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Unitel and ClassiCa present BRYN TERFEL BAD BOYS ass-baritone Bryn terfel is a towering figure in today’s musical world – both physically and artistically. Whether BRYN Bin the opera house or on the recital stage, he blends his powerful, versatile voice with commanding stage presence. since bass-baritones are usually the “bad boys” in opera, the Welsh TERFEL singer has put together a program that portrays a gallery of rogues and villains, the “demonic misfits and malcontents of this BAD wonderful music” (Bryn terfel). the “big international star with the common touch; a peoples’ BOYS person” (the independent) is accompanied in this program – recorded at Cardiff’s st. David’s Hall in his native Wales – by the sinfonia Cymru under Gareth Jones. terfel needs only a few suggestive props – a knife, a whip – to slip into the role of the Conductor Gareth Jones devil, a trickster, a drug dealer, a murderous barber and other evil Orchestra Sinfonia Cymru characters. among them are two Mephistopheles: an arrogant Chorus London Welsh Chorale French one from Gounod’s “Faust” and a sneering italian version Bass-Baritone Bryn Terfel from Boito’s “Mefistofele”. His interpretations of classics such as iago (“Otello”) and scarpia (“tosca”), for which terfel is Video Director Emyr Afan acclaimed on opera stages around the world, are enough to length 69’ make one’s blood run cold. next to the roles that helped establish his international reputation, Shot in HDTV 1080 terfel also gleefully dips into the 20th-century repertoire of bad Cat. no. A025046300000 guys. He delivers a murderously good turn as the knife-wielding A production of AVANTI sweeney todd from the sondheim opera of the same name, a in association with gripping Javert from “les Misérables”, and a proudly swaggering Universal Music Classical Management & Productions sporting life from “Porgy and Bess”. the program also features and brief and witty introductions to the vocal works by terfel himself. UNITEL CLASSICA Design: luebbeke.com WORLD SALES: C Major Entertainment +49-(0)3030306464 All rights reserved · credits not contractual · Different territories [email protected] Photos: © Mat Hennek/DG, UNITEL.

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CHAN 10110 BOOK.Qxd 20/4/07 4:19 Pm Page 2
CHAN 10110 Front.qxd 20/4/07 4:19 pm Page 1 CHAN X10110 CHANDOS CLASSICS CHAN 10110 BOOK.qxd 20/4/07 4:19 pm Page 2 John Ireland (1879–1962) 1 Vexilla Regis (Hymn for Passion Sunday)* 11:54 2 Greater Love Hath No Man† 6:51 3 These Things Shall Be‡ 22:12 Lebrecht Collection Lebrecht 4 A London Overture 13:36 5 The Holy Boy (A Carol of the Nativity) 2:43 6 Epic March 9:13 TT 67:11 Paula Bott soprano*† Teresa Shaw contralto* James Oxley tenor* Bryn Terfel bass-baritone*†‡ Roderick Elms organ* London Symphony Chorus*†‡ John Ireland London Symphony Orchestra Richard Hickox 3 CHAN 10110 BOOK.qxd 20/4/07 4:19 pm Page 4 and Friday before Easter – and what we cannot sketch was ready during April. Ireland Ireland: Orchestral and Choral Works have – the ceremonies on the Saturday before remarked that he felt the words were ‘an Easter as practised by the Roman Church – expression of British national feeling at the something absolutely agelong & from present time’. In fact he had earlier made a John Nicholson Ireland was born near nineteen-year-old Ireland was then still a everlasting – the rekindling of Fire – Lumen quite different setting of these words for Manchester and spent most of his life in student of Stanford’s, and was assistant Christi. The Motherland Song Book published in London, though with interludes in the Channel organist at Holy Trinity Church, Sloane Square, 1919. The composer made a few adjustments Islands and Sussex. His was a life of restricted London.
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Verdi Week on Operavore Program Details
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Myung-Whun Chung
如 • 歌 • 文 • 化 Ruge Artists Management 扫描关注微信订阅号 CONDUCTOR / Myung-Whun Chung PERFORMANCES He was Music Director of the Saarbrücken Radio Symphony Orchestra from 1984 to 1990, Principal Guest Conductor of the TeatroComunale of Florence from 1987 to 1992, Music Director of the Opéra de Paris-Bastille from 1989 to 1994 and Principal Conductor atthe Santa Cecilia Orchestra in Rome from 1997 to 2005. In 1995, Myung-Whun Chung founds the Asia Philharmonic, an orchestra made up of the best musicians from 8 Asian countries. In 2005,he was appointed Music Director of the Seoul Philarmonic Orchestra. He has been Music Director of the Orchestre Philharmonique deRadio France since 2000. Myung-Whun Chung has conducted virtually all the world’s leading orchestras, including the Berlin and Vienna Philharmonic, theConcertgebouw, all the major London and Parisian Orchestras, Filharmonica della Scala, Bayerisch Rundfunk, Dresden Staatskapelle,Boston and Chicago Symphony, the Metropolitan Opera, the New York Philharmonic and the Cleveland and Philadelphia Orchestras. RECORDINGS An exclusive recording artist for Deutsche Grammophon since 1990, many of his numerous recordings have won international prizes and awards. These include Messiaen's TurangalîlaSymphony and Eclairs sur l’Au-Delà, Verdi's Otello, Berlioz'sSymphonie Fantastique, Shostakovich's Lady Macbeth with the Orchestre de l'Opéra Bastille; a series of Dvorák's symphonies and serenades with the Vienna Philharmonic Orchestra and a series dedicated to the great sacred music with the Orchestra dell'Accademia Nazionale di Santa Cecilia, including the award-winning recording of Duruflé’s and Fauré’s Requiems with Cecilia Bartoli and Bryn Terfel. Recent releases include Messiaen’s La transfiguration de Notre Seigneur Jésus-Christ and Des Canyons aux étoiles with the Orchestre Philharmonique de Radio France as well as works by Debussy and Ravel with the Seoul Philharmonic Orchestra.
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20 Singers from 15 Countries Announced for BBC Cardiff Singer of the World 2019 15-22 June 2019
20 singers from 15 countries announced for BBC Cardiff Singer of the World 2019 15-22 June 2019 • 20 of the world’s best young singers to compete in the 36th year of the BBC's premier voice competition • Competitors come from 15 countries, including three from Russia, two each from South Korea, Ukraine and USA, and one each from Argentina, Australia, Brazil, China, England, Guatemala (for the first time), Mexico, Mongolia, Portugal, South Africa and Wales • Extensive broadcast coverage across BBC platforms includes more LIVE TV coverage than ever before • High-level jury includes performers José Cura, Robert Holl, Dame Felicity Lott, Malcolm Martineau, Frederica von Stade alongside leading professionals David Pountney, John Gilhooly and Wasfi Kani • Value of cash prizes increased to £20,000 for the Main Prize and £10,000 for Song Prize, thanks to support from Kiri Te Kanawa Foundation • Song Prize trophy to be renamed the Patron’s Cup in recognition of this support • Audience Prize this year to be dedicated to the memory of much-missed baritone Dmitri Hvorostovsky, winner of BBC Cardiff Singer of the World in 1989, who died in 2017 • New partnership with Wigmore Hall sees all Song Prize finalists offered debut concert recitals in London’s prestigious venue, while Main Prize to be awarded a Queen Elizabeth Hall recital at London’s Southbank Centre Twenty of the world’s most outstanding classical singers are today [4 March 2019] announced for BBC Cardiff Singer of the World 2019. The biennial competition returns to Cardiff between 15-22 June 2019 and audiences in the UK and beyond can follow all the live drama of the competition on BBC TV, radio and online.
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Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca.
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The Blake Collection in Memory of Nancy M
The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma.
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Live TV Coverage Than Ever Before for BBC Cardiff Singer of the World 2019 Extensive Coverage Across BBC TV, Radio and Online 15-22 June 2019
More live TV coverage than ever before for BBC Cardiff Singer of the World 2019 Extensive coverage across BBC TV, radio and online 15-22 June 2019 Backstage at BBC Cardiff Singer of the World © Brian Tarr The BBC brings all the drama and excitement of this year’s BBC Cardiff Singer of the World through extensive broadcasting on TV, radio and online, including more live TV coverage of the prestigious competition than ever before. The biennial competition, which has helped launch the careers of such stars as Jamie Barton, Elīna Garanča, Bryn Terfel and Dmitri Hvorostovsky, returns to Cardiff between 15-22 June 2019. Twenty of the world’s most outstanding young singers representing 15 countries compete for the title of BBC Cardiff Singer of the World and a £20,000 cash prize, and audiences can follow every note on BBC iPlayer and watch and listen on BBC TV and radio. The Main Prize Final on Saturday 22 June - in which the five final contenders are accompanied by the BBC National Orchestra of Wales conducted by Ewa Strusińska and Ariane Matiakh - is broadcast as live from St David’s Hall, Cardiff, by BBC Four, BBC Radio 3 and live on BBC Radio Cymru. The first Main Prize round on Sunday 16 June is broadcast on BBC Four as live at 9pm. For the first time, viewers across the country can follow their progress through every round in tandem with audiences in Cardiff, with most of the Main Prize rounds relayed as live on BBC Two Wales (Monday 17 – Wednesday 19 June).
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Composing for Classical Voice Voice Types/Fach System
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25 Stars Still Rising: Where Are They Now? 10 Years of New Artists of the Month June 2018 on the Cover
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Karl Jenkins Cantata Memoria for the Children Karl Jenkins CANTATA MEMORIA for the Children
Karl Jenkins CANTATA MEMORIA For the Children Karl Jenkins CANTATA MEMORIA For the Children 2 Karl Jenkins (*1944) CANTATA MEMORIA Bryn Terfel bass-baritone (2–7, 9–11) For the Children • Er mwyn y plant Elin Manahan Thomas soprano (1, 2, 4, 6, 7, 9–11) Libretto: Mererid Hopwood Cywair chorus master: Islwyn Evans, CF1 chorus master: Eilir Owen Griffiths 1 Pitran, patran 5:57 and Côr Caerdydd chorus master: Gwawr Owen (1–3, 5–11) 2 Then Silence 4:42 and the young voices of Côr Heol y March chorus master: Eleri Roberts 3 Cortège 8:20 and Côr y Cwm chorus master: Elin Llywelyn-Williams co-director: Gavin Ashcroft 4 Lament for the Valley 4:38 5 Lacrimosa Lullaby 5:02 Catrin Finch harp (1–3, 5–11) David Childs euphonium (3–5, 7, 9–11) 6 Did I hear a bird? 4:18 Joo Yeon Sir violin (4–7, 10) 7 Satin Feathers 4:22 Jody Jenkins percussion 8 And-a-half 5:11 Rosie, Jody & Karl Jenkins recorders (6) 9 And once upon a time 3:42 Sinfonia Cymru leader: Benjamin Baker 10 When the shadow dies 4:05 Composed, conducted, orchestrated and produced by 11 Lux æterna 5:34 Karl Jenkins 3 CANTATA MEMORIA For the children · Er mwyn y plant Cantata Memoria commemorates the Aberfan the journey was made easier and more reward- tragedy of 21 October 1966. It was on this day ing by my travelling companion, Mererid Hop- that 116 children and 28 adults perished when wood, the brilliant Welsh poet, academic and a coal spoil tip enveloped Pantglas Junior linguist who has written a remarkable libretto.
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SIR BRYN TERFEL and HANNAH STONE / WEDNESDAY 3RD OCTOBER – IMELDA MAY Dear Friends, Old and New
IN ASSOCIATION WITH TUESDAY 2ND OCTOBER – SIR BRYN TERFEL AND HANNAH STONE / WEDNESDAY 3RD OCTOBER – IMELDA MAY Dear Friends, old and new IN ASSOCIATION WITH Every autumn we celebrate with our own festival that combines two of my greatest loves; food and music. I wish you the warmest welcome to Belmond Le Manoir aux Quat’Saisons. TUESDAY 2ND OCTOBER – SIR BYRN TERFEL AND HANNAH STONE WEDNESDAY 3RD OCTOBER – IMELDA MAY I am thrilled to welcome back internationally acclaimed Welsh opera singer Sir Bryn Terfel. As one of the world’s most sought after singers, this year he is accompanied by harpist, Hannah THE PROGRAMME Stone to make his long-awaited return to Belmond Le Manoir. Together they will perform a selection of his favourite operatic arias and popular songs. 6:45PM Having released her fifth studio album, Life, Love, Flesh, Blood Expert insurers of your RECEPTION WITH CHAMPAGNE LAURENT-PERRIER AND CANAPÉS AT BELMOND LE MANOIR AUX QUAT’SAISONS worldwide last year and following her UK tour, we are delighted most valued possessions. to welcome, for the first time, the remarkable singer-songwriter 7:30PM Imelda May for the second evening of our festival. TORCH LIT WALK TO ST. MARY’S CHURCH FOR THE EVENING’S MUSICAL PERFORMANCE For such a prestigious occasion, you will be welcomed with 8:00PM Champagne Laurent-Perrier and the most delicate canapes. PERFORMANCE COMMENCES My brigade and I have created menus to savour, matched with delightful wines. I am also delighted to introduce you to this year’s 9:15PM festival sponsors, Chubb Insurance.
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Fauré’S Craft Understandably 6
CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. 36 1 291.0mm x 169.5mm CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. 1. Ici-bas! Op. 8 No. 3 (ID)............................................................[1.36] 2. Au bord de l’eau, Op. 8 No. 1 (AM).................................. [2.48] 3. Chant d’automne, Op. 5 No. 1 (IB).................................... [3.37] 4. Vocalise 13 (LA)..............................................................................[1.10] 5. Tristesse d’Olympio (JC).........................................................[4.19] In sixty years of songwriting, between 1861 and 1921, Fauré’s craft understandably 6. Automne, Op. 18 No. 3 (IB).....................................................[2.36] developed in richness and subtlety. But many elements remained unchanged: among them, 7. Clair de lune, Op. 46 No. 2 (AM).........................................[3.15] a distaste for pretentious pianism (‘Oh pianists, pianists, pianists, when will you consent to 8. Spleen, Op. 51 No. 3 (AM)........................................................[2.11] hold back your implacable virtuosity !!!!’ he wrote, to a pianist, in 1919) and a loving care 9. Les roses d’Ispahan, Op. 39 No. 4 (JK)..............................[3.15] for prosody – not infrequently he ‘improved’ on the poet for musical reasons. Above all, he 10. La rose (Ode anacreontique), Op. 51 No. 4 (TO)........... [2.33] remained his own man. Henri Duparc was a close friend, but his songs, dubbed by Fauré’s 11. Le parfum impérissable, Op. 76 No. 1 (LA).................. [2.36] pupil Ravel ‘imperfect but works of genius’, had only a passing impact on Fauré’s own.
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