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Contemporary Folk Week, July 24-30, 2016
36 24-30 Contemporary Folk Week celebrates our 25th Anniversary with a world-class staff of returning artist/instructors including our first Master Music Maker, folk legend Tom Paxton and the timeless artistry of Janis Ian. We’re honored to also welcome back favorites from last year and previous years including Grammy-winners Kathy Mattea, Jon Vezner, and Don Henry, folk stalwarts Ellis Paul, Cliff Eberhardt and Amy Speace, vocal coaches Siobhan Quinn and Danny Ellis, and music theory guru Ray Chesna. We welcome an exciting new addition to this year’s staff in one of the leading lights in today’s contemporary folk scene, the wonderful Mary Gauthier. Drawing on tradition and innovation, our instructors bring a world of practical and imaginative experience to help you create and perform the music that makes your heart sing. Whether you’re trying out material at a local ‘open mike’, a performer with some experience, a working musician looking for some help in reaching your next goal, or someone who would simply like to feel more confident pulling that guitar out in front of others, we’re here to help, and our foundations are support, fun, and community. Our top-notch staff, knowledgeable in the various aspects of both the art and business of contemporary acoustic music, can help you achieve your goals. In addition, our limited enrollment and small campus encourage community-building at its best – frequent and informal interaction between students and staff, all doing our utmost to ensure that you go home energized and empowered to make the most of your music in hands-on and meaningful ways. -
Dog Lane Café @ Storrs Center Og Lane Café Is Scheduled to Open in the Menu at Dog Lane Café Will Be Modeled Storrs, CT Later This Year
Entertainment & Stuff Pomfret, Connecticut ® “To Bean or not to Bean...?” #63 Volume 16 Number 2 April - June 2012 Free* More News About - Dog Lane Café @ Storrs Center og Lane Café is scheduled to open in The menu at Dog Lane Café will be modeled Storrs, CT later this year. Currently, we are after The Vanilla Bean Café, drawing on influ- D actively engaged in the design and devel- ences from Panera Bread, Starbucks and Au Bon opment of our newest sister restaurant. Our Pain. Dog Lane Café will not be a second VBC kitchen layout and logo graphic design are final- but will have much of the same appeal. The ized. One Dog Lane is a brand new build- breakfast menu will consist of made to ing and our corner location has order omelets and breakfast sand- plenty of windows and a southwest- wiches as well as fresh fruit, ern exposure. Patios on both sides muffins, bagels, croissants, yogurt will offer additional outdoor seating. and other healthy selections to go. Our interior design incorporates Regular menu items served through- wood tones and warm hues for the out the day will include sandwiches, creation of a warm and inviting salads, and soups. Grilled chicken, atmosphere. Artistic style will be the hamburgers, hot dogs and vegetarian highlight of our interior space with options will be served daily along with design and installation by JP Jacquet. His art- chili, chowder and a variety of soups, work is also featured in The Vanilla Bean Café - a desserts and bakery items. Beverage choices will four panel installation in the main dining room - include smoothies, Hosmer Mountain Soda, cof- and in 85 Main throughout the design of the bar fee and tea. -
JACK HARDY ! October 16- Workshop and Concert
Connecticut Newsletter of the ConnecticutSongsmith Songwriters Association October 2004 Volume XXV Number 10 Issue #299 CSA is an educational, non-profit organization dedicated to Combining Arts, improving the art and craft of original musical and lyrical composition. Education, and Serving music's artisans and craftsmen since 1979. Community Outreach 1979 - 2004 :25 Years of Combining Arts, Education, and Community Outreach FROM NYC : JACK HARDY ! October 16- Workshop and Concert The CSA meeting for October will be held on .To participate in the critique session, bring a song SATURDAY October 16, 1pm at the Mystic on cassette or CD (or do it live), with 40 copies of Chamber of Commerce Conference Room. typed lyric sheets, and receive constructive (directions on page 2) feedback. Critique sessions are a good forum for works in progress or rough demos. For best From New York City, CSA is pleased to bring feedback, note on your lyric sheets the intended you one of today's songwriting legends, Jack genre and audience for your song, and what your Hardy. Jack is known around the world as both goals are (i.e. picked up by a commercial artist, a singer-songwriter, and as a mentor to aspiring self-produce, etc.). The programs at regular CSA songwriters, having taught such greats as monthly meetings are free to members, $5 to Suzanne Vega, Shaun Colvin, David Massengill, non-members, applicable toward membership if and many more. you join within 30 days. Members are encouraged For complete information and bio on Jack, you to bring a friend who might be interested in what can visit his website at www.jackhardy. -
W W W . J a S O N S P O O N E R . C
Has shared stages with: The ingredients behind northern New England’s Jason Spooner Trio Brandi Carlile read like a bizarre musical science experiment. Start with a prolific, Peter Rowan singer/songwriter (Jason Spooner) with heavy roots, folk & blues Railroad Earth influences. Then mix in a classicly-trained bassist (Adam Frederick) with Colin Hay 2007 Winner foundations in jazz and a knack for serious pocket grooves. Lastly, shake Mountain Stage NewSong Willy Porter things up with a rock-solid drummer (Reed Chambers) with deep- Contest International Finals John Gorka seeded roots in funk, soul & reggae and you’ve begun to scratch the Tom Rush surface of this unique, energetic band. Ron Sexsmith Josh Ritter In recent news, Jason and the band confirmed bookings for main stage Stephen Kellogg performances at the 2008 Kerrville Folk Festival (TX), the 2008 Carbon Leaf Falcon Ridge Folk Festival (NY), 2008 Musikfest (PA), the 2008 2007 National Finalist The Wailin’ Jennys Boston Folk Festvial (MA), and the 2008 Prescott Park Festival (NH). Starbucks Music Makers Competition Chris Smither Jason also opened a New England show for songwriter Brandi Carlile Crooked Still during the summer of 2008. Jason won the 2007 Mountain Stage Janis Ian NewSong contest international finals at the South Street Sea Port in Eliza Gilkyson New York City. He was also a national finalist in the 2007 Starbucks Music Kelly Joe Phelps Makers Competition. He toured the East Coast in the Spring of 2006 as Peter Tork part of the Emerging Artist Showcase at the 2005 Falcon Ridge Folk 2006 Preview Tour Slaid Cleaves Festival in Hillsdale, NY. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
Pieta Brown in Concert
Rootstalk | Volume IV, Issue 2, Spring 2018 Pieta Brown in Concert BY KELLY HANSEN MAHER usically as well as figuratively, Iowa-born Msinger-songwriter, Pieta Brown (https:// www.pietabrown.com) honors the long sustain—a fact which was amply evidenced by her sold-out fall 2017 performance in the Grinnell (Iowa) Area Arts Council’s (https://www.grinnellarts.org) gallery space, backed by Grammy-award winning guitarist Bo Ramsey (https:// www.boramsey.com). Her layered refrains make for a straightforward but lush musical atmosphere that re- calls traditional folk and blues, while her strong yet PHOTO COURTESY OF KELLY HANSEN MAHER breathy vocals run more indie and alt-country. It’s an Kelly Hansen Maher (https://www.kelly- infectious blend that ably supports Brown’s clear sense hansenmaher.com/books) lives in Grinnell, of tradition and place. Put another way, her music epit- Iowa, and is the author of one collection of omizes contemporary Middle-America songwriting. poetry, Tremolo (Tinderbox Editions, 2016; Watching her play, I found myself watching her fin- http://www.tinderboxeditions.org/on-line- gers on the guitar neck at the end of each song. On each store/Tremolo-p61897419). Her work has song ending, she pressed the strings and gently waved appeared in Briar Cliff Review (http:// the neck, drawing the final sound out in a reverent, last- www.bcreview.org), New Orleans Review ing fade. This impression of that night has stayed with (http://www.neworleansreview.org), and me: that resonant, purposeful close, which was really an elsewhere. Kelly teaches creative writing in intention to remain. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
At a Glance Concert Schedule
At A Glance Concert Schedule SC- Supper Club CH- Concert Hall MB- Music Box Full Venue RT- Rooftop Deck RF- Riverfront Porch PDR- Private Dining Room Wed 11/1 CH Paul Thorn Hammer & Nail 20th Anniversary Tour (Tickets) Thu 11/2 SC Johnny Cash Tribute by The Cold Hard Cash Show Spreading the great word and music of The Man in Black, Johnny Cash! (Tickets) Fri 11/3 CH Kevin Griffin of Better Than Ezra Singer, Guitarist, Alt-Rock Frontman (Tickets) Fri 11/3 SC Hey Mavis Northeast Ohio’s Favorite Americana Folk Rock Band (View Page) Sat 11/4 SC Sugar Blue "One of the foremost harmonica players of our time" - Rolling Stone (Tickets) Sun 11/5 SC Crosby, Stills, Nash & Young Brunch Featuring Long Time Gone (View Page) Sun 11/5 CH Elizabeth Cook Outlaw Country Songstress (Tickets) Mon 11/6 CH Lucinda Williams ~ This Sweet Old World 1st set This Sweet Old World, 2nd set Hits & Favorites (View Page) Wed 11/8 SC Strange Tales From Ohio History – Neil Zurcher Cleveland Stories Dinner Parties (View Page) Wed 11/8 CH Tom Rush Blues-Influenced Folk Rocker and Songwriter (Tickets) Fri 11/10 SC Motown & More with Nitebridge Enjoy the jumpin' sounds of your favorite classic hits! (View Page) Fri 11/10 CH Neil Young Tribute by Broken Arrow Spot on rendition of Neil Young hits and standards (Tickets) Sun 11/12 SC Beatles Brunch With The Sunrise Jones (Tickets) Mon 11/13 CH Science Café – Beyond 0’s and 1’s: Using Chemical-Based Memory Devices for Large Scale Data Storage Talk Science, Drink Beer (View Page) Tue 11/14 CH The Electric Strawbs Electric Show -
John Gorka Interview
A Conversation with John Gorka Frank Goodman (Puremusic 3/2001) John Gorka’s career as a singer songwriter appears charmed, filled with good breaks and good luck. It brings to mind what a friend of mine says: “The harder I work, the luckier I get.” Anyone who knows John Gorka will tell you that he’s been after it relentlessly since the mid-80s, and has clearly risen to the top of the field. After cutting his teeth at a great listening room in eastern PA called Godfrey Daniels and becoming a regular in Jack Hardy’s Fast Folk crowd in NYC, he got off to a flying start when Red House Records and Fleming Tamulevitch & Associates booking picked him up simultaneously in 1987. FTA are the agents that veritably control the folk world, and Red House one of the most distinguished and coveted labels. John plays up to 150 shows a year at every venue that books singer songwriters, and has earned a fan base that will probably sustain his career the rest of his natural life, along with the new believers each year brings. After two records with Red House, John made five with Windham Hill’s High Street Records, all to critical acclaim. In search of a more art, less commerce approach to his music, Gorka’s happily back with his original label on the last two records. His latest pearl is called The Company You Keep. The most important company he’s keeping these days are his wife and two kids outside of St. Paul, MN, and I hear them featured in spirit throughout. -
The Local 518 Music (And More) Report 2018 – Quarter 1
The Local 518 Music (and More) Report 2018 – Quarter 1 This report covers the time period of January 1st to Rock / Pop March 31st, 2017. We inadvertently missed a few before Ampevene - "Valencia (Radio Edit)" (single track) | that time period, which were brought to our attention "Ephemagoria" [progressive rock] Albany by fans, bands & others. The missing is listed at the end. Balcony - "Canvas" | "Blind" (single tracks) [pop rock] RECORDINGS: Saratoga Springs Hard Rock / Metal / Punk Boo Fookin' Radley (BFR) - "Freedom of Thought" (EP) Arch Fiends - "Love Is Like a Homicide" | "Prisoners" [alt pop rock] Saratoga Springs/Stony Brook (single tracks) [horror punk] Glens Falls Brad Whiting and The Cadillac Souls - "Six-Wire" | "No Blind Threat - "Everyone's a Killer" [hardcore metal] 2nd Chances" (single tracks) [blues rock] Glenmont Albany Caramel Snow - "Are You Unreal?" (EP) | "Happy Candy Ambulance - "Spray" [alt grunge rock] Saratoga Birthday (Happy New Year" to "Are You Unreal?" (single tracks) [shoegaze dreampop] Delmar Cats Don’t Have Souls - "Twenty four days of scaring the neighbors with devil music" | "Cats Don't Have Souls" David Tyo - "Oh, Life" (single) [acoustic pop] Saratoga [alt post punk prog rock] Albany Springs Che Guevara T-Shirt - "Seven Out, Pay the Don'ts" [post- Girl Blue - "Lolita" (single) [alt soul pop] Albany punk rock] Albany Great Mutations - "Live at the Tang" | "Already Dead" Kardia - "Metamorphosis" (single track) [melodic hard (single track) [psych pop baroque rock] Troy rock] Pittsfield, MA Julia Gargano -
Record Eagle Grandtraverse.Org, Or Call the a Recent Phone Interview and in a Minneapolis John Gorka Plays Inside out Gallery Saturday Senior Center at 922-4911
O R C H ESTRA T R A V E R S E C I T Y R E C O R D - E A G L E S E C T I O N C Going places ARTS&ENTERTAINMENT Friday, February 6, 2015 [email protected] FROM STAFF REPORTS TRAVERSE CITY — The In- ARTS terlochen Arts Academy Or- chestra is hitting the road. The orchestra, already tapped to appear on an all- Interlochen “From the Top” to be broadcast by National TC hailed ‘art hotbed’ Public Radio in April, will perform May 9 with French Expert: The ranking key-based Crooked Tree Arts Cen- northwest lower Michigan where earn the highest available ranking pianist Alexandre Tharaud ter which recently merged with researchers collected data, a in the “arts dollars” category. at The Berman Center for could be higher ArtsCenter Traverse City. “We do reflection of census data about Both Ahrens and the study the Performing Arts in West accomplish quite a bit up here.” the metropolitan area supplied to pointed to Interlochen Center for Bloomfield. BY NATHAN PAYNE Southern Methodist University’s researchers, Giraud Voss said. the Arts as a major contributor to [email protected] In 2016 the orchestra will National Center for Arts Re- The group produced the report the high ranking. play at the NY Phil Biennial, TRAVERSE CITY — Traverse search slotted the Traverse City in hopes of helping local arts “Interlochen is a $30 million (per the New York Philharmonic’s City is the only place in Michi- area in at 20 on its “arts vibrancy organization directors learn more year) organization,” Ahrens said. -
Everett Rock Band/Musician List "GH"
Everett Rock Band/Musician List "G-H" Last Update: 6/28/2020 "G-H" List for Bands/Musicians Genre* From & Genre a Gamble in the Litter F I Mukilteo Minimalist / Folk / Indie G2 RB S H IL R&B/Soul / rap / hip hop Gabe Mintz I R A Seattle Indie / Rock / Acoustic Gabe Rozzell/Decency F C Gabe Rozzell and The Decency Portland Folk / Country Gabriel Kahane P Brooklyn, NY Pop Gabriel Mintz I Seattle Indie Gabriel Teodros H Rp S S Seattle/Brooklyn NY Hip Hop / Rap / Soul Gabriel The marine I Long Island Indie Gabriel WolfChild SS F A Olympia Singer Songwriter / folk / Acoustic Gaby Moreno Al S A North Hollywood, CA Alternative / Soul / Acoustic Gackstatter R Fk Seattle Rock / Funk Gadjo Gypsies J Sw A Bellingham Jazz / Swing / Acoustic GadZooks P Pk Seattle Pop Pk Gaelic Storm W Ce A R Nashville, TN World / Celtic / Acoustic Rock Gail Pettis J Sw Seattle Jazz / Swing Galapagos Band Pr R Ex Bellingham progressive/experimental rock Galaxy R Seattle Rock Gallery of Souls CR Lake Stevens Rock / Powerpop / Classic Rock Gallowglass Ce F A Bellingham traditional folk and Irish tunes Gallowmaker DM Pk Bellingham Deathrock/Surf Punk Gallows Hymn Pr F M Bellingham Progressive Folk Metal Gallus Brothers C B Bellingham's Country / Blues / Death Metal Galperin R New York City bossa nova rock GAMBLERS MARK Sf Ry El Monte CA Psychobilly / Rockabilly / Surf Games Of Slaughter M Shelton Death Metal / Metal GammaJet Al R Seattle Alternative / Rock gannGGreen H RB Kent Hip Hop / R&B Garage Heroes B G R Poulsbo Blues / Garage / Rock Garage Voice I R Seattle's Indie