Acp Auction 2019
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My Back Pages #1
My Back Pages #1 L’iMMaginario coLLettivo deL rock neLLe fotografie di Ed CaraEff, HEnry diltz, HErb GrEEnE, Guido Harari, art KanE, astrid KirCHHErr, Jim marsHall, norman sEEff e bob sEidEmann 04.02 | 11.03.2012 Wall of sound gallery La capsula del tempo decolla… La musica non è solo suono, ma anche immagine. Senza le visioni di questi fotografi, non avremmo occhi per guardare la musica. Si può ascoltare e “ca- pire” Jimi Hendrix senza vedere la sua Stratocaster in fiamme sul palco di Monterey, fissata per sempre da Ed Caraeff? O intuire fino in fondo la deriva amara di Janis Joplin senza il crudo bianco e nero di Jim Marshall che ce la mostra affranta con l’inseparabile bottiglia di Southern Comfort in mano? Nasce così l’immaginario collettivo del rock, legato anche a centinaia di co- pertine di dischi. In questa mostra sfilano almeno una dozzina di classici: dagli album d’esordio di Crosby Stills & Nash e di Stephen Stills in solitario a Morrison Hotel dei Doors, The Kids Are Alright degli Who, al primo disco americano dei Beatles per l’etichetta VeeJay, Hejira di Joni Mitchell, Surre- alistic Pillow dei Jefferson Airplane, Grateful Dead di Jerry Garcia e compa- gni, Genius Loves Company di Ray Charles, Stage Fright della Band di Robbie Robertson, Desperado degli Eagles e Hotter Than Hell dei Kiss. Il tempismo è tutto. Soprattutto trovarsi come per miracolo all’inizio di qualcosa, ad una magica intersezione col destino che può cambiare la vita di entrambi, fotografo e fotografato. Questo è successo ad astrid Kirchherr con i Beatles ancora giovanissimi ad Amburgo, o a Herb Greene immerso nella ribollente “scena” musicale di San Francisco. -
CHILLED CAVIAR to EAT... a Little More Naked... VEGETABLES and MORE... FLOUR and WATER
CHILLED VEGETABLES AND MORE... TO EAT... (V) Garden Vegetable Crudités 18 (V) Coleman Farm's Garden Green Salad 22 • (VG) Austrian White Asparagus 32 Santa Monica Farmers' Market Seasonal Harvest Heirloom Lettuces, Spring Citrus, Meyer Lemon Vinaigrette Sun-Dried Tomato Chimichurri, Marinated Quinoa and Spring Vegetables, Sunflower Seeds Cilantro Green Goddess Dressing Toasted Black Olive Crostini with Local Goat Cheese Alaskin Halibut 49* Baja Gulf Prawns 36 (V) Imported Italian Burrata 18 Pan-Roasted, Braised Baby Artichokes, Confit Fennel, Lemon Purée, Herb Gremolata Spicy Horseradish, Citrus Tomato Sauce 18-Year Aged Balsamic Vinegar, Grilled Country White Bread Toasted Pepitas, Foraged Herbs • Organic Jidori Half Chicken 54 Whole Santa Barbara Uni 24* Porcini Mushrooms, Romano Beans, Natural Jus Tomato, Red Onion, Micro Shiso (V) Caramelized Corn Salad 24 First of the Season White Corn, Frijoles, Cherry Tomatoes • 8oz USDA Prime 'Butcher's Butter' 76* Kusshi Oysters 24/48* Wild Arugula, Cilantro Crema, Black Lime Vinaigrette Pommes Aligot, Sauce Armagnac British Columbia, Clean, Mildly Sweet, Slightly Meaty Green Apple Fennel-Mignonette (V) Green Asparagus Soup 22 (WP) Marcho Farms Veal 'Wiener Schnitzel' 49* White Asparagus, Meyer Lemon Oil Marinated Fingerling Potatoes, Marinated Cherry Tomatoes, Styrian Pumpkin Seed Oil Omega Blue Kanpachi Tataki Crudo 32* Carrot Aguachile, Pickled Green Almonds, Charred Scallion • CAB 'Never Ever' Beef Burger 28* Japanese Cucumber, Avocado, Coriander FLOUR AND WATER Vermont White Cheddar, Garlic -
Coney Island: Visions of an American Dreamland, 1861–2008 Jan
Coney Island: Visions of an American Dreamland, 1861–2008 Jan. 31 – May 31, 2015 Exhibition Checklist DOWN AT CONEY ISLE, 1861-94 1. Sanford Robinson Gifford The Beach at Coney Island, 1866 Oil on canvas 10 x 20 inches Courtesy of Jonathan Boos 2. Francis Augustus Silva Schooner "Progress" Wrecked at Coney Island, July 4, 1874, 1875 Oil on canvas 20 x 38 1/4 inches Manoogian Collection, Michigan 3. John Mackie Falconer Coney Island Huts, 1879 Oil on paper board 9 5/8 x 13 3/4 inches Brooklyn Historical Society, M1974.167 4. Samuel S. Carr Beach Scene, c. 1879 Oil on canvas 12 x 20 inches Smith College Museum of Art, Northampton, Massachusetts, Bequest of Annie Swan Coburn (Mrs. Lewis Larned Coburn), 1934:3-10 5. Samuel S. Carr Beach Scene with Acrobats, c. 1879-81 Oil on canvas 6 x 9 inches Collection Max N. Berry, Washington, D.C. 6. William Merritt Chase At the Shore, c. 1884 Oil on canvas 22 1/4 x 34 1/4 inches Private Collection Wadsworth Atheneum Museum of Art Page 1 of 19 Exhibition Checklist, Coney Island: Visions of an American Dreamland, 1861 – 2008 12-15-14-ay 7. John Henry Twachtman Dunes Back of Coney Island, c. 1880 Oil on canvas 13 7/8 x 19 7/8 inches Frye Art Museum, Seattle, 1956.010 8. William Merritt Chase Landscape, near Coney Island, c. 1886 Oil on panel 8 1/8 x 12 5/8 inches The Hyde Collection, Glens Falls, N.Y., Gift of Mary H. Beeman to the Pruyn Family Collection, 1995.12.7 9. -
Album Cover Art Price Pages.Key
ART OF THE ALBUM COVER SAN FRANCISCO ART EXCHANGE LLC Aretha Franklin, Let Me In Your Life Front Cover, 1974 $1,500 by JOEL BRODSKY (1939-2007) Not including frame Black Sabbath, Never Say Die Album Cover, 1978 NFS by HIPGNOSIS 1968-1983 Blind Faith Album Cover, London, 1969 $17,500 by BOB SEIDEMANN (1941-2017) Not including frame Bob Dylan & Johnny Cash Performance, The Dylan Cash Session Album Cover, 1969 $1,875 by JIM MARSHALL (b.1936 - d.2010) Not including frame Bob Dylan, Blonde on Blonde Album Cover, NYC, 1966 $25,000 by JERRY SCHATZBERG (b.1927) Not including frame Bob Dylan, Greatest Hits Album Cover, Washington DC, 1965 $5,000 by ROWLAND SCHERMAN (b.1937) Not including frame Bob Dylan, Nashville Skyline Album Cover, 1969 $1,700 by ELLIOT LANDY (b.1942) Not including frame Booker T & the MGs, McLemore Ave Front Cover Outtake, 1970 $1,500 by JOEL BRODSKY (1939-2007) Not including frame Bruce Springsteen, As Requested Around the World Album Cover, 1979 $2,500 by JOEL BERNSTEIN (b.1952) Not including frame Bruce Springsteen, Hungry Heart 7in Single Sleeve, 1980 $1,500 by JOEL BERNSTEIN (b.1952) Not including frame Carly Simon, Playing Possum Album Cover, Los Angeles, 1974 $3,500 by NORMAN SEEFF (b.1939) Not including frame Country Joe & The Fish, Fixin’ to Die Back Cover Outtake, 1967 $7,500 by JOEL BRODSKY (1939-2007) Not including frame Cream, Best of Cream Back Cover Outtake, 1967 $6,000 by JIM MARSHALL (b.1936 - d.2010) Not including frame Cream, Best of Cream Back Cover Outtake, 1967 Price on Request by JIM MARSHALL (b.1936 -
William Gropper's
US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image. -
Patti Smith & Robert Mapplethorpe Both Became Art-World Legends and ’70S Icons of Radical Downtown Bohemia
They WERE NEW YORK BEFORE NEW YORK KNEW what to do WITH THEM. They WERE LOVERS, BEST FRIENDS, FELLOW SURVIVORS. PATTI SMITH & ROBERT MAppLETHORPE BOTH BECAME ART-WORLD LEGENDS and ’70S ICONS OF RADICAL DOWNTOWN BOHEMIA. Now SMITH FINALLY OPENS UP about THEIR DAYS together, LIVING at the CHELSEA HOTEL, BUYING ART SUppLIES BEFORE FOOD, MIXING with WARHOL SUPERSTARS and FUTURE ROCK GODS, and DOING WHATEVER they HAD to DO JUST to STAY TOGETHER By CHRISTOPHER BOLLEN THIS SPREAD: PATTI SMITH AND ROBERT MAppLETHOrpE IN NEW YORK, 1970. PHOTOS: NORMAN SEEFF. In 1967, Patti Smith moved to New York City from and a pot of water and I keep diluting it, because it’s certainly hasn’t changed. When I was a kid, I South Jersey, and the rest is epic history. There are not even the coffee, it’s the habit. wore dungarees and little boatneck shirts and the photographs, the iconic made-for-record-cover BOLLEN: That’s my problem. I really don’t braids. I dressed like that throughout the ’50s, to black-and-whites shot by Smith’s lover, soul mate, and smoke cigarettes that much except when I write. the horror of my parents and teachers. co-conspirator in survival, Robert Mapplethorpe. But when I write, I smoke. It’s bad, but I’m scared BOLLEN: Most people take a long time to find Then there are the photographs taken of them that if I break the habit, I won’t be able to write. themselves—if they ever do. How did you catch together, both with wild hair and cloaked in home- SMITH: It’s part of your process. -
FILM MANUFACTURERS INC. Presents MAPPLETHORPE: LOOK at the PICTURES a Film by Fenton Bailey & Randy Barbato
FILM MANUFACTURERS INC. Presents MAPPLETHORPE: LOOK AT THE PICTURES A film by Fenton Bailey & Randy BArbAto BERLINALE SCREENING SCHEDULE (PREMIERE) Sunday, February 14th at 5:00 PM @ (P&I SCREENING) Sunday, FebruAry 14th At 9:00 PM @ Running Time: 1:48:24 minutes For press materials, please visit: Press ContAct Press ContAct Public Insight Dogwoof Andrea Klasterer Yung Kha Office: +49/ 89/ 78 79 799-12 Office: +44(0)20 7253 6244 Andrea cell: +49 163 680 51 37 Yung cell: +44 7788546706 Email: [email protected] Email: [email protected] InternAtionAl Sales InternAtionAl Press DOGWOOF [email protected] Vesna Cudic [email protected] / +44 7977 051 577 www.mapplethorpefilm.com www.facebook.com/MapplethorpeFilm www.twitter.com/Mapplethorpedoc www.filminc.com MAPPLETHORPE: LOOK AT THE PICTURES A film by Fenton Bailey & Randy Barbato SHORT SYNOPSIS MAPPLETHORPE: LOOK AT THE PICTURES is the first definitive, feature length portrait of the controversial artist since his untimely death in 1989. A catalyst and an illuminator, but also a magnet for scandal, Robert Mapplethorpe had but one goal: to ‘make it’ as an artist and as an art celebrity. He could not have picked a better time: the Manhattan of Warhol’s Factory, Studio 54, and an era of unbridled hedonistic sexuality. His first solo exhibition in 1976 already unveils his subjects: flowers, portraits and nudes. Mapplethorpe quickly gains notoriety through his explicitly sexual photographs from the gay sadomasochistic scene as well as nude pictures of black men. Directors Fenton Bailey and Randy Barbato were given unrestricted access to Mapplethorpe’s archives for their documentary Mapplethorpe: Look at the Pictures, in which this exceptional artist talks candidly about himself in recently discovered interviews. -
Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog
Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith -
Contemporary Black & White Print Editions
Contemporary! Black & White ! Print Editions Effective March, 2015 Note: All listed editions are twenty (20) silver gelatin prints, printed between 2009 and the present. Print sizes refer to paper size; image size varies. Images are printed with a minimum one inch border to allow for archival framing. Additional sizes may be available upon request. Please contact the studio for date printed, image size and current edition numbers for specific prints. Vintage and Printed Later prints may be available for these and other images; please contact the studio for details. About Harold Feinstein Harold Feinstein was born in Coney Island, New York, in 1931 and began his photography career in 1946 at the age of 15. When he was 17, he joined the Photo League. At 19, Edward Steichen purchased his work for the permanent collection of the Museum of Modern Art. He is best known for his six-decade love affair with Coney Island as well as traditional street photography and photos from the Korean War. In addition to small camera black and white, Feinstein has a large collection of 35mm and digital color imagery. In 1998, Feinstein broke new ground as one of the pioneers of scanography, for which he was awarded the Computerworld Smithsonian Award in 2000. His most recent of eight books, Harold Feinstein: A Retrospective (Nazraeli, 2012) was a winner of the PDN Photo Annual 2013 Photo Book award. His photographs have been exhibited in and are represented in the permanent collections of major museums including MOMA, International Center of Photography, George Eastman House, Center for Creative Photography, The Jewish Museum and Museum of the City of New York. -
Safaris to the Heart of All That Jazz
Safaris to the heart of all that jazz.... JoniMitchell.com 2014 Biography Series by Mark Scott, Part 6 of 16 In January of 1974, Joni began an extensive tour of North America with the L.A. Express, wrapping up with three concerts at the New Victoria Theatre in London, England. The final concert at the New Victoria was videotaped and an edited version was broadcast on the BBC television program The Old Grey Whistle Test in November of 1974. Larry Carlton and Joe Sample were playing with The Crusaders at the time and both opted not to go on the road with Joni and the L.A. Express. Guitarist Robben Ford replaced Larry Carlton and Larry Nash filled in for Joe Sample on piano. In a 2011 interview for JoniMitchell.com, Max Bennett said that although the pay was good for this tour, the musicians could have made more money playing gigs in L.A. and doing session work in the recording studios. Max said that the musicians loved the music, however, and that they were treated royally in every way throughout the tour. Excellent food, first class accommodations, limousines, private buses and private planes were all provided for the band’s comfort. Max also made a point of mentioning the quality of the audiences that attended the concerts. Attention was focused on the performances so completely that practically complete silence reigned in the theaters and auditoriums until after the last note of any given song was performed. For Max Bennett, “As far as tours go - I've been on several tours - this was the epitome of any great tour I've ever been on. -
Jmoriginal 4422.Pdf
(Night Ride Home, 1991) “I had that music back around the time of [1982’s] Wild Things Run Fast, but it took seven years to find the story to fit the music. It’s a story of obsession… about this German aristocrat who had a lover in his youth that he never got over. He later finds this man working on a dock and notices the path that the man takes every day to and from work. So the aristocrat gives up his fancy digs and moves to these two shabbygrey rooms overlook- ing this street, just to watch this man walk to and from work. That’s a song that shows my songs aren’t all self-portraits.” “Joni arrived at the studio with a whole bunch of clothes,” says Seeff of the session for Hejira’s cover, “and I saw this sort of feathered throw. There are all these subpersonalities roaming around Joni’s subconscious that she imagines herself to be. They talk about how everyone has a spirit animal, and she crouched down and became this eagle woman. She travelled around and skated and swam and went to different places, and her outer world experiences informed her inner world expression. But she could do that wonderful thing with the feathers and become the eagle woman, then suddenly an hour into the session, instead of this mythological creature, I caught her giggling to herself. She realised it was all just play.” ORMAN SEEFF FIRST MET Joni Mitchell’s orbit. Over 15 years, he photo- Joni Mitchell in 1974. -
Bryan Adams Lorenzo Agius Martin Bogren
Bryan Adams Most people know Bryan Adams as a musician, singer and songwriter. What people don’t know is that he also has a successful career as a photographer. He was born in 1959 and raised by English parents who emigrated to Canada. Adams had a definite idea of what he wanted to do from an early age so he left school at the age of 15 to focus on singing and songwriting. He also had an interest in photography which started at an even earlier age. During the 60’s and the 70’s Adams captured his surroundings with his camera to savour all the memories. Adams has successfully divided his time between music and photography, but during the past twelve years he has captured many intimate images of friends and colleagues in the entertainment business. This has sharpened his skill as a professional photographer. Moreover, Adams co-founded Zoo magazine, a Berlin fashion and arts journal for which he received a Golden Federe Award. Adams’ artwork has been exhibited at galleries and museums worldwide and is held by corporates and private collectors. Lorenzo Agius Lorenzo Agius, originally from Malta, studied art and art history at the university of East Anglia in England. He moved to London in 1983 and started to assist in photography. Agius became a freelance photographer in 1989, specialising in fashion and portraits. His career kick-started with the photo shoot of the cast for the movie Trainspotting, where he produced some of the most iconic images of Ewan McGregor, Jonny Lee Miller and Robert Carlyle.