'Marchoi'ldie' a Return To-Ro.Manticera Basic Books
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
FLM201 Film Genre: Understanding Types of Film (Study Guide)
Course Development Team Head of Programme : Khoo Sim Eng Course Developer(s) : Khoo Sim Eng Technical Writer : Maybel Heng, ETP © 2021 Singapore University of Social Sciences. All rights reserved. No part of this material may be reproduced in any form or by any means without permission in writing from the Educational Technology & Production, Singapore University of Social Sciences. ISBN 978-981-47-6093-5 Educational Technology & Production Singapore University of Social Sciences 463 Clementi Road Singapore 599494 How to cite this Study Guide (MLA): Khoo, Sim Eng. FLM201 Film Genre: Understanding Types of Film (Study Guide). Singapore University of Social Sciences, 2021. Release V1.8 Build S1.0.5, T1.5.21 Table of Contents Table of Contents Course Guide 1. Welcome.................................................................................................................. CG-2 2. Course Description and Aims............................................................................ CG-3 3. Learning Outcomes.............................................................................................. CG-6 4. Learning Material................................................................................................. CG-7 5. Assessment Overview.......................................................................................... CG-8 6. Course Schedule.................................................................................................. CG-10 7. Learning Mode................................................................................................... -
November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 Minutes)
November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 minutes) Tootsie won the 1983 Academy Award for Best Actress in a Supporting Role, Jessica Lange Directed by Sydney Pollack Written by Larry Gelbart, Murray Schisgal, Don McGuire, Larry Gelbart, Barry Levinson, Robert Garland, and Elaine May Produced by Sydney Pollack, Dick Richards, and Ronald L. Schwary Music by Dave Grusin Cinematography by Owen Roizman Film Editing by Fredric Steinkamp and William Steinkamp Dustin Hoffman ... Michael Dorsey / Dorothy Michaels Jessica Lange ... Julie Teri Garr ... Sandy Dabney Coleman ... Ron Charles Durning ... Les Bill Murray ... Jeff Sydney Pollack ... George Fields Geena Davis ... April Gene Shalit ... Himself Andy Warhol ... Himself “Breaking Point” (TV Series), 1962-1963 “Ben Casey” (TV Series, 12 episodes), 1962-1963 “The Alfred Hitchcock Hour” Sydney Pollack (director, producer, George Fields) (b. (TV Series), 1963 “Wagon Train” (TV Series), 1963 “The Sydney Irwin Pollack, July 1, 1934 in Lafayette, Indiana—d. Defenders” (TV Series), and 1961 “Shotgun Slade” (TV Series). May 26, 2008 (age 73) in Pacific Palisades, Los Angeles, He also has 48 producer or executive producer, and he appeared California) won 2 1986Academy Awards for Out of Africa as an actor in 40 films and TV episodes, among them 2008 Made (1985), one for Best Picture and one for Best Director. He of Honor, 2007 Michael Clayton, 2007 “Entourage” (TV Series), directed 37 films and television shows, which are 2005 2007 “The Sopranos” (TV Series), 2005 The Interpreter, -
Download Farewell, My Lovely Free Ebook
FAREWELL, MY LOVELY DOWNLOAD FREE BOOK Raymond Chandler | 175 pages | 01 Nov 2005 | Random House USA Inc | 9780394758275 | English | New York, United States Farewell, My Lovely They make a date to meet again at the club of a local hoodlum, Laird Brunette, near the spot where Marriott was killed. Full Cast and Crew. Claire Trevor is as My Lovely as the predatory femme, with Anne Shirley in sharp contrast as My Lovely soft My Lovely caught in the crossfire. Georgie as Jimmie Archer. But not this time, because it borrows from Chandler's own first-person narrative. You look stupid, you're in a stupid business, and you're on a stupid case. Jessie Florian. I played her on the right side because she had two great big blackheads on her left ear, and I was Farewell they'd spring out and lodge on my lip. My Lovely reprised the role of Philip Marlowe Farewell years later in The Big Sleepalthough that remake was My Lovely in the present day and in Farewell, rather than shot as a period piece Farewell the detective's Farewell setting of Los Angeles. Dean Stanton as Billy Rolfe. Raymond Chandler Speaking. My Lovely Murder, My Sweet Koerner assembled a creative staff who were ready to make the move up from My Lovelyspecifically producer Adrian Scott and director Edward Dmytryk ; for Scott, the film was his first as producer. Practically all Farewell the supporting roles are Farewell well played, particularly by Mike Mazurki, the Farewell wrestler, as the brutish Moose Malloy; Otto Kruger as Jules Amthor, quack-psychologist and insidious blackmailer; Anne Shirley as an My Lovely among the wolf pack, and Don Douglas as My Lovely police lieutenant. -
14. Broken Time, Continued Evolution
AB Pamphlet 14 April 2017 Literary Lab Broken Time, Continued Evolution: Anachronies in Contemporary Films Maria Kanatova Alexandra Milyakina Tatyana Pilipovec Artjom Shelya Oleg Sobchuk Peeter Tinits Pamphlets of the Stanford Literary Lab ISSN 2164-1757 (online version) Maria Kanatova Alexandra Milyakina Tatyana Pilipovec Artjom Shelya Oleg Sobchuk Peeter Tinits Broken Time, Continued Evolution: Anachronies in Contemporary Films1 In 1983, Brian Henderson published an article that examined various types of narrative structure in film, including flashbacks and flashforwards. After analyzing a whole spectrum of techniques capable of effecting a transition between past and present – blurs, fades, dis- solves, and so on – he concluded: “Our discussions indicate that cinema has not (yet) devel- oped the complexity of tense structures found in literary works”.2 His “yet” (in parentheses) was an instance of laudable caution, as very soon – in some ten–fifteen years – the situation would change drastically, and temporal twists would become a trademark of a new genre that has not (yet) acquired a standardized name: “modular narratives”, “puzzle films”, and “complex films” are among the labels used.3 Here is an example: Christopher Nolan’s Me- mento (2000) contains 85 anachronies (i.e. flashbacks or flashforwards) – something that would have been hard to imagine in 1983.4 Memento is probably an extreme case – the most puzzlingly complex of all complex films – but the tendency towards using more anachronies has become widespread, although in less extreme forms. From romantic comedies (500 1 This research was started in Tartu (Estonia) by a small group of graduate students interested in digital humanities and cultural evolution. -
Raymond Chandler and His Ambiguous Relationships to Women: a Search for Hidden Meanings Within His Crime Novels
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Lyuba Pervushina provided by Jagiellonian Univeristy Repository Minsk State Linguistics University Richard R. E. Kania Jacksonville State University of Alabama Raymond Chandler and His Ambiguous Relationships to Women: A Search for Hidden Meanings within His Crime Novels Raymond Chandler (1888-1959) is recognized today as one of the greats of American crime fiction. In the “hard-boiled” pattern of Dashiell Hammett, he is often described as a realistic writer of the American scene in the 1940s. And a dark vision it is, filled with betrayal and dishonesty, wherein even the protagonist is not a hero. A Chandler detective may have more integrity than the other characters in the story, but not that much more. His clients have hidden agendas and devious motives, especially the women. None are pure, some even are diabolical and evil. Chandler began writing crime fiction in his mid-forties, but had been writ ing poetry and essays since his college days in England (MacShane 1976: 23). He modeled his first crime stories on those of Dashiell Hammett, whose writing he admired, and sought to have them published in Black Mask, a very suc cessful “pulp” magazine where Hammett also published some of his fiction (MacShane 1976: 48-49). His first published short story was “Blackmailers Don’t Shoot,” which he later described as “pure pastiche” (MacShane 1976: 51). In 1939, after five years of writing short stories for various pulps, he produced his first novel, The Big Sleep (MacShane 1976: 61; Freeman 2007: 174-175,177). -
Gay News Photographic Archive
Gay News Photographic Archive (GNPA) ©Bishopsgate Institute Catalogued by Nicky Hilton September 2015 1 Table of Contents Page Collection Overview 3 GNPA/1 Cinemas 5 GNPA/2 Theatres 80 GNPA/3 Personalities and Events 90 GNPA/4 Miscellaneous 111 2 GNPA Gay News Photographic Archive (c.1972-1983) Name of Creator: Gay News Limited Extent: 37 folders Administrative/Biographical History: Gay News was a fortnightly newspaper in the United Kingdom founded in June 1972 in a collaboration between former members of the Gay Liberation Front and members of the Campaign for Homosexual Equality (CHE). At the newspaper's height, circulation was approximatly 18,000 copies. The original editorial collective included Denis Lemon (editor), Martin Corbett - who later was an active member of ACT UP, David Seligman, a founder member of the London Gay Switchboard collective, Ian Dunn of the Scottish Minorities Group, Glenys Parry (national chair of CHE), Suki J. Pitcher, and Doug Pollard, who later went on to launch the weekly gay newspaper, Gay Week (affectionately known as Gweek). Amongst Gay News' early "Special Friends" were Graham Chapman of Monty Python's Flying Circus, his partner David Sherlock, and Antony Grey, secretary of the UK Homosexual Law Reform Society from 1962 to 1970. Gay News was the response to a nationwide demand by lesbians and gay men for news of the burgeoning liberation movement. The paper played a pivotal role in the struggle for gay rights in the 1970s in the UK. It was described by Alison Hennegan (who joined the newspaper as Assistant Features Editor and Literary Editor in June 1977) as the movement's "debating chamber". -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Sue Grafton's R Is for Ricochet
REVIEW: SUE GRAFTON’S R IS FOR RICOCHET Ricochet’s Hard-Boiled Bounce Natalie B. Cole R Is for Ricochet, Sue Grafton’s latest alphabetically titled crime novel, borrows its initial plot impetus from Raymond Chan dler’s The Big Sleep. Resonant with California wealth, deca dence, and indulgent, aging fathers trying to rescue wayward daughters, Grafton’s novel features everywoman Kinsey Mil- hone, who tells us, “my office is small, and as a rule, I’m ig nored by the wealthy, who seem to prefer doing business through their attorneys in New York, Chicago, or Los Ange les.”1 But not this time. Grafton’s private eye is hired by Nord Lafferty, a wealthy, elderly man, whose whispering voice, ex tensive surgical scars, and oxygen tank imply the urgency of his request. Grafton’s private investigator Kinsey Milhone steps out of the shadows of the hard-boiled detective tradition of the 1920s and 30s, the Sam Spades and Philip Marlowes who live not only in the pages of Dashiell Hammett and Raymond Chan dler, but also in the celluloid images of Humphrey Bogart, Robert Mitchum, and Dick Powell.2 These are, metaphorically speaking, big pants to fill, especially in a literary tradition so exclusively figured as masculine. Philip Marlowe calls a minor player in The Big Sleep “a small man in a big man’s world,”3 and both Chandler and Hammett made it clear that being hard boiled was a masculine prerogative in their eras. But Grafton has imbued the androgynously named Kinsey Milhone with a toughness all her own, and relocated the menace of Chandler 64 and Hammett’s “mean streets”—the alleys, piers, and rain- slicked streets of Los Angeles and San Francisco—to the con temporary California Kinsey inhabits, the “small Southern California town of Santa Teresa.”4 Kinsey’s assignment in R Is for Ricochet is to pick up Lafferty’s daughter Reba from prison, and “supervise” her for a few days to make sure she meets with her parole officer, and avoids gambling, drinking, and other highly enjoyable bad habits from her past. -
Farewell, My Lovely
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 22nd February 2021 FREESAT 306 | VIRGIN 445 Farewell, My Lovely on Talking Pictures TV Stars: Robert Mitchum, Charlotte Rampling, Sylvia Miles, John Ireland, Anthony Zerbe, Harry Dean Stanton and Sylvester Stallone. Directed by Dick Richards in 1975. An ex-con hires private eye Phillip Marlowe to find his missing girlfriend. Marlowe is knocked during a routine ransom exchange for a necklace and is framed for murder. He eventually finds evidence that connects the two cases. Based on the Raymond Chandler novel. Airs: Sunday 28th February 10:05pm Monday 22nd February 7:40am Tuesday 23rd February 2:15pm Noose (1948) The Spanish Gardener (1956) Crime. Director: Edmond T. Gréville. Drama. Director: Philip Leacock. Stars: Derek Farr, Carole Landis and Stars: Dirk Bogarde, Jon Whiteley, Stanley Holloway. A black-market Michael Hordern and Cyril Cusack. racketeer is amassing a fortune but A diplomat stationed in Spain, jealous reporter Linda Medbury is on to him. of the friendship between his son and the gardener, frames him for a crime. Monday 22nd February 2:30pm Doctor at Sea (1955) Tuesday 23rd February 6:35pm Comedy. Director: Ralph Thomas. The Four Feathers (1939) Stars: Dirk Bogarde, Brigitte Bardot and Adventure. Director: Zoltan Korda. James Robertson Justice. A young man Stars: Ralph Richardson, signs up to be a ship’s doctor to bring John Clements and C. Aubrey Smith. some excitement into his life. A British officer seeks to redeem his cowardice ‘feathers’. Monday 22nd February 4:30pm 21 Days (1940) Wednesday 24th February 6:30am Drama. -
Raymond Chandler and His Ambiguous Relationships to Women: a Search for Hidden Meanings Within His Crime Novels
Lyuba Pervushina Minsk State Linguistics University Richard R. E. Kania Jacksonville State University o f Alabama Raymond Chandler and His Ambiguous Relationships to Women: A Search for Hidden Meanings within His Crime Novels Raymond Chandler (1888-1959) is recognized today as one of the greats of American crime fiction. In the “hard-boiled” pattern of Dashiell Hammett, he is often described as a realistic writer of the American scene in the 1940s. And a dark vision it is, filled with betrayal and dishonesty, wherein even the protagonist is not a hero. A Chandler detective may have more integrity than the other characters in the story, but not that much more. His clients have hidden agendas and devious motives, especially the women. None are pure, some even are diabolical and evil. Chandler began writing crime fiction in his mid-forties, but had been writ ing poetry and essays since his college days in England (MacShane 1976: 23). He modeled his first crime stories on those of Dashiell Hammett, whose writing he admired, and sought to have them published in Black Mask, a very suc cessful “pulp” magazine where Hammett also published some of his fiction (MacShane 1976: 48-49). His first published short story was “Blackmailers Don’t Shoot, ” which he later described as “pure pastiche” (MacShane 1976: 51). In 1939, after five years of writing short stories for various pulps, he produced his first novel, The Big Sleep (MacShane 1976: 61 ¡Freeman 2007: 174-175, 177). Six more novels followed {Farewell, My Lovely, 1940; TheHigh Window, 1942; The Lady in the Lake, 1943; The Little Sister, 1949; The Long Goodbye, 1954; Playback, 1958), and in his lifetime three collections of his short stories also were compiled (The Simple Art o f Murder, 1950; Trouble Is My Business, 1950; Pick-up on Noon Street, 1953). -
PDF Download the Big Sleep: and Farewell My Lovely
THE BIG SLEEP: AND FAREWELL MY LOVELY PDF, EPUB, EBOOK Raymond Chandler | 544 pages | 01 Feb 1998 | Random House USA Inc | 9780679601401 | English | New York, United States The Big Sleep: AND Farewell My Lovely PDF Book I should mention that there are slurs and slights everywhere, on almost every minority you can think of. He's out of place wherever he goes, but everyone on some level either needs him or needs him dead. Details if other :. If you know him, and are interested in reading his classic cases, this book and its companion volume are the best possible options, since they are sturdier than the Library of America volumes, and you should associate a certain degree of elegant rusticity with Chandler's works, shouldn't you? Goodreads helps you keep track of books you want to read. Two marvelous yarns. Aug 11, Marjorie rated it it was amazing. Or did he like both? Parker who went to school on Chandler , it's the writing that makes these a joy. It's that everything in these novels becomes laden with a seedy under-belly that no amount of scrubbing can clean. Chandler's novels, like other famous trend-setters, escape the mold and compete with actual literature. Some of Chandler's novels are considered to be important literary works, and three are often considered to be masterpieces: Farewell, My Lovely , The Little Sister , and The Long Goodbye Raymond Thornton Chandler was an American novelist and screenwriter. Jul 23, Simon Alford rated it really liked it. That's what sticks with me. -
Arizona Filmography
7/20/2004 Arizona Filmography Arizona Film Office 2003 Feature Mona Lisa Smile Columbia Tri-Star / Revolution Films Director Mike Newell Arizona Locations: Parker (Hwy 60 & 72 near Vicksburg) Producer Starring: Julia Roberts, Dirsten Dunst, Julia Stiles Exec. Telefeature Hard Ground LLP (Larry Levinson Productions) Director Frank Dobbs Arizona Locations: Lake Havasu City Producer Starring: Burt Reynolds, Bruce Dern Producer Randy Pope, Lincoln Lageson Exec. Larry Levinson 2002 Feature Charlie's Angels II Columbia Pictures Director Arizona Locations: Page (Glen Canyon Dam, Glen Canyon Bridge) Producer Exec. Confessions Of A Dangerous Mind Mad Chase Productions Studio: Miramax Director George Clooney Arizona Locations: Tucson, Nogales Arizona, Nogales Sonora Mexico Producer Sudzin Starring: George Clooney, Drew Barrymore, Sam Rockwell, Julia Roberts, Brad Pitt Producer Andre Lazar, Steven Reuther, Jeffrey Exec. George Clooney, Stephen Evans (I), Angus Finney Destiny Destiny Productions Studio: Independent Director Katherine Makinney Arizona Locations: Phoenix, Flagstaff Producer Tom Tangen, Mitch Teemley Starring: Jerri Manthey, Stephanie Feury, Todd Cahoon, Tom Tangen, Nancy Stafford Producer Dominic Cianciolo, Michael C. Edwards, Exec. 1 Saguaro Ranch Summer Westpark Productions Director Joey Travolta Arizona Locations: Prescott (Courthouse, Hwy.), Phoenix (Saguaro Lake Guest Ranch) Producer Exec. The Brothel Mt. Parnassus Pictures/Emerging Pictures Studio: Independent Director Amy Waddell Arizona Locations: Jerome, Sedona, Cottonwood Producer Starring: Serena Scott-Thomas, Grace Zabriskie, Whip Hubley, Bruce Payne Producer Amy Waddell, Wade Danielson Exec. The Incredible Hulk Universal Pictures Director Arizona Locations: Page (Lake Powell) Producer Exec. The Reckoning VIG Global Capital, Inc. Director Dustin Rikert Arizona Locations: Tucson (Old Tucson) Producer Starring: Gary Busey Producer Renee Roland Exec.