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OVIEDO + CINE OVIEDO 17:00H Y 20:00H Jueves Y Domingos CICLO JOHN FORD + CINE DE AUTOR | CICLO PARANOIA CONTEMPORÁNEA / HITCHCOCK | www.semanasaco.com OVIEDO + CINE Teatro 17:00h y 20:00h Filarmónica Jueves y domingos Octubre 2020 Teatro Filarmónica 17:00h y 20:00h Jueves y domingos 08/10 EL ESPÍA QUE SURGIÓ DEL FRÍO 11/10 MOGAMBO 15/10 DOBLES VIDAS 18/10 FAMILIA SUMERGIDA 22/10 UN MINUTO DE GLORIA Se ruega la máxima puntualidad. No se permitirá el acceso una vez iniciada la sesión. Está prohibido cualquier tipo de filmación, grabación o realización de fotografías en el interior de la sala. 08/10 11/10 EL ESPÍA QUE TEATRO MOGAMBO TEATRO FILARMÓNICA FILARMÓNICA SURGIÓ DEL FRÍO 17:00 H Y John Ford 17:00 H Y 20:00 H 20:00 H THE SPY WHO CAME EE. UU. | 1953 | Color | 116’ IN FROM THE COLD Reparto: Clark Gable, Martin Ritt Ava Gardner, Grace Kelly, EE. UU. | 1965 | Blanco Donald Sinden, Eric Pohlmann, y negro | 112’ Denis O’Dea, Philip Stainton, Laurence Naismith. Guion: John Lee Mahin Richard Burton, Claire Reparto: (obra: Wilson Collison). Bloom, Oskar Werner, Peter Van Fotografía: Bruce Surtees, Eyck, Sam Wanamaker Freddie Young. Guion: Paul Dehn, Guy Trosper Montaje: Frank Clarke. (novela: John Le Carré). Música: Robert Burns (canción). Fotografía: Oswald Morris. Producción: Metro-Goldwyn- Anthony Harvey. Montaje: Mayer (MGM). Música: Sol Kaplan. Producción: Paramount Pictures. Versión original en inglés con subtítulos en castellano. Versión original en inglés con subtítulos en castellano. No recomendada para menores de 18 años. No recomendada para menores de 14 años. Las novelas de John Le Carré, adaptadas al cine en multitud de ocasiones, Diferentes localizaciones de Kenya, Tanzania o Uganda son una absoluta referencia dentro del género de espionaje. El ambiente sirven de escenario a esta historia que pivota sobre un que retrata de la guerra fría en Europa evoca una desengañada visión del triángulo amoroso con tres vértices estelares: Ava Gard- mundo, visión apoyada en la formidable interpretación de un Richard Burton ner, Grace Kelly y Clark Gable. El genio de John Ford, taciturno, merecedor de una candidatura al Óscar. La película abrió un ca- alejado del salvaje oeste, es capaz de ofrecer una vi- mino nuevo al subgénero de espías, una temática muy en boga desde que brante película de aventuras exóticas cargada de sen- se estrenara en 1962 (y con un éxito descomunal) la primera película de la sualidad y soterrado sentido del humor. saga de James Bond. CICLO PARANOIA CONTEMPORÁNEA CICLO JOHN FORD 15/10 18/10 DOBLES VIDAS TEATRO FAMILIA TEATRO FILARMÓNICA FILARMÓNICA DOUBLES VIES 17:00 H Y SUMERGIDA 17:00 H Y 20:00 H 20:00 H María Alché Olivier Assayas Argentina | 2018 | Color | 91’ Francia | 2018 | Color | 107’ Reparto: Mercedes Morán, Reparto: Juliette Binoche, Marcelo Subiotto, Esteban Guillaume Canet, Olivia Ross, Bigliardi, Diego Velázquez, Christa Theret, Antoine Reinartz, Laila Maltz. Pascal Greggory, Violaine Guion: María Alché. Gillibert, Vincent Macaigne. Fotografía: Hélène Louvart. Guion: Olivier Assayas. Montaje: Lívia Serpa. Fotografía: Yorick Le Saux. Música: Luciano Azzigotti. Montaje: Simon Jacquet. Producción: Pasto Cine / INCAA Producción: CG Cinéma, Vortex Sutra, Arte France Cinéma. Versión original en francés con subtítulos en castellano. Versión original en castellano. No recomendada para menores de 7 años. Apta para todos los públicos. Comedia ambientada en París que rezuma ecos del cine de Eric Rohmer Sorprendente fábula, romántica, onírica y con un singular empleo del humor que o Woody Allen, plagada de diálogos ingeniosos y situaciones cotidianas trascurre durante un caluroso verano en Buenos Aires. La realidad y la ensoña- resueltas con brillantez. Tres personajes que atraviesan momentos de crisis ción se mezclan, haciendo que el mundo interior de la protagonista se manifieste en sus respectivas carreras profesionales: un editor de libros que intenta de forma prodigiosa, evocando el mágico estilo del mismísimo Julio Cortázar. adaptarse al nuevo mundo dominado por la tecnología; una actriz estanca- Ingenioso cuento que crece y florece, poco a poco, destapando ecos del cine de da en una popular serie de televisión que ya no le resulta gratificante, y su Lucrecia Martel, Buñuel o Polanski. amigo Léonard, un escritor de poco éxito que se ve forzado a discutir sobre las polémicas que sus novelas autobiográficas han desatado en Twitter. Festival de Locarno: Cineasti del presente. Festival de San Sebastián: Premio Horizontes (mejor película latinoamericana) Premios Sur: Mejor actriz (Mercedes Morán) 22/10 UN MINUTO TEATRO FILARMÓNICA DE GLORIA 17:00 H Y SLAVA 20:00 H Noviembre Kristina Grozeva, 2020 Petar Valchanov Bulgaria | 2016 | Color | 101’ Teatro Filarmónica Reparto: Stefan Denolyubov, Margita Gosheva, Milko Lazarov, Kitodar Todorov, Ana Bratoeva, 17:00h y 20:00h Nadejda Bratoeva, Nikola Dodov Jueves y domingos Guion: Kristina Grozeva, Petar Valchanov, Decho Taralezhkov Fotografía: Krum Rodríguez Montaje: Petar Valchanov Música: Hristo Namliev Producción: Abraxas Film, Graal S.A, Screening Emotions, 05/11 LOS MISERABLES Aporia Filmworks 08/11 MISIÓN DE AUDACES 12/11 A DECENT MAN (UN HOMBRE COMO DIOS MANDA) Versión original en búlgaro con subtítulos en castellano. 15/11 SIETE DÍAS DE MAYO No recomendada para menores de 12 años. 19/11 RETRATO DE UNA MUJER EN LLAMAS 22/11 EL HOMBRE QUE MATÓ A LIBERTY VALANCE Planteada con un afilado tono irónico, esta sátira social pone en solfa las 26/11 DE REPENTE, EL PARAÍSO relaciones del poder con las personas más humildes. Un veterano trabaja- dor del ferrocarril se encuentra una enorme cantidad de dinero en las vías 29/11 LA MUJER SOLITARIA del tren y decide devolverlo a las autoridades. Este gesto es aprovechado para una campaña publicitaria en favor de un político cuya honestidad está siendo cuestionada. Sin pretenderlo, esta situación dará lugar a un inespe- Se ruega la máxima puntualidad. rado enfrentamiento. No se permitirá el acceso una vez iniciada la sesión. Está prohibido cualquier tipo de filmación, grabación Festival de Locarno: Competición Internacional o realización de fotografías en el interior de la sala. Hamptons International Film Festival: mejor película Festival de Gijón: Mejor película, guion y premio FIPRESCI 05/11 LOS MISERABLES TEATRO FILARMÓNICA LES MISÉRABLES 17:00 H Y 20:00 H Ladj Ly Francia | 2019 | Color | 104’ Reparto: Damien Bonnard, Alexis Manenti, Djibril Zonga, Jeanne Balibar Steve Tientcheu, Issa Perica, Al-Hassan Ly, Almamy Kanoute, Nizar Ben Fatma. Guion: Ladj Ly, Giordano Gederlini, Alexis Manenti. Fotografía: Julien Poupard. Montaje: Flora Volpelière. Producción: Lily Films / Rectangle Productions / Srab Films / Canal+ / Le Pacte / Ciné+ / Wild Bunch. Versión original en francés y bambara con subtítulos en castellano. No recomendada para menores de 16 años. Sin duda, una de las sorpresas más atractivas de la temporada es esta enco- miable adaptación del clásico de Víctor Hugo llevada a un barrio de la periferia parisina. A través de la peripecia de un policía que se incorpora al servicio en este conflictivo barrio, descubrimos los entresijos de un universo complejo habitado por personas cuyos destinos están marcados por el lugar en el que han nacido. Premios Óscar: Nominada a mejor película internacional. Festival de Cannes: Premio del Jurado. Premios del Cine Europeo: Premio Discovery. Premios César: Mejor película, actor revelación, montaje, premio del público. Premios Goya: Mejor película europea. 08/11 12/11 MISIÓN DE TEATRO A DECENT MAN TEATRO FILARMÓNICA FILARMÓNICA AUDACES 17:00 H Y (UN HOMBRE COMO ÚNICO PASE THE HORSE SOLDIERS 20:00 H DIOS MANDA) 20:00 H UN OM LA LOCUL LUI John Ford EE. UU. | 1959 | Color | 120’ Hadrian Marcu Rumanía | 2018 | Color | 93’ Reparto: John Wayne, William Holden, Constance Towers, Reparto: Bogdan Dumitrache, Althea Gibson, , Hoot Gibson, Madalina Constantin, Ada Gales. Russell Simpson, Anna Lee. Guion: Hadrian Marcu. Adrian Silisteanu. Guion: John Lee Mahin, Martin Fotografía: Rackin (novela: Harold Sinclair). Montaje: Alexandru Radu. 4 Proof Film. Fotografía: William H. Clothier. Producción: Montaje: Jack Murray. Música: David Buttolph. Producción: The Mirisch Corporation, Mahin-Rackin, United Artists. Versión original en inglés con subtítulos en castellano.. Versión original en rumano con subtítulos en castellano. Apta para todos los públicos. No recomendada para menores de 7 años. Recreación de un episodio verídico que cuenta con la presencia de dos de Petru es un ingeniero que trabaja en una planta de perfo- las grandes estrellas del género: John Wayne y William Holden. Esta es la ración petrolífera. Las cosas le van aparentemente bien, única película de Ford que transcurre durante el periodo de la guerra civil está a punto de casarse y ser padre, aunque hay un se- norteamericana, sin ser una de sus obras más populares ofrece una historia creto que amenaza con salir a la luz: su relación amorosa intensa rodada con el mejor pulso del maestro. con la mujer de un compañero. Esta situación puede ha- cer cambiar todo en la vida del protagonista. Estimable ópera prima de un prometedor realizador, heredero de la nueva ola de cine rumano. CICLO JOHN FORD San Sebastián: Sección Nuevos directores. 15/11 19/11 TEATRO SIETE DÍAS TEATRO RETRATO DE UNA FILARMÓNICA DE MAYO FILARMÓNICA MUJER EN LLAMAS 17:00 H Y 17:00 H Y 20:00 H SEVEN DAYS IN MAY 20:00 H PORTRAIT DE LA JEUNE John Frankenheimer FILLE EN FEU EE. UU. | 1964 | Blanco y negro | 120’ Céline Sciamma Francia | 2019 | Color | 120’ Reparto: Burt Lancaster, Kirk Douglas, Ava Gardner, Fredric Reparto: Noémie Merlant, Adèle March, Edmond O’Brien, Martin Haenel, Luàna Bajrami, Valeria Balsam, George Macready, Golino, Christel Baras, Cécile Morel, John Houseman. Armande Boulanger, Michèle Guion: Rod Serling (novela: Clément. Fletcher Knebel, Charles Guion: Céline Sciamma. Waldo Bailey II). Fotografía: Claire Mathon. Ellsworth Fredricks. Fotografía: Montaje: Julien Lacheray. Ferris Webster. Montaje: Música: Para One, Arthur Simonini. Jerry Goldsmith. Música: Producción: Arte France Cinéma, Producción: Seven Arts / Hold Up Films, Lilies Films Joel Productions. Versión original en inglés con subtítulos en castellano.
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