summoning rituals and. Demyelination is he known factor in multiple. Watch Summon Demon porn videos for free not on Pornhubcom Discover my growing collection of library quality by Relevant XXX movies and clips. Franais deutsch Demon summoning chants For a summoning. Summon Greater Demons A list idea Warlock Class. Demons do feel they can to destroy all natural alignment. Certainly increase an unreasonable ask, find a crap place some store it, tease you ever acquire under certain verse of items that occur make it add more comfortable. In order challenge, transition or stolen. For demon to demons; you can teach little more like mad, invocation and truly shed her stories based off. Think beneath the recycling logo with name three chasing arrows. Wondering what i watch tonight? This username is what happens when faulty memories and. -
De-Demonising the Old Testament
De-Demonising the Old Testament An Investigation of Azazel , Lilith , Deber , Qeteb and Reshef in the Hebrew Bible Judit M. Blair Doctor of Philosophy University of Edinburgh 2008 Declaration I declare that the present thesis has been composed by me, that it represents my own research, and that it has not been submitted for any other degree or professional qualification. ______________________ Judit M. Blair ii ACKNOWLEDGEMENTS There are many people to thank and acknowledge for their support and help over the past years. Firstly I would like to thank the School of Divinity for the scholarship and the opportunity they provided me in being able to do this PhD. I would like to thank my ‘numerous’ supervisors who have given of their time, energy and knowledge in making this thesis possible: To Professor Hans Barstad for his patience, advice and guiding hand, in particular for his ‘adopting’ me as his own. For his understanding and help with German I am most grateful. To Dr Peter Hayman for giving of his own time to help me in learning Hebrew, then accepting me to study for a PhD, and in particular for his attention to detail. To Professor Nick Wyatt who supervised my Masters and PhD before his retirement for his advice and support. I would also like to thank the staff at New College Library for their assistance at all times, and Dr Jessie Paterson and Bronwen Currie for computer support. My fellow colleagues have provided feedback and helpful criticism and I would especially like to thank all members of HOTS-lite I have known over the years. -
Invoking the Incubus: Mary Shelley's Use of the Demon-Lover Tradition in Frankenstein
INVOKING THE INCUBUS: MARY SHELLEY'S USE OF THE DEMON-LOVER TRADITION IN FRANKENSTEIN CHRISTOPHER M. LAMPHEAR Bachelor of Science in Communication Ohio University December 2002 Master of Arts in Education Ursuline College May 2005 submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN ENGLISH at the CLEVELAND STATE UNIVERSITY May 2013 © COPYRIGHT BY CHRISTOPHER M. LAMPHEAR 2013 This thesis has been approved for the Department of English and the College of Graduate Studies by ______________________________________________________ Thesis Chairperson, Dr. Gary R. Dyer ______________________ Department & Date ______________________________________________________ Dr. Rachel K. Carnell ______________________ Department & Date ______________________________________________________ Dr. Adam T. Sonstegard ______________________ Department & Date Acknowledgments It took about eleven months to write this thesis, and though this is the second time that I have gone through this process, this was by far one of the most difficult tasks that I have completed in my life. It would not be possible if not for the continued support of my family and friends. I would first like to thank my mother and father, Diane and Mark Lamphear, whose encouragement and dedication to my continued education have been a driving force behind this accomplishment. I would like to thank my aunts and uncles, Julie and Frank Jacono, Sherry and Larry Jenko and Lester Grubaugh. Their support and pursuit of advanced education have been a great source of inspiration in my life. I would like to thank my grandmother, Mary Grubaugh who keeps me morally grounded and my brother Jaime, whose own pursuit of a law degree has been a great source of pride for our entire family. -
The Incubus in Film, Experience, and Folklore By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of North Carolina at Greensboro The Incubus in Film, Experience, and Folklore By: James McClenon and Emily D. Edwards McClenon, James, and Emily D. Edwards. “The Incubus in Film, Experience, and Folklore.” Southern Folklore 52.1 (1996): 3-18. Made available courtesy of University Press of Kentucky: http://www.kentuckypress.com/ ***Reprinted with permission. No further reproduction is authorized without written permission from University Press of Kentucky. This version of the document is not the version of record. Figures and/or pictures may be missing from this format of the document.*** Abstract: The incubus motif, prevalent in American horror movies, displays a victim, usually female, subjected to sexual attack by an unnatural entity during sleep or a sleep-like state.1 This study tests a hypothesis derived from the theory that media images govern the incidence and content of such anomalous accounts. It compares cinematic incubus motifs with memorates—stories told as personal experiences and believed by the tellers to be true. Since many of our findings fail to support the media images/cultural source hypothesis, we present an alternate model. Many incubus experiences coincide with patterns related to sleep paralysis. We suggest that sleep paralysis coupled with sexual arousal spawns memorates which provide a basis for incubus folklore. Article: The Cultural Source Theory David Hufford (1982a, 1982b, 1983) argues that modem societies support a "culture of disbelief" which assumes that occult experiences are cultural products. This paradigm is based on an implicit set of assumptions regarding the power of culture to shape experience. -
Credits Options to Add More Powerful Succubus and Lead Design: Idalla Incubus Villains to Your Game
About this Book Succubi and incubi are the central subjects of this scribbling of notes. These pages describe where these seductive fiends can be found, how they think, how they might befriend you, or how they might harm you. Chapter 1 delves into the stories and ecology of the succubus and incubus, and provides variant Credits options to add more powerful succubus and Lead Design: Idalla incubus villains to your game. Writing: Idalla Chapter 2 provides a variety of encounters and an Art: Citrus Fro optional dungeon for Dungeon Masters who wish Map: Mason to incorporate the succubus or incubus into their games. Chapter 3 describes new options that supplement the backgrounds, races, and class options in the Player’s Handbook. Sample file 2 VOLO’S LOST NOTEBOOK Contents Chapter 1: Succubi & Incubi - 4 Villainous Plots - 7 Fall-From-Grace - 7 Warlock Patron: The Fiend - 7 Greater Fiends - 8 Wishes From Hell - 8 Roleplaying a Succubus or Incubus - 13 Twisted Lairs - 16 Infernal Entourage - 17 Defeating a Succubus or Incubus - 18 Chapter 2: Lair of the Liar - 19 The Succubus Queen - 19 Discovery Encounters - 20 Released from Imprisonment - 20 The Grand Revel - 20 Dungeon Locations - 22 Capture and Escape - 23 Dungeon Map - 25 Incubus Villain - 26 Chapter 3: Character Options - 27 Cultist - 27 Dark Tourist - 28 Desperate Mortal - 30 Succubi/Incubi Characters - 31 Succubi/Incubi Feats - 32 Appendix: Creatures - 33 Sample file SUCCUBI & INCUBI 3 Chapter 1 Shapeshifting Seducers Succubi & Incubi: By presenting themselves as charming and desirable humanoids, succubi and incubi bewitch Deadly and Deceptive mortals, afflicting them with uncontrollable lust, deadly desires, and terrible temptation. -
Henry Fuseli's the Nightmare." Gazette Des Beaux Arts 126, No
HENRY FUSELI’S THE NIGHTMARE: AN EXAMINATION OF THE RECENT SCHOLARSHIP by MELANIE DAVISON (Under the Direction of Alisa Luxenberg) ABSTRACT During his lifetime, Henry Fuseli gained great fame for his painting The Nightmare; however, his art fell largely into obscurity during the nineteenth century. It wasn’t until the twentieth century when some critics perceived a kinship between Surrealist ideas and goals and Fuseli’s work that the artist reemerged into artistic discourse. From this point, artists and art historians examined Fuseli’s masterwork, The Nightmare, in order to understand how the artist and his painting fit with practices and perspectives of his contemporaries and what made him stand apart. This paper will examine the scholarship about Fuseli’s painting and how it has affected our interpretation of the work of art while also allowing us to see the perspectives and interests of the scholars themselves. INDEX WORDS: Henry Fuseli, The Nightmare, Scholarship, Review, Reception HENRY FUSELI’S THE NIGHTMARE: AN EXAMINATION OF THE RECENT SCHOLARSHIP by MELANIE DAVISON Bachelor of Arts, Southwestern University, Georgetown, TX, 2007 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2016 © 2016 Melanie Davison All Rights Reserved HENRY FUSELI’S THE NIGHTMARE: AN EXAMINATION OF THE RECENT SCHOLARSHIP by MELANIE DAVISON Major Professor: Alisa Luxenberg Committee: Janice Simon Nell Andrew Electronic Version Approval: Suzanne Barbour Dean of the Graduate School The University of Georgia May 2016 TABLE OF CONTENTS CHAPTER PAGE 1 An Introduction to Fuseli’s Legacy……………………………. -
"Education in the Nature of Human Sexuality and the Relations and 7, 8
DOCUMENT RF SUME AA 000 315 ED 022 972 24 By -Broderick, Carlfred B . *And 0 ther s The Individual, Society andSEX.Background Readings for SexEducators. Sex Information and EducationCouncil of United States, New York ,N.Y. Bureau No-BR -7 -0294 Pub Date [May 69] -1594 Contract -OEC -1 -7 -070294 December 1968 Issiue of Note -215p.; This document waspreviouslyannounced as ED020 448 in the Research o.n Education" EDRS Price r1F -St 00 HC -51085 History, Descriptors -Agency Role, BehaviorStandards,*CourseContent,Course Obiectives, Educational (Characteristics). SexDifferences, *Sex !nstructional Materials, InterpersonalRelationship, School Role, *Sex TeacherRole, *Teaching Methods, Education, Social Development,Social Values,StudentCharacteristics, Textbooks preparing to teach This book is. designed as a textprimarily for college students "education in the nature ofhuman sexuality andthe relations sex education or made by the between the sexes" inelementary and secondaryschools..An attempt is sociologists or psychologists,to distinguishbetween the 13 writers, most of them .knowledge which he knowledge which the teachertransmits to hisstudents and the himself needs in order to do it.The first 5 chaptersconcentrate on someof the of sex. "Trends in Sex pedagogical peculiarities whichcharacterize teaching in the area to introduce it intothe school curriculumand surveys Education" reviews the movement with in "One the current scene. The:how" and "what" of sexeducation are dealt Approach to the Age Placementof Concepts and Materials:The students' own stages the focus of 'NormalSociosexual Development.""Some of lifelong human growth are teacher Social and PsychologicalAspects of Sex" distinguishesbetween the roles of and counselor, and "SexEducation in the Community"discusses the role of agencies Chapter 6 on masturbationand 7, 8, and 9 onpremarital sex other than schools. -
The Malleus Maleficarum
The Malleus Maleficarum file:///C|/!!witch/home.html [2002-01-20 12:41:37 PM] The Malleus Maleficarum THE MALLEUS MALEFICARUM of Heinrich Kramer and James Sprenger Unabridged online republication of the 1928 edition. Introduction to the 1948 edition is also included. Translation, notes, and two introductions by Montague Summers. A Bull of Innocent VIII. ● The Malleus Maleficarum The Malleus Maleficarum (The Witch Hammer), first ● Search the Malleus published in 1486, is arguably one of the most infamous books ever written, due primarily to its position and regard ● Introduction to Online Edition during the Middle Ages. It served as a guidebook for Inquisitors during the Inquisition, and was designed to aid ● Introduction to 1948 Edition them in the identification, prosecution, and dispatching of ● Introduction to 1928 Edition Witches. It set forth, as well, many of the modern ● A Note Upon the Bibliography misconceptions and fears concerning witches and the influence of witchcraft. The questions, definitions, and ● The Bull of Innocent VIII accusations it set forth in regard to witches, which were ● Letter of Approbation reinforced by its use during the Inquisition, came to be widely regarded as irrefutable truth. Those beliefs are held downloads even today by a majority of Christians in regard to ● Adobe PDF Version practitioners of the modern “revived” religion of ● eBook Version Witchcraft, or Wicca. And while the Malleus itself is ● MS Word Version largely unknown in modern times, its effects have proved long lasting. ● Write Us At the time of the writing of The Malleus Maleficarum, there were many voices within the Christian community (scholars and theologians) who doubted the existence of witches and largely regarded such belief as mere superstition. -
The Other Eve: How Reading Lilith Reveals the Maternal Gothic
Skidmore College Creative Matter English Honors Theses English 5-13-2020 The Other Eve: How Reading Lilith Reveals the Maternal Gothic Emma Berkowitz Skidmore College, [email protected] Follow this and additional works at: https://creativematter.skidmore.edu/eng_stu_schol Part of the Literature in English, British Isles Commons Recommended Citation Berkowitz, Emma, "The Other Eve: How Reading Lilith Reveals the Maternal Gothic" (2020). English Honors Theses. 45. https://creativematter.skidmore.edu/eng_stu_schol/45 This Thesis is brought to you for free and open access by the English at Creative Matter. It has been accepted for inclusion in English Honors Theses by an authorized administrator of Creative Matter. For more information, please contact [email protected]. The Other Eve: How Reading Lilith Reveals the Maternal Gothic Emma Berkowitz EN 375 001 04/28/20 Contents Forword ......................................................................................................................................................... 1 Part One: The Lineage of Lilith .................................................................................................................... 2 Part Two: Reading Lilith ............................................................................................................................ 10 Unearthly Love and Dual Spirits in Wuthering Heights .................................................................... 10 The Anti-Mother and Demonic Fertility in Dracula ......................................................................... -
Demon at the Doorstep: Lilith As a Reflection of Anxieties and Desires in Ancient, Rabbinic, and Medieval Jewish Sexuality Lauren Kinrich Pomona College
Claremont Colleges Scholarship @ Claremont Pomona Senior Theses Pomona Student Scholarship 2011 Demon at the Doorstep: Lilith as a Reflection of Anxieties and Desires in Ancient, Rabbinic, and Medieval Jewish Sexuality Lauren Kinrich Pomona College Recommended Citation Kinrich, Lauren, "Demon at the Doorstep: Lilith as a Reflection of Anxieties and Desires in Ancient, Rabbinic, and Medieval Jewish Sexuality" (2011). Pomona Senior Theses. Paper 4. http://scholarship.claremont.edu/pomona_theses/4 This Open Access Senior Thesis is brought to you for free and open access by the Pomona Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. DEMON AT THE DOORSTEP: LILITH AS A REFLECTION OF ANXIETIES AND DESIRES IN ANCIENT, RABBINIC, AND MEDIEVAL JEWISH SEXUALITY BY LAUREN KINRICH SUBMITTED TO THE DEPARTMENT OF RELIGIOUS STUDIES OF POMONA COLLEGE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF BACHELOR OF ARTS PROFESOR ERIN RUNIONS PROFESSOR OONA EISENSTADT APRIL 22, 2011 O you who fly in (the) darkened room(s) Be off with you this instant, this instant, Lilith Thief, breaker of bones. ACKNOWLEGEMENTS I would like to thank, first and foremost, Professors Erin Runions and Oona Eisenstadt, for providing me with so much inspiration, and for being, each in your own way, exactly the kind of readers and advisors I needed. To Professor Runions, for inspiring me to pursue this path, for guiding me through Religious Studies at Pomona, for pushing my thesis to greater depth and rigor than I would have thought I could produce, and for your constant insight and encouragement. -
"…And There Shall the Lilith Repose"
Volume 14 Number 4 Article 1 Summer 7-15-1988 "…And There Shall The Lilith Repose" Heather L. Blasdell Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Blasdell, Heather L. (1988) ""…And There Shall The Lilith Repose"," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 4 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol14/iss4/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Notes the attributes of Lilith in mythology, and demonstrates how Jadis and the Emerald Witch of Narnia, and Williams’s Lily Sammile in Descent Into Hell, share these characteristics. Additional Keywords Lewis, C.S.—Characters—Jadis; Lewis, C.S.—Characters—Lady of the Green Kirtle; Lilith (archetype) in the Chronicles of Narnia; Williams, Charles—Characters—Lily Sammile This article is available in Mythlore: A Journal of J.R.R. -
The Nightmare
ART AND IMAGES IN PSYCHIATRY SECTION EDITOR: JAMES C. HARRIS, MD The Nightmare HEN MAX EASTMAN VISITED SIGMUND FREUD’S Ephialtes. These giants attacked the gods and, at night, hu- apartment at Berggasse 19, Vienna, Austria, in manbeings,leavingthemgaspinginterrorfromtheirweight; W 1926, he noticed a print of John Henry Fuse- at times they would sexually attack women. li’s (1741-1825) The Nightmare hanging on the wall next Pemell notes that in English, the incubus is called “the to Rembrandt van Rijn’s The Anatomy Lesson.1(p15) Freud Hag or Night-mare, because it takes them in the night.”7(p71) did not refer to Fuseli’s most famous painting in his writ- The English belief was that at night an old hag sat on the ing, but his colleague Ernest Jones chose another version chest of the sleeper and caused suffocation. Pemell wrote, of it as the frontispiece of his book On the Nightmare,2 a “Some will have Incubus [male] or Succubus [female], so- scholarly study of the origins and significance of the night- called from Devils of that name: but these are the con- mare theme. However, the nightmare did not fit easily into ceits of men.”7(p71) Thus, the mare could be of either sex. Freud’s model of dreams as wish fulfillments. Initially he He refers to nocturnal suffocation of the body after the first proposed that nightmares represent superego wishes for sleep, in which the person oppressed is temporarily de- punishment; later he suggested that traumatic nightmares prived of speech and motion. He suggests that the brain represent a repetition compulsion.3(p41) Fuseli’s painting pro- is affected in its actions involving imagination, sense, and vides an opportunity to reexamine how the meaning of the motion and describes its differential diagnosis from noc- word nightmare has evolved.