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Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019). -
Bibliography
BIBLIOGRAPHY An Jingfu (1994) The Pain of a Half Taoist: Taoist Principles, Chinese Landscape Painting, and King of the Children . In Linda C. Ehrlich and David Desser (eds.). Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan . Austin: University of Texas Press, 117–25. Anderson, Marston (1990) The Limits of Realism: Chinese Fiction in the Revolutionary Period . Berkeley: University of California Press. Anon (1937) “Yueyu pian zhengming yundong” [“Jyutpin zingming wandung” or Cantonese fi lm rectifi cation movement]. Lingxing [ Ling Sing ] 7, no. 15 (June 27, 1937): no page. Appelo, Tim (2014) ‘Wong Kar Wai Says His 108-Minute “The Grandmaster” Is Not “A Watered-Down Version”’, The Hollywood Reporter (6 January), http:// www.hollywoodreporter.com/news/wong-kar-wai-says-his-668633 . Aristotle (1996) Poetics , trans. Malcolm Heath (London: Penguin Books). Arroyo, José (2000) Introduction by José Arroyo (ed.) Action/Spectacle: A Sight and Sound Reader (London: BFI Publishing), vii-xv. Astruc, Alexandre (2009) ‘The Birth of a New Avant-Garde: La Caméra-Stylo ’ in Peter Graham with Ginette Vincendeau (eds.) The French New Wave: Critical Landmarks (London: BFI and Palgrave Macmillan), 31–7. Bao, Weihong (2015) Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945 (Minneapolis: University of Minnesota Press). Barthes, Roland (1968a) Elements of Semiology (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1968b) Writing Degree Zero (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1972) Mythologies (trans. Annette Lavers), New York: Hill and Wang. © The Editor(s) (if applicable) and The Author(s) 2016 203 G. -
Red Diamond Published by TRADOC G-2 Operational INSIDE THIS ISSUE Environment & Threat Analysis Directorate, Fort Leavenworth, KS
Operational Environment & Threat Analysis Volume 10, Issue 3 July - September 2019 Focus on CHINA Bits in the Wire: Advancing Threats in China’s the Cyber Domain Maritime Militia Also: Worldwide Equipment Guide (WEG) Showcase and Updates APPROVED FOR PUBLIC RELEASE; DISTRIBUTION IS UNLIMITED OEE Red Diamond published by TRADOC G-2 Operational INSIDE THIS ISSUE Environment & Threat Analysis Directorate, Fort Leavenworth, KS Competition in 2035: Training for Multi-Domain Topic Inquiries: Operations in Competition with China .................... 3 Angela Williams (DAC), Branch Chief, Training & Support Jennifer Dunn (DAC), Branch Chief, Analysis & Production China’s Belt and Road Initiative and Its Infamous Debt: More of a Threat than a Trap ................................... 8 OE&TA Staff: Penny Mellies (DAC) Director, OE&TA [email protected] 913-684-7920 China’s Maritime Militia ........................................ 11 MAJ Megan Williams MP LO [email protected] WO2 Rob Whalley UK LO Bits in the Wire: Advancing Threats [email protected] 913-684-7994 in the Cyber Domain ........................................... 20 SGT Rodney Knox AU LO [email protected] 913-684-7928 The Combined Arms Battalion and Combined Arms Laura Deatrick (CTR) Editor Brigade: The New Backbone of the Chinese Army .. 27 [email protected] 913-684-7925 Keith French (CTR) Geospatial Analyst [email protected] 913-684-7953 INTERVIEW Interview: Dennis J. Blasko, LTC, USA (Ret) ............ 42 Angela Williams (DAC) Branch Chief, T&S [email protected] 913-684-7929 Film Review: Operation Red Sea ........................... 47 John Dalbey (CTR) Military Analyst [email protected] 913-684-7939 Jerry England (DAC) Intelligence Specialist [email protected] 913-684-7934 WEG Showcase .................................................. -
Mainstream Cinema As a Tool for China's Soft Power
Master’s Degree programme in Languages, Economics and Institutions of Asia and North Africa “Second Cycle (D.M. 270/2004)” Final Thesis Mainstream cinema as a tool for China’s soft power Supervisor Ch. Prof. Federico Alberto Greselin Assistant supervisor Ch. Prof. Tiziano Vescovi Graduand Alessia Forner Matriculation Number 846622 Academic Year 2017 / 2018 To the two stars that have guided me from above TABLE OF CONTENTS 1 Introduction 5 Chapter one: Soft power: a general overview and the beginning of China’s soft power era 7 1.1 Joseph Nye’s definition of soft power 7 1.2 Culture: the core of soft power 10 1.3 The entry of the concept of soft power in China and its translations 12 1.4 Hu Jintao’s speech at the 17th National Congress of the Communist Party of China and China’s first steps towards its soft power strategy 14 Chapter two: China’s focus on cultural soft power and the Chinese film industry 19 2.1 China’s investments in the film industry and films as a soft power resource 19 2.2 The situation of the Chinese film industry in the 1980s and 1990s: is Hollywood China’s lifeline? 26 2.3 Main melody films and the correlation with the China dream (( : taking the documentary Amazing China ()() and the film American Dreams in China (() as an example 32 2.4 Focus on the film Wolf Warrior II II) : a successful soft power strategy 56 Chapter three: Sino-US collaborations 65 3.1 Hollywood and China: same bed, different dreams 65 3.2 The different types of collaborations between China and Hollywood 69 3.3 Is China changing Hollywood? 78 -
The London School of Economics and Political Science a Neoliberalizing
The London School of Economics and Political Science A neoliberalizing Chinese cinema: political economy of the Chinese film industry in post-WTO China Xiaoxi Zhu A thesis submitted to the Department of Media and Communications of the London School of Economics for the degree of Doctor of Philosophy London, March 2019 1 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 71012 words. 2 Abstract This thesis aims to investigate the industry restructuration of the Chinese film industry in the context of China integrating into the global neoliberal capitalist system since its WTO entry in 2002. By interrogating the power dynamics between the Party-state, domestic capital and transnational media capital, this thesis explores respective roles each of the three stakeholders have played in shaping the commercialization and marketization of the Chinese film industry. Methodically, this thesis primarily relies on elite interviews with industry professionals, together with critical discourse analysis of one key policy document, and secondary data collected from news outlets, trade publications, industry reports, etc. -
Analysis on the New Models of Chinese Cinema Movie Intellectual Property Operation Under the Epidemic Situation Xiaoyan Yuan1,*
Advances in Social Science, Education and Humanities Research, volume 469 Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020) Analysis on the New Models of Chinese Cinema Movie Intellectual Property Operation Under the Epidemic Situation Xiaoyan Yuan1,* 1School of Film and Cinematic Arts, Communication University of China, Beijing, China *Corresponding author. Email: [email protected] ABSTRACT Affected by the new coronavirus epidemic in 2020, the Chinese economy has generally suffered setbacks and the cultural industry has been hit hard. As the epidemic continues, the screening and creation of Chinese cinema films has entered a "sleep period", and industry self-help is extremely urgent. During the epidemic, movie theaters struggled to cope with difficulties and tried a variety of new IP (Intellectual Property) operation models under the pressure of huge risks. Keywords: epidemic situation, cinema movie, IP operation, new models characteristics of decentralized and multi-media I. INTRODUCTION integration gradually emerged. 1 The 2020 Chinese New Year prime time slot films Seven films "Legend of Deification", "The Wild were broken due to the epidemic situation, which Life", "Lost in Russia", "Winner", "Detective seriously affected the IP operation of the cinema film. Chinatown 3", "Vanguard", "The Rescue" are expected Although the " Lost in Russia" style breakthrough to be released during the Spring Festival prime time occurred during this period, it is still difficult to mark slot. In the epidemic, they all withdrew from the cinema the success of the operation of Chinese cinema films chain. The data shows that before the epidemic, the and the overall improvement of content quality in a total box office revenue of this year's Spring Festival special period. -
China Resource Links for the 1990 Institute Teacher Workshop 2014 - 2015
China Resource Links for the 1990 Institute Teacher Workshop 2014 - 2015 Films American Dreams in China - 2013 - 112 min. - three friends build a successful language school in China called “New Dream.” Back to 1942 - 2012 - 145 min. - a deadly drought takes its toll on Henan province during the war against Japan. Balzac and the Little Chinese Seamstress - 2002 - 110 min. - two youths are sent for re- education in the mountains of China. (also a novel) Black Snow - 1990 - 107 min. - a semi-literate person who was deprived of schooling during the Cultural Revolution is released from a prison camp. Beijing Bicycle - 2001 - 113 min. - a young man from the countryside works to pay off the company bicycle and make it on his own in the city. Blind Mountain - 2007 - 95 min. - a young woman is kidnapped and sold to a villager in the mountains. Blind Shaft - 2004 - 92 min. - a story about life in a mine shaft and a scam. An underground film from China. The Blue Kite - 1993 - 140 min. - the story of a family in Beijing in 1953. Illustrates the problems in China during the 1950s - 1970s. City of Life and Death - 2009 - 133 min. - The story of life in Nanking during the Japanese invasion. Crouching Tiger, Hidden Dragon - 2000 - 120 min. - the adventures of two warriors in pursuit of a stolen sword. Eat Drink Man Woman - 1994 - 129 min. - a senior chef lives with his three grown daughters, but unexpected events change their lives. Empire of the Sun - 1987 - 153 min. - an English boy struggles to survive in a prison camp during the Japanese occupation of China. -
International Water Security
United Nations University Press is the publishing arm of the United Nations University. UNU Press publishes scholarly and policy-oriented books and periodicals on the issues facing the United Nations and its peoples and member states, with particular emphasis upon international, regional and trans-boundary policies. The United Nations University was established as a subsidiary organ of the United Nations by General Assembly resolution 2951 (XXVII) of 11 December 1972. It functions as an international community of scholars engaged in research, postgraduate training and the dissemination of knowledge to address the pressing global problems of human survival, development and welfare that are the concern of the United Nations and its agencies. Its activities are devoted to advancing knowledge for human security and development and are focused on issues of peace and governance and environment and sustainable development. The Univer- sity operates through a worldwide network of research and training centres and programmes, and its planning and coordinating centre in Tokyo. International water security International water security: Domestic threats and opportunities Edited by Nevelina I. Pachova, Mikiyasu Nakayama and Libor Jansky United Nations a University Press TOKYO u NEW YORK u PARIS 6 United Nations University, 2008 The views expressed in this publication are those of the authors and do not nec- essarily reflect the views of the United Nations University. United Nations University Press United Nations University, 53–70, Jingumae 5-chome, Shibuya-ku, Tokyo 150-8925, Japan Tel: þ81-3-3499-2811 Fax: þ81-3-3406-7345 E-mail: [email protected] general enquiries: [email protected] http://www.unu.edu United Nations University Office at the United Nations, New York 2 United Nations Plaza, Room DC2-2062, New York, NY 10017, USA Tel: þ1-212-963-6387 Fax: þ1-212-371-9454 E-mail: [email protected] United Nations University Press is the publishing division of the United Nations University. -
The Significance of Realistic Theme Films from the Perspective of Cultural Confidence
Advances in Social Science, Education and Humanities Research, volume 369 2nd International Conference on Humanities Education and Social Sciences (ICHESS 2019) The Significance of Realistic Theme Films from the Perspective of Cultural Confidence Kong Zifei Neusoft Institute Guangdong, Guangdong, China [email protected] Keywords: Realistic Theme Film, Cultural Confidence, realism. Abstract. In recent years, realistic theme films have attracted great attention, such as "Dying to Survive", "Looking Up", "Dearest" and so on. Both box office and reputation show a trend that conforms to contemporary audiences. This phenomenon makes "realism" a hot topic once again.As a mass media, film plays an important role in reflecting the social situation and arousing the audience's reflection on it, so as to promote social progress. Film creation should adopt a realistic attitude to observe everything, so that the film not only has commercial value, but also has social value and humanistic temperature. Starting with real film cases, this paper points out that the significance of realistic film is to reflect the true nature of society, to change the social outlook and to show cultural self-confidence. 1. Introduction In recent years, realistic theme films have attracted great attention, such as "Dying to Survive", "Looking Up", "Dearest" and so on. Both box office and reputation show a trend that conforms to contemporary audiences. This phenomenon makes "realism" a hot topic once again.The prosperity of realistic theme films is a sign of the maturity of Chinese film market. On the one hand, it refers to the change of audience demand, that is, beyond the simple entertainment demand, there is a higher demand for security and self-realization. -
Negotiating Transnational Collaborations with the Chinese Film Industry
University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2019 Negotiating Transnational Collaborations with the Chinese Film Industry Kai Ruo Soh University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Soh, Kai Ruo, Negotiating Transnational Collaborations with the Chinese Film Industry, Doctor of Philosophy thesis, School of the Arts, English and Media, University of Wollongong, 2019. -
Historicizing Martial Arts Cinema in Postcolonial Hong Kong: the Ip Man Narratives
IAFOR Journal of Cultural Studies Volume 4 – Issue 2 – Autumn 2019 Historicizing Martial Arts Cinema in Postcolonial Hong Kong: The Ip Man Narratives Jing Yang, Guangdong University of Foreign Studies, China Abstract: The surge of Hong Kong martial arts films in the new millennium transformed the classic genre with a keen consciousness of history. Based loosely on the life experiences of the Cantonese master Ip Man (1893–1972), Ip Man (Yip, 2008) and The Grandmaster (Wong, 2013) utilize the genre to examine the dynamics between Hong Kong and mainland China by integrating the personal with the national. Against the shifting industrial and cultural orientations of Hong Kong cinema and society, the paper argues that the multifarious discourses in both films exemplify the effort to construct a post-colonial identity in negotiation with mainland China. Keywords: Hong Kong martial arts cinema, history, national discourse, postcolonial identity 59 IAFOR Journal of Cultural Studies Volume 4 – Issue 2 – Autumn 2019 Introduction The martial arts trainer of Bruce Lee, Ip Man (1893–1972), has become a recurrent subject matter of Hong Kong cinema more than a decade after China’s resumption of sovereignty over the territory. In a string of Ip Man films released from 2008 to 2015 (Ip Man [Yip, 2010, 2015], The Legend is Born: Ip Man [Yau, 2010], Ip Man: The Final Fight [Yau, 2013] and a 50- episode TV drama Ip Man [Fan, 2013]), Wilson Yip’s Ip Man (2008) and Wong Kar-wai’s The Grandmaster (2013) recount the life experiences of the Cantonese master whose legacy is the global popularity of Wing Chun art. -
Exploring China Through Documentaries & Film
EEXXPPLLOORRIINNGG CCHHIINNAA TTHHRROOUUGGHH DDOOCCUUMMEENNTTAARRIIEESS && FFIILLMM National Consortium for Teaching about Asia East Asia Resource Center University of Washington Tese Wintz Neighbor Summer Institute 2014 EXPLORING CHINA THROUGH DOCUMENTARIES & FEATURE FILMS NOTE FROM TESE: If you do not have a decade or more to watch all of these movies(!) please check out this website from time to time for short documentaries from the Asia Society. Download free and use in your USING THIS RESOURCE GUIDE classroom. Note: The information regarding each film ASIA SOCIETY - CHINA GREEN has been excerpted directly from the http://sites.asiasociety.org/chinagreen/ website cited. Most of these sites include 1- China Green, a multimedia enterprise, documents 3 minute trailers. This is not a China’s environmental issues and strives to serve as a comprehensive list. Teacher guides are web forum where people “with an interest in China and available at a number of the documentary its environmental challenges can sites listed below and identified by the find interesting visual stories and Categories: share critical information about Air & Water resource icon. the most populous nation in the Energy & Climate Land & Urbanization world whose participation in the Life & Health There are different ways to access these solution to global environmental NGOs & Civil documentaries and films. Some can be Society problems, such as climate Tibetan Plateau downloaded directly from the web, some change, will be indispensable.” Wildlife can be found at local libraries, on Netflix, Pictures Talk Video Series or at the East Asia Resource Center. They http://sites.asiasociety.org/chinagreen/pictures-talk- can also be purchased directly from the video-series/ producer or from online stores.