Ruling Through Religion? Innovation and Tradition in Roman Imperial Representation
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Kings on Coins: the Appearance of Numa on Augustan Coinage
Kings on Coins: The Appearance of Numa on Augustan Coinage AIMEE TURNER1 iconography, which he began to develop and experiment with in the triumviral period, and continued to utilise into his principate.6 Many In 22 BCE, an as was minted bearing the of the images he employed focus on religious image of Augustus Caesar on the obverse and iconography which promoted Augustus as a 7 Numa Pompilius on the reverse. Discussion of restorer of Roman tradition. In 22 BCE, an this coin in the context of Augustan ideology as was produced that featured the image of has been limited.2 Although one aspect of the Augustus on the obverse and Numa Pompilius, coin’s message relates to the promotion of the second king of Rome, on the reverse. the moneyer’s family, a closer analysis of its Numa was the quasi-legendary second king 8 iconographical and historical context provides of Rome, following Romulus. He is credited important evidence for the early public image with establishing the major religious practices 9 of Augustus, particularly in regard to religion. of the city as well as its first peaceful period. To that end, this paper intends to establish the As one of the earliest coins of the principate, traditional use of kings in Republican coins it offers important evidence for the early and the development of religious iconography public image of Augustus and the direction he in early Augustan coinage. By ascertaining intended to take at that time. His propaganda this framework, the full significance of the as was fluid, changing to meet the demands of the of 22 BCE becomes clearer. -
A Journey in Pictures Through Roman Religion
A Journey in Pictures through Roman Religion By Ursula Kampmann, © MoneyMuseum What is god? As far as the Romans are concerned we think we know that all too well from our unloved Latin lessons: Jupiter, Juno, Minerva, the Roman Triad as well as the usual gods of the ancient world, the same as the Greek gods in name and effect. In fact, however, the roots of Roman religion lie much earlier, much deeper, in dark, prehistoric times ... 1 von 20 www.sunflower.ch How is god experienced? – In the way nature works A bust of the goddess Flora (= flowering), behind it blossom. A denarius of the Roman mint master C. Clodius Vestalis, 41 BC Roman religion emerged from the magical world of the simple farmer, who was speechless when faced with the miracles of nature. Who gave the seemingly withered trees new blossom after the winter? Which power made the grain of corn in the earth grow up to produce new grain every year? Which god prevented the black rust and ensured that the weather was fine just in time for the harvest? Who guaranteed safe storage? And which power was responsible for making it possible to divide up the corn so that it sufficed until the following year? Each individual procedure in a farmer's life was broken down into many small constituent parts whose success was influenced by a divine power. This divine power had to be invoked by a magic ritual in order to grant its help for the action. Thus as late as the imperial period, i.e. -
Tuccia and Her Sieve: the Nachleben of the Vestal in Art
KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË Tuccia and her sieve: The Nachleben of the Vestal in art. Sarah Eycken Presented in fulfilment of the requirements for the degree of Master of Arts in Art History Supervisor: prof. dr. Barbara Baert Lector: Katlijne Van der Stighelen Academic year 2017-2018 371.201 characters (without spaces) KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË I hereby declare that, in line with the Faculty of Arts’ code of conduct for research integrity, the work submitted here is my own original work and that any additional sources of information have been duly cited. I! Abstract This master dissertation on the Nachleben in art of the Vestal Tuccia and her sieve, tries to chart the motif’s course throughout the history of art, using a transhistorical approach excluding an exhaustive study which lies outside the confines of this paper. Nevertheless, different iconographical types of the representations of Tuccia, as well as of their relative importance, were established. The role of Tuccia in art history and, by ex- tension, literature, is not very substantial, but nonetheless significant. An interdisciplinary perspective is adopted with an emphasis on gender, literature, anthropology and religion. In the Warburgian spirit, the art forms discussed in this dissertation are various, from high art to low art: paintings, prints, emblemata, cas- soni, spalliere, etc. The research starts with a discussion on the role of the Vestal Virgins in the Roman Re- public. The tale of the Vestal Virgin Tuccia and her paradoxically impermeable sieve, which was a symbol of her chastity, has spoken to the imagination of artists throughout the ages. -
Pontifex Maximus
bs_bs_banner Journal of Religious History Vol. ••, No. ••, •• 2016 doi: 10.1111/1467-9809.12400 ROALD DIJKSTRA AND DORINE VAN ESPELO Anchoring Pontifical Authority: A Reconsideration of the Papal Employment of the Title Pontifex Maximus It is a common assumption that the title of supreme priesthood or pontifex maximus is included in the official papal titulature, and it has been supposed that the Roman bishop adopted it from the Roman emperor in late antiquity. In fact, however, it was probably not until the fifteenth century that the designation was first used by the papacy, and it has continued to be part of papal representation ever since. The title was deeply rooted in the Roman imperial past. At several stages in papal history the papal agency felt the need to draw back (again) on this ancient, traditional title and managed to successfully (re-)introduce the title by anchoring it in the cultural biogra- phy of the papacy. Introduction Since Antiquity, the interplay between the Roman bishops and secular rulers has been subject to continuous transformation and renegotiation, as both groups continually reverted to established traditions in order to sustain legiti- macy and pre-eminence.1 At the same time, however, modes of representation had to be innovative in order to appeal to contemporary tastes, needs, and ex- pectations. Anchoring these novelties in tradition was a convenient means of implementing, and reinforcing, the desired effect, and tracing these processes of embedding the new in the familiar offers us the possibility of understanding cultural, political, and religious transformation. An outstanding example of this kind of “anchoring innovation” is that of Roman episcopal titulature, as can be 1. -
The Vestal Virgins' Socio-Political Role and the Narrative of Roma
Krakowskie Studia z Historii Państwa i Prawa 2021; 14 (2), s. 127–151 doi:10.4467/20844131KS.21.011.13519 www.ejournals.eu/Krakowskie-Studia-z-Historii-Panstwa-i-Prawa Zeszyt 2 Karolina WyrWińsKa http:/orcid.org/0000-0001-8937-6271 Jagiellonian University in Kraków The Vestal Virgins’ Socio-political Role and the Narrative of Roma Aeterna Abstract Roman women – priestesses, patrician women, mysterious guardians of the sacred flame of goddess Vesta, admired and respected, sometimes blamed for misfortune of the Eternal City. Vestals identified with the eternity of Rome, the priestesses having a specific, unavailable to other women power. That power gained at the moment of a ritual capture (captio) and responsibilities and privileges resulted from it are the subject matter of this paper. The special attention is paid to the importance of Vestals for Rome and Romans in various historic moments, and to the purifying rituals performed by Vestals on behalf of the Roman state’s fortune. The study presents probable dating and possible causes of the end of the College of the Vestals in Rome. Keywords: Vesta, vestals, priesthood, priestesses, rituals Słowa kluczowe: Westa, westalki, kapłaństwo, kapłanki, rytuały Vesta and her priestesses Plutarch was not certain to which of the Roman kings attribute the implementation of the cult of Vesta in Rome, for he indicated that it had been done either by the legendary king- priest Numa Pompilius or even Romulus, who himself being a son of a Vestal Virgin, according to the legend, transferred the cult of the goddess from Alba Longa,1 which was contradicted by Livy’s work that categorically attributes the establishment of the Vestal Virgins to Numa by removing the priesthood structure from Alba Longa and providing it with support from the state treasury as well as by granting the priestesses numerous privileges”.2 Vesta, the daughter of Saturn and Ops became one of the most important 1 Plut. -
A Christian's Pocket Guide to the Papacy.Indd
1 WE HAVE A POPE! HABEMUS PAPAM! THE PAPAL OFFICE THROUGH HIS TITLES AND SYMBOLS ‘Gaudium Magnum: Habemus Papam!’ Th ese famous words introduce a new Pope to the world. Th ey are spoken to the throng that gathers in St. Peter’s Square to celebrate the occasion. Th e Pope is one of the last examples of absolute sovereignty in the modern world and embodies one of history’s oldest institutions. Th e executive, legislative, and juridical powers are all concentrated in the Papal offi ce. Until the Pope dies or resigns, he remains the Pope with all his titles and privileges. Th e only restriction on A CChristian'shristian's PPocketocket GGuideuide ttoo tthehe PPapacy.inddapacy.indd 1 22/9/2015/9/2015 33:55:42:55:42 PPMM 2 | A CHRISTIAN’S POCKET GUIDE TO THE PAPACY his power is that he cannot choose his own successor. In other words, the papacy is not dynastic. Th is task belongs to the College of electing Cardinals, that is, cardinals under eighty years old. Th ey gather to elect a new Pope in the ‘Conclave’ (from the Latin cum clave, i.e. locked up with a key), located in the Sistine Chapel. If the Pope cannot choose his own successor he can, nonetheless, choose those who elect. A good starting point for investigating the signifi cance of the Papacy is the 1994 Catechism of the Catholic Church. It is the most recent and comprehensive account of the Roman Catholic faith. Referring to the offi ce of the Pope, the Catechism notes in paragraph 882 that ‘the Roman Pontiff , by reason of his offi ce as Vicar of Christ, and as pastor of the entire Church has full, supreme, and universal power over the whole Church, a power which he can always exercise unhindered.’3 Th is brief sentence contains an apt summary of what the history and offi ce of the papacy are all about. -
An Examination of the Fasti Praenestini Julia C
The Roman Calendar as an Expression of Augustan Culture: An Examination of the Fasti Praenestini Julia C. Hernández Around the year 6 AD, the Roman grammarian Marcus Verrius Flaccus erected a calendar in the forum of his hometown of Praeneste. The fragments which remain of his work are unique among extant examples of Roman fasti, or calendars. They are remarkable not only because of their indication that Verrius Flaccus’ Fasti Praenestini was considerably larger in physical size than the average Roman fasti, but also because of the richly detailed entries for various days on the calendar, which are substantially longer and more informative than those found on any extant calendar inscriptions. The frequent mentions of Augutus in the entries of the Fasti Praenestini, in addition to Verrius Flaccus’ personal relationship with Augustus as related by Suetonius (Suet. Gram. 17), have led some scholars, most notably Andrew Wallace-Hadrill, to interpret the creation of the Fasti Praenestini as an act of propaganda supporting the new Augustan regime.1 However, this limited interpretation fails to take into account the implications of this calendar’s unique form and content. A careful examination of the Fasti Praenestini reveals that its unusual character reflects the creative experimentation of Marcus Verrius Flaccus, the individual who created it, and the broad interests of the Roman public, by whom it was to be viewed. The uniquness of the Fasti Praenestini among inscribed calendars is matched by Ovid’s literary expression of the calendar composed in elegiac couplets. This unprecedented literary approach to the calendar has garnered much more attention from scholars over the years than has the Fasti Praenestini. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
The Choir Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 The hoirC Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI Maureen Elizabeth Cox University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the History of Art, Architecture, and Archaeology Commons, and the History of Religion Commons Scholar Commons Citation Cox, Maureen Elizabeth, "The hoC ir Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4657 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Choir Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI by Maureen Cox-Brown A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts School of Art and Art History College of The Arts University of South Florida Major Professor: Helena K. Szépe Ph.D. Elisabeth Fraser Ph.D. Mary Fournier Ph.D. Date of Approval: June 28, 2013 Keywords: Humanism, Antonio da Monza, illuminated manuscripts, numismatics, Aesculapius, Pinturicchio, Borgia Copyright © 2013, Maureen Cox-Brown DEDICATION This is lovingly dedicated to the memory of my mother and her parents. Et benedictio Dei omnipotentis, Patris et Filii et Spiritus Sancti descendat super vos et maneat semper ACKNOWLEDGMENTS I would like to thank Dr. -
Cicero a Study of Gamesmanship in the Late
CICERO A STUDY OF GAMESMANSHIP IN THE LATE REPUBLIC A Thesis Presented to the faculty of the Department of History California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in History by Eugene H. Boyd FALL 2018 © 2018 Eugene H. Boyd ALL RIGHTS RESERVED ii CICERO A STUDY OF GAMESMAN SHIP IN THE LATE REPUBLIC A Thesis by Eugene H. Boyd Approved by: __________________________________, Committee Chair Nikolaos Lazaridis, PhD. __________________________________, Second Reader Jeffrey Brodd, PhD. ____________________________ Date iii Student: Eugene H. Boyd I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________Graduate Coordinator ___________________ Jeffrey Wilson, PhD Date Department of History iv Abstract of CICERO A STUDY OF GAMESMANSHIP IN THE LATE REPUBLIC by Eugene H. Boyd Roman politics during the final decades of the Late Republic was a vicious process of gamesmanship wherein lives of people, their families and friends were at the mercy of the gamesmen. Cicero’s public and political gamesmanship reflects the politics, class and ethnic biases of Roman society and how random events impacted personal insecurities. ______________________ _, Committee Chair Nikolaos Lazaridis, PhD. ____________________________ Date v ACKNOWLEDGEMENTS The process of obtaining a Master’s degree, I have found, is not an independent, isolated experience. Citing a contemporary adage, “It takes a village.” Truer words have never by spoken. To that end, I would like to recognize in the most warmly and thankful manner, the people in my “village” who helped me through the graduate study program and eventual master’s degree. -
EULOGIZE the SPLENDID CHARACTER of LEO XIII AMERICA MEWS IS JOINS in RECEIVED SORROW INCITY Grief Is Shown at the Bells Oflocal the National Churches Are Capital
CALL, THE SAN FRANCISCO TUESDAY, JULY 21, 1903.* 3 THROUGHOUT CHRISTENDOM MEN OF ALL CREEDS EULOGIZE THE SPLENDID CHARACTER OF LEO XIII AMERICA MEWS IS JOINS IN RECEIVED SORROW INCITY Grief Is Shown at The Bells ofLocal the National Churches Are Capital. State Secretary Solemn Ceremon* Sends Message ies Are AllAr* to Rome. ranged. Monseigneur Fal- ArchbishopMonU conio Issues gomery Pays Address. Tribute. GASHINGTON, Ju3y 25.—Tha news of the death of Pope JT "Y Leo XIIIwas received m /first definite announcement of In San jj yesterday marked the death of Pope Leo made to Francisco with L^^ sympathy and by all, de- his immediate representative in THE Brief nominations. The news at "Washington, Apostolic Delegate Falconio, . the passing aged Pontiff spread rapidly him to-day by the As- of the was conveyed to through the city and on all side* were Four sociated Press at 12:45 o'clock. LOSS MUST BE heard expressions of regret that the hours later the official confirmation came. GENERAL FREE splendid career of the supreme head of Y»"b*"n the press bulletin was handed to faith had terminated. BT AECHBISEOP EIOEDAN. BT AECHBISEOP MOKTQOMEBY. the Catholic Bishop Falconio he was having his mid- As soon as universal Interest word of the death of the day rneaJ in company with Bishop Rook- whole church of the Pope Archbishop or- felt In the Illness and reached Rlordan h« «r and Auditor Marchetti, of the apostol- ¦world srrleven at the loss dered the bells of St. Mary's Cathedral of Holy Father, rHEdeath of Pope Leo XIII ic delegation. -
The Political Position and Symbolism of Ancient Rome's Vestal Virgin
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 2010 The oP wer of Virginity: The olitP ical Position and Symbolism of Ancient Rome’s Vestal Virgin Kathryn Ann Wagner Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the European History Commons, History of Gender Commons, and the Women's History Commons Recommended Citation Wagner, Kathryn Ann, "The oP wer of Virginity: The oP litical Position and Symbolism of Ancient Rome’s Vestal Virgin" (2010). Student Theses, Papers and Projects (History). 80. https://digitalcommons.wou.edu/his/80 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. I The Power of Virginity: The Political Position and Symbolism of Ancient Rome's Vestal Virgin By Kathryn Ann Wagner HST 499: Senior Seminar Spring 2010 Western Oregon University Primary Reader: Professor Benedict Lowe Secondary Reader: Professor Narasingha Sil Course Instructor: Professor John Rector II The Power of Virginity By: Kathryn Ann Wagner I The Vestal virgin has forever been an image of a woman draped in white priestly garments, carrying herself with an air of purity and near divinity. The Vestal's image is one that has captured the imagination of writers, painters, sculptures and scholars for centuries. However this near divine woman is more than what she appears.