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TRAVEL and ADVENTURE in the WORKS of ROBERT LOUIS STEVENSON by Mahmoud Mohamed Mahmoud Degree of Doctor of Philosophy Department
TRAVEL AND ADVENTURE IN THE WORKS OF ROBERT LOUIS STEVENSON by Mahmoud Mohamed Mahmoud Degree of Doctor of Philosophy Department of Scottish Literature University of Glasgow. JULY 1984 ACKNOWLEDGEMENTS I wish to express my deepest sense of indebtedness and gratitude to my supervisor, Alexander Scott, Esq., whose wholehearted support, invaluable advice and encouragement, penetrating observations and constructive criticism throughout the research have made this work possible; and whose influence on my thinking has been so deep that the effects, certainly, will remain as long as I live. I wish also to record my thanks to my dear wife, Naha, for her encouragement and for sharing with me a considerable interest in Stevenson's works. Finally, my thanks go to both Dr. Ferdous Abdel Hameed and Dr. Mohamed A. Imam, Department of English Literature and Language, Faculty of Education, Assuit University, Egypt, for their encouragement. SUMMARY In this study I examine R.L. Stevenson as a writer of essays, poems, and books of travel as well as a writer of adventure fiction; taking the word "adventure" to include both outdoor and indoor adventure. Choosing to be remembered in his epitaph as the sailor and the hunter, Stevenson is regarded as the most interesting literary wanderer in Scottish literature and among the most intriguing in English literature. Dogged by ill- health, he travelled from "one of the vilest climates under heaven" to more congenial climates in England, the Continent, the States, and finally the South Seas where he died and was buried. Besides, Stevenson liked to escape, especially in his youth, from the respectabilities of Victorian Edinburgh and from family trouble, seeking people and places whose nature was congenial to his own Bohemian nature. -
Stevensoniana; an Anecdotal Life and Appreciation of Robert Louis Stevenson, Ed. from the Writings of J.M. Barrie, S.R. Crocket
——; — ! 92 STEVENSONIANA VIII ISLAND DAYS TO TUSITALA IN VAILIMA^ Clearest voice in Britain's chorus, Tusitala Years ago, years four-and-twenty. Grey the cloudland drifted o'er us, When these ears first heard you talking, When these eyes first saw you smiling. Years of famine, years of plenty, Years of beckoning and beguiling. Years of yielding, shifting, baulking, ' When the good ship Clansman ' bore us Round the spits of Tobermory, Glens of Voulin like a vision. Crags of Knoidart, huge and hoary, We had laughed in light derision. Had they told us, told the daring Tusitala, What the years' pale hands were bearing, Years in stately dim division. II Now the skies are pure above you, Tusitala; Feather'd trees bow down to love you 1 This poem, addressed to Robert Louis Stevenson, reached him at Vailima three days before his death. It was the last piece of verse read by Stevenson, and it is the subject of the last letter he wrote on the last day of his life. The poem was read by Mr. Lloyd Osbourne at the funeral. It is here printed, by kind permission of the author, from Mr. Edmund Gosse's ' In Russet and Silver,' 1894, of which it was the dedication. After the Photo by] [./. Davis, Apia, Samoa STEVENSON AT VAILIMA [To face page i>'l ! ——— ! ISLAND DAYS 93 Perfum'd winds from shining waters Stir the sanguine-leav'd hibiscus That your kingdom's dusk-ey'd daughters Weave about their shining tresses ; Dew-fed guavas drop their viscous Honey at the sun's caresses, Where eternal summer blesses Your ethereal musky highlands ; Ah ! but does your heart remember, Tusitala, Westward in our Scotch September, Blue against the pale sun's ember, That low rim of faint long islands. -
Chapter Five: a Gentleman from France
CHAPTER FIVE A Gentleman From France THE boom of naval gunnery rolled like thunder off the hills behind Vailima. Louis could feel each concussion as he sat writing in his study beside a locked stand of loaded rifles. With these the household was supposed to defend itself if attacked by natives during the civil war that had broken out in Samoa. It had been a gory business, with heads taken on both sides, but so far Louis’s extended family had escaped harm. He knew and loved many of the Samoans taking part, and despised the Colonial governors whose incompetence had led to this fiasco, yet he felt curiously detached from it all. The men on board HMS Curacoa, now engaged in shelling a small fort full of Samoan rebels, were his friends. Whenever any naval vessel put in at Apia, Louis liked to offer the men rest and recreation at Vailima, with a Samoan feast. In return he had been welcomed on board the Curacoa and taken out on naval manoeuvres to see how Victorian marine engineering and a well-drilled crew combined to create an invincible fighting machine, whose firepower was now directed at his other, Samoan friends cowering within the stockade, their small arms and war clubs useless against a British dreadnought. They, too, had been welcome guests at Vailima, where ‘Tusitala’ (the storyteller) was always willing to interrupt his writing to entertain native chiefs and their entourages. For them each Boom! now spelled pain and death, yet Louis could not wring his hands. He had done his best to avoid this small colonial tragedy, and destiny must take its course. -
Stevensoniana; an Anecdotal Life and Appreciation of Robert Louis Stevenson, Ed. from the Writings of JM Barrie, SR Crocket
: R. L. S. AND HIS CONTEMPORARIES 225 XII R. L. S. AND HIS CONTEMPORARIES Few authors of note have seen so many and frank judg- ments of their work from the pens of their contemporaries as Stevenson saw. He was a ^persona grata ' with the whole world of letters, and some of his m,ost admiring critics were they of his own craft—poets, novelists, essayists. In the following pages the object in view has been to garner a sheaf of memories and criticisms written—before and after his death—for the most part by eminent contemporaries of the novelist, and interesting, apart from intrinsic worth, by reason of their writers. Mr. Henry James, in his ' Partial Portraits,' devotes a long and brilliant essay to Stevenson. Although written seven years prior to Stevenson's death, and thus before some of the most remarkable productions of his genius had appeared, there is but little in -i^^^ Mr. James's paper which would require modi- fication to-day. Himself the wielder of a literary style more elusive, more tricksy than Stevenson's, it is difficult to take single passages from his paper, the whole galaxy of thought and suggestion being so cleverly meshed about by the dainty frippery of his manner. Mr. James begins by regretting the 'extinction of the pleasant fashion of the literary portrait,' and while deciding that no individual can bring it back, he goes on to say It is sufficient to note, in passing, that if Mr. Stevenson had P 226 STEVENSONIANA presented himself in an age, or in a country, of portraiture, the painters would certainly each have had a turn at him. -
The Literary Development of Robert Louis Stevenson a Thesis Submitted to the Faculty of the College of Science, Literature and A
The Literary Development of Robert Louis Stevenson A thesis submitted to the Faculty of the College of Science, Literature and Arts of the University of innesota, in partial f'Ulfillment of the requirements ror the Degree of Master of Arts By Ethel N. McCauley 1911 6 0 Bibliography A. For criticism on Stevenson as an author and a stylist the following are important: R. Burton, Literary Likings H. B. Baldwin, Life study in Criticism J . Chapman, Emerson and Other Essays G. K. Chesterton, Varied Types J. Guiller couch, Adventures in Criticism J. J . Dawson, Characteristics of Fiction E. Gosse, Critical Kit Kats H . James, Partial Portraits A. Lang, Essays in Little B. Mathews, Aspects of Fiction • L. Phelps, Essays on Modern Novelists B. Torrey, Friends on the Shelf N. Raleigh, Robert Louis Stevenson L. Stephen, Studies Of a Biographer A. H. Japp, Robert Louis Stevenson I must acknowledge indebtedness to these able dissertations. B. For fU.rther criticism on Stevenson's literary development, see, especially: No. Am. 171, The Art of Stevenson Cent. ?.9, Stevenson and his Writing Sat R. 81, Catriona Fortn. 62, Critical study of Stevenson West. 139, some Aspects of the ork by Stevenson Sat. R. 81, Weir of Hermiston Liv. Age ?.21, Essayist, Novelist and Poet Acad. 58, His rank as a Writer Critic a, His Style and his Thot Nat . 14, Methods of Stevenson , - c. The following works of Robert Louis Stevenson were used for a study of his style: Weir of Hermiston, Edited c.scribner & Sons 1905 II II Treasure Island, 11 II II Travels with a Donkey, 11 II Prince Otto, » II II II New Arabian Nights, 11 II II Merry Men, 11 Memories and Portraits, 11 II II Memoir of Fleening Jenkin, 11 II 189-> The Master of Ballantrae, 11 II 1905 Letters, It II 1901 Kidnapped, II II 1905 II Island Nights Entertainments, 11 11 II An Inland Voyage, 11 11 II Familiar studies of Men and Books, 11 Tables, Edited 11 1906 Ebb Tide, 11 11 1905 David Balfour, II II II Silverado Squatters, II II II Across the Plains, II II II j D. -
Journal of Stevenson Studies Volume 7
Journal of Stevenson Studies Volume 7 Stevenson7.indb 1 08/09/2010 16:53 ii Journal of Stevenson Studies Stevenson7.indb 2 08/09/2010 16:53 Journal of Stevenson Studies iii Editors Professor Linda Dryden Professor Emeritus Centre for Literature and Roderick Watson Writing English Studies School of Arts and Creative University of Stirling Industries Stirling Napier University FK9 4LA Craighouse Scotland Edinburgh Tel: 01786 475971 EH10 5LG Email: [email protected] Scotland Tel: 0131 455 6128 Email: [email protected] Contributions to volume 8 are warmly invited and should be sent to either of the editors listed above. The text should be submitted in MS WORD files in MHRA format. All contributions are subject to review by members of the Editorial Board. Published by The Centre for Scottish Studies University of Stirling © The contributors 2010 ISSN: 1744-3857 Printed and bound in the UK by Antony Rowe Ltd. Chippenhan, Wiltshire. Stevenson7.indb 3 08/09/2010 16:53 iv Journal of Stevenson Studies Editorial Board Professor Richard Ambrosini Professor Gordon Hirsch Universita’ di Roma Tre Department of English Rome University of Minnesota Professor Stephen Arata Professor Katherine Linehan School of English Department of English University of Virginia Oberlin College Dr Hilary Beattie Ohio Department of Psychiatry Professor Barry Menikoff Columbia University Department of English Professor Oliver Buckton University of Hawaii at School of English Manoa Florida Atlantic University Professor Glenda Norquay Dr Jenni Calder Department of -
Sins and Follies
Robert louis stevenson Sins and follies Robert louis stevenson ins S and Follies ASLS “A Lodging for the Night” was first published in Temple Bar 51, October 1877 “Markheim” was first published in Unwin’s Annual 1886 “The Body-Snatcher” was first published in the Pall Mall Gazette Christmas Extra, December 1884 This edition published 2016 by the Association for Scottish Literary Studies Preface © Alanna Knight 2016 Introduction © Barry Menikoff 2016 Notes © Duncan Milne 2016 Typeset in Minion and Recherche by ASLS This book has been created by Edinburgh Napier in association with Edinburgh UNESCO City of Literature Trust as part of the RLS Day 2016 campaign to celebrate the famous literary son of Edinburgh, Robert Louis Stevenson. We would like to thank everyone involved in the creation of this book and in particular Edinburgh Napier, ASLS, JUMP Marketing, City of Edinburgh Council and Creative Scotland. Our thanks to Duncan Milne, Linda Dryden, Duncan Jones, Esther Rutter and Mat Norbury. Contents Preface vii Introduction xiii A Lodging for the Night . 1 Markheim . 29 The Body-Snatcher . .53 Notes 79 Preface Alanna Knight MBE n 1877 “A Lodging for the Night”, the first of Stevenson’s Istories to be published, saw his fiction begin to supersede the essays with which his career began. The story, set in fifteenth-century Paris, concerns a dissolute evening’s drinking which ends with a murder; the poet (and rogue) Francis Villon flees the scene, finding shelter in the home of the Lord of Brisetout, who takes it upon himself to lecture Villon on his moral failings. -
Read Kindle ^ Memories and Portraits By: Robert Louis Stevenson
UQUDM7EDGQLL ~ Kindle // Memories and Portraits by: Robert Louis Stevenson: Memories and Portraits Is a... Memories and Portraits by: Robert Louis Stevenson: Memories and Portraits Is a Collection of Essays by Robert Louis Stevenson, First Publish ed in 1887. (Paperback) Filesize: 8.12 MB Reviews These sorts of ebook is the greatest ebook readily available. Sure, it can be engage in, nonetheless an interesting and amazing literature. I realized this pdf from my dad and i encouraged this pdf to learn. (Nicolette Hodkiewicz) DISCLAIMER | DMCA NTUGBF7FTFG4 ^ Doc > Memories and Portraits by: Robert Louis Stevenson: Memories and Portraits Is a... MEMORIES AND PORTRAITS BY: ROBERT LOUIS STEVENSON: MEMORIES AND PORTRAITS IS A COLLECTION OF ESSAYS BY ROBERT LOUIS STEVENSON, FIRST PUBLISHED IN 1887. (PAPERBACK) Createspace Independent Publishing Platform, 2017. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Memories and Portraits is a collection of essays by Robert Louis Stevenson, first published in 1887. Robert Louis Balfour Stevenson (13 November 1850 - 3 December 1894) was a Scottish novelist, poet, essayist, and travel writer. His most famous works are Treasure Island, Kidnapped, Strange Case of Dr Jekyll and Mr Hyde, and A Child s Garden of Verses. A literary celebrity during his lifetime, Stevenson now ranks as the 26th most translated author in the world. His works have been admired by many other writers, including Jorge Luis Borges, Bertolt Brecht, Marcel Proust, Arthur Conan Doyle, Henry James, Cesare Pavese, Emilio Salgari, Ernest Hemingway, Rudyard Kipling, Jack London, Vladimir Nabokov, J. M. Barrie, and G. K. Chesterton, who said of him that he seemed to pick the right word up on the point of his pen, like a man playing spillikins Stevenson was born at 8 Howard Place, Edinburgh, Scotland, on 13 November 1850, to Thomas Stevenson (1818-87), a leading lighthouse engineer, and his wife Margaret Isabella (born Balfour; 1829-97). -
The Stevenson Circle
The Stevenson Circle Archer, William (1856-1924), journalist and critic. He was dramatic critic for Figaro, and later for the World and the Star. An admirer of Ibsen's work, he was instrumental in introduc- ing Ibsen's plays to the British public. Archer and RLS fre- quently corresponded, and Archer wrote a perceptive obituary, 'In Memoriam R.L.S.' (New Review, January 1895). Balfour, Dr Lewis (1777-1860), grandfather of RLS. RLS took his middle name of Lewis (later Louis) from his grandfather. As a boy RLS delighted in visiting Colin ton Manse, the home of his grandfather from 1823 to 1860. In his essay 'The Manse', included in MP, he gives an affectionate tribute to his recol- lections of the house and of his grandfather. Balfour, Sir Thomas Graham (1858-1929). One of RLS's many cousins, Balfour made his home at Vailima during the last two and a half years of RLS's life. His biography, published in 1901, is an extremely readable, competent and well-researched account. It suffers, however, from having been prepared so soon after Stevenson's death and is insufficiently detached from the protective influence of his widow. It remains an in- dispensable account of RLS and his circle, though inevitably some of Balfour's judgements have been superseded by later scholarship. Barrie, Sir James Matthew (1860-1937), novelist and playright. His first novel The Little Minister (1891), was much admired by RLS. Barrie was also the author of A Window in Thrums, Margaret Ogilvy, and Sentimental Tommy. His plays include The Admirable Crichton, Peter Pan and What Every Woman Knows. -
Robert Louis Stevenson His
Spezialgebiet Englisch Klaus Reitberger On Robert Louis Stevenson His And OLALLA 1 Content 1 Foreword 3 2 Robert Louis Stevenson – A Storyteller’s Tale 4 3 The Gothic Novel 5 3.1 A Genre’s History 6 3.2 Christmas Crawlers 7 3.3 Gothic Constructions 8 4 The Strange Case of Dr Jekyll and Mr Hyde 9 4.1 The Plot 9 4.2 Themes and other interesting aspects 10 4.2.1 Secret Sinners 14 4.2.2 Impure Duality 16 4.2.3 Demon Opinion 17 4.2.4 Moral Evolution 17 4.2.5 Lost Sensation 18 4.2.6 Undefined Crime 19 4.2.7 Jack 20 4.3 Characters 20 5 Olalla 22 5.1 The Plot 22 5.2 Naturally Gothic - A Tale of Atavism and Decay 26 5.3 Characters 27 6 Afterword – On Horror fiction and its Charms 28 Sources 30 2 1 Foreword Short in years his life may have been, but certainly not short of imagination. Listening to the voices in his head, or, as he used to express it, to “follow the soliciting of the little people, the Brownies”, who kept on whispering during his dreams, Robert Louis Stevenson ventured to create some stories that are unlike most tales of his time still quite prominent today. Amongst his greatest works reside the marvellous adventures the famous Scotsman bore on paper. One of these wonderful novels, every man in this world should have read as a kid, is Treasure Island . This is a tale that has to be devoured with a mind devoid of adult perspicacity and grown-up serenity but with childlike imagination still far from being rationalized. -
The Interconnection of Stevenson's Dr. Jekyll and Mr. Hyde
Studies in Scottish Literature Volume 23 | Issue 1 Article 8 1988 "Closer than an Eye": The nI terconnection of Stevenson's Dr. Jekyll and Mr. Hyde Colin Manlove Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Manlove, Colin (1988) ""Closer than an Eye": The nI terconnection of Stevenson's Dr. Jekyll and Mr. Hyde," Studies in Scottish Literature: Vol. 23: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol23/iss1/8 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Colin Manlove "Closer than an Eye": The Interconnection of Stevenson's Dr. Jekyll and Mr. Hyde One could say of many works that the more one looked at them the more complex they became, but the remark would have peculiar relevance with R.L. Stevenson's Dr. Jekyll and Mr. Hyde. The basic movement of the narrative is itself towards increasing complexity. At first it seems that Hyde has the pull of a blackmailer on Jekyll, in order to explain his ability to draw a cheque against Jekyll's name to buy off the family of a girl he injures; yet as the narrative proceeds we are to find that the relation of the two is much closer and more problematic than could ever have been imagined. Here we can start with another aspect of the narrative: the way seemingly unrelated or separate people and incidents are brought together. -
Robert Louis Stevenson
Published on Great Writers Inspire (http://writersinspire.org) Home > Robert Louis Stevenson Robert Louis Stevenson Robert Louis Balfour Stevenson (1850-1894) was born in Edinburgh on the 13 November 1850. His father and grandfather were both successful engineers who built many of the lighthouses that dotted the Scottish coast, whilst his mother came from a family of lawyers and church ministers. A sickly boy whose mother was also often unwell, Stevenson spent much of his childhood with the family nurse, Alison Cunningham. She told him many ghost stories and supernatural tales which seem to resonate throughout Stevenson's later fiction, reappearing in several of his short-stories, such as 'The Body Snatchers', 'The Merry Men' [1], and 'Thrawn Janet'. In 1867, Stevenson enrolled at Edinburgh University to study engineering. The choice of subject was influenced by Stevenson's father, who wished his son to continue the prestigious family tradition. Stevenson however had other ambitions, and even at this early stage, expressed a desire to write. He shortly changed courses and began to study law, but soon gave this up to concentrate on writing professionally, much to the displeasure of his father. [2] By alberto (Ana Quiroga) [Public domain], via Wikimedia Commons Stevenson married Fanny Osborne in May 1880. The newly-married couple set off on honeymoon together, accompanied by Fanny's son, Lloyd Osborne, from her previous marriage. The three started their trip in San Francisco, traveling through the Napa Valley to eventually arrive at an abandoned gold mine on Mount St Helena. Stevenson would later write about this experience in his travel memoir The Silverado Squatters (1883).