THE WORKS of ROBERT LOUIS STEVENSON EDINBURGH EDITION Digitized by the Internet Archive
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
TRAVEL and ADVENTURE in the WORKS of ROBERT LOUIS STEVENSON by Mahmoud Mohamed Mahmoud Degree of Doctor of Philosophy Department
TRAVEL AND ADVENTURE IN THE WORKS OF ROBERT LOUIS STEVENSON by Mahmoud Mohamed Mahmoud Degree of Doctor of Philosophy Department of Scottish Literature University of Glasgow. JULY 1984 ACKNOWLEDGEMENTS I wish to express my deepest sense of indebtedness and gratitude to my supervisor, Alexander Scott, Esq., whose wholehearted support, invaluable advice and encouragement, penetrating observations and constructive criticism throughout the research have made this work possible; and whose influence on my thinking has been so deep that the effects, certainly, will remain as long as I live. I wish also to record my thanks to my dear wife, Naha, for her encouragement and for sharing with me a considerable interest in Stevenson's works. Finally, my thanks go to both Dr. Ferdous Abdel Hameed and Dr. Mohamed A. Imam, Department of English Literature and Language, Faculty of Education, Assuit University, Egypt, for their encouragement. SUMMARY In this study I examine R.L. Stevenson as a writer of essays, poems, and books of travel as well as a writer of adventure fiction; taking the word "adventure" to include both outdoor and indoor adventure. Choosing to be remembered in his epitaph as the sailor and the hunter, Stevenson is regarded as the most interesting literary wanderer in Scottish literature and among the most intriguing in English literature. Dogged by ill- health, he travelled from "one of the vilest climates under heaven" to more congenial climates in England, the Continent, the States, and finally the South Seas where he died and was buried. Besides, Stevenson liked to escape, especially in his youth, from the respectabilities of Victorian Edinburgh and from family trouble, seeking people and places whose nature was congenial to his own Bohemian nature. -
Sins and Follies
Robert louis stevenson Sins and follies Robert louis stevenson ins S and Follies ASLS “A Lodging for the Night” was first published in Temple Bar 51, October 1877 “Markheim” was first published in Unwin’s Annual 1886 “The Body-Snatcher” was first published in the Pall Mall Gazette Christmas Extra, December 1884 This edition published 2016 by the Association for Scottish Literary Studies Preface © Alanna Knight 2016 Introduction © Barry Menikoff 2016 Notes © Duncan Milne 2016 Typeset in Minion and Recherche by ASLS This book has been created by Edinburgh Napier in association with Edinburgh UNESCO City of Literature Trust as part of the RLS Day 2016 campaign to celebrate the famous literary son of Edinburgh, Robert Louis Stevenson. We would like to thank everyone involved in the creation of this book and in particular Edinburgh Napier, ASLS, JUMP Marketing, City of Edinburgh Council and Creative Scotland. Our thanks to Duncan Milne, Linda Dryden, Duncan Jones, Esther Rutter and Mat Norbury. Contents Preface vii Introduction xiii A Lodging for the Night . 1 Markheim . 29 The Body-Snatcher . .53 Notes 79 Preface Alanna Knight MBE n 1877 “A Lodging for the Night”, the first of Stevenson’s Istories to be published, saw his fiction begin to supersede the essays with which his career began. The story, set in fifteenth-century Paris, concerns a dissolute evening’s drinking which ends with a murder; the poet (and rogue) Francis Villon flees the scene, finding shelter in the home of the Lord of Brisetout, who takes it upon himself to lecture Villon on his moral failings. -
The Stevenson Circle
The Stevenson Circle Archer, William (1856-1924), journalist and critic. He was dramatic critic for Figaro, and later for the World and the Star. An admirer of Ibsen's work, he was instrumental in introduc- ing Ibsen's plays to the British public. Archer and RLS fre- quently corresponded, and Archer wrote a perceptive obituary, 'In Memoriam R.L.S.' (New Review, January 1895). Balfour, Dr Lewis (1777-1860), grandfather of RLS. RLS took his middle name of Lewis (later Louis) from his grandfather. As a boy RLS delighted in visiting Colin ton Manse, the home of his grandfather from 1823 to 1860. In his essay 'The Manse', included in MP, he gives an affectionate tribute to his recol- lections of the house and of his grandfather. Balfour, Sir Thomas Graham (1858-1929). One of RLS's many cousins, Balfour made his home at Vailima during the last two and a half years of RLS's life. His biography, published in 1901, is an extremely readable, competent and well-researched account. It suffers, however, from having been prepared so soon after Stevenson's death and is insufficiently detached from the protective influence of his widow. It remains an in- dispensable account of RLS and his circle, though inevitably some of Balfour's judgements have been superseded by later scholarship. Barrie, Sir James Matthew (1860-1937), novelist and playright. His first novel The Little Minister (1891), was much admired by RLS. Barrie was also the author of A Window in Thrums, Margaret Ogilvy, and Sentimental Tommy. His plays include The Admirable Crichton, Peter Pan and What Every Woman Knows. -
TREASURE ISLAND the NOVEL and the MUSICAL 2 STUDY MATERIALS
Maine State Music Theatre Curtis Memorial Library, Topsham Public Library, and Patten Free Library present A STUDY GUIDE TO TREASURE ISLAND The NOVEL and the MUSICAL 2 STUDY MATERIALS TREASURE ISLAND: THE NOVEL Robert Louis Stevenson Page 3 Treasure Island in Literary History Page 5 Fun Facts About the Novel Page 6 Historical Context of the Novel Page 7 Adaptations of Treasure Island on Film and Stage Page 9 Treasure Island: Themes Page 10 Treasure Island: Synopsis of the Novel Page 11 Treasure Island: Characters in the Novel Page 13 Treasure Island: Glossary Page 15 TREASURE ISLAND A Musical Adventure: THE ROBIN & CLARK MUSICAL Artistic Statement Page 18 The Creators of the Musical Page 19 Treasure Island A Musical Adventure: Themes Page 20 Treasure Island A Musical Adventure: Synopsis & Songs Page 21 Treasure Island A Musical Adventure: Cast of Characters Page 24 Treasure Island A Musical Adventure: World Premiere Page 26 Press Quotes Page 27 QUESTIONS FOR DISCUSSION Page 28 MSMT’s Treasure Island A Musical Adventure Page 29 3 TREASURE ISLAND: THE NOVEL ROBERT LOUIS STEVENSON Robert Louis Balfour Stevenson was born in Edinburgh, Scotland, on November 13, 1850, to Thomas and Margaret Stevenson. Lighthouse design was his father's and his family's profession, so at age seventeen, he enrolled at Edinburgh University to study engineering, with the goal of following in the family business. Lighthouse design never appealed to Stevenson, though, and he began studying law instead. His spirit of adventure truly began to appear at this stage, and during his summer vacations he traveled to France to be around young writers and painters. -
Robert Louis Stevenson, 1850-1894
Robert Louis Stevenson, 1850-1894 ARCHIVED ONLINE EXHIBIT Originally exhibited summer 1994-spring 1995 Thomas Cooper Library, University of South Carolina Text by Patrick Scott & Roger Mortimer, with assistance from Bruce Bowlin Archived October 13, 2013 TABLE OF CONTENTS Archived Online Exhibit ................................................................................................................................. 1 Introduction .................................................................................................................................................. 2 Early Life in Edinburgh .................................................................................................................................. 3 Travel Writing................................................................................................................................................ 8 The Fiction of Adventure ............................................................................................................................ 10 Stevenson as Poet and Essayist .................................................................................................................. 13 Stevenson and Henley ................................................................................................................................ 17 Sensation and Collaboration ....................................................................................................................... 19 In the South Seas ....................................................................................................................................... -
Guide to the Stevenson House Collection
Guide to the Stevenson House Collection Monterey State Historic Park Monterey, California Contact Information: Monterey State Historic Park 20 Custom House Plaza Monterey, CA 93940 Phone: (831) 649-7118 Fax: (831) 649-2847 http://www.mbay.net/~mshp/ Processed by: Lori Lindberg, Archivist, San Francisco, CA Date Completed: 2002 Encoded by: Lori Lindberg, Archivist, San Francisco, CA Table of Contents Descriptive Summary....................................................................................................................... i Administrative Information ............................................................................................................ ii Biography....................................................................................................................................... iii Bibliography .................................................................................................................................. ix Indexing Terms .............................................................................................................................. ix Collection Scope and Content Summary ...................................................................................... vii Collection Contents..........................................................................................................................1 Series 1. Stevenson House Administrative Records............................................................1 Series 2. Barkle Museum Collection ...................................................................................3 -
Alternative Geographical Imagina- Tions in Stevenson's Californian
110 ‘We all belong to many countries’: alternative geographical imagina- tions in Stevenson’s Californian writing Harriet Gordon ‘There is no foreign land; it is the traveller only that is for- eign, and now and again, by a flash of recollection, lights up the contrasts of the earth.’1 In 1879, Robert Louis Stevenson boarded a steamship to New York in pursuit of a married woman, who, less than a year later, would become his wife. Despite spanning little more than a year, this period of Stevenson’s life has been seen by many commenta- tors as a watershed moment, for both his literary career and his sense of place in a wider international community. Following Fanny Osbourne, who had returned to California and her hus- band a year before, Stevenson purchased his ‘second-cabin’ passage across the Atlantic and crossed the plains to California without informing his family and against the bitter opposition of his friends. Travelling with emigrants on a ship to America brought the author into contact with conditions and characters different from any he had experienced before. The Amateur Emigrant (1895), the travelogue that records these experiences, spelled a marked departure from his previous picturesque works of travel, as the stark realities he witnessed demanded a new style of writing. This change was not welcomed by Stevenson’s literary contacts back home, resulting in a fractious publication history that did not see the full work in print until after the author’s death. Compared to the stark descriptions of The Amateur Emigrant, Stevenson’s essays on California share more features 111 Journal of Stevenson Studies with his earlier work. -
Journal of Stevenson Studies Volume 13 Ii Journal of Stevenson Studies Journal of Stevenson Studies Iii
Journal of Stevenson Studies Volume 13 ii Journal of Stevenson Studies Journal of Stevenson Studies iii Editors Professor Linda Dryden Professor Emeritus CLAW Roderick Watson School of Arts and Creative School of Arts and Industries Humanities Napier University University of Stirling Craighouse Stirling Edinburgh FK9 4LA EH10 5LG Scotland Scotland Email: Tel: 0131 455 6128 [email protected] Email: [email protected] Contributions to volume 14 are warmly invited and should be sent to either of the editors listed above. The text should be submitted in MS WORD files in MHRA format. All contribu- tions are subject to review by members of the Editorial Board. Published by The Centre for Scottish Studies University of Stirling © The contributors 2016 ISSN: 1744-3857 Printed and bound in the UK by Antony Rowe Ltd. Chippenhan, Wiltshire. iv Journal of Stevenson Studies Editorial Board Professor Richard Ambrosini Professor Penny Fielding Universita’ di Roma Tre Department of English Rome University of Edinburgh Professor Stephen Arata Professor Gordon Hirsch School of English Department of English University of Virginia University of Minnesota Dr Hilary Beattie Professor Barry Menikoff Department of Psychiatry Department of English Columbia University University of Hawaii at Manoa Professor Oliver Buckton Professor Glenda Norquay School of English Department of English and Florida Atlantic University Cultural History Liverpool John Moores Professor Linda Dryden University School of Arts and Creative Industries Professor Roderick Watson Edinburgh -
RLS Site Newsletter Recent Additions to the RLS Site
RLS Site Newsletter Recent additions to the RLS site Year 15 No. i April 2015 Whisky […] occupies over other liquids a somewhat similar preeminence of purity to that of mountain atmosphere over all other and meaner sorts of air’ (The Hair Trunk) ʼ The Hair RLSʼs ʼHouse in Trunk, a mother in Dunoon previously 1848, p. 11 where RLS unpublished stayed as a work by child, p. 15 RLS, p. 8 and first ʻin the wakeʼ journey in Rob-Roy canoes, p. 16 RLS Site The RLS Website has been undergoing a re-design that will make site content more accessible on mobile devices. This is causing some disruption to the functioning of the site as is. We apologise for this and ask for your patience as we look forward to a re-launch in the near future. EdRLS: Volumes presently in the last stages of composition: Essays 1: Virginibus Puerisque and Other Papers (ed. R.-L. Abrahamson); Weir of Hermiston (ed. G. Hughes); Stories 4: Fables and Tales (ed. W. Gray). Weir is based on a new transcription of the Manuscript, while the Fables are based on the first ever transcription of the Manuscript in the British Library. The Journal of 1 Stevenson Studies for 2015 will contain a book review by Stevenson never before republished—an anticipation of Essays 4: Essays and Book Reviews 1868-79 (R. Dury). Conferences The Victorian Popular Fiction Association 7th Annual Conference: Victorian Authenticity & Artifice, Institute for English Studies, University of London, 13-15 July 2015. Three Stevenson papers: Linda Dryden, ʻStevenson and H G Wells: Monomaniacs, Duality and Evolutionary Scienceʼ (14 July); Duncan Milne: ʻRobert Louis Stevenson: Popularity, Image and Contesting Traditionsʼ, Ellie Byrne: ʻArtificial Tongues in R L Stevensonʼs Island Storiesʼ (15 July) Call for papers for a special number of Loxias 15th March 2015: ʻStevenson and Polynesian cultureʼ. -
Stevenson's Friends and Family Were
ISSN 1754-1514 York, aboard the S.S. Devonia, was followed by a transcontinental rail journey, first by a regular train to Council Bluffs, Iowa, and then by a designated emigrant train on the Union The Pacific Railroad to San Francisco. Stevenson clearly relished travel as enabling him to cross borders of selfhood and class as Bottle well as country: noting that he was not only ‘travelling out of my country in latitude and longitude, but out of myself in diet, associ- Imp ates and consideration’, he savoured his ‘novel situation in the world’ (55). But the text also betrays tensions within Stevenson’s identifica- Issue 12, November 2012 tion with the working classes, demonstrating “[N]ewspaper like in style, and the limits of his liberal sympathies. He lambasts not worthy of R.L.S.”: Robert Louis the snobbery of saloon passengers who take a Stevenson’s The Amateur Emigrant sightseeing tour through steerage, describing Julia Reid their ‘little gracious titters of indulgence, and a Lady-Bountiful air about nothing, which galled tevenson’s friends and family were me to the quick’, and imagining, when they had united in their hostility to The Amateur returned to the saloon, ‘how wittily they would SEmigrant, his account of transatlantic depict the manners of the steerage’ (22). The and transcontinental ‘slumming’. His father saloon passengers’ voyeurism, however, subtly found it so offensive that it was withdrawn recalls Stevenson’s own curiosity about ‘the from publication at proof stage, in 1880; the worst of emigrant life’. For all his attempt to first part of the work was never published in identify with the steerage passengers, he is at Stevenson’s lifetime. -
The Vogue of Robert Louis Stevenson in America, 1880-1900
THE VOGUE OF ROBERT LOUIS STEVENSON IN AMERICA, 1880-1900 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by Roy Albert Riggs, B.A., M-A The Ohio State University 1953 Approved by: Adviser TABLE OF CONTENTS Page I. STEVENSON'S APPRENTICE YEARS, 1873-1879..........1 II. STEVENSON'S RECEPTION IN AMERICA, 1879-1885* • * 49 III. STEVENSON' S RELATIONS WITH AMERICAN PUBLISHERS, 1886-1894......................... 106 IV. STEVELSoN's ChlPICAL RECEPTION IN AMERICA, 1886-189^ ..........................209 V. STEVENSON’S POSTHUMOUS VOGUE IN AMERICA, 1895-1900 260 ii PREFACE Within the broad outlines of this study, which traces the progress of Robert Louis Stevenson's literary career in America from 1879, when he first appeared on tne American publishing scene, to 1900, when the pos- tnumous vogue had Bomewhat run its course, I have en deavored specifically to do three things: (1 ) to tell in cetail the story of Stevenson's business relations wl tn American publishers; (2) to indicate the reactions of contemporary American critics to his work; (3) to recount the rise ana fall of his popularity with the general reading public. In dealing with Categories Two and Three, I have drawn heavily for source material on the literary period icals and the trade publications of the time. For the facts about Stevenson's business relations with American publishers I have consulted a large body of unpublished correspondence that tells the whole story. I have had free access to, and have permission to quote from, three sizeable collections of unpublished letters which shed considerable light on Stevenson's American business affairs. -
Capitalism and the Romance in RL Stevenson's Treasure Island While
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture 2016-12 "The worst dreams that ever I have": Capitalism and the Romance in R. L. Stevenson's Treasure Island Sergeant, DRC http://hdl.handle.net/10026.1/8074 10.1017/S1060150316000279 Victorian Literature and Culture Cambridge University Press (CUP) All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. ‘The worst dreams that ever I have’: Capitalism and the Romance in R. L. Stevenson’s Treasure Island While in recent years there has been a slow accumulation of research exploring the links between Robert Louis Stevenson’s work and capitalism, there remains a sense that this is still only an interesting byway when reading him, rather than a central route. Partly, this can be explained by this research having tended to focus on individual texts attached to specialised or circumscribed contemporary frames – the gold versus silver standard debate, for instance, or Victorian economic theory.1 As revealing as these localised contextualisations are, their connection to the rest of Stevenson’s oeuvre, and to the wider operation of late Victorian capitalism, can be somewhat opaque. More broadly, the neglect of this aspect of Stevenson’s work can be seen as the continuing legacy of his status as writer and theorist of romance, a fictional mode still often associated with a childish escapism and reactionary politics – despite recent work by Julia Reid and Glenda Norquay showing how Stevenson must be distinguished from fellow romance revivalists such as H.