Blood Money in Sudan and Beyond: Restorative Justice Or Face-Saving Measure?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74 -
Jesus Christ Superstar Is an We Are So Excited That You Have Joined Us Excellent Opening to This Exploration
PATIOBILL Directed by Deborah Zimmer + Produced by Brenda Townsend 116 S. Kalmia Street, Escondido www.patioplayhouse.com ph. 760-746-6669 ~ Welcome ~ It is my unmistakable honor as Artistic and all of North County for over 50 years, Manager to welcome you to the 52nd and we continue to grow each year. Our season of Patio Playhouse and Patio youth program has long provided a Plays in the Park. nurturing environment for kids and teens to explore the theater arts, free of This season we are bringing you shows charge. that explore family and finding where you belong. Jesus Christ Superstar is an We are so excited that you have joined us excellent opening to this exploration. The today and we entreat you to continue to last days of Jesus, told from the join us for the rest of the year. We follow perspective of Judas Iscariot, this Jesus Christ Superstar with Annie and In musical examines the relationships the Heights at Kit Carson Amphitheater. between Jesus and his disciples and If you wish to join the Patio Family and Mary Magdalene as they delve into become involved with Patio Playhouse, whether there was any other way the please speak to any of our ushers or visit story could end. How inevitable was our website at Judas’ betrayal and how does that affect www.patioplayhouse.com. Jesus’ relationships with Judas and Thank you so much for your patronage! everyone else? Matt FitzGerald Patio Playhouse has been providing Artistic Manager affordable theater and performance opportunities to the people of Escondido ~ Director’s Note ~ Thank you for attending this evening's drowned out! One of the songs that is not performance of Jesus Christ Superstar on my original album states exactly how I and sharing one of my most precious feel today: 'Could We Start Again theatrical dreams! I fell in love with this Please?' I point this out in the hope that rock musical in 1970, when I purchased when you leave the theater tonight, you the first released recording on vinyl LP. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
George Bernard Shaw's
CANDIDA: SHAW’S PRESENTATION OF THE ROMAN CATHOLIC “OTHER” KENNETH RADEMAKER Bachelor of Science, Communications Southeast Missouri State University July 1983 Submitted in partial fulfillment of requirement for the degree MASTER OF ARTS IN ENGLISH at the CLEVELAND STATE UNIVERSITY November 8, 2007 This thesis has been approved for the Department of ENGLISH and the College of Graduate Studies by ____________________________________________________ Thesis Committee Chairperson, Dr. Jennifer Jeffers ___________________________________________ English Department November 8, 2007 _____________________________________________________ Dr. James Marino _________________________________________ English Department November 8, 2007 _____________________________________________________ Dr. Michael Geither ____________________________________________ English Department November 8, 2007 Dedicated with great appreciation to my parents, Jim and Alice Rademaker ACKNOWLEDGEMENTS There are many whom I would like to thank for their great help in the completion of this thesis. My sincere thanks to Dr. Peter Hilty, Professor Emeritus of English at Southeast Missouri State University, for his kind gift of the six-volume Complete Plays and Prefaces of George Bernard Shaw. Thanks also to Sister Mary Anne Wisemann-Mills, O.P., D. Min., of the Sisters of St. Dominic of Akron, for her kind help and generosity in supplying me with the text, Speaking with Authority: Catherine of Siena and the Voices of Women Today. My thanks also go out to Dr. James S. Donnelly, Jr., Professor of History at the University of Wisconsin, for his help in supplying me with texts of his writings on Roman Catholicism in Victorian and Edwardian Ireland. I would also like to thank the Very Rev. Fr. Bede Kotlinski, OSB, Prior of St. Andrew Svorad Abbey in Cleveland, as well as Mr. -
$106,000 Blood Money
$106,000 Blood Money by Dashiell Hammett, 1894-1961 Published: 1927 J J J J J I I I I I “I’m Tom-Tom Carey,” he said, drawling the words. I nodded at the chair beside my desk and weighed him in while he moved to it. Tall, wide-shouldered, thick-chested, thin-bellied, he would add up to say a hundred and ninety pounds. His swarthy face was hard as a fist, but there was nothing ill-humored in it. It was the face of a man of forty-something who lived life raw and thrived on it. His blue clothes were good and he wore them well. In the chair he twisted brown paper around a charge of Bull Durham and finished introducing himself, “I’m Paddy the Mex’s brother.” I thought maybe he was telling the truth. Paddy had been like this fellow in coloring and manner. “That would make your real name Carrera,” I suggested. “Yes.” He was lighting a cigarette. “Alfredo Estanislao Cristobal Carrera, if you want all the details.” I asked him how to spell Estanislao, wrote the name down on a slip of paper, adding alias Tom-Tom Carey, rang for Tommy Howd, and told him to have the file clerk see if we had anything on it. “While your people are opening graves I’ll tell you why I’m here,” the swarthy man drawled through smoke when Tommy had gone away with the paper. “Tough, Paddy being knocked off like that,” I said. “He was too damned trusting to live long,” his brother explained. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
Finding Inspiration in Islamic Law for Expanding the Role
FINDING INSPIRATION IN ISLAMIC LAW FOR EXPANDING THE ROLE FOR FAMILIES OF MURDER VICTIMS IN THE UNITED STATES CAPITAL SENTENCING PROCEEDINGS By © 2016 Najla Jeaash Submitted to the graduate degree program in Law and the Law Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Juridical Science. ________________________________ Professor Jean K. Gilles Phillips (Chairperson) ________________________________ Professor Elizabeth Cateforis (Member) ________________________________ Professor Alice A. Craig (Member) ________________________________ Professor Michael Benza (External Member) Date Defended: July 21, 2016 The Dissertation Committee for Najla Jeaash certifies that this is the approved version of the following dissertation: FINDING INSPIRATION IN ISLAMIC LAW FOR EXPANDING THE ROLE FOR FAMILIES OF MURDER VICTIMS IN THE UNITED STATES CAPITAL SENTENCING PROCEEDINGS ________________________________ Professor Jean K. Gilles Phillips (Chairperson) Date approved: July 21, 2016 ii ABSTRACT Where the death penalty is still applied for murder, a victim’s family participates in the decision-making processes to varying extents depending on the legal system. Under Islamic law, the victim’s relatives play a central role in the sentencing of the offender. They are the ones who decide whether or not death penalty will be imposed. They may choose to have the offender executed. They may also choose to pardon the offender, either for free or in exchange for monetary payment. Yet, forgiveness is preferable and more rewarding according to the Qur’an, the Holy Book of Islam (5:45). The family also may waive the death penalty, but the state maintains an interest in punishing the offender with a discretionary penalty less than death. -
Excuse Me, but I Was Next
Title Author 1 Author 2 Imprint On-Sale Date "Excuse Me, But I Was Next..." Post, Peggy Wellness & LifeStyle 10/03/2006 100 Simple Secrets of Great Relationships Niven, David HarperSanFrancisco 11/07/2006 100 Simple Secrets of Happy People, The Niven, David HarperSanFrancisco 11/07/2006 100 Simple Secrets of Successful People, The Niven, David HarperSanFrancisco 11/07/2006 101 Most Influential People Who Never Lived, The Lazar, Allan Karlan, Dan Harper Paperbacks 10/17/2006 101 Reasons to Dump Your Man and Get a Cat Katz, Molly William Morrow 10/31/2006 2006 Commemorative Stamp Yearbook (US Postal SeUnited States Postal Service Reference 10/10/2006 24 Declassified: Cat's Claw Whitman, John HarperEntertainment 12/26/2006 3-Hour Diet (TM), The Cruise, Jorge Wellness & LifeStyle 12/26/2006 A Home on the Field Cuadros, Paul Rayo 09/05/2006 Abnormal Psychology Sifers, Sarah Reference 12/26/2006 Abundance, A Novel of Marie Antoinette Naslund, Sena Jeter William Morrow 10/03/2006 Access London 10e Wurman, Richard Saul Reference 10/17/2006 Access Los Angeles 12e Wurman, Richard Saul Reference 11/07/2006 Access Paris 10e Wurman, Richard Saul Reference 10/31/2006 Alchemy of Desire, The Tejpal, Tarun J. Ecco 12/12/2006 Alexis de Tocqueville Epstein, Joseph Eminent Lives 11/07/2006 Alimentos que Luchan Contra las Enfermedades CardiSonberg, Lynn Rayo 10/10/2006 All the Money in the World Mudd, Douglas Smithsonian 10/10/2006 American Game, The Rosen, Ira Smithsonian 09/26/2006 American Pie West, Michael Lee Harper Paperbacks 09/05/2006 Anansi Boys Gaiman, -
The Transgressive Discourse of Rowland Brown's
Revista de Comunicación de la SEECI. (Julio 2016). Año XX (40), 133-153 ISSN: 1576-3420 INVESTIGACIÓN/RESEARCH Recibido: 26/04/2016 --- Aceptado: 19/05/2016 --- Publicado: 15/07/2016 THE TRANSGRESSIVE DISCOURSE OF ROWLAND BROWN’S CINEMA (1931-1933): A BRIEF CAREER IN PRE-CODE HOLLYWOOD Carmen Guiralt Gomar1: University of Valencia. Spain. [email protected] ABSTRACT: This article consists in the analysis of the Rowland Brown director’s film work and career, who was one of the first (if not the first) directors-screenwriters of Hollywood. He developed his career during Hollywood’s pre-Code era and he only directed three idiosyncratic films linked to the gangster genre: Quick Millions (1931), Hell’s Highway (1932) and Blood Money (1933). There were a great number of reasons why he was thrown out from Hollywood and he was not allowed to return to direct, among them the highly transgressive and critical discourse of his cinema. Despite of the singularity and originality of his film work, today Brown is a forgotten figure, only recognised by a prestigious group of film historians. His cinema has not been studied thoroughly yet. The final aim of this article it to contribute to filling this gap in the History of Cinema. KEY WORDS: Rowland Brown – Classical Hollywood cinema – Pre-Code period (1930-1934) –Quick Millions (1931) – Hell’s Highway (1932) –Blood Money (1933) – gangster genre 1 Carmen Guiralt Gomar: Phd in History of Art from the University of Valencia, BA in Art History from the same university and a Masters in History and Aesthetics of Cinematography from the University of Valladolid. -
Access-Letter.Pdf
19 The payment of and security for the principal amount of the indebtedness evidenced by this instrument and the interest accruing thereon is subordinated to other indebtedness pursuant to, and to the extent provided in, and is otherwise subject to the terms of, the Subordination and Intercreditor Agreement dated as of November 9, 2007 by and among the Echo Bridge Entertainment, LLC, Platinum Disc, LLC, BHC Interim Funding II L.P., as Subordinated Lender, and JPMorgan Chase Bank, N.A., as Administrative Agent under the Credit, Security, Guaranty and Pledge Agreement dated as of November 9, 2007. ACCESS LETTER November 9, 2007 Film Bond Services, Inc. 907 Flower Street Glendale, CA 91201 Re: Echo Bridge Entertainment, LLC Sir or Madam: This letter will confirm the terms of an agreement among Film Bond Services, Inc., a California corporation (the "Facility"), Echo Bridge Entertainment, LLC, a Delaware limited liability company (the "Producer"), and BHC Interim Funding II, L.P., a Delaware limited partnership (the "Lender"), relating to the items of product described on Schedule 1 hereto (the "Product"). Reference is hereby made to that certain Amended and Restated Senior Term Loan and Security Agreement, dated as of November 9, 2007 (as amended, supplemented, restated or otherwise modified, renewed, extended, or replaced from time to time, the "Loan and Security Agreement"), by and among the Producer, and Platinum Disc, LLC, a Minnesota limited liability company and a wholly-owned subsidiary of the Producer (collectively with the Producer, the "Borrowers"), and the Lender, pursuant to which the Lender has agreed to make certain financial accommodations to the Borrowers. -
Gender, Race and Faulkner by Kristin Kyoko Fujie A
Ties of Blood: Gender, Race and Faulkner By Kristin Kyoko Fujie A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Carolyn Porter, Chair Professor Elizabeth Abel Professor Judith Butler Fall 2010 Ties of Blood: Gender, Race and Faulkner © 2010 by Kristin Kyoko Fujie Abstract Ties of Blood: Gender, Race and Faulkner by Kristin Kyoko Fujie Doctor of Philosophy in English University of California, Berkeley Professor Carolyn Porter, Chair This dissertation proposes a new reading of William Faulkner’s career from his first novel, Soldiers’ Pay (1926), through The Sound and the Fury (1929). I argue that Faulkner’s probing of sexual relations in the 1920s provides the necessary context for understanding his treatment of race relations in the 1930s, and that his turn toward the issue of miscegenation should be read as a moment of crisis and transformation, in which racial anxiety explodes within an established landscape of sexual anxiety that takes the female body as its troubled matrix. Reading this crisis requires that we rethink the overall shape of Faulkner’s career, starting with the text widely regarded as his first “important” novel. By resituating The Sound and the Fury within the context of the earlier, under-appreciated writings—Soldiers’ Pay, Elmer, Mosquitoes, and Flags in the Dust—I argue that the novel is a pivotal rather than seminal text, one that newly articulates the psychosexual drama of the early career to the socio-historical problems that will increasingly occupy Faulkner in his subsequent work. -
Jesus Christ Jesusc Hrist
PROUDLYROUDLR DLY SPONSOREDSPOSPONS S ONSORSOREDREDDBYT BYY THEH ’S’S AMATEURAMATAMAMATETEURUR PRODUCTIONPROPRODUUCTIOTIONON OOF F S CHR U I S S T T T T T T T T T T E E E E E E E E J J J J J J J LyricsLyrLLiyrics byb MusicM sicc by by TIMT MR RICERICCEEA ANDAANDREWNDRDREREWEWWLL LLO LLLOYDLOYOYDOYD WEBBERWEWEB WEBBBBEERR APRILAAPPRRIRILLL1 1144–4 –M– MAYMAMAYYY6 6,6, 20172201200177 DirectedDirecreectetedted byy GGEGERIRI SSANDERSSANANDNDEDDERSS HEARING LOOP INSTALLED Switch hearing aid to T-coil provided by the Salem Audiology Clinic JESUS CHRIST SUPERSTAR LYRICS BY TIM RICE MUSIC BY ANDREW LLOYD WEBBER CAST Jesus Christ .........................................Brian Smith Judas Iscariot .......................................Jeff Sanders Mary Magdalene ....................................Lise Shearer Pontius Pilate .......................................Isaiah Burrell Caiaphas ........................................ Lance Nuttman Annas ............................................... Ty Hendrix Peter (Simon Peter) ..............................Brett Hochstetler Simon Zealotes .......................................Josh Seitz King Herod ................................. Kevin Hamler-Dupras Ensemble Lauren Alexander, Karl Anderson, Ian Barth, Emma Blanco, Alan Chesire, Lauren Donovan, Zoey Hock, Amanda Konstantin, Ellie Knoll, Sarah Landstrom, Emily Loberg, Jenn Meyers, Paris Rumbolz, Matt Savino, Laura Scrimenti, Claire Snyder, Emma Thurston, Lonnie Thurston TIME AND PLACE Roman occupied Jerusalem; the last days in the life of Jesus Christ