DOCSLIB.ORG

Contemporary Black & White Print Editions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contemporary Black & White Print Editions Contemporary! Black & White ! Print Editions Effective March, 2015 Note: All listed editions are twenty (20) silver gelatin prints, printed between 2009 and the present. Print sizes refer to paper size; image size varies. Images are printed with a minimum one inch border to allow for archival framing. Additional sizes may be available upon request. Please contact the studio for date printed, image size and current edition numbers for specific prints. Vintage and Printed Later prints may be available for these and other images; please contact the studio for details. About Harold Feinstein Harold Feinstein was born in Coney Island, New York, in 1931 and began his photography career in 1946 at the age of 15. When he was 17, he joined the Photo League. At 19, Edward Steichen purchased his work for the permanent collection of the Museum of Modern Art. He is best known for his six-decade love affair with Coney Island as well as traditional street photography and photos from the Korean War. In addition to small camera black and white, Feinstein has a large collection of 35mm and digital color imagery. In 1998, Feinstein broke new ground as one of the pioneers of scanography, for which he was awarded the Computerworld Smithsonian Award in 2000. His most recent of eight books, Harold Feinstein: A Retrospective (Nazraeli, 2012) was a winner of the PDN Photo Annual 2013 Photo Book award. His photographs have been exhibited in and are represented in the permanent collections of major museums including MOMA, International Center of Photography, George Eastman House, Center for Creative Photography, The Jewish Museum and Museum of the City of New York. In 2011, he received the Living Legend Award from The Griffin Museum of Photography. Table of Contents Coney Island 1940s - 50s 3 Coney Island 1960s - 90s 56 Street 84 Army Draftee 123 Nudes & Portraits 171 Still Life & Nature 193 Appendix: Prints by Size 206 www.haroldfeinstein.com | [email protected] | 978-346-9909 2 Coney Island ! 1940s – 50s Image Title Bad Luck Tattoo! Image Number CI-004! Year of Photo 1957! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 4 Image Title Man and Daughters at the Side Show! Image Number CI-007! Year of Photo 1949! Sizes Available 20x24, 16x20, 11x14! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 5 Image Title Blanket Toss! Image Number CI-008! Year of Photo 1955! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 6 Image Title Boardwalk Stairs! Image Number CI-009! Year of Photo 1947! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 7 Image Title Hand in Hand on the Boardwalk! Image Number CI-011! Year of Photo 1955! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 8 Image Title Boy On Dad’s Shoulders! Image Number CI-012! Year of Photo 1987! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 9 Image Title Boys Diving Into Surf! Image Number CI-013! Year of Photo 1954! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 10 Image Title Boys Running Into Surf! Image Number CI-014! Year of Photo 1954! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 11 Image Title Black Carousel Horse! Image Number CI-016a! Year of Photo 1955! Sizes Available 11x14 www.haroldfeinstein.com | [email protected] | 978-346-9909 12 Image Title Coke Sign on the Boardwalk! Image Number CI-020! Year of Photo 1949! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 13 Image Title Coney Island Teenagers! Image Number CI-023! Year of Photo 1949! Sizes Available 20x24, 16x20, 11x14! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 14 Image Title Coney Island Jailbirds! Image Number CI-024! Year of Photo 1947! Sizes Available 16x20, 11x14 www.haroldfeinstein.com | [email protected] | 978-346-9909 15 Image Title Degas’ Coney Island! Image Number CI-027! Year of Photo 1949! Sizes Available 16x20! www.haroldfeinstein.com | [email protected] | 978-346-9909 16 Image Title Father and Son by Water’s Edge! Image Number CI-029! Year of Photo 1949! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 17 Image Title Girl Crawling Through Legs! Image Number CI-032! Year of Photo 1956! Sizes Available 11x14! www.haroldfeinstein.com | [email protected] | 978-346-9909 18 Image Title Little Girl and Lamppost! Image Number CI-033! Year of Photo 1946! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 19 Image Title Girl on Cyclone II! Image Number CI-034! Year of Photo 1952! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 20 Image Title Girl on Cyclone! Image Number CI-035! Year of Photo 1952! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 21 Image Title Girl on Merry-Go-Round! Image Number CI-036! Year of Photo 1957! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 22 Image Title Girl Watching! Image Number CI-037! Year of Photo 1957! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 23 Image Title Gypsy Girl and Carousel! Image Number CI-038! Year of Photo 1949! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 24 Image Title Kids and Cop on Boardwalk! Image Number CI-040! Year of Photo 1951! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 25 Image Title Man and Wife Drinking Krueger Beer! Image Number CI-041! Year of Photo 1950! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 26 Image Title Guitar ‘n Cigarette! Image Number CI-042! Year of Photo 1950! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 27 Image Title Seeking Shade! Image Number CI-046! Year of Photo 1947! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 28 Image Title Sailors on the Subway! Image Number CI-051! Year of Photo 1957! Sizes Available 16x20, 11x14! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 29 Image Title Sergeant Flirting! Image Number CI-052! Year of Photo 1951! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 30 Image Title Step Right Up, Gents! Image Number CI-053! Year of Photo 1953! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 31 Image Title Swimming Hole Peep Hole! Image Number CI-056! Year of Photo 1946! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 32 Image Title Swimming In Sand! Image Number CI-057! Year of Photo 1981! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 33 Image Title Teens Carrying Girl! Image Number CI-059! Year of Photo ca. 1954! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 34 Image Title The Artist and His Work! Image Number CI-060! Year of Photo 1958! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 35 Image Title Two Men and a Boy Contemplate! Image Number CI-061! Year of Photo 1950! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 36 Image Title Watching the Gyro! Image Number CI-063! Year of Photo 1947! Sizes Available 16x20! www.haroldfeinstein.com | [email protected] | 978-346-9909 37 Image Title Gyro Line at Night! Image Number CI-063h! Year of Photo ca. 1947! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 38 Image Title Haitian Father and Daughter, Coney Island! Image Number CI-074! Year of Photo 1954! Sizes Available 16x20 www.haroldfeinstein.com | [email protected] | 978-346-9909 39 Image Title Man At Parachute Drop! Image Number CI-075! Year of Photo 1949! Sizes Available 16x20, 11x14! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 40 Image Title Four Nuns on a Bench! Image Number CI-092b! Year of Photo 1948! Sizes Available 16x20! Published Harold Feinstein: A Retrospective www.haroldfeinstein.com | [email protected] | 978-346-9909 41 Image Title Steeplechase Pier From Boardwalk! Image Number CI-112! Year of Photo 1956! Sizes Available 11x14 www.haroldfeinstein.com | [email protected] | 978-346-9909 42 Image Title Boy With Full Pockets!
Load more

Recommended publications
  • Coney Island: Visions of an American Dreamland, 1861–2008 Jan
    Coney Island: Visions of an American Dreamland, 1861–2008 Jan. 31 – May 31, 2015 Exhibition Checklist DOWN AT CONEY ISLE, 1861-94 1. Sanford Robinson Gifford The Beach at Coney Island, 1866 Oil on canvas 10 x 20 inches Courtesy of Jonathan Boos 2. Francis Augustus Silva Schooner "Progress" Wrecked at Coney Island, July 4, 1874, 1875 Oil on canvas 20 x 38 1/4 inches Manoogian Collection, Michigan 3. John Mackie Falconer Coney Island Huts, 1879 Oil on paper board 9 5/8 x 13 3/4 inches Brooklyn Historical Society, M1974.167 4. Samuel S. Carr Beach Scene, c. 1879 Oil on canvas 12 x 20 inches Smith College Museum of Art, Northampton, Massachusetts, Bequest of Annie Swan Coburn (Mrs. Lewis Larned Coburn), 1934:3-10 5. Samuel S. Carr Beach Scene with Acrobats, c. 1879-81 Oil on canvas 6 x 9 inches Collection Max N. Berry, Washington, D.C. 6. William Merritt Chase At the Shore, c. 1884 Oil on canvas 22 1/4 x 34 1/4 inches Private Collection Wadsworth Atheneum Museum of Art Page 1 of 19 Exhibition Checklist, Coney Island: Visions of an American Dreamland, 1861 – 2008 12-15-14-ay 7. John Henry Twachtman Dunes Back of Coney Island, c. 1880 Oil on canvas 13 7/8 x 19 7/8 inches Frye Art Museum, Seattle, 1956.010 8. William Merritt Chase Landscape, near Coney Island, c. 1886 Oil on panel 8 1/8 x 12 5/8 inches The Hyde Collection, Glens Falls, N.Y., Gift of Mary H. Beeman to the Pruyn Family Collection, 1995.12.7 9.
    [Show full text]
  • William Gropper's
    US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image.
    [Show full text]
  • Biographical Description for the Historymakers® Video Oral History with Herbert Randall
    Biographical Description for The HistoryMakers® Video Oral History with Herbert Randall PERSON Randall, Herbert, 1936- Alternative Names: Herbert Randall; Life Dates: December 16, 1936- Place of Birth: New York, New York, USA Residence: Southampton, NY Occupations: Photographer Biographical Note Photographer Herbert Eugene Randall, Jr. was born on December 16, 1936, in Bronx, New York, to factory worker Herbert Randall, Sr., and homemaker Jane Hunter. In 1951, Randall began studying with renowned photographer Harold Feinstein, an artist known for his black-and-white documentary photography. The following year, Randall worked as a freelance photographer for a variety of media organizations, including "Black Star," United Press International and the Associated Press. In 1963, Randall founded an African American photographer’s International and the Associated Press. In 1963, Randall founded an African American photographer’s workshop, called the Kamoinge Workshop, in New York City, New York, alongside established photographers Lou Draper, Ray Francis, James Mannas, Herman Howard and Albert Fenner. In 1964, Randall received a John Hay Whitney Fellowship and was encouraged by Sanford R. Leigh, the Director of Mississippi Freedom Summer's Hattiesburg project, to photograph the effects of the Civil Rights Movement in Hattiesburg, Mississippi. Randall photographed volunteers in a variety of projects, including the Mississippi Freedom Democratic Party campaign and voter registration drives. One of Randall’s most famous photographs was published that summer, the photo of the bloody and concussed Rabbi Arthur Lelyveld, head of a prominent Cleveland Congregation and former World War II objector. Randall returned to New York in 1965, and served as supervisor of photography for Bedford Stuyvesant Youth In Action, Inc.
    [Show full text]
  • Acp Auction 2019
    ATLANTA CELEBRATES PHOTOGRAPHY 2019 AUCTION GALA ATLANTA CELEBRATES PHOTOGRAPHY 2019 AUCTION GALA ATLANTA CELEBRATES PHOTOGRAPHY Atlanta Celebrates Photography SATURDAY, September 14, 2019 Creates experiences that enrich, inspire, and transform. 6:00 pm Cocktails & Silent Auction Photography Changes Lives 7:30 pm Seated Dinner & Live Auction GET THE PICTURE! ACPfest.org The Fairmont 1429 Fairmont Avenue Atlanta, GA 30318 Atlanta Celebrates Photography 2019 ATLANTA CELEBRATES PHOTOGRAPHY Auction Gala Honoree would like to THANK Sarah Kennel Sarah Kennel is the High Museum of Art’s Donald and Marilyn Keough Family Curator of Photography. Kennel joined the High in July 2019 from the Peabody Essex Museum (PEM) in Salem, MA, where she oversaw an extensive collection of photographs dating from 1839 to the present and managed an active and globally oriented photography program. Also while at PEM, she co-curated the critically acclaimed touring exhibition Sally Mann: A Thousand Crossings, organized by PEM and the National Gallery of Art, which opens AGG understands the power of great art to transform at the High in October 2019. Kennel previously served for nine years as a curator at the one’s surroundings, and the power of great lawyers to National Gallery of Art in Washington, D.C., where she helped oversee the photography transform legal challenges into business opportunities. collection and managed an active exhibition, acquisition, and research program. As an art historian, Kennel has written and contributed to many publications, including the catalogue for Sally Mann: A Thousand Crossings (with co-curator Sarah Greenough of the National Gallery of Art), which was awarded Best Photographic Book at the 2018 Festival International du Livre d’Art et du Film.
    [Show full text]
  • Finding Aid to the Historymakers® Video Oral History with Herbert Randall
    Finding Aid to The HistoryMakers® Video Oral History with Herbert Randall Finding Aid to The HistoryMakers® Video Oral History with Herbert Randall Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Randall, Herbert Title: The HistoryMakers® Video Oral History Interview with Herbert Randall, Dates: September 28, 2007 Bulk Dates: 2007 Physical Description: 5 Betacam SP videocassettes (2:23:56). Abstract: Photographer Herbert Randall (1936 - ) photographed the Mississippi Freedom Summer’s Hattiesburg Project in 1964 and donated his archive of negatives to the University of Southern Mississippi in Hattiesburg. Randall was interviewed by The HistoryMakers® on September 28, 2007, in Southampton, New York. This collection is comprised of the original video footage of the interview. Identification: A2007_276 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Photographer Herbert Eugene Randall, Jr. was born on December 16, 1936, in Bronx, New York, to factory worker Herbert Randall, Sr., and homemaker Jane Hunter. In 1951, Randall began studying with renowned photographer Harold Feinstein, an artist known for his black-and-white documentary photography. The following year, Randall worked as a freelance photographer for a variety of media organizations, including "Black Star," United Press International and the Associated Press. In 1963, Randall founded an African American photographer’s workshop, called the Kamoinge Workshop, in New York City, New York, alongside established photographers Lou Draper, Ray Francis, James Mannas, Herman Howard and Albert Fenner. In 1964, Randall received a John Hay Whitney Fellowship and was encouraged by Sanford R.
    [Show full text]
  • Timeline Continues Overleaf…
    TIMELINE CONTINUES Overleaf… Nottingham Contemporary would like to warmly thank Michael Wilson and everyone The Feminine Mystique by Betty Friedan The Black Panther Party is founded Oct – During their medal ceremony at The American Indian Movement takes at the Wilson Centre for Photography for their generous loan and invaluable 1958 is published. Today it is widely credited by Huey Newton and Bobby Seale. the Summer Olympics, in Mexico City, over the South Dakota village of 1981 knowledge and contribution to the exhibition. Special thanks go to Polly Fleury for her NASA is created to oversee the nation’s with heralding the beginning of second- The African-American revolutionary the African-American athletes Tommie Wounded Knee, where soldiers in Ronald Reagan is elected President curatorial input, Hope Kingsley for her invaluable contribution to the gallery guide, space programme. wave feminism. group calls for an end to police brutality Smith and John Carlos deliver the the late 19th century had massacred and The White House returns to being and Ella Naef for her vital support during the development of the project. and a variety of social community Black Power salute. a Sioux encampment. held by the Republicans. Kamoinge Workshop is founded to programmes, most famously We would also like to thank the exhibition’s other lenders: Stephen Daiter Gallery, provide vital support for artists and Oct – The oil crisis begins when the IBM introduces the IBM personal Chicago; Steven Kasher Gallery, New York and Howard Greenberg Gallery, New York. 1960 Free Breakfast for Children. photographers striving for equality 1969 members of the Organization of computer, the IBM 5150.
    [Show full text]
  • October 2019 Contents Meetings 7:30 Pm: Woden Senior Citizens Club, 12 Corinna Street, Phillip
    F22: Southside Camera Club newsletter Volume 27 – Issue 9: October 2019 Contents Meetings 7:30 pm: Woden Senior Citizens Club, 12 Corinna Street, Phillip What’s on this month 1 Second Thursday of the month for general meetings; fourth Tuesday for DIG SIG (Deakin Soccer Club, 3 Grose Street, Deakin) Next meeting 10 October 1 Next meeting 10 October: Annual General Meeting, and Olympus Reports 2 camera demonstration–Jack Ham President’s report 2 Jack’s current job with Olympus allows him the flexibility to take part in his passion Dig Sig report 2 for photography whilst engaging with consumers. He will present on how Olympus Portrait Interest Group meeting 2 continues to be innovative, and how their system can change the way we go about Visit to Photographic Exhibition 2 our photography. He will also have his full kit and be happy to answer any questions Booroomba Rocks 3 about technology or about photography in general. Future events and meetings 4 Sunday 6 October: Boorowa Irish Woolfest 4 Dig Sig 22 October 2019 4 Sat–Sun 26–27 October 2019: Guthega weekend 4 Howard Feinstein: The movie 4 Yongnuo MC-36R kit 5 How to photograph wildlife ethically 5 Affinity Photo software 5 Online resources 5 From Paul Livingston 5 Equipment list 6 Office bearers 6 From the Editor 6 Viewing the newsletter in Firefox 6 Exhibitions 6 Photos taken by Jack Ham on National Library of Australia 6 his Olympus The Club online 6 Web site 6 Facebook 6 flickr 6 F22 gallery 7 What’s on this month Date Meeting, excursion, walkabout or group event Speaker/convenor Sun 6 Oct Boorowa Irish Woolfest Outing Ann Gibbs-Jordan Thurs 10 Oct AGM – Olympus camera demonstration Jack Ham Thurs 17 Oct Jerrabomberra Wetlands: bird, landscape & macro photography Allen Bills Tues 22 Oct Dig Sig: RAW file challenge Norman Blom Sat 26 Oct Portrait Interest Group Malcolm Watson 26-27 Oct Guthega weekend: landscape, nature, night & macro photos Rob Wignell Reports The light was generally harsh but there were many shady spots to use to avoid this.
    [Show full text]
  • Seventy Photographers Look at New York
    Seventy photographers look at New York Author Museum of Modern Art (New York, N.Y.) Date 1957 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/2439 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art r £> 1r 10 1 C' ' > /V 3c, The Museum of Modern Art T'l ii West 53 Street, New York 19 Seventy Photographers Look at New York November 26, 195J through March, 1958 Photographers in the Exhibition Berenice Abbott, Alice Austen, Joseph Bellanca, Paul Berg, Mathew B. Brady, S. C. Burden, Butler, The Byron Company, Edwin Carswell, Daily Mirror from INP, Roy DeCarava, Detroit Photographic Company, Sam Falk, Andreas Feininger, Harold Feinstein, Robert Frank, U. S. Coast and Geodetic Survey, Charles D. Fredericks, Mildred Grossman, J. Gurney & Son, Ernst Haas, Geo. P. Hall ir Son, Ken Heyman, Fewis W. Hine, William H. Jackson, Raymond Jacobs, Yale Joel, Art Kane, Ben Korngold, Lisa Larsen, Leon Levinstein, Helen Levitt, Rollie McKenna, Joseph Maira, Jay Maisel, Reginald Marsh, Gjon Mili, Wayne Miller, Lisette Model, Robert M. Mottar, Marcus Ormsbee, G. W. Pach, Homer Page, Rolf Petersen, Morton Press, Victor Prevost, Jacob A. Riis, Rintoul & Rockwood, Napoleon Sarony, Emil Schulthess, Timothy Sheehan, A. F. Sherman, Hal Siegel, Walt Silver, W. Eugene Smith, Edward Steichen, Alfred Stieglitz, Leonard Stern, Ann Treer, Underwood & Underwood, UP, David Vestal, Todd Webb, Weegee, Dan Weiner, Mottke Weissman, Brett Weston, Garry Winogrand, Adolph Witte- mann, Fred Zinnemann, Arthur Rothstein, John Vachon.
    [Show full text]
  • What's New, Joseph Rodriguez? Interview by Nadine Dinter
    What’s New, Joseph Rodriguez? Interview by Nadine Dinter loeildelaphotographie.com/en/whats-new-joseph-rodriguez-interview-by-nadine-dinter-dv Nadine Dinter April 16, 2021 The American photographer Joseph Rodriguez (*1951, Brooklyn/USA) is a legend when it comes to street photography, particularly his arresting images of Latinx Communities in the United States, Mexico, and Puerto Rico. Drawn to the social documentary style, he sought out photography in an attempt to challenge stereotypes and expose the world to truthful portraits of American struggle. People are at the heart of his work, which often emerges after lengthy periods of time spent gaining the trust of his subjects. The results are raw and gritty images that are full of life, revealing the resilience and beauty of the people he portrays. While he officially started taking pictures in the 1980s, his legendary series TAXI. Journey Through My Windows: 1977–1987 marks the very beginning of his photographic career. In these images he gives us slices of life in New York City, taken on the fly from behind the wheel of his cab, as a calm witness to a candid moment. This decade of images laid the groundwork for the insightful, humanistic style that brought Rodriguez widespread acclaim in the decades to come. On the occasion of the recent publication of these photos as a monograph as well as his upcoming solo show of the same name at Galerie Bene Taschen in Cologne, we connected with Rodriguez to find out how everything came about, and what’s new. 1/4 Nadine Dinter: Your new book is called Taxi: Journey Through My Windows 1977–1987, and takes viewers on trips through New York, seen through your lens.
    [Show full text]
  • Contemporary Color Print Editions
    Contemporary! Color ! Print Editions March, 2015 Note: All listed editions are twenty (20) archival pigment prints, printed between 2011 and the present. Print sizes refer to paper size; image size varies. Images are printed with a minimum .75”-1” border to allow for archival framing. Additional sizes may be available upon request. Please contact studio for date printed, image size and current edition numbers for specific prints. About Harold Feinstein Harold Feinstein was born in Coney Island, New York, in 1931 and began his photography career in 1946 at the age of 15. When he was 17, he joined the Photo League. At 19, Edward Steichen purchased his work for the permanent collection of the Museum of Modern Art. He is best known for his six-decade love affair with Coney Island as well as traditional street photography and photos from the Korean War. In addition to small camera black and white, Feinstein has a large collection of 35mm and digital color imagery. In 1998, Feinstein broke new ground as one of the pioneers of scanography, for which he was awarded the Computerworld Smithsonian Award in 2000. His most recent of eight books, Harold Feinstein: A Retrospective (Nazraeli, 2012) was a winner of the PDN Photo Annual 2013 Photo Book award. His photographs have been exhibited in and are represented in the permanent collections of major museums including MOMA, International Center of Photography, George Eastman House, Center for Creative Photography, The Jewish Museum and Museum of the City of New York. In 2011, he received the Living Legend Award from The Griffin Museum of Photography.
    [Show full text]
  • The Self in Black and White Interfaces: Studies in Visual Culture Editors Mark J
    the self in black and white Interfaces: Studies in Visual Culture Editors Mark J. Williams and Adrian W. B. Randolph, Dartmouth College This series, sponsored by Dartmouth College Press, develops and promotes the study of visual culture from a variety of critical and methodological perspectives. Its impetus derives from the increasing importance of visual signs in everyday life, and from the rapid expansion of what are termed “new media.” The broad cultural and social dynamics attendant to these developments present new challenges and opportunities across and within the disciplines. These have resulted in a trans-disciplinary fascination with all things visual, from “high” to “low,” and from esoteric to popular. This series brings together approaches to visual cul- ture — broadly conceived — that assess these dynamics critically and that break new ground in understanding their effects and implications. For a complete list of books available in the series, visit www.upne.com Erina Duganne, The Self in Black and White: Race and Subjectivity in Postwar American Photography Eric Gordon, The Urban Spectator: American Concept Cities from Kodak to Google Barbara Larson and Fae Brauer, eds., The Art of Evolution: Darwin, Darwinisms, and Visual Culture Jeffrey Middents, Writing National Cinema: Film Journals and Film Culture in Peru Michael Golec, The Brillo Box Archive: Aesthetics, Design, and Art Rob Kroes, Photographic Memories: Private Pictures, Public Images, and American History Jonathan Beller, The Cinematic Mode of Production: Attention
    [Show full text]
  • P H O T O N E W S L E T T
    The PHOTO REVIEW NEWSLETTER July / August 2020 BLACK LIVES MATTER Black Lives Matter. This is an indisputable statement. Around the world, murders of Black people by police and vigilantes have inspired uprisings, rage, despair, and demands for systemic change. While these demands often focus on the injustices of the government, non-Black people should all be asking ourselves what systems we are a part of and how we might influ- ence these systems to be part of necessary change. As you well know, I am the editor of The Photo Review. As you might know, I am a white, cisgender, straight man, old enough to be in the at-risk group during this pan- demic. Inhabiting these places of privilege, I consider it particularly important for me to ask myself what my place is in this struggle. My family is Jewish — my father and his family were immigrants escaping pogroms in Russia, and the reality of the Holocaust was ever present in my childhood. I do not com- pare these experiences with those of Black Americans — rather, I want to express that I see my fight against various forms of white supremacy on a very personal level. I know I must use what privilege I have to work toward the implementation of the values of the Black Lives Matter movement. John Dowell: The Healing Table, 2016, from Cotton: The Soft, Dangerous Beauty of the Past, archival pigment print, 27˝x34˝ My work is situated at the intersection of fine art photography, journalism, and the art market. So that is where I’ll start.
    [Show full text]