"…And There Shall the Lilith Repose"
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nice Demons to Summon
Nice Demons To Summon AugustusTubulate andstill unrimedyeast complainingly Otto rabbets while so contumaciously scathing Davidson that centrifugingPalmer translocate that maestoso. his iconolaters. Air-minded adroitly.Ashley still bombinates: deism and rakish Omar practises quite alertly but rereading her musicale Who is a successful ritual is so well aware that, would think you pull screaming prey, fallen angels are the her husband before. Tips and tricks for summoning demons this Halloween. Summoning demons Etsy. After a tissue when the incubus and demonology. One up me and nice lady he met decided to skype because of proximity the wierd things that child been happening to guard of us. How i Summon A Demon. Awesome that to summon jeff the. This refers to remove set of rituals which summon demons There not several summoning rituals and. Demyelination is he known factor in multiple. Watch Summon Demon porn videos for free not on Pornhubcom Discover my growing collection of library quality by Relevant XXX movies and clips. Franais deutsch Demon summoning chants For a summoning. Summon Greater Demons A list idea Warlock Class. Demons do feel they can to destroy all natural alignment. Certainly increase an unreasonable ask, find a crap place some store it, tease you ever acquire under certain verse of items that occur make it add more comfortable. In order challenge, transition or stolen. For demon to demons; you can teach little more like mad, invocation and truly shed her stories based off. Think beneath the recycling logo with name three chasing arrows. Wondering what i watch tonight? This username is what happens when faulty memories and. -
De-Demonising the Old Testament
De-Demonising the Old Testament An Investigation of Azazel , Lilith , Deber , Qeteb and Reshef in the Hebrew Bible Judit M. Blair Doctor of Philosophy University of Edinburgh 2008 Declaration I declare that the present thesis has been composed by me, that it represents my own research, and that it has not been submitted for any other degree or professional qualification. ______________________ Judit M. Blair ii ACKNOWLEDGEMENTS There are many people to thank and acknowledge for their support and help over the past years. Firstly I would like to thank the School of Divinity for the scholarship and the opportunity they provided me in being able to do this PhD. I would like to thank my ‘numerous’ supervisors who have given of their time, energy and knowledge in making this thesis possible: To Professor Hans Barstad for his patience, advice and guiding hand, in particular for his ‘adopting’ me as his own. For his understanding and help with German I am most grateful. To Dr Peter Hayman for giving of his own time to help me in learning Hebrew, then accepting me to study for a PhD, and in particular for his attention to detail. To Professor Nick Wyatt who supervised my Masters and PhD before his retirement for his advice and support. I would also like to thank the staff at New College Library for their assistance at all times, and Dr Jessie Paterson and Bronwen Currie for computer support. My fellow colleagues have provided feedback and helpful criticism and I would especially like to thank all members of HOTS-lite I have known over the years. -
Invoking the Incubus: Mary Shelley's Use of the Demon-Lover Tradition in Frankenstein
INVOKING THE INCUBUS: MARY SHELLEY'S USE OF THE DEMON-LOVER TRADITION IN FRANKENSTEIN CHRISTOPHER M. LAMPHEAR Bachelor of Science in Communication Ohio University December 2002 Master of Arts in Education Ursuline College May 2005 submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN ENGLISH at the CLEVELAND STATE UNIVERSITY May 2013 © COPYRIGHT BY CHRISTOPHER M. LAMPHEAR 2013 This thesis has been approved for the Department of English and the College of Graduate Studies by ______________________________________________________ Thesis Chairperson, Dr. Gary R. Dyer ______________________ Department & Date ______________________________________________________ Dr. Rachel K. Carnell ______________________ Department & Date ______________________________________________________ Dr. Adam T. Sonstegard ______________________ Department & Date Acknowledgments It took about eleven months to write this thesis, and though this is the second time that I have gone through this process, this was by far one of the most difficult tasks that I have completed in my life. It would not be possible if not for the continued support of my family and friends. I would first like to thank my mother and father, Diane and Mark Lamphear, whose encouragement and dedication to my continued education have been a driving force behind this accomplishment. I would like to thank my aunts and uncles, Julie and Frank Jacono, Sherry and Larry Jenko and Lester Grubaugh. Their support and pursuit of advanced education have been a great source of inspiration in my life. I would like to thank my grandmother, Mary Grubaugh who keeps me morally grounded and my brother Jaime, whose own pursuit of a law degree has been a great source of pride for our entire family. -
ABSTRACT the Women of Supernatural: More Than
ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables -
Theology of Supernatural
religions Article Theology of Supernatural Pavel Nosachev School of Philosophy and Cultural Studies, HSE University, 101000 Moscow, Russia; [email protected] Received: 15 October 2020; Accepted: 1 December 2020; Published: 4 December 2020 Abstract: The main research issues of the article are the determination of the genesis of theology created in Supernatural and the understanding of ways in which this show transforms a traditional Christian theological narrative. The methodological framework of the article, on the one hand, is the theory of the occulture (C. Partridge), and on the other, the narrative theory proposed in U. Eco’s semiotic model. C. Partridge successfully described modern religious popular culture as a coexistence of abstract Eastern good (the idea of the transcendent Absolute, self-spirituality) and Western personified evil. The ideal confirmation of this thesis is Supernatural, since it was the bricolage game with images of Christian evil that became the cornerstone of its popularity. In the 15 seasons of its existence, Supernatural, conceived as a story of two evil-hunting brothers wrapped in a collection of urban legends, has turned into a global panorama of world demonology while touching on the nature of evil, the world order, theodicy, the image of God, etc. In fact, this show creates a new demonology, angelology, and eschatology. The article states that the narrative topics of Supernatural are based on two themes, i.e., the theology of the spiritual war of the third wave of charismatic Protestantism and the occult outlooks derived from Emmanuel Swedenborg’s system. The main topic of this article is the role of monotheistic mythology in Supernatural. -
Credits Options to Add More Powerful Succubus and Lead Design: Idalla Incubus Villains to Your Game
About this Book Succubi and incubi are the central subjects of this scribbling of notes. These pages describe where these seductive fiends can be found, how they think, how they might befriend you, or how they might harm you. Chapter 1 delves into the stories and ecology of the succubus and incubus, and provides variant Credits options to add more powerful succubus and Lead Design: Idalla incubus villains to your game. Writing: Idalla Chapter 2 provides a variety of encounters and an Art: Citrus Fro optional dungeon for Dungeon Masters who wish Map: Mason to incorporate the succubus or incubus into their games. Chapter 3 describes new options that supplement the backgrounds, races, and class options in the Player’s Handbook. Sample file 2 VOLO’S LOST NOTEBOOK Contents Chapter 1: Succubi & Incubi - 4 Villainous Plots - 7 Fall-From-Grace - 7 Warlock Patron: The Fiend - 7 Greater Fiends - 8 Wishes From Hell - 8 Roleplaying a Succubus or Incubus - 13 Twisted Lairs - 16 Infernal Entourage - 17 Defeating a Succubus or Incubus - 18 Chapter 2: Lair of the Liar - 19 The Succubus Queen - 19 Discovery Encounters - 20 Released from Imprisonment - 20 The Grand Revel - 20 Dungeon Locations - 22 Capture and Escape - 23 Dungeon Map - 25 Incubus Villain - 26 Chapter 3: Character Options - 27 Cultist - 27 Dark Tourist - 28 Desperate Mortal - 30 Succubi/Incubi Characters - 31 Succubi/Incubi Feats - 32 Appendix: Creatures - 33 Sample file SUCCUBI & INCUBI 3 Chapter 1 Shapeshifting Seducers Succubi & Incubi: By presenting themselves as charming and desirable humanoids, succubi and incubi bewitch Deadly and Deceptive mortals, afflicting them with uncontrollable lust, deadly desires, and terrible temptation. -
Incubus, Succubus and the Elementals
Incubus, Succubus and The Elementals In the world of the paranormal, virtually everyone knows about the reported existence of ghosts and haunted places; we even recognize creatures like Bigfoot, Mothman and the all encompassing UFO. To truly understand what we claim to study, we have to be, more or less, fairly well read in all matters of otherworldly creatures. To that end, we will now discuss three little mentioned phenomenon from ancient lore that seem to have passed out of fancy. The reason for their passing is however the meat of this lesson. Here are the Random House – Webster’s definitions of what we are addressing: in·cu·bus (inÆkyà bÃs, ingÆ-), n., pl. -bi (-b#Å), -bus·es. 1. an demon or evil spirit supposed to descend upon sleeping persons, esp. one fabled to have sexual intercourse with women during their sleep. Cf. succubus (def. 1). 2. a nightmare. 3. something that weighs upon or oppresses one like a nightmare. suc·cu·bus (sukÆyà bÃs), n., pl. -bi (-b#Å). 1. a demon or evil spirit in female form, said to have sexual intercourse with men in their sleep. Cf. incubus (def. 1). 2. any demon or evil spirit. 3. a strumpet or prostitute. el·e·men·tal (elÅà menÆtl), adj. 1. of the nature of an ultimate constituent; simple; uncompounded. 2. pertaining to rudiments or first principles. 3. starkly simple, primitive, or basic 4. pertaining to the agencies, forces, or phenomena of physical nature: elemental gods. 5. comparable to the great forces of nature, as in power or magnitude: elemental grandeur. -
The Malleus Maleficarum
The Malleus Maleficarum file:///C|/!!witch/home.html [2002-01-20 12:41:37 PM] The Malleus Maleficarum THE MALLEUS MALEFICARUM of Heinrich Kramer and James Sprenger Unabridged online republication of the 1928 edition. Introduction to the 1948 edition is also included. Translation, notes, and two introductions by Montague Summers. A Bull of Innocent VIII. ● The Malleus Maleficarum The Malleus Maleficarum (The Witch Hammer), first ● Search the Malleus published in 1486, is arguably one of the most infamous books ever written, due primarily to its position and regard ● Introduction to Online Edition during the Middle Ages. It served as a guidebook for Inquisitors during the Inquisition, and was designed to aid ● Introduction to 1948 Edition them in the identification, prosecution, and dispatching of ● Introduction to 1928 Edition Witches. It set forth, as well, many of the modern ● A Note Upon the Bibliography misconceptions and fears concerning witches and the influence of witchcraft. The questions, definitions, and ● The Bull of Innocent VIII accusations it set forth in regard to witches, which were ● Letter of Approbation reinforced by its use during the Inquisition, came to be widely regarded as irrefutable truth. Those beliefs are held downloads even today by a majority of Christians in regard to ● Adobe PDF Version practitioners of the modern “revived” religion of ● eBook Version Witchcraft, or Wicca. And while the Malleus itself is ● MS Word Version largely unknown in modern times, its effects have proved long lasting. ● Write Us At the time of the writing of The Malleus Maleficarum, there were many voices within the Christian community (scholars and theologians) who doubted the existence of witches and largely regarded such belief as mere superstition. -
I “EATING DEATH”: HUNGER, POWER, and the FEMALE
“EATING DEATH”: HUNGER, POWER, AND THE FEMALE VAMPIRE OF THE FIN DE SIÈCLE by KERRY L BOYLES A thesis submitted to the Graduate School-Camden Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in English written under the direction of Dr. Ellen Malenas Ledoux and approved by ______________________________ Dr. Ellen Malenas Ledoux ______________________________ Dr. Shanyn Fiske ______________________________ Dr. Carol Singley Camden, New Jersey May 2014 i THESIS ABSTRACT: “EATING DEATH”: HUNGER, POWER, AND THE FEMALE VAMPIRE OF THE FIN DE SIÈCLE by KERRY L BOYLES THESIS DIRECTOR: Dr. Ellen Malenas Ledoux This thesis examines the overarching narrative of sinful female appetite that conflates eating with immorality, sexuality, and perversity. I begin by tracing nineteenth- century depictions of Eve, Lilith and Lamia as antecedents of the female vampires of the fin de siècle. I use these mythic women as an entrée into Victorian cultural associations with food and eating and analyze the ways that female vampires in Sheridan Le Fanu’s Carmilla (1872), George MacDonald’s Lilith (1895), and Bram Stoker’s Dracula (1897) evoke nineteenth-century anxieties about food, fat, and female appetite. Female vampires reflect moral uneasiness over gustatory indulgence and their unrestrained appetites represent a plethora of perverse desires. The vampires of Carmilla, Lilith, and Dracula seem to embody divided femininity, changing from the “angel” to the “whore.” However, they personify (at all times) all of the complexities and contradictions of femininity. These women are “desiring-machines,” and variously embody singular qualities that are just part of their complex, ever-shifting subjectivities. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Supernatural“ - Eine medienanthropologische Untersuchung der TV-Serie und ihrer Fan Fiktion Verfasserin Barbara Ingeborg Ratzenhofer angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2012 Studienkennzahl lt. A 307 Studienblatt: Studienrichtung lt. Diplomstudium Kultur- und Sozialanthropologie Studienblatt: Betreuerin / Betreuer: Univ.- Prof. Doz. Dr. Elke Mader 2 Danksagung … Univ.- Prof. Doz. Dr. Elke Mader … Familie … Freunde Danke für die fachliche, finanzielle und moralische Unterstützung, die diese Arbeit ermöglicht haben. 3 4 Inhaltverzeichnis I. „Trailer“ – Einleitung …………………………………………………………………. 7 II. „Was bisher geschah” – Forschungsstand ……………………………….……. 12 II. I. TV und Fan Fiktion generell ……………………………………………...... 12 II. II. Supernatural ………………………………………………………………... 17 II. II. I. „In the Hunt“ ………………………………………………..…….. 17 II. II. II. TWC ………………………………………………………………. 22 II. II. III. „The Mythology of Supernatural” ……………………..………. 29 II. II. IV. „TV Goes to Hell“ ………………………………………………. 30 II. II. V. Onlineaktivitäten …………………………………….…………... 34 III. „Hinter den Kulissen“ – Methodologie und Methode ………………….…….. 36 III. I. Methodologie ……………………………………………………………….. 36 III. I. I. Kulturwissenschaftliche Ansätze ……………………….………. 36 III. I. II. Strukturalistische und narratologische Ansätze ………….….. 38 III. II. Methode ……………………………………………………………………. 40 III. II. I. „close reading“ und „wide reading“ ………………….………… 40 III. II. II. Narration ………………………………………………………… 41 IV. Analyse von „Canon“ und -
The Other Eve: How Reading Lilith Reveals the Maternal Gothic
Skidmore College Creative Matter English Honors Theses English 5-13-2020 The Other Eve: How Reading Lilith Reveals the Maternal Gothic Emma Berkowitz Skidmore College, [email protected] Follow this and additional works at: https://creativematter.skidmore.edu/eng_stu_schol Part of the Literature in English, British Isles Commons Recommended Citation Berkowitz, Emma, "The Other Eve: How Reading Lilith Reveals the Maternal Gothic" (2020). English Honors Theses. 45. https://creativematter.skidmore.edu/eng_stu_schol/45 This Thesis is brought to you for free and open access by the English at Creative Matter. It has been accepted for inclusion in English Honors Theses by an authorized administrator of Creative Matter. For more information, please contact [email protected]. The Other Eve: How Reading Lilith Reveals the Maternal Gothic Emma Berkowitz EN 375 001 04/28/20 Contents Forword ......................................................................................................................................................... 1 Part One: The Lineage of Lilith .................................................................................................................... 2 Part Two: Reading Lilith ............................................................................................................................ 10 Unearthly Love and Dual Spirits in Wuthering Heights .................................................................... 10 The Anti-Mother and Demonic Fertility in Dracula ......................................................................... -
“Let's Go Gank Ourselves a Paris Hilton”: a Textual Analysis
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SHAREOK repository “Let’s Go Gank Ourselves a Paris Hilton”: A Textual Analysis of the Dialogue of Supernatural (the First 10 Years) Liorah Golomb It may seem counterintuitive to examine an audiovisual medium through its dialogue alone, but some linguists have been doing just that. Using a freeware concordance toolkit and other computer programs, I analyzed the dialogue of the first 10 seasons of the American television program Supernatural (2005-present) through several facets in an attempt to demonstrate originality, variety, and how language contributes to character individuation.1 Using fan-made transcripts, I created three main corpora for the study: the SPN Corpus, which includes all dialogue from the first 218 episodes, and the DEAN and SAM Corpora, comprised of all of the dialogue of each of the two main characters. The SUBTLEXUS corpus of American film and television dialogue was used as a reference corpus. A sampling of Supernatural episodes was also compared to that of other contemporary genre shows. Background: Why Supernatural “Supernatural has everything. Life. Death. Resurrection. Redemption. But above all, family.” (Calliope, Supernatural episode 10.05, “Fan Fiction”) To give the barest of summaries, Supernatural is an American television show about two brothers, Dean and Sam Winchester (played by Jensen Ackles and Jared Padalecki, respectively), who were raised as hunters of supernatural beings. Created by Eric Kripke, Supernatural has 1 Generally, episodes referenced in this paper are identified only by season and episode number within the season, so 5.22 refers to the twenty-second episode of the fifth season.