Autumn Bargain Catalogue 2015
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Hope Simpson Janko
AYIOS STEPHANOS IN SOUTHERN LACONIA AND THE LOCATIONS OF ANCIENT HELOS by RICHARD HOPE SIMPSON and RICHARD JANKO estiò Pulov@ pro # Puloio,@ Pulov@ ge men@ estiè kai # allov.ò ‘There is a Pylos before Pylos, and another Pylos besides’ (verse from the epic cycle cited by Strabo viii. 3. 7, cf. Aristophanes Eq. 1059) This article1 originated when R.H.S. drew some of his published and unpub- lished observations on Laconian topography to the attention of R.J., who had just brought out the final report on the excavations at Ayios Stephanos. Consideration of these observations and of other recent scholarship has led us to reconsider the significance of Ayios Stephanos in the Late Bronze Age, the location(s) of ancient Helos, and the network of premodern roads in the region. The photographs were taken by R.H.S. in 1956 during his extensive survey of southern Laconia, on behalf of the British School, when he first discovered the site of Ayios Stephanos2. The maps, compiled by the authors, have been drawn by Jennifer Grek Martin. I. AYIOS STEPHANOS AND ITS HISTORY Ayios Stephanos lies in South Laconia on the western edge of the modern Helos Plain (Fig. 1). The excavations that were undertaken there in 1959–77 by the late Lord William Taylour, under the auspices of the British School, have revealed a coastal settlement with a long history, which can be reconstructed in detail from a stratigraphic sequence that is, for the Bronze Age, almost complete. Although the site now lies some 2 km north of the sea (Fig. -
In Ancient Egypt
THE ROLE OF THE CHANTRESS ($MW IN ANCIENT EGYPT SUZANNE LYNN ONSTINE A thesis submined in confonnity with the requirements for the degm of Ph.D. Graduate Department of Near and Middle Eastern Civiliations University of Toronto %) Copyright by Suzanne Lynn Onstine (200 1) . ~bsPdhorbasgmadr~ exclusive liceacc aiiowhg the ' Nationai hiof hada to reproduce, loan, distnia sdl copies of this thesis in miaof#m, pspa or elccmnic f-. L'atm criucrve la propri&C du droit d'autear qui protcge cette thtse. Ni la thèse Y des extraits substrrntiets deceMne&iveatetreimprimCs ouraitnmcrtrepoduitssanssoai aut&ntiom The Role of the Chmaes (fm~in Ancient Emt A doctorai dissertacion by Suzanne Lynn On*, submitted to the Department of Near and Middle Eastern Civilizations, University of Toronto, 200 1. The specitic nanire of the tiUe Wytor "cimûes", which occurrPd fcom the Middle Kingdom onwatd is imsiigated thrwgh the use of a dalabase cataloging 861 woinen whheld the title. Sorting the &ta based on a variety of delails has yielded pattern regatding their cbnological and demographical distribution. The changes in rhe social status and numbers of wbmen wbo bore the Weindicale that the Egyptians perceivecl the role and ams of the titk âiffefcntiy thugh tirne. Infomiation an the tities of ihe chantressw' family memkrs bas ailowed the author to make iderences cawming llse social status of the mmen who heu the title "chanms". MiMid Kingdom tifle-holders wverc of modest backgrounds and were quite rare. Eighteenth DMasty women were of the highest ranking families. The number of wamen who held the titk was also comparatively smaii, Nimeenth Dynasty women came [rom more modesi backgrounds and were more nwnennis. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
La Voix Humaine: a Technology Time Warp
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 La Voix humaine: A Technology Time Warp Whitney Myers University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.332 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Myers, Whitney, "La Voix humaine: A Technology Time Warp" (2016). Theses and Dissertations--Music. 70. https://uknowledge.uky.edu/music_etds/70 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
Pleistocene Palaeoart of Africa
Arts 2013, 2, 6-34; doi:10.3390/arts2010006 OPEN ACCESS arts ISSN 2076-0752 www.mdpi.com/journal/arts Review Pleistocene Palaeoart of Africa Robert G. Bednarik International Federation of Rock Art Organizations (IFRAO), P.O. Box 216, Caulfield South, VIC 3162, Australia; E-Mail: [email protected]; Tel.: +61-3-95230549; Fax: +61-3-95230549 Received: 22 December 2012; in revised form: 22 January 2013 / Accepted: 23 January 2013 / Published: 8 February 2013 Abstract: This comprehensive review of all currently known Pleistocene rock art of Africa shows that the majority of sites are located in the continent’s south, but that the petroglyphs at some of them are of exceptionally great antiquity. Much the same applies to portable palaeoart of Africa. The current record is clearly one of paucity of evidence, in contrast to some other continents. Nevertheless, an initial synthesis is attempted, and some preliminary comparisons with the other continents are attempted. Certain parallels with the existing record of southern Asia are defined. Keywords: rock art; portable palaeoart; Pleistocene; figurine; bead; engraving; Africa 1. Introduction Although palaeoart of the Pleistocene occurs in at least five continents (Bednarik 1992a, 2003a) [38,49], most people tend to think of Europe first when the topic is mentioned. This is rather odd, considering that this form of evidence is significantly more common elsewhere, and very probably even older there. For instance there are far less than 10,000 motifs in the much-studied corpus of European rock art of the Ice Age, which are outnumbered by the number of publications about them. -
From Bronze Age Cups to Sou- Venirs from Hadrian's Wall to Coins Hidden
The 10 greatest discoveries Finds such as the Chew Valley Hoard, a collection of rare Conquest-era coins, have helped change our perception of Britain’s past Unburied treasures From Bronze Age cups to sou- ed, the PAS – run by the British venirs from Hadrian’s Wall to coins Museum and Amgueddfa Cymru- hidden at the height of the Viking National Museum Wales – has wars, the British public has dis- recorded more than 1.5 million covered hundreds of thousands finds. To mark that milestone, we of archaeological finds, many of asked six PAS archaeologists to which have been recorded with the nominate 10 discoveries that they Portable Antiquities Scheme. believe have done most to transform Now, 23 years after it was found- our knowledge of the past… COMPILED BY MICHAEL LEWIS PRESS ASSOCIATION IMAGES → 61 The 10 greatest discoveries The Chalgrove (II) Hoard consisted of a jar containing 1 A taste of the Bronze Age realms of speculation! 4,957 Roman coins, What we are more confident of including one bearing the The Ringlemere Cup gives us the rarest of glimpses is that the cup was deposited portrait of an emperor of life in Britain more than three millennia ago (perhaps ritually) within a barrow almost lost to history in a prehistoric complex that dates back to c2300 BC, but with activity We know very little about the originally 11cm high with corrugat- on the site going back even further people who occupied the ed sides. I say ‘originally’ because, in time. We also know that the south-east corner of the British when Bradshaw discovered the Ringlemere Cup is one of six Isles 3,500 years ago. -
THE CEREMONIAL CANOPIED CHARIOT of TUTANKHAMUN (JE61990 and JE60705): a TENTATIVE VIRTUAL RECONSTRUCTION*
1 THE CEREMONIAL CANOPIED CHARIOT OF TUTANKHAMUN (JE61990 and JE60705): A TENTATIVE VIRTUAL RECONSTRUCTION* BY NOZOMU KAWAI, YASUSHI OKADA, TAKESHI OISHI, MASATAKA KAGESAWA, AKIKO NISHISAKA, AND HUSSEIN KAMAL† The Japan International Cooperation Agency (JICA) and the Ministry of Tourism and Antiquities, Arab Republic of Egypt, have been conducting the Grand Egyptian Museum Joint Conservation Project (GEM-JC) since November 2016, after having completed two phases of cooperation to improve conservation techniques at the Grand Egyptian Museum Conservation Center (GEM-CC). The GEM- CC conservation specialists will have their skills enhanced through this experience and GEM-CC's capacity and efficiency as an important conservation centre will also be improved. It is expected that GEM-CC staff will ultimately complete all conservation activities and treatments. Among the 72 target objects for the GEM-JC Project, designated to be transferred from the Egyptian Museum in Tahrir Square to the Grand Egyptian Museum in Giza and jointly conserved by Egyptian and Japanese conservators, five chariots were selected. In particular, the ‘second state chariot’ (GEM 4940; JE61990; Carter no. 122; A1 of Littauer and Crouwel1) (fig.1) was chosen as the lead object, with Japanese and Egyptian experts working jointly on all aspects of the treatment, including remedial conservation, as a model for the conservation of the other chariots. In the course of the project, we confirmed that this particular chariot originally had a canopy (GEM 4539; JE60705; Carter no. 123) (fig. 2) attached to the chariot body, as first proposed by Edwin Brock in 2012.2 However, it is impossible to join these two artifacts together because of their fragile condition, and it has been decided to display them separately. -
Chapter 10. Ancient Mediterranean Polychrome Stones
EMU Notes in Mineralogy, Vol. 20 (2019), Chapter 10, 367–392 Ancient Mediterranean polychrome stones LORENZO LAZZARINI Laboratorio di Analisi dei Materiali Antichi - Sistema dei laboratori Universita` IUAV di Venezia, San Polo 2468 À I-30125 Venezia, Italy e-mail: [email protected] The Romans, like the Egyptians and much more than the Greeks, used polychrome stones for decorative purposes in architectural elements, floor and wall facings and statuary. Throughout their Mediterranean provinces they systematically searched for and exploited a very large number of beautiful lithotypes, many of which they distributed to all corners of their empire. The most important of these stones were often re-used later in medieval-to-modern times; some of them are still offered on the market. They include granitoid rocks (granites, granodiorites/tonalities, gabbros, quartz-monzonites), a few lavas, many metamorphites (impure marbles, metabreccias and metandesites) and several sedimentary rocks (limestones, lumachellas, conglomerates, calcareous alabasters/travertines). The 40 most important and widespread of these lithotypes are considered here as regards their origin, the history of their use and their minero- petrographic characteristics, which can contribute to better knowledge of single species, to determination of the original quarries and to archaeometric solutions of several provenance problems. 1. Introduction Anyone travelling along the coasts of the Mediterranean Sea or in the interior of many countries belonging in antiquity to the Roman Empire -
Heritage Sites and Register Sites
Heritage Sites and Register Sites This list of sites is purely a guideline, and should not be used to inform planning, heritage management, development or decision-making. The list of sites is currently under verification and will contain errors. SAHRA can not take responsibility for actions taken or not taken based on information presented on or omitted from this list. Please do not reproduce this list in any way, as it is a work in progress. Queries about the list must be submitted to the Manager of the National Inventory at [email protected]. -
Additional Human Remains from Blombos Cave, South Africa
Frederick E. Grine Additional human remains from Blombos Departments of Anthropology Cave, South Africa: (1999–2000 & Anatomical Sciences, State excavations) University of New York, Stony Brook, New York 11794, U.S.A. E-mail: The uppermost Middle Stone Age (MSA) layers at Blombos Cave [email protected] contain high densities of Still Bay bifacial points. Information from other regional sites places the Still Bay prior to the Howiesons Poort industry, which has been dated at 65–70 ka. The Blombos Cave MSA Christopher S. strata have yielded nine human teeth or dental fragments. Four that Henshilwood were recovered during the 1997–1998 excavations have been pub- Department of Anthropology, lished elsewhere. The remaining five were discovered during the State University of New York, 1999–2000 field seasons; these are described here. Three of the new Stony Brook, New York specimens are deciduous teeth, and two are permanent premolar and 11794, U.S.A. and Iziko molar crown fragments. The entire dental sample probably represents Museums of Cape Town, at least five and as many as seven individuals. The deciduous teeth South African Museum, from the upper MSA levels are likely to have been exfoliated in the PO Box 61, Cape Town, cave. One deciduous tooth and the permanent tooth fragments 8000 South Africa. E-mail: from the lower MSA levels probably represent three individuals who [email protected] died in or near the cave. The Blombos Cave premolars preserve horizontal circum-cervical striae suggestive of palliative tooth pick Received 12 June 2001 use. Approximately half of the permanent and deciduous crown Revision received diameters exceed those of recent Africans; for the remainder, the 15 October 2001 and fossil values fall among modern African sample means. -
Journal of Egyptian Archaeology
Journal of Egyptian Archaeology Past and present members of the staff of the Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings, especially R. L. B. Moss and E. W. Burney, have taken part in the analysis of this periodical and the preparation of this list at the Griffith Institute, University of Oxford This pdf version (situation on 14 July 2010): Jaromir Malek (Editor), Diana Magee, Elizabeth Fleming and Alison Hobby (Assistants to the Editor) Naville in JEA I (1914), pl. I cf. 5-8 Abydos. Osireion. vi.29 View. Naville in JEA I (1914), pl. ii [1] Abydos. Osireion. Sloping Passage. vi.30(17)-(18) Osiris and benu-bird from frieze. see Peet in JEA i (1914), 37-39 Abydos. Necropolis. v.61 Account of Cemetery D. see Peet in JEA i (1914), 39 Abydos. Necropolis. Ibis Cemetery. v.77 Description. see Loat in JEA i (1914), 40 and pl. iv Abydos. Necropolis. Ibis Cemetery. v.77 Description and view. Blackman in JEA i (1914), pl. v [1] opp. 42 Meir. Tomb of Pepiankh-h. ir-ib. iv.254 View. Blackman in JEA i (1914), pl. v [2] opp. 42 Meir. Tomb of Pepiankh-h. ir-ib. iv.255(16) Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings Griffith Institute, Sackler Library, 1 St John Street, Oxford OX1 2LG, United Kingdom [email protected] 2 Group with calf from 2nd register. Petrie in JEA i (1914), pl. vi cf. 44 El-Riqqa. Finds. iv.87 Part of jewellery, temp. -
The Use of Ochre and Painting During the Upper Paleolithic of the Swabian Jura in the Context of the Development of Ochre Use in Africa and Europe
Open Archaeology 2018; 4: 185–205 Original Study Sibylle Wolf*, Rimtautas Dapschauskas, Elizabeth Velliky, Harald Floss, Andrew W. Kandel, Nicholas J. Conard The Use of Ochre and Painting During the Upper Paleolithic of the Swabian Jura in the Context of the Development of Ochre Use in Africa and Europe https://doi.org/10.1515/opar-2018-0012 Received June 8, 2017; accepted December 13, 2017 Abstract: While the earliest evidence for ochre use is very sparse, the habitual use of ochre by hominins appeared about 140,000 years ago and accompanied them ever since. Here, we present an overview of archaeological sites in southwestern Germany, which yielded remains of ochre. We focus on the artifacts belonging exclusively to anatomically modern humans who were the inhabitants of the cave sites in the Swabian Jura during the Upper Paleolithic. The painted limestones from the Magdalenian layers of Hohle Fels Cave are a particular focus. We present these artifacts in detail and argue that they represent the beginning of a tradition of painting in Central Europe. Keywords: ochre use, Middle Stone Age, Swabian Jura, Upper Paleolithic, Magdalenian painting 1 The Earliest Use of Ochre in the Homo Lineage Modern humans have three types of cone cells in the retina of the eye. These cells are a requirement for trichromatic vision and hence, a requirement for the perception of the color red. The capacity for trichromatic vision dates back about 35 million years, within our shared evolutionary lineage in the Catarrhini subdivision of the higher primates (Jacobs, 2013, 2015). Trichromatic vision may have evolved as a result of the benefits for recognizing ripe yellow, orange, and red fruits in front of a background of green foliage (Regan et al., Article note: This article is a part of Topical Issue on From Line to Colour: Social Context and Visual Communication of Prehistoric Art edited by Liliana Janik and Simon Kaner.