With papers by Martin Albrecht-Hohmaier, Mainz Conference of the Anna Laura Bellina, Padua Alessandro Bertinetto, Turin DFG/NCN-project Thomas Betzwieser, Frankfurt a.M. Daniel Brandenburg, Salzburg Music as Michele Calella, Vienna PASTICCIO Frédéric Döhl, Berlin Tina Hartmann, Bayreuth Bernhard Jahn, Hamburg Ways of Arranging Kordula Knaus, Bayreuth Reference Hans Körner, Düsseldorf Attractive Operas Maik Köster, Mainz Metoda Kokole, Ljubljana Ursula Kramer, Mainz Annette Landgraf, Halle Within the current fi eld of studies on the mobilities of in Mobility Alina Mądry, Poznan Early Modern musicians, the operatic pasticcio (i.e. Aneta Markuszewska, Warsaw a most popular genre consisting of the arrangement of Gesa zur Nieden, Mainz pre-existing musical material for opera performances) Berthold Over, Mainz has emerged as a paradigmatic musical genre of European Elisabeth Oy-Marra, Mainz musical life during the 18th century. Its structure and Emilia Pelliccia, Vienna/Cremona Contexts: aesthetics were not only based on the European-wide Daniela Philippi, Frankfurt distribution and knowledge of musical material, but Klaus Pietschmann, Mainz also on developing concepts of artistic talent, compositional Angela Romagnoli, Pavia/Cremona program models, and musical ownership. All those concepts Anna Ryszka-Kormanicka, Warsaw were shaped not only by travelling musicians and by the Elisabeth Scholl, Mainz transregional reception of operatic productions, but Christine Siegert, Bonn by political-symbolic intentions and economics. Jana Spáčilová, Olomouc PASTICCIO aims to investigate the under-researched Katarzyna Spurgjasz, Warsaw operatic pasticcio. For that, it analyses the material Carolin Stahrenberg, Berlin basis, the compositional and performative creation, as Gianluca Stefani, Florence well as the musical reception of pasticcios within a Julia Stenzel, Mainz European-wide network of metropolises and courts. On Mariam Tarkian, Mainz the one hand, tracing such modes of musical transfer Joachim Veit, Detmold/Paderborn and distribution will elucidate the circumstances for the Benjamin Wihstutz, Mainz creation and production of pasticcios. On the other Andrea Zedler, Bayreuth hand, an analysis of the musical and literary authorship Alina Żórawska-Witkowska, Warsaw and its political, social and cultural functions encom- Operatic passed by the models of pasticcio fragments and by the pasticcios themselves will give insight into both the central aesthetic and cultural developments of the 18th century and the mobilities of its musicians. The online edition of three pasticcios will enrich musical text with Pasticcios cultural-historical data. Taking place at the beginning of the project, the conference is dedicated to ensuring a survey of actual interdisci- plinary pasticcio research, including the presentation of different research approaches as well as the discussion in 18th of DH and editorial problems.

Organised by Johannes Gutenberg Century Gesa zur Nieden and Berthold Over University Mainz Philosophicum Contact & Registration Hörsaal Musikwissenschaft IKM – Institut für Kunstgeschichte und Musikwissenschaft Abteilung Musikwissenschaft Central Johannes Gutenberg-Universität Jakob-Welder-Weg 18 55128 Mainz +49/(0)6131/39-22259 [email protected] Europe [email protected] 18 – Round Table: Esthetics of the pastiche program 19 Tina Hartmann (Bayreuth), Kordula Knaus (Univer- sity of Bayreuth), Elisabeth Oy-Marra (University of Mainz), Carolin Stahrenberg (Universität der Küns- 5th october te, Berlin), Benjamin Wihstutz (University of Mainz) 3. Traveling musicians – traveling music? Chair: Ursula Kramer 9 – Traveling Opera Troupes and Opera buffa Outside of 4th october 9.30 Italy (1745–1765) (Kordula Knaus/Andrea Zedler, University of Bayreuth) 9 – Introduction (Aneta Markuszewska, University of Warsaw/ 9.30 Gesa zur Nieden, University of Mainz) 9.30 – Debts and Destiny: New Findings on Antonio Maria 10 Peruzzi and His Opera Touring Business 1. Pasticcio principles in different arts (Berthold Over, University of Mainz) Chair: Michele Calella 10 – Italian “operisti”, Repertoire and “aria da baule”: Insights 9.30 – Keynote: The World of Pasticcio – Some Reflecti- 10.30 of the Pirker Correspondence 10.30 ons on Pre-existing Text and Music (Daniel Brandenburg, University of Salzburg) (Thomas Betzwieser, University of Frankfurt a.M.) 10.30 – coffee break 10.30 – coffee break 11 11 11 – The Ways of a Voice: the Tenor Francesco Borosini 11 – Antoine Watteau’s Pasticci 11.30 Between the Habsburg Court and the Royal Academy 11.30 (Hans Körner, Universtiy of Düsseldorf) (Emilia Pelliccia, University of Vienna) 11.30 – Pastiche and Parody in 18th Century German Theatre 11.30 – Artaserse (Rome, 1721), the First Pasticcio by Nicola 12 (Bernhard Jahn, University of Hamburg) 12 Porpora (Aneta Markuszewska, University of Warsaw) 6th october 12 – Collating Spaces. On the Use and Reuse of Antiquish 4. Local conditions of pasticcio 5. Pasticcio between philology 12.30 Sceneries in 18th Century Theatre Performances production and reception and materiality (Julia Stenzel, University of Mainz) Chair: Aneta Markuszewska Chair: Daniel Brandenburg 12.30 – lunch 12 – Arrangement, Collaboration, “Dressing”: the Different 9 – Keynote: A Readymade Ontology for the Musical 14.30 2. The pasticcio between sociability, 12.30 Recipes for a “pasticcio alla napoletana” in the First Half 10 Work (Alessandro Bertinetto, Universtiy of Turin) cultural transfer and musical ownership of the 18th Century (Angela Romagnoli, University of Pavia/Cremona) 10 – Between Venice, Naples and London: the Pasticcio Chair: Kordula Knaus 10.30 Vincislao, re di Polonia (1717) 14.30 – Pastiche and Its Others: Adaptation, Transformative Use 12.30 – Production of Opera Pasticcios in Venice in the Early (Anna Ryszka-Kormanicka, University of Warsaw) 15 and Copyright Law since 1800 13 18th Century: the Impresario’s Role (Gianluca Stefani, University of Florence) 10.30 – The Musical and Physical Mobility of Material in Handel (Frédéric Döhl, Free University Berlin) 11 Sources (Annette Landgraf, University of Halle-Witten- 13 – 15 – Composing, Collaborating and Borrowing: Georg lunch berg, Redaktion der Hallischen Händel-Ausgabe) 14.30 15.30 Christoph Wagenseil and the Viennese pasticci of 1750 14.30 – Bad Habits in Theatre – Late Forms of Operatic Pasticcios 11 – coffee break (Michele Calella, University of Vienna) 15 in Vienna Around 1800 11.30 (Klaus Pietschmann, University of Mainz) 15.30 – Presentation of Dance as Motivation for Pasticcio 11.30 – Pasticcios in Darmstadt? On Christoph Graupner’s 16 Practices: Cythère assiégée by Gluck and Berton (1775) 15 – Between dwarfs and giants. Aesthetics of the Pasticcio 12 Handling of Italian Libretti (Ursula Kramer, University of (Daniela Philippi, University of Frankfurt) 15.30 between London and Hamburg Mainz) (Gesa zur Nieden, University of Mainz) 16 – coffee break The Graz 1739 Pasticcio Amor, Odio e Pentimento: a 16.30 12 – 15.30 – Il desiderio appagato del re, ovvero La buona figliola di Special Case or Mingotti’s Common Practice? (Metoda 16.30 – The Use of Extracts of Mozart’s Operas in Polish Sacred 12.30 16 Carlo Goldoni con musica di Niccoló Piccinni ed Il Kokole, Research Centre of the Slovenian Academy of 17 Music (Alina Mądry, University of Poznan/Posen) mercato di Malmantile con musica di Domenico Fischiet- Sciences and Arts Ljubljana) ti, rappresentate a Varsavia nel 1765 17 – Pasticcio da chiesa, or How to Transform Some Trendy 12.30 – lunch (Alina Żórawska-Witkowska, University of Warsaw) 17.30 Opera Arias into an Oratorio (The Case of Breslau/Sa- 14 gan Contrafacted Oratorio from the Mid 18th Century) Chair: Christine Siegert (Katarzyna Spurgjasz, Warsaw) 16 – Local Conditions of Pasticcio Production and Reception: 16.30 Between Prague, Brno/Brünn and Wrocław/Breslau 14 – L’albero dei pasticci. Soluzioni manuali e soluzioni 17.30 – Temporal Heterogeneities in the Pasticcio Until the Early (Jana Spáčilová, University of Olomouc/Olmütz) 14.30 informatiche (Anna Laura Bellina, University of Padua) 18 19th Century (Christine Siegert, Beethoven-Haus Bonn) 16.30 – coffee break 14.30 – Digital Music Editions Beyond Musical Text (Joachim 19 – Lecture Concert „Metastasio‘s Didone abbandonata 17 15 Veit, University of Detmold/Paderborn) 17 – Poster presentation 20 - Vinci and Handel“ Cultural-historical Data Collected and Organised in a Mainz School of Music, Black Box - Elisabeth 17.30 15 – Loss or Enrichment – Musical Ways Through Several Digital Edition 15.30 Sources (Martin Albrecht-Hohmaier, University of Mainz) Scholl (S) with Silke Volk (vl), Judith Freise (vl), (Maik Köster, Mariam Tarkiam, student assistants Mainz) Iddo Zhang (vla), Markus Möllenbeck (vlc), Thomas Borrowed Voices. Ownership of Arias in 18th Century 16 – Internal workshop of the project group Dittmann (cb), Markus Stein (cemb) London (Maik Köster, student assistant Mainz) 19