Clusone 3 an Hour With... Mp3, Flac, Wma

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Clusone 3 An Hour With... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: An Hour With... Country: Switzerland Released: 2000 Style: Free Improvisation MP3 version RAR size: 1755 mb FLAC version RAR size: 1625 mb WMA version RAR size: 1457 mb Rating: 4.3 Votes: 106 Other Formats: DMF AIFF ADX AHX TTA MMF ASF Tracklist Hide Credits 1 Medley 1 16:12 Pippistrello 1a Composed By – E. Reijseger*, H. Bennink*, M. Moore* Rollo II 1b Composed By – Misha Mengelberg Tinglit 1c Composed By – E. Reijseger*, H. Bennink*, M. Moore* I Am An Indian Too 1d Composed By – Irving Berlin It's You 2 5:34 Composed By – Lee Konitz 3 Medley 2 7:02 Bella Coola 3a Composed By – E. Reijseger*, H. Bennink*, M. Moore* The Peacocks 3b Composed By – Jimmy Rowles 4 Medley 3 13:53 Duck 4a Composed By – Steve Lacy O Pato 4b Composed By – A. C. Jobim* Duck 4c Composed By – M. Moore* Turkey In The Straw 4d Arranged By – Clusone 3Composed By – Traditional 5 Medley 4 6:15 My Bird Of Paradise 5a Composed By – Irving Berlin I Never Had A Chance 5b Composed By – J. Mercer* 6 Medley 5 7:06 Le Cygne 6a Composed By – C. Saint-Saëns* A Velho Pedro 6b Composed By – Paulo Moura Marie Pompoen 6c Composed By – Franky Douglas Baltimore Oriole 7 5:59 Composed By – H. Carmichael* Companies, etc. Recorded By – Swedish Broadcasting Corporation Phonographic Copyright (p) – Hat Hut Records Ltd. Copyright (c) – Hat Hut Records Ltd. Printed By – Lüdin AG Recorded At – Kulturhuset, Stockholm Credits Alto Saxophone, Clarinet, Melodica – Michael Moore Cello – Ernst Reijseger Design Concept [Graphic Concept] – fuhrer vienna Drums – Han Bennink Engineer – Staffan Schoier* Executive-Producer – Werner X. Uehlinger Liner Notes – John Corbett Mixed By, Mastered By [Cd-master] – Peter Pfister Photography By – ÖhnerKraller Producer – Lars-Göran Ulander Notes Recorded by the Swedish Broadcasting Corporation P2 at Kilen, Kulturhuset, Stockholm, Sweden, on March 21 1998. Edition of 3500 CDs in digisleeve. Made in Switzerland. Barcode and Other Identifiers Barcode: 7 52156 05542 6 Rights Society: SUISA Label Code: LC 6048 SPARS Code: DDD Related Music albums to An Hour With... by Clusone 3 Han Bennink & Terrie Ex - The Laughing Owl Divine - You Think You're A... Medley Derek Bailey & Han Bennink - Derek Bailey & Han Bennink Reg Owen And His Orchestra - The Best Of Irving Berlin Dorothy Moore - ONCE MOORE WITH A FEELING N-R-Gees - High NRG Medley Misha Mengelberg, Steve Lacy, George Lewis, Harjen Gorter, Han Bennink - Change Of Season (Music Of Herbie Nichols) Amianan Medley - Amianan Combo Mirage - Get down on it (medley)/ our song Don Baker - Medley Time.

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Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67
Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 Marc Howard Medwin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2008 Approved by: David Garcia Allen Anderson Mark Katz Philip Vandermeer Stefan Litwin ©2008 Marc Howard Medwin ALL RIGHTS RESERVED ii ABSTRACT MARC MEDWIN: Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 (Under the direction of David F. Garcia). The music of John Coltrane’s last group—his 1965-67 quintet—has been misrepresented, ignored and reviled by critics, scholars and fans, primarily because it is a music built on a fundamental and very audible disunity that renders a new kind of structural unity. Many of those who study Coltrane’s music have thus far attempted to approach all elements in his last works comparatively, using harmonic and melodic models as is customary regarding more conventional jazz structures. This approach is incomplete and misleading, given the music’s conceptual underpinnings. The present study is meant to provide an analytical model with which listeners and scholars might come to terms with this music’s more radical elements. I use Coltrane’s own observations concerning his final music, Jonathan Kramer’s temporal perception theory, and Evan Parker’s perspectives on atomism and laminarity in mid 1960s British improvised music to analyze and contextualize the symbiotically related temporal disunity and resultant structural unity that typify Coltrane’s 1965-67 works.
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Proquest Dissertations
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