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Les Vidéofiches Séquences Document generated on 10/01/2021 11:09 p.m. Séquences La revue de cinéma Les vidéofiches Séquences Cannes 50 ans Number 189-190, 1997 URI: https://id.erudit.org/iderudit/49331ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review (1997). Review of [Les vidéofiches Séquences]. Séquences, (189-190), 95–98. Tous droits réservés © La revue Séquences Inc., 1997 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ LES VIDÉOFICHES SEQUENCES LES VIDEOFICHES SEQUENCES .E JAGUAR DONNIE BRASCO r. 1996, 100 min. - Réal.: Francis Veber - USA 1997,121 min. - Réal.: Mike Newell - icén.: Laurence Lemaire - Int: Jean Reno, Scén.: Paul Attanasio, d'après le livre de 'atrick Bruel, Patricia Velasquez, Harrison Joseph D. Pistone et Richard Woodley - owe, Danny Trejo - Dist.: CFP. Int.: Al Pacino, Johnny Depp, Michael e sujet: Dans un chic hôtel parisien, Madsen, Bruno Kirby, James Russo - Dist: Columbia. rançois Perrin, joueur invétéré, fait a connaissance de l'ethnologue Le sujet: Joe Pistone, agent du F.B.I., .ampana et de l'Indien Wanu. Suite enquête dans le milieu de la pègre i un concours de circonstances aussi en se faisant passer pour Donnie (izarres que réglées, le jeune flam- Brasco, un petit truand sans expé­ >eur va se retrouver avec l'expert rience. À mesure qu'il s'intègre dans cientifique en pleine brousse ama- cet univers interlope, il devient l'ap­ :onienne. Des aventures rocambo- prenti de Lefty Ruggiero qui essaie esques les attendent. de lui enseigner les rudiments du métier. Mais Donnie s'éprend d'ami­ tié pour son nouveau maître et s'aperçoit qu'il a du mal à faire la différence entre devoir et loyauté. t-' JOYEUX CALVAIRE Créatures féroces - USA 1996, 93 minutes Can. (Que.) 1996, 90 min. - Réal.: Denys - Réal.: Robert Young, Fred Schepisi - Arcand - Scén.: Claire Richard - Int.: icén.: John Cleese, lain Johnstone - Int: Benoît Brière, Gaston Lepage, Lome Brass, lohn Cleese, Jamie Lee Curtis, Kevin Kline, Chantai Baril, Roger Blay - Dist: Funfilm. Michael Palin, Ronnie Corbett, Carey Lowell, Voir critique No 188, p. 48. tobert Lindsay - Dist.: Universal. Le sujet: Marcel promène sa vie er­ Dans son entreprise de conquête du rante à Montréal depuis dix ans. nonde, un milliardaire achète un Débrouillard, il connaît tous les re­ jetit zoo. La volonté d'en tirer profit coins de la détresse en cavale. Plutôt a tout prix opposera le directeur, ses enjoué, il sait se contenter de peu ;mployés, une jolie futée d'adminis- grâce à un optimisme têtu. Il se pré­ ratrice et le fils fat du milliardaire. sente à Joseph, un petit nouveau dans ce drôle de métier, comme l'ange gardien qui le guidera dans les dédales de sa nouvelle vie. Le film suit l'évolution d'une certaine amitié entre les deux lascars. JSA 1996, 116 min. - Réal.: Robert M. Le Sommet de Dante - USA 1996, 112 foung - Scén.: Edward Pomerants, d'après min. - Réal.: Roger Donaldson - Scén.: ion roman «Into It» - Int: Edward James Leslie Bohem - Int: Pierce Brosnan, Linda Dlmos, Maria Conchita Alonso, Arie Hamilton, Jamie Renée Smith, Jeremy Foley /erveen, Bitty Schram, Steven Schub - - Dist: Universal. Dist: Malofilm. Le sujet: Volcanologue de métier, Le sujet: Menant jusqu'ici une exis­ Harry Dalton est chargé d'évaluer la tence précaire et angoissée, Nick est teneur des secousses sismiques qui recueilli par le couple que forment ébranlent la petite ville de Dante's loe et Betty, propriétaires d'une Peak. Lorsqu'il conclut qu'une irrup­ poissonnerie au New Jersey. Embau­ tion majeure est sur le point d'écla­ ché sur le champ malgré les hésita­ ter, les autorités locales font fi de ses tions de Joe, le jeune homme ne observations. Au grand dam de la tarde pas à devenir l'amant de sa population puisque la catastrophe se patronne. Mais lorsque Danny, le fils révèle plus menaçante que prévue. Je famille, revient d'un long séjour passé en Californie, la vérité éclate, provoquant ainsi le drame. DONNIE BRASCO LE JAGUAF Les derniers longs métrages du réalisateur: Soursweet (1988), Enchanted Les derniers longs métrages du réalisateur: Le Jouet (1976), La Chèvre April (1992), Into the West (1993), An Awfully Big Adventure (1995), Four (1981), Les Compères (1983), Les Fugitifs (1986), The Three Fugitives Weddings and a Funeral (1994). (1988), Out on a Limb (1991). Séquences: Il y a un parti pris chez Mike Newell qui est essentiellement Séquences: Il est clair qu'en perpétuant le mythe du héros, Francis Vebei d'éviter au mieux le film purement d'action. Si Donnie Brasco contient quel­ situe les protagonistes dans un contexte actuel. Ce ne sont plus les travaui ques scènes policières et de poursuites, celles-ci ne font que s'infiltrer dans guerriers qui importent, mais les luttes pour la conservation de l'environne un récit foncièrement psychologique. À juste titre puisque depuis le fascinant ment. En opposant deux individus, le réalisateur vante les mérites de cause: Dance With A Stranger, Newell s'est intéressé à présenter des individus telles que le sacrifice, le droit à la différence et l'importance de la nature. De prisonniers du milieu dans lequel ils évoluent et souvent victimes d'un sys­ sentiments ou des prises de position certes nobles, mais qui se noient sou: tème s'appuyant uniquement sur des valeurs intrinsèques. C'est le cas, par des dehors de fantaisie qui n'ont pour but que de séduire douillettement le: exemple, de Lefty, sous-fifre dévoué à une cause qu'il croit noble, être pa­ spectateurs. Dans un rôle de contre-emploi, Jean Reno se débrouille tan thétique et démesuré, toujours authentique, parfois même à la limite de la bien que mal, rendant son cabotinage presque attendrissant. Pour sa part naïveté. Mais avant tout, Donnie Brasco est un film de comédiens. D'une Patrick Bruel tente par tous les moyens de percer son image de séducteur part, Johnny Depp puissant et vigoureux dans le rôle d'un personnage bi­ On soulignera les images oniriques de Luciano Tavoli, mais une partitior naire; de l'autre Al Pacino, parfaitement à l'aise dans une partition taillée sur musicale malheureusement sirupeuse, signée Vladimir Cosma. (EC) mesure (EC) 4- JOYEUX CALVAIRE FIERCE CREATURE? Les derniers longs métrages du réalisateur: Le Crime d'Ovide Plouffe Les derniers films des réalisateurs: Robert Young: CBH (1992), Splitting (1984), Le Déclin de l'empire américain (1986), Jésus de Montréal (1989), Heirs (1993) - Fred Schepisi: Plenty (1985), Roxanne (1987), A Cry in the Montréal vu par... (1991), Love and Human Remains (1993). Dark (1988), The Russia House (1990), Mr.Baseball (1992), Six Degrees ol Séquences: Nous avons affaire ici à une fiction où le pittoresque de certains Separation (1993). personnages côtoie une ironie à la Denys Arcand. Il s'agit bien d'une comé­ Séquences: L'homme est un loup pour l'homme, c'est ce que dit le proverbe die dramatique et non d'une tragédie sur fond de déprime mortifère. Le film et que prouve de façon satirique cette comédie due à John Cleese des Mont) se déroule à la manière d'un voyage avec rétrospective commandée par les Python et à son coscénariste de la série télé Faulty Towers. Utilisant le; souvenirs de Marcel, le tout se déployant à l'intérieur d'une journée bien techniques du vaudeville, de la comédie non-sensique, les auteurs proposen remplie. Denys Arcand suit de près ses deux personnages principaux en un film sur le malentendu, la perception (les animaux doivent être perçu; tenant toujours compte de la géographie de leur errance et de la faune de comme dangereux pour attirer les foules). L'ensemble connaît pourtant de leur territoire. Joyeux Calvaire affiche une certaine saveur documentaire: il nombreux ratés aggravé par l'utilisation abusive de blagues sexuelles et est question de vêtements mal ajustés, de souliers trop petits ou trop grands scatologiques d'un goût douteux. L'ensemble n'atteint donc pas la qualité di et du harcèlement perpétuel de la police. En fait, c'est toute la vie qui semble film précédent du groupe, A Fish Called Wanda (1988). (LC) mal ajustée à ces décrocheurs qui s'attachent malgré tout à une vie d'étran­ ger dans leur propre pays. Toutes ces informations invitent à sympathiser avec ce monde marginalisé. Mission accomplie. (JB) DANTE'S PEAK CAUGH' Les derniers longs métrages du réalisateur: No Way Out (1987), Cocktail Les derniers longs métrages du réalisateur: Extremities (1986), Dominicl (1988), Cadillac Man (1990), White Sands (1992), The Getaway (1994), and Eugene (1988), Triumph of the Spirit (1989), Talent for the Garni Species (1995). (1991), Roosters (1995). Séquences: Fidèle à un genre cinématographique inépuisable, le cinéaste Séquences: Genre casse-gueule, le mélodrame exhale ici son côté le plu accumule intentionnellement les invraisemblances, notamment en ce qui a séduisant. Non pas à cause des scènes erotiques, toutes d'une sensualiti trait aux dommages physiques et matériels que subissent les personnages troublante, mais bien au contraire grâce à une mise en scène qui avantagi principaux. Mais le véritable premier rôle est donné au volcan, source de les personnages, des être de chair et de sang avec une insatiable soif de vivre mille et une émotions.
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